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Like A Lover - Bass
Choral SATB
Sheetmusic to print
8 sheet music found
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1
It Was a Lover and His Lasse
Choral SATB
SATB chorus - Digital Download SKU: BJ.1248 Composed by Thomas Morley. Arranged by …
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SATB chorus - Digital Download SKU: BJ.1248 Composed by Thomas Morley. Arranged by Mikael Paulsson. Octavo. 4 pages. Bo Ejeby Forlag - Digital #1248. Published by Bo Ejeby Forlag - Digital (BJ.1248). 8.27 x 11.7 inches.Thomas Morley’s famous song from The First Booke of Ayres (1600) is well suited for choral singing in this arrangement by Mikael Paulsson, editor of our Michaeli Early Music Series. The lyrics come from William Shakespeare’s play As You Like It.
$2.00
1.84 €
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Choral SATB
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Thomas Morley
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It Was a Lover and His Lasse
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
A Thousand Years
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.984176 By Christina Perri.…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.984176 By Christina Perri. By Christina Perri and David Hodges. Arranged by Deb Jones. Pop. Octavo. 10 pages. Deb Jones #4718161. Published by Deb Jones (A0.984176). A Thousand Years This beautiful song written by Christina Perri and David Hodges for ‘The Twilight Saga’ came to symbolise, for fans, the troubled romance of Bella and Edward. Haunting background harmonies in places evoke a sense of distance between the lovers despite their closeness. Ghost-like vocalisations and single lyric at the end attempt to capture the gorgeous strings from the original soundtrack and leave a sense that the waiting continues. Formats available: SSAA with piano SSBB with piano SATB with piano Duet with piano
$1.99
1.83 €
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Choral SATB
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Christina Perri
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A Thousand Years
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Deb Jones
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SheetMusicPlus
The Maid of Culmore
Choral SATB
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1291813 Comp…
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1291813 Composed by Traditional Irish. Arranged by Kevin Whyms. Celtic,Irish,Traditional. 14 pages. Seolta Music Limited #882425. Published by Seolta Music Limited (A0.1291813). Like many great Irish love songs, The Maid of Culmore tells the story of man longing for his absent lover, who has ‘sailed out of Ireland away from Culmore’. He is so forlorn that he wishes a storm would prevent her from emigrating. He searches for her far and wide and his journey leads him to America, where he vows to wander like a pilgrim in search of his love.Kevin Whyms has arranged this piece for tenor solo and SATB choir divisi with guitar accompaniment which may also be performed on the piano.To explore all choral titles in College Choral Series please click here.
$2.50
2.3 €
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Choral SATB
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Traditional Irish
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The Maid of Culmore
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Seolta Music Limited
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SheetMusicPlus
La Mort des Amants
Choral SATB
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.1009570 Composed by RKSou…
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.1009570 Composed by RKSouza. Contemporary,Wedding. Octavo. 7 pages. RKSouza #2011163. Published by RKSouza (A0.1009570). La Mort des Amants, for SATB div., is a piece composed for the French poem La Mort des Amants by Charles Baudelaire, a poem which answers the prompt of a lover telling her love I'm scared of this love, to which the poet replies We will have great memories, and our love will be like mirrors and flames, a constant connection of life and happiness. But there will come a time when you will die, and slowly but surely, my mirror will tarnish and my flame will die away. But at that moment, when my mirror is completely tarnished and my flame is nothing but ashes, an angel will swoop me up and bring me back to you. This piece's suspensions represent the flames, while the constant passing of motifs represent the mirrors. I urge you to enjoy singing this piece.
$5.35
4.93 €
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Choral SATB
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RKSouza
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La Mort des Amants
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RKSouza
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SheetMusicPlus
Me!
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.500706 By Taylor Swift. By…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.500706 By Taylor Swift. By Brendon Urie, Joel Little, and Taylor Swift. Arranged by G. M. Morley. A Cappella,Pop. Octavo. 13 pages. G. M. Morley #5296523. Published by G. M. Morley (A0.500706). This four part a cappella arrangement of Taylor Swift and Brendon Urie's song, Me! from Swift's 2019 album, Lover, requires a bit of vocal acrobatics. If your singers can handle octave leaps then this version of the song should be a welcome addition to the repertoire for weddings and pop or community choir performances.Given Swift and Urie’s stance on gender equality I have included some suggestions for alternative lyrics in places where either a gender neutral term or the opposite gender might be preferable to the one in the original lyrics depending on the social occasion the song is being performed in.If you would like to contact me about this arrangement or would like to request something specific, please message me via my page: https://www.facebook.com/GMMorleyMusic/ If you perform this piece, I'd love to hear from you.
$3.00
2.77 €
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Choral SATB
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Taylor Swift
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Me!
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G. M. Morley
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SheetMusicPlus
How heavy lies the heart
Choral SATB
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1094371 Comp…
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1094371 Composed by David Rain. Arranged by David Rain. A Cappella,Classical,Contemporary,Renaissance. 6 pages. David Rain, Choral Composer #698441. Published by David Rain, Choral Composer (A0.1094371). “How heavy lies the heart†has drawn inspiration from the traditional French Christmas carol, “Quelle est cette odeur agréableâ€, which John Gay also set as a boisterous drinking song in the Beggar’s Opera, “Fill every glass, for wine inspires us!†The song also draws inspiration from Josquin’s Missa Pange Lingua. I dedicate this piece to my friends in the composer/singer collective, the Ad hoc Chorale, who tested out this piece in one of our informal workshops and offered valuable comments. Optional endings. Note that choirs have been given the option to choose which of the 3 endings they would like to sing, depending on how they feel the “story line†in the song should best reach its conclusion: (1) The “happy†ending appears to indicate that the narrator has been reunited with the friend or lover who departed. (2) The “less happy†ending plants a seed of doubt that no such reunion has happened; it may be in the narrator’s head. (3) The “even less happy†ending leaves listeners in even more doubt. NB: One day I woke up to the realization that I had independently written four choral works, each of which had evoked a different season, and so it seemed natural to group them together into a choral suite that I have called The Ottawa Four Seasons Suite. “How heavy lies the heart†seemed to work perfectly as the musical representative of an autumnal spirit.
$2.00
1.84 €
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Choral SATB
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David Rain
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How heavy lies the heart
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David Rain, Choral Composer
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SheetMusicPlus
Three Latin Elegies to Lesbia
Choral SATB
Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Cen…
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Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.<br> <br> Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.<br> <br> Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:<br> <br> Lesbia keeps insulting me in front of her husband:<br> <br> thisfills the fatuous idiot with delight.<br> <br> Mule, doyou perceive nothing? If she shut up and ignored me<br> <br> that’dshow healthy indifference;…<br> <br> In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.<br> <br> Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
$4.99
4.6 €
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Choral SATB
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
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