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Choral SATB
Sheetmusic to print
5 sheet music found
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1
Mea Lesbia
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.864429 Composed by Mark D.…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.864429 Composed by Mark D. Templeton. Contemporary. Octavo. 8 pages. Mark Templeton Choral Music #2098371. Published by Mark Templeton Choral Music (A0.864429). Mea Lesbia, commonly known as Catullus 87, consists of two elegiac couplets written by Gaius Valerius Catullus (84 - 54 B.C.E) for his lover, Lesbia. Catullus was only one of Lesbia’s many lovers, and he often wrote of his jealousy and disdain for her unfaithful actions. This elegy was written at a time when Lesbia had been particularly cruel toward Catullus. Despite being broken hearted, his obsession with her never waned. In his despair and desperation, he basically says, My love for you is so great that no other woman could possibly even know what love is..
$2.00
1.8 €
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Choral SATB
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Mark D
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Mea Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
The Mystery (Downloadable)
Choral SATB
SATB choir and Piano - Medium - Digital Download SKU: MQ.8804-E Composed by Stephen…
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SATB choir and Piano - Medium - Digital Download SKU: MQ.8804-E Composed by Stephen Chatman. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #8804-E. Published by E. C. Schirmer Music Company - Digital (MQ.8804-E). English.Sara Teasdale’s poem, The Mystery, depicts deep lasting love - “Your eyes drink of me†and “We have long been loversâ€. It also raises a question - “Can I ever know you / Or you know me?†Stephen Chatman’s expressive setting begins with a unison melody, supported by modulating harmonies in the piano accompaniment, and evolves toward four-part voices. The middle section, featuring rising vocal lines in imitative counterpoint, precedes a return to the initial melody. One of a set of six of Teasdale's love songs.
$2.65
2.38 €
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Choral SATB
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Stephen Chatman
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The Mystery
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Ode on a Grecian Urn
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.972962 Composed by John W.…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.972962 Composed by John W. Fisher. Romantic Period. Octavo. 10 pages. John Fisher #3572281. Published by John Fisher (A0.972962). John Keats wrote Ode on a Grecian Urn in 1819 during the Romantic period. This setting of the most important phrases is written for four part chorus and piano accompaniment in the Romantic style fitting the poem very well. Beauty is Truth - Truth Beauty for that is all ye need to know on earth plus a melodic description of two ceramic lovers trapped for all time on the side of a vase is well illustrated musically in this piece you should add to your repertoire.
$4.50
4.05 €
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Choral SATB
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John W
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Ode on a Grecian Urn
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John Fisher
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SheetMusicPlus
Hernando's Hideaway
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1258745 Composed by Jerry …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1258745 Composed by Jerry Ross and Richard Adler. Arranged by Solveig Harris. A Cappella,Barbershop,Broadway,Comedy,Latin,Musical/Show. Octavo. 4 pages. Solveig Harris #852004. Published by Solveig Harris (A0.1258745). This sultry tango describes a private club where lovers can meet for a secret rendezvous. The singers imitate pizzicato strings to give a stealthy feel, and the central swaying section picks up on the passion of the lovers in their romantic tango. Look out for snatches of other well known tangos in the final section.
$1.99
1.79 €
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Choral SATB
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Jerry Ross and Richard Adler
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Hernando's Hideaway
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Solveig Harris
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SheetMusicPlus
Three Latin Elegies to Lesbia
Choral SATB
Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Cen…
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Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.<br> <br> Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.<br> <br> Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:<br> <br> Lesbia keeps insulting me in front of her husband:<br> <br> thisfills the fatuous idiot with delight.<br> <br> Mule, doyou perceive nothing? If she shut up and ignored me<br> <br> that’dshow healthy indifference;…<br> <br> In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.<br> <br> Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
$4.99
4.49 €
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Choral SATB
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
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