Download Digital Sheet Music of Miss A for Choral SATB

Miss A
Choral SATB

I Don't Want To Miss A Thing

I Don't Want To Miss A Thing Choral SATB

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1277607 By Aerosmith. By D…(+)

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1277607 By Aerosmith. By Diane Warren. Arranged by Jeffrey Bowen. Contest,Festival,Film/TV,Pop,Rock. Octavo. 13 pages. Music Arrangement Services Inc. #869285. Published by Music Arrangement Services Inc. (A0.1277607). Performed by Aerosmith from the Touchstone Picture â€œArmageddonâ€. Â This song is about not wanting to miss anything about the one they love. Â The song refers to staying awake, sleeping, dreaming, sweet surrender, not missing anything, heart beating, forever, kissing. Â This arrangement includes an a cappella vocal feature and is designed for high school or college show choir, concert choir or community choir. Â Concert Band Score accompaniment also available. Â Performance time is approximately 3:50.
$3.99 3.66 € #Choral SATB #Aerosmith #I Don't Want To Miss A Thing #Music Arrangement Services Inc. #SheetMusicPlus

#I Don't Want To Miss A Thing

I Don't Want To Miss A Thing Choral SATB

Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1456559 By Aer…(+)

Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1456559 By Aerosmith. By Diane Warren. Arranged by Dan Wessler. A Cappella,Barbershop,Film/TV,Rock. 6 pages. Dan Wessler #1035635. Published by Dan Wessler (A0.1456559). Mixed barbershop arrangement of I Don't Want To Miss A Thing by Dan Wessler.
$2.50 2.3 € #Choral SATB #Aerosmith #I Don't Want To Miss A Thing #Dan Wessler #SheetMusicPlus

Palestrina-Missa O Regem cœli,from 'Missarum liber primus(Missarum,Liber 1)',P 655-659 No.2,for A Ca

#Palestrina-Missa O Regem cœli,from 'Missarum liber primus(Missarum,Liber 1)',P 655-659 No.2,for A Ca

Missa Solemnis, op. 27 (vocal score)

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the â€žFilioqueâ€ (which would still fit the rhythm of the repeated â€žqui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a â€žliturgical oratorio for all nationsâ€, more appropriate in the concert hall.Â The work has had a long gestation: imagined in 1984 after the composerâ€™s first contact with Beethovenâ€™s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the Â King of Kings), â€žrex caelestisâ€ and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the â€žanabasisâ€ gesture at â€žGloria in excelsis Deoâ€, â€žet ascendit in caelisâ€, â€žin remissionem peccatorumâ€ and the resurrection, a flute trill standing for the Holy Spirit who has come â€™like a doveâ€™ at â€žet incarnatus estâ€, a cross-shaped texture at â€žcrucifixusâ€, and some word-painting (hushed sonorities at â€žet invisibiliumâ€, anticipations between orchestra and chorus at â€žet exspectoâ€ etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit).Â â€žKyrieâ€ is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrinaâ€™s serene modality and counterpoint. â€žGloriaâ€ begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. â€žCredoâ€ has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn â€žPange linguaâ€, made famous by Mozartâ€™s last symphony and by other Classical composers. Both â€žGloriaâ€ and â€žCredoâ€ end with extended, powerful and elaborate fugues (â€žin gloria Dei Patrisâ€ and â€žet vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the wordsâ€™ accents, a la Stravinsky. The same sections plus â€žAgnus Deiâ€ end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of â€žSanctusâ€). â€žJudicareâ€ quotes the beginning of the well-known â€žDies iraeâ€ plainchant tune, and the Consecration between the â€žSanctusâ€ and â€žBenedictusâ€ sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens â€žAgnus Deiâ€, which includes another quotation (the famous â€™Dresden Amenâ€™ at â€žqui tollis peccata mundiâ€ and â€ždona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the â€žKyrie eleisonâ€ theme is briefly remembered, then it ends softly and peacefully.Â Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.

#Missa Solemnis, op. 27

Missing Light Choral SATB

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1272477 Composed by Julie …(+)

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1272477 Composed by Julie Thomas. Contemporary,Contest,Festival. Octavo. 5 pages. Julie Thomas #864702. Published by Julie Thomas (A0.1272477). Written in memory of Jen Johnson, beloved teacher, coach, mother, and friend. The text, written by Michelle Allison, speaks to the untimely, unexpected death of Jen. A moving and powerful tribute to those we miss and grieve.
$1.99 1.83 € #Choral SATB #Julie Thomas #Missing Light #Julie Thomas #SheetMusicPlus

Missa Pro Defunctis (2018) for SATB (single voices) and chamber ensemble.

Missa Pro Defunctis (2018) for SATB (single voices) and chamber ensemble. Choral SATB

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.869578 Composed by Thomas …(+)

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.869578 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Octavo. 145 pages. Thomas Oboe Lee #3581845. Published by Thomas Oboe Lee (A0.869578). The inspiration for my Missa Pro Defunctis (2018) was FaurÃ©'s Requiem in which he ignored the fire and brimstone text of the Dies irae and Tuba mirum in the Sequence of the Requiem Mass. And consequently he created a work that is peaceful, tranquil and uplifting. I'd like to think of death in that way.So, I proceeded by taking the exact text that FaurÃ© used in his work, and instead of a large chorus and full orchestra I decided to do a chamber version. It is scored for SATB (single voices), flute, clarinet, string quartet, double bass and harp.The movements, as in the FaurÃ©, are:1. Introit and Requiem2. Offertory3. Santus 4. Pie Jesu5. Agnus Dei6. Libera me7. In paradisumThe entire work has a duration of ca. 29 minutes.Missa Pro Defunctis (2018) is dedicated to the residents in the Protestant Cemetery in Rome.Audio link: https://thomasoboelee.bandcamp.com/album/missa-pro-defunctis-2018YouTube link: https://youtu.be/E5b3Ud2tV_4
$9.99 9.18 € #Choral SATB #Thomas Oboe Lee #Missa Pro Defunctis #Thomas Oboe Lee #SheetMusicPlus

#Missa Pro Defunctis

missa brevis no. 1 (full score and parts)

missa brevis no. 1 (full score and parts) Choral SATB

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.885579 Composed by Michael…(+)

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.885579 Composed by Michael E. Ekbladh. Christian,Contemporary,Jazz,Sacred. Octavo. 61 pages. Michael E. Ekbladh #2027205. Published by Michael E. Ekbladh (A0.885579). FULL SCORE for missa brevis no. 1 (MEE9500MB1) missa brevis no. 1 is more than an expression of faith, it is a teaching work. With the utilization of rounds, rhythms, passacaglia, imitative counterpoint, jazz, drums, and more; accessible to all levels of singers. From the soaring jazz soprano solo in Gloria to the lush romantic conclusion of the Agnus Dei, this 13 minute mass can be performed with piano alone or with the addition of a woodwind quartet and percussion. With the addition of online teaching resources, missa brevis no. 1 will soon become a staple in your choirâ€™s repertoire.
$25.00 22.96 € #Choral SATB #Michael E #missa brevis no. 1 #Michael E. Ekbladh #SheetMusicPlus

#missa brevis no. 1

Missa Millennia in Honor of St. Francis (SATB)

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curtis Hanson (A0.719523). The Missa Millennia was composed during the spring of 2000 and premiered the following November by the choirs of the John Duss Music Conservatory, Duluth, MN. Scored for a chamber orchestra of strings, keyboard, and solo oboe (full score and instrumental parts available separately), the work is not so much a celebration of the new millennium as it is an assimilation of many of the musical styles, characteristics, and forms of the previous thousand years. The entire piece is in the form of the traditional Mass, a musical form having its origins in the Middle Ages, and is divided into the five movements commonly found in the Mass Ordinary: Kyrie (Lord, have mercy), Gloria (Glory to God in the highest), Credo (the Nicene Creed), Sanctus â€“ Benedictus (Holy, holy, holy â€“ Blessed is he who comes in the name of the Lord), and Agnus Dei (Lamb of God). In the final movement, the Prayer of St. Francis of Assisi (Lord, make me an instrument of thy peace) concludes the work. Although the Missa Millennia as a whole is distinctly contemporary, elements from many earlier musical periods are incorporated into the movements. These include chant, open fifth and parallel fifth harmonic movement (organum), and canonic imitation from the Middle Ages and Renaissance; fugue, word-painting, terraced dynamics, ostinato (a repeated rhythmic or bass accompaniment), Alberti bass accompaniment figures, ABA form, and dominant-tonic harmonic relationships typical of Baroque and Classical music to name but a few. Other significant features are the usage of non-Western modality in the plaintive solo oboe and of pedal point, a sustained tone in the bass over which the melody and harmony evolve. Pedal point, a compositional tool used throughout music history, dates from the Middle Ages about the time of St. Francis. Although not directly based upon the music of any composer, the astute listener may hear musical ideas reminiscent of Vivaldi, Vaughan Williams, Respighi, DuruflÃ©, and others. In the audio file, the 2nd movement (Gloria) can be found at approximately 6'25, the 3rd movement (Credo) at 12'05, the 4th movement (Sanctus) at 21'15, and the final movement (Agnus Dei) at 31'05. The complete Mass is approximately 43 minutes long.

#Missa Millennia in Honor of St. Francis