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Choral SATB
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176
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Choral SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.36 €
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Choral SATB
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
20 Rhythm Reading Examples (Intermediate Middle School - High School)
Choral SATB
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.883698 Composed by Matthe…
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.883698 Composed by Matthew Gawronski. Instructional. Octavo. 7 pages. Matthew Gawronski #3628803. Published by Matthew Gawronski (A0.883698). This PDF packet features 7 pages of 20 different rhythm examples, organized from simple to more advanced rhythms (quarter note thru sixteenth notes), perfect for an intermediate middle school level all the way through high school choir!
$3.99
3.73 €
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Choral SATB
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Matthew Gawronski
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20 Rhythm Reading Examples
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Matthew Gawronski
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SheetMusicPlus
Ain't Got Rhythm
Choral SATB
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1251811 Composed by…
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1251811 Composed by Dan Povenmire, Danny Jacob, Jeff Swampy Marsh, Martin Olson, and Robert Hughes. Arranged by Byron Bemo Myers II and Christopher Alexander. Film/TV,Funk. 20 pages. Christopher Alexander #846029. Published by Christopher Alexander (A0.1251811). NEW GENERATION CHORAL SERIESThis groovy song from the hit Disney® TV series Phineas and Ferb will have your singers and audiences dancing in the aisles at your next performance.  In the episode, the school librarian (a former rock band drummer) argues he is not able to make music anymore unbeknowningly rapping and creating a stomp-like rhythm groove, inspiring the students in the library to erupt into excited mayhem.  This message of hope and changing one’s self view should be the focus of your singers…and having fun!
$2.25
2.1 €
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Choral SATB
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Dan Povenmire, Danny Jacob, Jeff Swampy Marsh, Martin Olson, and Robert Hughes
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Ain't Got Rhythm
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Christopher Alexander
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SheetMusicPlus
Fascinating Rhythm
Choral SATB
Chorus - Digital Download SKU: AX.00-PO-0001696 Fascinating Rhythm - SATB. C…
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Chorus - Digital Download SKU: AX.00-PO-0001696 Fascinating Rhythm - SATB. Composed by George Gershwin and Ira Gershwin. Arranged by Mark Hayes. Choral. 11 pages. Alfred Music - Digital Sheet Music #00-PO-0001696. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0001696). UPC: 038081445731.First introduced in the Broadway musical Lady Be Good, this Gershwin hit has been covered by Rosemary Clooney, Michael Feinstein, The Four Tops, and many more. Mark's exciting arrangement effectively includes everything from Latin rhythm to Swing!Inst. Parts Available (choral); Recorded Acc. Available.
$2.10
1.96 €
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Choral SATB
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George Gershwin and Ira Gershwin
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Recorded Acc. Available.
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Fascinating Rhythm
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
One More Time Chuck Corea – Gene Puerling – SSATBB A Cappella
Choral SATB
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1093534 By The Sing…
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1093534 By The Singers Unlimited. By Gene Puerling. Arranged by Gene Puerling. A Cappella,Contemporary,Jazz. Octavo. 11 pages. University of North Texas - Gene Puerling Collection #697595. Published by University of North Texas - Gene Puerling Collection (A0.1093534). This wordless, instrumentally-inspired piece was composed in May 1979 by Gene Puerling and recorded by The Singers Unlimited on their album “A Cappella III†(and contained in the “Magic Voices†box set). This is NOT a transcription, but an authentic edition created from the handwritten manuscript of Gene Puerling. The influence of Chick Corea is found in the simple repetitive harmonies and driving rhythms. Two vocalists are featured melodically throughout the piece (with melodic line inspired by Chuck Mangione, thus the mash-up name in the title!), with up to six parts in the ensemble vocal parts. More accessible than many other Puerling charts, this piece gives lots of opportunity to work on ensemble tuning and rhythmic vitality! (Level IV) [Note: The YouTube link below takes you to someone else's post of this copyrighted recording. We do not own the rights to it, it's simply provided for reference, but obviously any serious musician or student will purchase the recording legally!].
$7.50
7.02 €
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Choral SATB
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The Singers Unlimited
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One More Time Chuck Corea – Gene Puerling – SSATBB A Cappella
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University of North Texas - Gene Puerling Collection
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SheetMusicPlus
Sing Once More!
Choral SATB
Choir Sacred (SATB choir) - Grade 2 - Digital Download SKU: JX.00-BSC9939 Composed …
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Choir Sacred (SATB choir) - Grade 2 - Digital Download SKU: JX.00-BSC9939 Composed by Greg Gilpin. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Belwin Sacred Choral Series. Sacred. Choral Octavo. 8 pages. Jubilate Music Group - Digital #00-BSC9939. Published by Jubilate Music Group - Digital (JX.00-BSC9939). English.Your choirs will love this one! This lively new work from the talented Greg Gilpin has a Celtic flavor in its rhythmic bounce. Gilpin's anthem literally encourages the Scriptures to dance off the page. An optional C-instrument part is included in the score, which may be played by violin or flute or (for authentic Celtic flavor) both together! Choirs will want to sing Sing Once More! more than once! A winner!
$2.25
2.1 €
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Choral SATB
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Greg Gilpin
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Choral Octavo
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Sing Once More!
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Jubilate Music Group - Digital
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SheetMusicPlus
There's Got To Be More Love
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.903657 Composed by Glenn C…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.903657 Composed by Glenn Calcote. Jazz,World. Octavo. 9 pages. Glenn Calcote #6418897. Published by Glenn Calcote (A0.903657). THERE'S GOT O BE MORE LOVE is a fast, rhythmic choral piece for youth choir or an older young at heart choir. Written for SATB choir with unison speaking section. There is an accompaniment track available for this song here at SMP Press.
$3.99
3.73 €
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Choral SATB
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Glenn Calcote
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There's Got To Be More Love
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Glenn Calcote
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SheetMusicPlus
Johannes Brahms’ Lullaby vs. Johnson Gao’s Lullaby and More
Choral SATB
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.1007052 Composed by Johns…
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.1007052 Composed by Johnson Gao. Concert,Spiritual,World. Octavo. 51 pages. Johnson Gao #6476019. Published by Johnson Gao (A0.1007052). It is said that the original meaning of the word Lullaby is to drive away the devil to steal the soul when a baby is in sleeping. Among many lullabies it is almost unanimously considered that the Johannes Brahms’ lullaby, with rhythms in ¾, is the best. However, the world is in promotion. The lyrics of that lullaby may too much emphasis in religion spirit. Johnson Gao made the new lyrics with playing (exploration), sleeping (nursing the brain), eating (get nutrition for growth) and mother’s love. He composed a new lullaby with 2/4 rhythms. The music sheets and a video of Karaoke are attached.
$1.99
1.86 €
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Choral SATB
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Johnson Gao
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Johannes Brahms’ Lullaby vs. Johnson Gao’s Lullaby and More
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Johnson Gao
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SheetMusicPlus
Sing to the Lord a New Song Psalm 96 (for SATB rhythmical choir, piano, optional 2 flutes)
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.756979 Composed by Simon P…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.756979 Composed by Simon Peberdy. Christian,Contemporary,Gospel,Praise & Worship,Wedding. Octavo. 4 pages. Simon Peberdy #2860515. Published by Simon Peberdy (A0.756979). A rhythmical setting of Psalm 96 Sing to the Lord.For more compositions and arrangements, please visit www.simonpeberdymusic.com
$1.99
1.86 €
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Choral SATB
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Simon Peberdy
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Sing to the Lord a New Song Psalm 96
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Simon Peberdy
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SheetMusicPlus
Lamb of God / Agnus Dei, SATB, piano and 2 flutes, part of rhythmical mass setting by Simon Peberdy
Choral SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.756912 Composed by Simon P…
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.756912 Composed by Simon Peberdy. Contemporary,Sacred. Octavo. 16 pages. Simon Peberdy #368393. Published by Simon Peberdy (A0.756912). Written for a village church choir in Maria Alm, Austria, many of whom could not read music. Very quick and easy to learn, and catchy too! Guitar/bass can be added if desired. The mp3 is a poor quality live recording.Video: https://www.youtube.com/watch?v=xS3JYg87QVg&t=13m30s where you can hear the village choir giving it an airing.For more new pieces, please visit www.simonpeberdymusic.com
$1.99
1.86 €
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Choral SATB
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Simon Peberdy
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Lamb of God / Agnus Dei, SATB, piano and 2 flutes, part of rhythmical mass setting by Simon Peberdy
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Simon Peberdy
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SheetMusicPlus
Sanctus / Holy / Heilig 2013 in F (Eng & Gm) for SATB choir, piano and flutes (rhythmic setting)
Choral SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.756913 Composed by Simon P…
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.756913 Composed by Simon Peberdy. Contemporary,Sacred. Octavo. 17 pages. Simon Peberdy #368397. Published by Simon Peberdy (A0.756913). A catchy little theme with an accompaniment that takes the song effortlessly along, embellished by the two sparkly flutes. Very simple to learn (written for a choir in which a lot of singers cannot read music), and possible to do without the men’s voices if necessary.The pdf includes: full score in German & English, choir score, flutes score, & a 1 page version for rehearsal purposes.For more new music: www.simonpeberdymusic.com
$1.99
1.86 €
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Choral SATB
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Simon Peberdy
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Sanctus / Holy / Heilig 2013 in F
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Simon Peberdy
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SheetMusicPlus
Jubilate Deo, rhythmical gospel setting for SATB, piano and optional 2 flutes
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.757003 Composed by Simon P…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.757003 Composed by Simon Peberdy. Christian,Contemporary,Gospel,Praise & Worship,Wedding. Octavo. 7 pages. Simon Peberdy #3002375. Published by Simon Peberdy (A0.757003). A new, modern, energy-packed song suitable for the start or end of a service perhaps.Written for Martin Ogunbanwo for the occasion of his 25th anniversary of being a priest and performed in Feb 2016.Sadly, for the time being the mp3 is a computer generated one.More music available from: www.simonpeberdymusic.com
$1.99
1.86 €
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Choral SATB
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Simon Peberdy
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Jubilate Deo, rhythmical gospel setting for SATB, piano and optional 2 flutes
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Simon Peberdy
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SheetMusicPlus
Dedicated To The One I Love
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.781957 By The Mamas And Th…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.781957 By The Mamas And The Papas. By Lowman Pauling and Ralph Bass. Arranged by Aaron Hettinga. Contemporary,Folk,Pop,Rock. Octavo. 4 pages. Aaron Hettinga #5989531. Published by Aaron Hettinga (A0.781957). This Mamas and the Papas classic is presented here as an SATB Vocal chart with rhythm section chords and cues. This arrangement matches with the Extended ALBUM version of the song...there's some extra material not present in the Single/radio play version. More Rhythm & vocal charts available at https://aaronhettinga.com.
$7.99
7.47 €
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Choral SATB
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The Mamas And The Papas
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More Rhythm &
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Dedicated To The One I Love
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Aaron Hettinga
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SheetMusicPlus
Angel Town (SATB)
Choral SATB
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1446940 By Fra…
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1446940 By Frankie Moreno. By Bahia Burnelle, Frank Moreno, Rick Moreno, and Tony Moreno. Arranged by Garrett Breeze. Pop,Singer/Songwriter. 8 pages. Lagom Music #1026710. Published by Lagom Music (A0.1446940). Leading off with an ear worm of a bass line, this infectiously upbeat retro tune originally sung by Frankie Moreno is a fantastic way to open or close your show choir’s performance. The lyrics tell a compelling story about the chase after stardom and fame, using Los Angeles (“The City of Angels”) as a backdrop. Available for SATB or SSA and including parts for a full show band, this arrangement would also be successful using a small rhythm section if the full instrumentation was unavailable. From the BREEZE TUNES SHOW CHOIR SONGWRITER SERIES, a collection of competitive show choir arrangements of songs written by independent artists, arranged by Garrett Breeze. To view more titles in the series or find more music for show choir visit http://breezetunes.com. You can also find score previews on youtube @breezetunes.
$2.50
2.34 €
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Choral SATB
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Frankie Moreno
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Angel Town
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Lagom Music
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SheetMusicPlus
Pretty Paper
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.897947 By Kenny Chesney featuring Wi…
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Choral Choir (SATB) - Digital Download SKU: A0.897947 By Kenny Chesney featuring Willie Nelson. By Willie Nelson. Arranged by Dana Usealman. A Cappella,Rock. Octavo. 6 pages. Dana Usealman #3691701. Published by Dana Usealman (A0.897947). 2018 Holiday Contest EntrySSAATTBThis arrangement should be performable by a high school choir, but can also be appreciated by a more advanced choir.Willie Nelson's iconic song, made famous by Roy Orbison, was written about a disabled street vendor that would sell gift wrap, ribbons, and pencils during the holiday season. It was later embellished and published as a short story. It's a beautiful, yet somber song, that reminds us that not everyone is jolly during the Christmas season. This is a good piece for the middle of a concert to provide a contrast to the typical Christmas genre or to bring awareness and support to those that struggle during the season. Pretty Paper is typically a simple country song with swinging 8ths, but I've arranged it with full harmonies and straight 8ths for a completely different feel. You could still perform it with swinging 8ths if you'd like more of the original character of the piece. I originally thought it would be an a Capella arrangement and arranged all of the voice parts first, but felt it needed a bit more rhythmic pull and added the piano. It could still be performed a Capella for a more simple, thoughtful performance.
$1.99
1.86 €
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Choral SATB
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Kenny Chesney featuring Willie Nelson
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Pretty Paper
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Dana Usealman
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SheetMusicPlus
The Gift to Sing - SATB choir
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.973048 Composed by Francis Kayali. 2…
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Choral Choir (SATB) - Digital Download SKU: A0.973048 Composed by Francis Kayali. 20th Century,Contemporary. Octavo. 19 pages. Francis Kayali #6230277. Published by Francis Kayali (A0.973048). The Gift to Sing is a poem by James Weldon Johnson (1871-1938) published in 1917. The central theme of the text is one of optimism and resilience, using the power of song – meaning, more broadly, art or any kind of artful, heightened expression – to overcome adversity. Although the poem can be interpreted broadly to pertain to any kind of struggle, it is likely that Johnson, as a civil-rights activist was alluding more specifically to the oppression African-Americans in the United States, a struggle that continues to this day, in 2020. I composed this setting in September of 2020, right after the Black Lives Matter protests that took place that summer, so current events played a role in this interpretation on my part as well. If one reads the poem as pertaining the continued struggle of African Americans, some passages may come across as ambiguous. For instance, I brood not over the broken past should not be taken as suggesting that the horrors of the past should be forgotten, but as an injunction that the memory of these horrors should not discourage us or diminish our resolve to work toward overcoming the injustices. The musical inspiration for the opening of the piece comes from the song Lonesome Valley, which starts with a pentatonic melodic gesture. The pentatonic scale is often used in African American Spirituals, Christian hymns, and folksongs (e.g., Swing Low, Sweet Chariot, Amazing Grace, How Can I Keep from Singing?, Red River Valley, Oh Shenandoah). The more rhythmic parts take inspiration from the African-American spiritual tradition, as found for instance in the choral music of Moses Hogan (1957-2003). Meanwhile, the tenor solo at the end, is intended to be very loud, bright, and without the pronounced vibrato one would find in a Western operatic style. This kind of bright and intense vocal sound is not unfamiliar to most listeners, who may have encountered it in places as varied as Sacred Harp singing, the opening of the Lion King soundtrack, or the Muslim call to prayer.
$1.99
1.86 €
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Choral SATB
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Francis Kayali
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The Gift to Sing - SATB choir
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Francis Kayali
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SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
82.32 €
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Choral SATB
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Praise to the Lord, the Almighty
Choral SATB
Choir Sacred (SATB choir) - Digital Download SKU: JX.00-9270239 Composed by Joachim…
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Choir Sacred (SATB choir) - Digital Download SKU: JX.00-9270239 Composed by Joachim Neander and Thomas Ken. Arranged by Tom Anderson. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Jubilate Archive Edition. Hymn; Sacred. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-9270239. Published by Jubilate Music Group - Digital (JX.00-9270239). English.Two familiar hymns of praise, Old Hundredth and Lobe den Herren have been combined in this exciting anthem by Tom Anderson. With a reverent beginning, the accompaniment becomes brighter and more rhythmic, moving to a faster tempo that perfectly complements the worshipful nature of the text. A great addition to your choral library!
$2.25
2.1 €
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Choral SATB
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Joachim Neander and Thomas Ken
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Choral Octavo
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Praise to the Lord, the Almighty
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Jubilate Music Group - Digital
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SheetMusicPlus
Lord, Here Am I
Choral SATB
Choral SATB Chorus - Digital Download SKU: H1.C5977DP Composed by Jay Althouse. Pia…
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Choral SATB Chorus - Digital Download SKU: H1.C5977DP Composed by Jay Althouse. Piano Accompaniment. General Worship, Guidance. Octavo. 8 pages. Hope Publishing - Digital #C5977DP. Published by Hope Publishing - Digital (H1.C5977DP). Jay Althouse. Isaiah 6:8.Original anthem This anthem by Jay Althouse has an original text, inspired by a Fanny Crosby poem, which asks the Lord for direction and guidance. The gentle opening melody is repeated, then contrasted with a more rhythmic secondary melody. The A section then returns and the anthem comes to an end with the closing lyric, Ready and willing, Lord, here am I - appropriate for confirmation Sunday or general occasions.
$2.95
2.76 €
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Choral SATB
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Jay Althouse
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Lord, Here Am I
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Hope Publishing - Digital
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SheetMusicPlus
Nunc dimittis (Downloadable)
Choral SATB
SATB choir divisi (a cappella) - Medium - Digital Download SKU: MQ.AE153-E Composed…
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SATB choir divisi (a cappella) - Medium - Digital Download SKU: MQ.AE153-E Composed by Michael D. Atwood. Instrument parts. 14 pages. Aureole Editions - Digital #AE153-E. Published by Aureole Editions - Digital (MQ.AE153-E). Latin. Luke 2:29-32.A gorgeous contemporary setting of this canticle with piquant and close harmonies. Sometimes chordal and homophonic, sometimes more rhythmic and active, the music is sweet and well-balanced. Occasionally expanding to a full eight parts, this requires a capable and sensitive ensemble and is well worth the effort.
$2.50
2.34 €
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Choral SATB
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Michael D
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Nunc dimittis
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Aureole Editions - Digital
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SheetMusicPlus
Singer's Musical Theory Level 7
Choral SATB
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.876922 Composed by …
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.876922 Composed by Melinda Moreaux. Instructional. Octavo. 150 pages. Melinda Moreaux #3559173. Published by Melinda Moreaux (A0.876922). Singer's Musical Theory is multi-level series of workbooks designed to help singers learn music reading and theory. The books include over 100 pages of useful information including links to the Singer's Musical Theory website for instructional videos, and some pretty silly stuff. Materials included: Sight singing, both melodic and rhythmic, an explanation the origins of modern notation, worksheets covering clefs, rhythm, triads, key signatures, the circle of 5ths, solfege, musical terms, IPA and composer information. Answer sheets are included. This series is designed to be used as preparation for the Music Teachers' Association of California® Certificate of Merit® testing.
$13.99
13.09 €
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Choral SATB
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Melinda Moreaux
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Singer's Musical Theory Level 7
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Melinda Moreaux
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SheetMusicPlus
Favorite Theme From Rachmaninoff S Second Piano Concerto
Choral SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.844248 Composed by …
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.844248 Composed by Ray Conniff. Arranged by Gerhard Guter. A Cappella. 14 pages. Gerhard Guter #4302845. Published by Gerhard Guter (A0.844248). Voicing: SATB a cappella, with rhythm section (piano, electric bass, drums) Style: Bossa Nova This arrangement of Ray Conniff's Favorite Theme from Rachmaninoff's Second Piano Concerto will bring to mind the writing style of Clare Fischer for his 2+2 vocal groups. Though still a challenge, especially with the optional vocal soli, this Conniff-themed edition has been adapted from a more difficult version previously performed by Vocalogy on their 2005 Distilled release. The piece opens with a pulsating rhythm section figure as pianist, bassist, and drummer enter one by one. The wonderful moments of tension have been maintained beneath Rachmaninoff's soaringly romantic melody, and the wordless vocal provides an ethereal quality. With the optional soli, this is an Advanced level arrangement. There is room for improvising regardless of whether or not the soli is performed and, with no soli, this is an Advanced Intermediate arrangement.  Included individual piano, bass, and drum parts play from individual parts with chord symbols, slashes, and rhythmic notation. Drums alternate between brushes and sticks. Electric bass is preferred, but acoustic bass works. Backing tracks available from: http://tiny.cc/mpnsuz   Â
$3.99
3.73 €
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Choral SATB
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Ray Conniff
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Favorite Theme From Rachmaninoff S Second Piano Concerto
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Gerhard Guter
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SheetMusicPlus
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