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You've selected:
Musica Gloria!
Choral SATB
Sheetmusic to print
24 sheet music found
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1
Gloria
Choral SATB
SATB choir (divisi) - Advanced SKU: LO.10-1521S Composed by Jeffrey H. Rickard. Cho…
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SATB choir (divisi) - Advanced SKU: LO.10-1521S Composed by Jeffrey H. Rickard. Choral. Sacred Anthem, Christmas, General. Octavo. Sacred Music Press #10/1521S. Published by Sacred Music Press (LO.10-1521S). UPC: 000308033786.Composed in memory of J. William Jones, the founder of the University of Redlands Choir, this stunning work is a glorious adventure for the well-trained choir. The Latin text, the driving mixed rhythms, and the gratifying sound of unaccompanied voices, are united in a musical challenge of considerable scope and power.
Song List
: Gloria
$2.95
2.7 €
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Choral SATB
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Jeffrey H
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Gloria
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Sacred Music Press
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SheetMusicPlus
Johann Georg Albrechtsberger - Messa a 4 voci e strumenti 2. Gloria
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828712 Composed by Johann …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828712 Composed by Johann Georg Albrechtsberger. Arranged by Guido Menestrina. Baroque,Sacred. Octavo. 23 pages. Guido Menestrina #443117. Published by Guido Menestrina (A0.828712). Trascrizione a cura di Guido Menestrina Johann Georg Albrechtsberger (Klosterneuburg, 3 febbraio 1736 – Vienna, 7 marzo 1809) è stato un compositore austriaco. Johann Georg Albrechtsberger studiò musica presso l'Abbazia di Melk e filosofia al Seminario dei Gesuiti a Vienna e divenne uno dei più importanti e noti maestri di contrappunto della sua epoca. La sua grande fama di teorico gli procurò numerosi allievi che giunsero a Vienna per seguire le sue lezioni, fra essi vi furono Johann Nepomuk Hummel, Ignaz Moscheles, Joseph Weigl e Ludwig van Beethoven. Inoltre scrisse due trattati teorici e un metodo per pianoforte. Fu amico di Franz Joseph Haydn e Wolfgang Amadeus Mozart. Follow the score on youtube: https://www.youtube.com/watch?v=pfVI-p4AhUk or listen to it on soundcloud: https://soundcloud.com/guido-menestrina/johann-georg-albrechtsberger-messa-a-4-voci-e-strumenti-2-gloria Buying this score entitles you to ask for its version in modern keys (SAT, timpani, viola and organ converted to their contemporary keys) for free. Score includes: full score and single parts; organ part contains figured bass. Info: info@guidomenestrina.it.
$11.99
10.97 €
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Choral SATB
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Johann Georg Albrechtsberger
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Johann Georg Albrechtsberger - Messa a 4 voci e strumenti 2. Gloria
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Guido Menestrina
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SheetMusicPlus
Missa Musica Sacra, Double Chorus a cappella
Choral SATB
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.938576 Composed by …
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.938576 Composed by Douglas Pew. A Cappella,Contemporary,Sacred. Octavo. 65 pages. Blue Shore Music #13027. Published by Blue Shore Music (A0.938576). Duration: 18 minutes. This setting of the Mass is full of yearning and high emotions. The polyphonic writing gives beautiful shape to each vocal line sculpting personal pleadings for peace and expressions of praise and joy. Immediately accessible and moving, this work will be a sure congregation or audience favorite! 1. Kyrie Eleison 2. Gloria 3. Pater Noster 4. Sancuts & Benedictus 5. Agnus Dei. For more information, please visit douglaspew.com.
$6.99
6.39 €
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Choral SATB
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Douglas Pew
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Missa Musica Sacra, Double Chorus a cappella
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Blue Shore Music
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SheetMusicPlus
Musica sacra 1° vol.
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1011058 Composed by Carlo …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1011058 Composed by Carlo Corba Colombo. Contemporary,Sacred. Octavo. 26 pages. Pubblicato da 3C.EM #3010505. Published by Pubblicato da 3C.EM (A0.1011058). Gloria in excelsis: Coro A 3 vd Credo simbolo apostolico: Coro a 4 vd con testo a pag. 24 gratia Ave: mottetto a 4 vd Nigra sum: mottetto a 4 vd
$6.00
5.49 €
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Choral SATB
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Carlo Corba Colombo
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Musica sacra 1° vol.
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Pubblicato da 3C.EM
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SheetMusicPlus
Damos Gloria (SATB com Piano) - PORTUGUES
Choral SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.921601 Composed by Letra e…
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.921601 Composed by Letra e Musica de Will Lopes. Praise & Worship,Sacred. Octavo. 9 pages. Will Lopes Publication #2919515. Published by Will Lopes Publication (A0.921601).
$2.07
1.89 €
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Choral SATB
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Letra e Musica de Will Lopes
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Damos Gloria
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Will Lopes Publication
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SheetMusicPlus
Gloria!
Choral SATB
SATB choir, Piano (With Optional Accompaniment MP3) - Digital Download SKU: LX.10-5459L…
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SATB choir, Piano (With Optional Accompaniment MP3) - Digital Download SKU: LX.10-5459L (Angels We Have Heard on High). Arranged by Marty Parks. Sacred Anthem, Christmas. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/5459L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5459L). ISBN 9780787770587.Marty Parks combined musical elements from Vivaldi's Gloria and Angels We Have Heard on High to create this spirited musical experience that bursts with Christmas character. Accessible choral writing makes it an easy-to-prepare and unique option for holiday worship.
$2.50
2.29 €
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Choral SATB
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Gloria!
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
South African Gloria (Downloadable)
Choral SATB
SATB choir, Percussion (Cowbell, Gourd, Djembe) - Medium - Digital Download SKU: MQ.50-…
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SATB choir, Percussion (Cowbell, Gourd, Djembe) - Medium - Digital Download SKU: MQ.50-1215-E Composed by William Bradley Roberts. Christmas. Score. 17 pages. MorningStar Music Publishers - Digital Sheet Music #50-1215-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-1215-E). A highly energetic and rhythmic setting of the Gloria. The composer captures the spirit and joy of the South African musical culture in this unique composition. Percussion plays from the score.
$2.85
2.61 €
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Choral SATB
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William Bradley Roberts
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South African Gloria
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Glory to God (Gloria)
Choral SATB
Mixed choir - intermediate - Digital Download SKU: S9.Q18957 Motet for mixed cho…
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Mixed choir - intermediate - Digital Download SKU: S9.Q18957 Motet for mixed choir (SATB) a cappella. Composed by Bertold Hummel. This edition: choral score. Schott Choral Music. Downloadable, choral score. Duration 6 minutes. Schott Music - Digital #Q18957. Published by Schott Music - Digital (S9.Q18957). German • English.When it was possible to celebrate the Catholic Mass in the German language as well, Bertold Hummel wrote his motet Ehre sei Gott for mixed four-part choir. This piece is a 'German gloria' and can be performed liturgically in a Mass. Hummel follows traditional examples: The text, full of contrasts, is redesigned – sentence by sentence – with new musical ideas. In doing so, he reveals his extraordinary ability to write easy-to-sing music of high quality which delights choirs and listeners alike. The six-minute piece was premiered at the Cathedral of Würzburg. The present new edition also contains a singable translation in English.
$5.99
5.48 €
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Choral SATB
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Bertold Hummel
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Glory to God
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Schott Music - Digital
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SheetMusicPlus
Sing Gloria
Choral SATB
(A Christmas Cantata For SATB Voices). By Lani Smith. For SATB choir. Cantata/Sacred Music…
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(A Christmas Cantata For SATB Voices). By Lani Smith. For SATB choir. Cantata/Sacred Musical. Christmas. Medium. Published by Lorenz Publishing - Digital Sheet Music
$9.95
9.1 €
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Choral SATB
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Lani Smith
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Sing Gloria
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Unto Us, Gloria!
Choral SATB
Choir Sacred (SATB choir) - Digital Download SKU: JX.00-44270 Composed by Jay Altho…
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Choir Sacred (SATB choir) - Digital Download SKU: JX.00-44270 Composed by Jay Althouse. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Sacred. Sacred. Choral Octavo. 11 pages. Jubilate Music Group - Digital #00-44270. Published by Jubilate Music Group - Digital (JX.00-44270). English.Driving rhythms coupled with crisp choral writing provide the perfect musical foundation for the joyous message of Christ's birth. A smooth, lullaby section is a lovely contrast which leads back to the original theme and stirring finish.
$1.95
1.78 €
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Choral SATB
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Jay Althouse
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Choral Octavo
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Unto Us, Gloria!
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Jubilate Music Group - Digital
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SheetMusicPlus
Gloria
Choral SATB
SATB choir, Piano - Digital Download SKU: LX.15-2199H Composed by David Giardiniere…
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SATB choir, Piano - Digital Download SKU: LX.15-2199H Composed by David Giardiniere. Christmas, Concert. Octavo. 12 pages. Heritage Music Press #e15/2199H. Published by Heritage Music Press (LX.15-2199H). UPC: 000308108897.Launch into your next concert or festival appearance with this animated original that explores a playful interaction between major/minor tonalities and joyful rhythms within the 6/8 meter. Composed in a rounded ABA form using a traditional Latin text, this work is singable, expressive, and at times dramatic, featuring a dynamic piano accompaniment that supports and enhances the musical color in live performance. Sensible ranges, extended unison passages, and a striking finale make this selection a marvelous choice for teaching and programming with a wide range of choral groups.
$2.50
2.29 €
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Choral SATB
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David Giardiniere
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Gloria
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Heritage Music Press
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SheetMusicPlus
Shepherds' Gloria
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.806563 Composed by W. F. S…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.806563 Composed by W. F. Schmidt. Christian,Christmas. Octavo. 7 pages. Wilhelm Schmidt #5017653. Published by Wilhelm Schmidt (A0.806563). A dynamic musical retelling of the shepherds' encounter with the angels as they learn of the birth of Jesus.
$2.00
1.83 €
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Choral SATB
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W
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Shepherds' Gloria
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Wilhelm Schmidt
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SheetMusicPlus
Musica Gloria!
Choral SATB
Choral Choir,Choral,Voice (SATB Divisi) - Digital Download SKU: HX.1170108 Composed…
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Choral Choir,Choral,Voice (SATB Divisi) - Digital Download SKU: HX.1170108 Composed by Joseph M. Martin and Mark Hayes and Mark Hayes. This edition: scorch. Concert. Octavo. 15 pages. Duration 210. Hal Leonard - Digital #343019. Published by Hal Leonard - Digital (HX.1170108).
$2.35
2.15 €
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Choral SATB
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Joseph M
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Musica Gloria!
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Hal Leonard - Digital
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SheetMusicPlus
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.828714 Composed by Leonardo Leo. Arr…
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Choral Choir (SATB) - Digital Download SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages. Guido Menestrina #481065. Published by Guido Menestrina (A0.828714). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://www.youtube.com/watch?v=vqOa9skJg5o.
$13.99
12.8 €
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Choral SATB
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Leonardo Leo
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Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
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Guido Menestrina
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SheetMusicPlus
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828703 Composed by Leonard…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guido Menestrina #238145. Published by Guido Menestrina (A0.828703). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimentoEdit Published by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: http://youtu.be/q3iMskZjm1Y.
$17.99
16.46 €
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Choral SATB
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Leonardo Leo
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Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
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Guido Menestrina
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SheetMusicPlus
Sing with the Angels!- PDF Score-Digital Download
Choral SATB
SATB choir - Digital Download SKU: H1.8571DP Composed by Joel Raney. Arranged by Jo…
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SATB choir - Digital Download SKU: H1.8571DP Composed by Joel Raney. Arranged by Joel Raney. Musicals for Adults. Christmas, Sacred. Score. 77 pages. Hope Publishing - Digital #8571DP. Published by Hope Publishing - Digital (H1.8571DP). Featuring original music interspersed with familiar carols, this is a thirty-minute musical for SATB choir that re-tells the Christmas story from the vantage point of angels - from Gabriel's first appearance to Zacharias, to the glorious scene of angels filling the heavens singing Gloria in excelsis Deo! The range of musical styles reflects the various moods of the angels' scenes, making this a colorful musical tapestry of angel portraits. The program ends on a high note with the congregation joining to sing Angels We Have Heard on High, and Hark! the Herald Angels Sing. At thirty-minutes, this work will fit well into a worship service or special program. Accompaniment can be provided by piano, chamber orchestra or CD Track.
$12.95
11.85 €
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Choral SATB
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Joel Raney
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Sing with the Angels!- PDF Score-Digital Download
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Hope Publishing - Digital
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SheetMusicPlus
As the Hart Panteth (Psalm 42), A Major, SATB - downloadable PDF
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.912682 Composed by Gloria …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.912682 Composed by Gloria Merle Huffman. A Cappella,Christian,Jewish,Praise & Worship,Sacred. Octavo. 8 pages. Gloria Sun Productions, LLC #3108791. Published by Gloria Sun Productions, LLC (A0.912682). An imaginative 2-staff SATB a cappella setting of the King James text of Psalm 42. A mostly homophonic (hymn-style) anthem, through-composed, in A Major. Full vocal ranges (high) and good musical skills required. 8 pages (6 pages + cover & lyric sheet) © 1962, 2011 Gloria Merle Huffman. (Time: 3' 20) Downloadable PDF file. (US$4.99)
$4.99
4.56 €
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Choral SATB
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Gloria Merle Huffman
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As the Hart Panteth
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Gloria Sun Productions, LLC
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SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
80.49 €
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Choral SATB
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Mark Hayes: Musica Gloria! - choir (SATB Divisi)
Choral SATB
Instantly printable sheet music by Mark Hayes for choir (SATB Divisi) of MEDIUM skill leve…
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Instantly printable sheet music by Mark Hayes for choir (SATB Divisi) of MEDIUM skill level. / concert
$5.33
4.88 €
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Choral SATB
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Mark Hayes
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Virtualsheetmusic
Missa Millennia in Honor of St. Francis (SATB)
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719523 Composed by Curtis …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curtis Hanson (A0.719523). The Missa Millennia was composed during the spring of 2000 and premiered the following November by the choirs of the John Duss Music Conservatory, Duluth, MN. Scored for a chamber orchestra of strings, keyboard, and solo oboe (full score and instrumental parts available separately), the work is not so much a celebration of the new millennium as it is an assimilation of many of the musical styles, characteristics, and forms of the previous thousand years. The entire piece is in the form of the traditional Mass, a musical form having its origins in the Middle Ages, and is divided into the five movements commonly found in the Mass Ordinary: Kyrie (Lord, have mercy), Gloria (Glory to God in the highest), Credo (the Nicene Creed), Sanctus – Benedictus (Holy, holy, holy – Blessed is he who comes in the name of the Lord), and Agnus Dei (Lamb of God). In the final movement, the Prayer of St. Francis of Assisi (Lord, make me an instrument of thy peace) concludes the work. Although the Missa Millennia as a whole is distinctly contemporary, elements from many earlier musical periods are incorporated into the movements. These include chant, open fifth and parallel fifth harmonic movement (organum), and canonic imitation from the Middle Ages and Renaissance; fugue, word-painting, terraced dynamics, ostinato (a repeated rhythmic or bass accompaniment), Alberti bass accompaniment figures, ABA form, and dominant-tonic harmonic relationships typical of Baroque and Classical music to name but a few. Other significant features are the usage of non-Western modality in the plaintive solo oboe and of pedal point, a sustained tone in the bass over which the melody and harmony evolve. Pedal point, a compositional tool used throughout music history, dates from the Middle Ages about the time of St. Francis. Although not directly based upon the music of any composer, the astute listener may hear musical ideas reminiscent of Vivaldi, Vaughan Williams, Respighi, Duruflé, and others. In the audio file, the 2nd movement (Gloria) can be found at approximately 6'25, the 3rd movement (Credo) at 12'05, the 4th movement (Sanctus) at 21'15, and the final movement (Agnus Dei) at 31'05. The complete Mass is approximately 43 minutes long.
$10.00
9.15 €
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Choral SATB
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Curtis Hanson
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Missa Millennia in Honor of St. Francis
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Curtis Hanson
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SheetMusicPlus
The Shepherd's Benediction
Choral SATB
SATB choir, a cappella (With Optional Tambourine, Accompaniment MP3, Hand Drum) - Digital …
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SATB choir, a cappella (With Optional Tambourine, Accompaniment MP3, Hand Drum) - Digital Download SKU: LX.10-5749L Composed by Victor C Johnson. Sacred Anthem, Benediction. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/5749L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5749L). Pamela Stewart's text comes alive when paired with Victor Johnson's music. Written in an a cappella Renaissance-style, the 6/8 meter propels the music forward, and optional hand drum and tambourine parts complete the musical package. The lyrics speak from the point of view of the shepherds, as they joyfully tell the world what they have seen and heard: Gloria! Sing gloria! Each heart a bed of hay, every life a Bethlehem, each day a Christmas Day!
$2.50
2.29 €
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Choral SATB
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Victor C Johnson
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The Shepherd's Benediction
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Celebrate the Child
Choral SATB
SATB Chorus - Digital Download SKU: JX.JMG1350 A Christmas Musical. Composed…
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SATB Chorus - Digital Download SKU: JX.JMG1350 A Christmas Musical. Composed by Stan Pethel. Extended Works. Vocal score. 45 pages. Jubilate Music Group - Digital #JMG1350. Published by Jubilate Music Group - Digital (JX.JMG1350). If you’re looking for an easily prepared musical treat for Christmas this year, Celebrate the Child is the answer! Created by the always creative yet practical Stan Pethel, the 2-part (opt. SATB) vocal scoring sings effortlessly. Classic contemporary songs such as Breath of Heaven (Amy Grant) and Gloria (Michael W. Smith) are masterfully blended with beloved carols and simple narration. It’s a work perfect for small choirs, senior choirs, ensembles, or any choir desiring a simple (though not simplistic) yet highly effective Christmas presentation. 20 minutes.
$11.99
10.97 €
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Choral SATB
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Stan Pethel
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Celebrate the Child
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Jubilate Music Group - Digital
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SheetMusicPlus
The Beverly Farms Mass
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1257162 Composed by Nichol…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1257162 Composed by Nicholas White. 21st Century,Christian,Lent,Praise & Worship,Traditional. Octavo. 16 pages. Nicholas White Music #850493. Published by Nicholas White Music (A0.1257162). Commissioned by St. John's Episcopal Church, Beverly Farms, MA, this congregational setting of the mass, with organ accompaniment and optional choral parts, gives a musical setting to the Kyrie, Gloria, Sanctus & Benedictus, and Agnus Dei with the Rite 2 Book of Common Prayer text.
$2.00
1.83 €
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Choral SATB
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Nicholas White
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The Beverly Farms Mass
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Nicholas White Music
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SheetMusicPlus
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