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Odd One In
Choral SATB
Sheetmusic to print
39 sheet music found
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1
26
Gone, Gone, Gone
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Choral SATB
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INTERMEDIATE
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Phillip Phillips
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Eric Hagmann
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Gone, Gone, Gone
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Eric Hagmann
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.796804 By Phillip Phillips. By Derek Fuhrmann, Gregg Wattenberg, and Todd Clark. Arranged...
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.796804 By Phillip Phillips. By Derek Fuhrmann, Gregg Wattenberg, and Todd Clark. Arranged by Eric Hagmann. A Cappella,Rock. Octavo. 15 pages. Eric Hagmann #3577799. Published by Eric Hagmann (A0.796804). An SSATTB + male solo or male/female duet contemporary a cappella arrangement of Gone, Gone, Gone by Phillip Phillips. This arrangement, pitched in F major, is a half-step lower than the original recording making it more accessible for your tenor voices. The bass part includes optional notes for when the range might extend too low. The background voices provide two types of layers in this arrangement: one that provides the driving, rhythmic backing similar to a guitar and one that provides an extra blanket of harmony to fill out the sound of your ensemble. Upbeat and fun, this tune is the perfect piece to include in your set for your high school or college group! Ranges:Solo = F3 - G4Soprano = A3 - D5Alto = A3 - Bb4Tenor 1 = F3 - D4Tenor 2 =C3 - D4Bass: (opt. C2) F2 - F3Performance time = approx. 3:30
$2.25
Three More Jazz Carols (We Three Kings; In the Bleak Midwinter; Personent Hodie)
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Choral SATB
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Christmas
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Will Todd
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Hawkes
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Three More Jazz Carols
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Boosey & Hawkes
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SheetMusicPlus
(SATB) - Digital Download Arranged by Will Todd. Carol, Christmas, Jazz. Choral. 31 pages. Duration 210. Published by Boosey & Hawkes ...
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(SATB) - Digital Download Arranged by Will Todd. Carol, Christmas, Jazz. Choral. 31 pages. Duration 210. Published by Boosey & Hawkes
$3.95
Ride On! Ride On in Majesty! — SATB voices, organ
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Choral SATB
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INTERMEDIATE
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English ballad
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Todd Marchand
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Ride On! Ride On in Majesty!
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Con Spirito Music
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1367409 Composed by English ballad. Arranged by Todd Marchand. Christian,Easter,Lent,Sacr...
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1367409 Composed by English ballad. Arranged by Todd Marchand. Christian,Easter,Lent,Sacred. 5 pages. Con Spirito Music #951781. Published by Con Spirito Music (A0.1367409). Perhaps the most often-sung processional hymn on Palm Sunday, “Ride On, Ride On in Majesty†was written in 1820 by Anglican cleric, poet, and scholar Henry Hart Milman (1791-1868) and first  published in Reginald Heber’s Hymns Written and Adapted to the Weekly Church Service of the Year (1827). The hymn references Jesus’ entry into Jerusalem prior to his Passion, as recorded in Matthew 21:1-11.Writing for the Hymnology Archive of The Hymn Society in the US and Canada, editor Chris Fenner notes in his analysis of the text that:“This hymn ... is much less a narrative or paraphrase of the triumphal entry (Matt. 21, Mk. 11, Lk. 19, Jn. 12) than it is a forward-looking hymn pointing from the palms to the cross to [Jesus’] ascended position on the throne. The triumphal entry itself is a fulfillment of Zechariah 9:9 (‘Behold, your king is coming to you . . . humble and mounted on a donkey’). The recurring opening line is possibly an allusion to Psalm 45:4 (‘in thy majesty ride prosperously’). “Some hymnological commentators connect this hymn with the idea of the great reversal in Philippians 2:5-12, where we find the Christ who humbled himself in a crucified death, later to be exalted, name above all names, to which every knee will bow. As Canadian hymn scholar Stanley Osborne observed, this hymn’s poetic strength is in its exploration of that duality:'Objective, robust, confident, and stirring, it possesses that peculiar combination of tragedy and victory which draws the singer into the very centre of the drama. It is this which gives the hymn its power and its challenge.'In this arrangement for SATB voices and organ, Milman’s text is set to the 15th-century English ballad, “Deo Gratias†(aka The Agincourt Carol), with the refrain Ride on in majesty!†following each verse.©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
Gwahoddiad
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Choral SATB
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ADVANCED
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Rechoir
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Nathan Jones
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Gwahoddiad
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Nathan Jones Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1455012 By Rechoir. By Ieuan Gwyllt and Lewis Hartsough. Arranged by Nathan J...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1455012 By Rechoir. By Ieuan Gwyllt and Lewis Hartsough. Arranged by Nathan Jones. Broadway,Christian,Multicultural,Musical/Show,Pop,Traditional,World. 10 pages. Nathan Jones Music #1034083. Published by Nathan Jones Music (A0.1455012). A pop choir version of the traditional Welsh hymn.Originally in a predictable 3/4, this version (mostly in 4/4) keeps you guessing, with many key and time signature changes, giving the piece more of a Musical Theatre ensemble number flare.Including a brand new set of 'Amens' at the end, maintaining the impressive finish to the original, but inkeeping with the new style.Originally performered by Rechoir on Saint David's Day in 2020 and published as a lockdown video on YouTube for Saint David's Day 2021.Also Available: Band parts for Bass Guitar and Drum Kit (as heard in the YouTube video version) Individual rehearsal tracks for each part, sung by Rechoir members
$1.99
Song of the Lonely Mountain (from The Hobbit: An Unexpected Journey)
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Choral SATB
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David Donaldson, David Long, J
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Song of the Lonely Mountain
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - Digital Download SKU: AX.00-PO-0001703 Song of the Lonely Mountain (from The Hobbit: An Unexpected Journey) - SATB. Composed by Da...
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Chorus - Digital Download SKU: AX.00-PO-0001703 Song of the Lonely Mountain (from The Hobbit: An Unexpected Journey) - SATB. Composed by David Donaldson, David Long, Janet Roddick, and Steve Roche. Choral. 13 pages. Alfred Music - Digital Sheet Music #00-PO-0001703. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0001703). UPC: 038081445823. Neil Finn.Featured over the end credits of The Hobbit: An Unexpected Journey, this song paints the picture of the epic quest taken in the film. The song's roots come from a theme sung by the dwarves earlier in the movie. Like the film, the ballad's steady tempo and harmonies build, capturing the aura and drive of the storyline.Recorded Acc. Available.
$2.25
Space Oddity
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Choral SATB
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INTERMEDIATE/ADVANCED
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David Bowie
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Patrick Dunnevant
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Space Oddity
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Patrick Dunnevant Music
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1305887 By David Bowie. By David Bowie. Arranged by Patrick Dunnevant. Pop,Rock,Th...
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1305887 By David Bowie. By David Bowie. Arranged by Patrick Dunnevant. Pop,Rock,Thriller. 12 pages. Patrick Dunnevant Music #895304. Published by Patrick Dunnevant Music (A0.1305887). This arrangement of Bowie's Space Oddity is for SATB chorus and baritone solo, with piano accompaniment. It was premiered by Portara Ensemble in Nashville, TN, as part of VOYAGER, a space-themed choral program.
$2.99
Quietly in the garden
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Gospel/Spiritual
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Masashi Fujimoto
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Quietly in the garden
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Masashi Fujimoto
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.966655 Composed by Masashi Fujimoto. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Octavo....
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.966655 Composed by Masashi Fujimoto. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Octavo. 7 pages. Masashi Fujimoto #3009057. Published by Masashi Fujimoto (A0.966655). For Vocal and Piano.Words by Vaughan Jones.-----YouTube Videohttps://www.youtube.com/watch?v=egI_JSg-nlY-----Quietly in the garden Fearful, Mary came.As the dew of the dawning Proclaimed a new day. Quietly in the garden Tenderly, Christ came,In the newness of morning Hope’s bright shining ray. For the power belongs to the powerless, Giving strength to the weakAnd the downtrodden can stand up forthright Through the power of the cross. We are here in the garden, Hopefully we will comeTo break walls and build bridges Christ is with us now.
$3.99
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
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Choral SATB
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ADVANCED
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Mu...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
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Choral SATB
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ADVANCED
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Mu...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
Thank You For The Music
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Choral SATB
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Rock
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ABBA
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Karen Penketh
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Thank You For The Music
#
SheetMusicPlus
Choir, SATB, Tenor, Lead, Baritone, Bass (female barbershop) - Digital Download By ABBA. Arranged by Karen Penketh. 5 pages. Published by Karen Penke...
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Choir, SATB, Tenor, Lead, Baritone, Bass (female barbershop) - Digital Download By ABBA. Arranged by Karen Penketh. 5 pages. Published by Karen Penketh
This arrangement is pretty close to the original in terms of there being the odd instrumental bit and each part has a taste of the melody. It's tricky but worth the effort and is a real crown pleaser.
$2.49
Medallion Girls for Choir from Science Fiction Opera Libertaria
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sabrina Pena Young
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Medallion Girls for Choir from
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Sabrina Peña Young
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.976936 Composed by Sabrina Pena Young. Broadway,Film/TV,Halloween,Musical/Show,Opera. 6 p...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.976936 Composed by Sabrina Pena Young. Broadway,Film/TV,Halloween,Musical/Show,Opera. 6 pages. Sabrina Peña Young #3430823. Published by Sabrina Peña Young (A0.976936). Dramatic science fiction inspired choral work from groundbreaking post-apocalyptic 21st century animated opera Libertaria. Quirky and partially inspired by Dr. Who, this choral work is a fun musical theater piece for choir. The Medallion Girls are part of a futuristic genetic experiment meant to perfect humanity after a radiation permanently mutated humans. Truly a unique work. Award-winning composer and TED Talk Speaker. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerLIBERTARIA: THE VIRTUAL OPERAhttps://virtualopera.wordpress.com/ ABOUT LIBERTARIA: In a post-USSA apocalyptic world, the young Libertaria escapes from evil geneticists and teams up with her addict father Simeon to defeat the Collective with a ragtag Underground army of cyborgs and misfits. The world’s first machinima opera, Libertaria has been called Groundbreaking by the Palm Beach Arts Paper. A truly dystopian novelization, the Libertaria Chronicles, is now available at Amazon. One of my favorite things about this story is its odd apocalyptic tone and strong sci-fi/fantasy foundation. The dark quality that comes with it is the cherry on top. –FanboysAnonymous.comWHAT FANS ARE SAYING ABOUT THE LIBERTARIA CHRONICLESBetween the book, virtual opera, soundtrack, and all the extras, Young has created a convincing world…a dark dystopian future for you to get lost in. The characters are complex, flawed, and human, and you are never sure what they will do next. Looking forward to the next book in the series!Award-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$7.99
When I Grow Up (reprise)
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Choral SATB
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INTERMEDIATE
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Contemporary
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Tim Minchin
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John Milne
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TAB) and drum kit.
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When I Grow Up
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Odd Shoe Music
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.799248 By Tim Minchin. By Tim Minchin. Arranged by John Milne. Contemporary. Octavo. 56 pages. ...
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.799248 By Tim Minchin. By Tim Minchin. Arranged by John Milne. Contemporary. Octavo. 56 pages. Odd Shoe Music #6246297. Published by Odd Shoe Music (A0.799248). Tim Minchin’s song from the hit musical Matilda.Ideal for a school concert performance.Clear rehearsal marks for rehearsal.3 vocals6 horn parts available in alternative combinations. Parts for flute, 2 clarinets, alto sax, 2 tenor saxes, trumpet, 2 trombones and euphonium Rhythm section parts - keyboard (strings), guitar (with chords), piano, bass guitar (& TAB) and drum kit.
$36.99
December Wish
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Choral SATB
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BEGINNER
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Seth Jentzsch
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December Wish
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Seth Jentzsch
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SheetMusicPlus
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.923778 Composed by Seth Jentzsch. Children,Christmas,Contemporary,Spiritual. Octavo. 9 pages. Se...
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.923778 Composed by Seth Jentzsch. Children,Christmas,Contemporary,Spiritual. Octavo. 9 pages. Seth Jentzsch #3897315. Published by Seth Jentzsch (A0.923778). This is a non-religious Christmas choir piece that is similar to Somewhere in My Memory by John Williams (Home Alone 1990) with a cinematic feel and pretty melodies. Appropriate for artists at all skill levels and can even work for religious performances. Runs about 3 minutes in the key of B flat major.Instagram: https://www.instagram.com/ichabodtodd/ Twitter: https://twitter.com/IchabodTodd678 To contact me, please use my web contact form or find me on Facebook: http://ichabod-todd.weebly.com/https://www.facebook.com/pages/Ichabod-Todd/187169344677294
$4.99
"Cori Celesti" for SATB choir
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Choral SATB
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INTERMEDIATE/ADVANCED
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Dom Waldock
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"Cori Celesti" for SATB choir
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Dominic Waldock
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1323404 Composed by Dom Waldock. 21st Century,A Cappella,Chamber,Classical,Contemporary. ...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1323404 Composed by Dom Waldock. 21st Century,A Cappella,Chamber,Classical,Contemporary. 9 pages. Dominic Waldock #911625. Published by Dominic Waldock (A0.1323404). Cori Celesti for SATB choir, composed by Dom WaldockNamed after the vast mountain at the centre of the Discworld, this choral piece describes the realm of Dunmanifestin at the top of Cori Celesti. It is the home of the Discworld Gods whom manifest in the presence of mortal beings’ belief. The work begins and ends with a ritualistic chant, sang syllabically in 7/4 metre separated into groups of four and three. We then go on to hear about the Gods in more detail such as The Lady, Fate and the King of the Gods: Blind Io. The lyrical content can be seen below: Dunmanifestin, dun, Dunmanifestin. Atop the mountain, there they live, Sustained by our belief.The Gods of Discworld gaze below, At wizard, troll and thief. Cori Celesti, Cori Celesti, Cori Celesti, Cori Celesti. The dice are rolled,The game of life begins. The Lady,And Fate choose their pawns. Blind Io, the King of the Gods, Watches eyeless from his throne. Overseer of mortal lives, Worship him. Blind Io, the King of the Gods, (Patina, Goddess of Wisdom) (Astoria, Goddess of Love) Watches eyeless from his throne. (Ikebana, Goddess of Topiary) (Errata, Goddess of Misunderstandings)Overseer of mortal lives, (Offler, the Crocodile God) (Neoldian, Blacksmith of the Gods) Worship him (worship them), worship them (worship him).
$1.99
O God of Love, Give Peace Again — SATB voices, keyboard
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Choral SATB
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EASY
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Sacred music
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Todd Marchand
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O God of Love, Give Peace Agai
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1451982 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #103...
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1451982 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1031298. Published by Con Spirito Music (A0.1451982). Written by Henry Williams Baker (1821-1877) and titled “The Lord Shall Give His People the Blessing of Peace,” the text of “O God of Love, Give Peace Again” was published in the 1861 edition of the landmark English hymnal, Hymns Ancient and Modern. Baker, who is perhaps best remembered for his hymn “The King of Love My Shepherd Is,” was chairman of the committee that prepared that hymnal. Because war is a constant in the world, Baker's text is always relevant. Stanza 1 is an entreaty that God would “make wars throughout the world to cease.” Stanza 2 asks that God recall his “works of old,” for only by God's hand can peace be given again. Stanza 3 extends this thought by asking “Whom shall we trust but thee, O Lord? Where rest but on thy faithful word?” and noting that “none ever called on Thee in vain.” A fourth verse, omitted in some hymnals, ends on the hopeful note that as saints and angels are bound “in holy love,” so we might also be bound to them and to one another in love and peace. In this original setting of Baker’s text, stanza 1 is sung by unison voices, stanza 2 by unison women, stanza 3 by unison men, and stanza 4 in parts following a recapitulation of the introduction and a modulation to the relative major key. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$2.00
I Stand the Watch Before the Dawn
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Choral SATB
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INTERMEDIATE/ADVANCED
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Michael E
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you are never alone
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I Stand the Watch Before the D
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Michael E. Ropp
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.971687 Composed by Michael E. Ropp. 20th Century,A Cappella,Christian,Sacred. Octavo. 11 pages. ...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.971687 Composed by Michael E. Ropp. 20th Century,A Cappella,Christian,Sacred. Octavo. 11 pages. Michael E. Ropp #2034327. Published by Michael E. Ropp (A0.971687). I Stand the Watch Before the Dawn is a dramatic piece for SATB choir and tenor and soprano soloists, for the season of Advent. The piece begins with the solo tenor and piano, in which the tenor plays the part of the night watchman and expresses longing for the light, and anguish at the condition of the people in the darkness. The tenor solo ends with the words Why have you forsaken us? The choir then enters a cappella (in performance, the choir can be doubled on organ using soft strings if necessary--it's difficult for the choir to get its starting pitches), and a soaring solo soprano provides the answer: the Light has come, but more than that, You were never alone; you are never alone; you will never be alone. One staging idea for this piece is to have the solo tenor up front, and the choir and soprano unseen in the rear, especially if there is a rear balcony that will hold the choir. However it is staged, this piece provides worshipers with a powerful and unforgettable reassurance that they do not face their darkest hours alone. (Please note that the MP3 file has some oddities in the dynamics; the sudden changes are artifices of how the MP3 is rendered from Finale and should not be interpreted literally.).
$2.99
Time Is
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Choral SATB
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INTERMEDIATE/ADVANCED
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Christopher Alexander
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Time Is
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Christopher Alexander
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.839932 By Christopher Alexander. By Christopher Alexander. Contest,Festival. 20 pages. Ch...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.839932 By Christopher Alexander. By Christopher Alexander. Contest,Festival. 20 pages. Christopher Alexander #6075111. Published by Christopher Alexander (A0.839932). Henry Van Dyke's text illustrates the relentless nature of time and its many blessings and perils. Â The staccato repetition of time is is constant throughout the work, and while everybody's notes may happen at different times and may seem odd by themselves they wll fit together in performance. Â Every voice part gets a chance to shine in their own line from the poem and leading the other voices to modulate toward a new key center each time. Â Though seemingly a cappella, the one-hand piano part simulates the never-ending ticking of the clock while also being a root to the chording harmonizations happening with the voices. Â A unique challenge for advanced high school and collegiate choirs. Â Enjoy!
$2.50
Angel Bells
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Choral SATB
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INTERMEDIATE/ADVANCED
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Kenneth Baird
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Angel Bells
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Kenneth Baird Music
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.726390 Composed by Kenneth Baird. Christian,Christmas,Contemporary,Sacred. Octavo. 8 pages. Kenn...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.726390 Composed by Kenneth Baird. Christian,Christmas,Contemporary,Sacred. Octavo. 8 pages. Kenneth Baird Music #2928371. Published by Kenneth Baird Music (A0.726390). Celebratory in nature, Angel Bells is a joyous new carol for Christmas written in a vibrant and contemporary style for SATB choir with piano accompaniment. Its frequent use of a duple rhythm melody set against a triple rhythm accompaniment and its occasional use of odd meters and meter changes add an element of surprise to a readily singable and memorable melody. Allegro throughout, this work is perfect for someone looking to expand from the classic favorite carol repertoire, and, with its uplifting spirit, it would be appropriate for church services and community performances.
$2.25
The Christ Child's Lullaby — SATB voices and organ
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Choral SATB
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EASY
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Hebridean folk melody
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Todd Marchand
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The Christ Child's Lullaby —
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1490482 Composed by Hebridean folk melody. Arranged by Todd Marchand. Christian,Chri...
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1490482 Composed by Hebridean folk melody. Arranged by Todd Marchand. Christian,Christmas,Folk,Sacred,Traditional. 5 pages. Con Spirito Music #1067324. Published by Con Spirito Music (A0.1490482). “The Christ Child's Lullaby” is an English translation of the Scots Gaelic “Tàladh Chrìosda,” a Christmas carol adapted and popularized in the 20th century from a longer work written in 1855 by Catholic priest Ranald Rankin for his parishioners at Fort William in the Scottish Highlands.Rankin’s hymn, representing a lullaby for the Christ Child by the Virgin mother Mary, was intended for performance at Midnight Mass (the first mass of Christmas) and is still sung then at churches in the Outer Hebrides of Scotland today. Titled “Tàladh ar Slànaigheir” (“The Lullaby of our Savior”) and containing 29 verses, it is altogether a lullaby, a retelling of elements of the Nativity story, and an explication of the nature and work of Christ. The English text of “The Christ Child’s Lullaby” (containing three verses and alleluias) is one of many translations, adaptations, and variants of the original Scots Gaelic text. The tune, too, is one of many variants of a traditional Hebridean folk melody. It has been further adapted and newly harmonized in this medium-easy arrangement for SATB choir and organ, featuring solo soprano on verse 1, sopranos-altos in open harmonies on verse 2, and full SATB in rich harmonies on verse 3 and the concluding “Alleluias.”Voices realized by Cantamus (https://cantamus.app/); organ realized by NotePerformer (https://www.noteperformer.com)©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.99
Missa Solemnis, op. 27 (vocal score)
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Choral SATB
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ADVANCED
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adr...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
That We May Give Ourselves — SATB voices, organ
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Choral SATB
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INTERMEDIATE
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Sacred music
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Todd Marchand
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That We May Give Ourselves —
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1472849 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #105...
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1472849 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1050479. Published by Con Spirito Music (A0.1472849). “That We May Give Ourselves” is a short anthem based on a traditional collect — a prayer comprising an invocation, petition, and conclusion — that appears in various Anglican prayer books. The invocation, “Eternal God and Father, by whose power we are created and by whose love we are redeemed” acknowledges the eternity, creative power, and redeeming love of God. The petition, “Guide and strengthen us by your Spirit, that we may give ourselves to your service, and live this day in love to one another, and live this day in love to you” asks for the aid of the Holy Spirit in service to God and recalls Jesus's words in the Gospel of Matthew, 22:37-39: “And [Jesus] said to him, ‘You shall love the Lord your God with all your heart and with all your soul and with all your mind. This is the great and first commandment. And a second is like it: You shall love your neighbor as yourself.’”The conclusion, “through Jesus Christ our Lord,” reflects the mediating role of Jesus Christ the Son, as expressed in I Timothy 2:5 (“For there is one God, and there is one mediator between God and men, the man Christ Jesus”) and Ephesians 2:18 (“For through him we both have access in one Spirit to the Father”).Appropriate at any time of year, this short anthem of dedication is an ideal offertory selection. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.00
REMEMBER THE SABBATH
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Choral SATB
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Hilary Brooks, Lyrics by Clive
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REMEMBER THE SABBATH
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Hilary Brooks
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.1017879 Composed by Hilary Brooks, Lyrics by Clive King. Broadway,Celtic,Film/TV,Musical/Show. Octavo. 2 p...
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Choral Choir (SATB) - Digital Download SKU: A0.1017879 Composed by Hilary Brooks, Lyrics by Clive King. Broadway,Celtic,Film/TV,Musical/Show. Octavo. 2 pages. Hilary Brooks #6344943. Published by Hilary Brooks (A0.1017879). Musical theatre. An ensemble song, praising the Sabbath. Satire. Unaccompanied over a drone. Alla 'presenting' in the church from WEE FREE! The Musical Piano/Voice. 2p. 1984. Morna escapes the city to teach music on the remote Isle of Munst. When she accidentally marries a pillar of the community, she finds herself at odds with the quirks of The Kirk and the strange ways of the locals. Can a New Romantic survive on an island ruled by The Old Testament? Cleverly written... great songs... outstanding cast... crisp direction. **** The Herald Delightful performances... fine sings of love and disappointment... has the audience rolling in the aisles. **** The Scotsman A rare and scintillating treat... funny and cannily observant. **** Mumble Musicals A chamber musical for four actors - 2F, 2M. Original production length: 57 minutes. Suitable for MT students, colleges, MT societies. contact: @BrooksandKing Brooks & King are represented by Micheline Steinberg Associates: micheline@steinplays.com. 020 3214 8282 Script perusal and hires can be arranged through MSA
$4.37
Holy Spirit, Ever Dwelling — SATB voices, organ
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Choral SATB
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EASY
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Sacred music
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Todd Marchand
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Holy Spirit, Ever Dwelling —
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1461385 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #104...
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1461385 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1040138. Published by Con Spirito Music (A0.1461385). “Holy Spirit, Ever Dwelling” are the opening words to a text written by the Welsh Anglican bishop Timothy Rees (1874-1939). Throughout, Rees employs the adverb “ever” to point to both the immanence and transcendence of the Holy Spirit in its timeless and perpetual activities:Holy Spirit, ever dwelling in the holiest realms of light,Holy Spirit, ever brooding o'er a world of gloom and night,Holy Spirit, ever raising those of earth to thrones on high,living, life-imparting Spirit, you we praise and magnify.Holy Spirit, ever living as the Church's very life,Holy Spirit, ever striving through us in a ceaseless strife,Holy Spirit, ever forming in the Church the mind of Christ,you we praise with endless worship for your gracious gifts unpriced.Holy Spirit, ever working through the Church's ministry,teaching, strength'ning, and absolving, setting captive sinners free,Holy Spirit, ever binding age to age and soul to soulin communion never ending, you we worship and extol.Mostly unison, with limited SATB voicing in verses 2 and 3, “Holy Spirit, Ever Dwelling” is quick to rehearse, easy to sing, and a meaningful declaration of praise to the third Person of the Holy Trinity.©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.00
God Rest Ye Merry, Gentlemen (Cornish folk tune) — SATB voices, clarinet, piano
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Choral SATB
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INTERMEDIATE/ADVANCED
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the 19th century, the carol wa
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Cornish folk tune
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Todd Marchand
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God Rest Ye Merry, Gentlemen
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1323225 Composed by Cornish folk tune. Arranged by Todd Marchand. Advent,Christmas,Folk,H...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1323225 Composed by Cornish folk tune. Arranged by Todd Marchand. Advent,Christmas,Folk,Holiday,Sacred. 10 pages. Con Spirito Music #911489. Published by Con Spirito Music (A0.1323225). “God Rest Ye Merry, Gentlemen†is an English traditional carol dating, perhaps, to the 16th or 17th century. A manuscript, ca. 1650, contains a version with the first line, “Sit you merry gentlemen†and the refrain, “O tidings of comfort and joy.†The earliest known printed edition of the carol is a London broadsheet dated 1760, in which the first line is the familiar “God rest ye merry, gentlemen.†By the 19th century, the carol was well-known, with Charles Dickens referencing it in his 1843 novella, A Christmas Carol.The phrase “God rest you merry†in the first line is an archaic idiom meaning “God grant you peace and happiness.†William Shakespeare used the phrase “rest you merry†in his plays, “As You Like It†and “Romeo and Juliet,†both from the 1590s; but Dickens recorded the phrase as “God bless you, merry gentlemen†in A Christmas Carol.The tune adapted for use in this arrangement was at the time of its notation a wordless, nameless melody noted in 1905 by folk song collector E. Quintrell from the singing of a Mr. Boaden in Cornwall, England. The tune was sent to Lucy Broadwood, editor of the Journal of the Folk-Song Society, who decided that it fit the ballad, “The Maid in Bedlam,†and published the tune and text together. Gustav Holst later arranged the tune as Song without Words ‘I'll Love My Love’†in his Second Suite in F for Military Band, Op. 28, No. 2 (1911) and again as “I Love My Love†in his 6 Choral Folksongs, Op. 36 (1916). Set in F minor (Dorian), the tune brings a contemplative tone to the text, with the high point of the refrain being the subdominant Bb major chord on the word “joy.†The rich, dark timbre of solo clarinet (part included) on introduction, interludes, and ending adds to this tone. SATB voices (with some divisi on soprano and tenor), piano, Bb clarinet©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
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