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1
Hi'ilawe
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1117851 Composed by Dr. Sa…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1117851 Composed by Dr. Sam Li'a Kalainaina. Arranged by John Lehrack. Multicultural,Traditional,World. Octavo. 15 pages. GGLS Publishing #719374. Published by GGLS Publishing (A0.1117851). This mele is about a love affair at HiÊ»ilawe (highest waterfall in HawaiÊ»i) and WaioÊ»ulu, two waterfalls in WaipiÊ»o Valley on the Big Island. The girl, from Puna, describes herself poetically as the fragrance from Puna. Distressed by the gossip mongers, she calls them chattering birds. Mist of the mountains in the 3rd verse is the poetic way of saying this is a secret love affair. LÄlÄkea and Hakalaoa are streams at the top of WaipÊ»io Valley that flow over the cliff forming the twin waterfalls of HiÊ»ilawe and Hakalaoa. They merge into the HiÊ»ilawe stream that is one of two main waterways in WaipiÊ»o Valley.
$2.50
2.3 €
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Choral SATB
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Dr
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Hi'ilawe
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GGLS Publishing
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SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
23.92 €
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Choral SATB
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
18.39 €
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Choral SATB
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Northwest Passage (Downloadable Piano/Choral Score)
Choral SATB
SATB choir, wind quintet and string quartet or piano - Medium - Digital Download SKU: M…
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SATB choir, wind quintet and string quartet or piano - Medium - Digital Download SKU: MQ.1.3438-E Composed by Z. Randall Stroope. Advanced/Collegiate. Secular, 21st Century, Creation/Nature. Score & instrument part. 24 pages. Duration 8 minutes, 25 seconds. Galaxy Music Corporation - Digital #1.3438-E. Published by Galaxy Music Corporation - Digital (MQ.1.3438-E). English.Northwest Passage is a set of “poetic landscapes†that reflects on three elements of the great Northwest of the United States—rivers, mountains, and prairies. Each sonic reflection (movement) combines to form a larger image, not unlike someone standing on a vista and seeing rivers, mountains, and prairies—each distinct, but part of one vast expanse.The work is scored for two versions: mixed chorus and piano, or mixed chorus, wind quintet, and string quartet. The harmonic vocabulary of the work maintains an uncomplicated, transparent (“organicâ€) approach in describing nature. The melodic vocabulary immediately pulls the listener's eye to the image, and rhythm is used as the underlying spark that is subtly ever changing and unpredictable. These three poetic landscapes should be performed without applause between movements.1. A Willow by the River|William Carlos Williams was a medical practitioner, pediatrician, and an avid writer. He wrote short stories, novels, plays, critical essays and, of course, poetry. The subjects of his writing were often “local†images, and he preferred to see the world “as it is,†without unnecessary trappings or “airs.†He was an important mentor to many younger poets of his day. “Willow Poem†(A Willow by the River) has no rhyme scheme but is comprised of fourteen individual lines. The willow is the focus of the poem (by its title and content) and how it never changes but will always “be.†The river represents, among other things, life quickly moving by and in a constant state of motion.2. Mountains|Marjorie Seiffert (who often used the pseudonyms Elijah Hay or Angela Cypher) led an incredibly full and balanced life. College introduced her to a world beyond her domestic and civic life and, as a result, she wanted to experience self-empowerment and independence. She prided herself in being a spouse, mother and maintaining a full slate of professional appearances and commissions for writing. Her poetry is vivid, keenly “visual,†and full of fast-paced, tightly woven ideas. “Mountain trails†(Mountains) was written at Glacier Park, Montana in September 1917.3. The Prairie|John Hay was an American statesman who was personal assistant to Abraham Lincoln. He also served as U. S. Secretary of State and Ambassador to Great Britain. He was a cultivated man of letters and wrote poetry which was straightforward in design and delivery. Nature was often the subject of his creative output. -Z. Randall StroopeDuration: 8:25Instrumental Parts packet includes: Flute, Oboe, Clarinet, Horn, Bassoon, Strings (1-1-1-1).
$3.20
2.95 €
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Choral SATB
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Z
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Northwest Passage
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Dreams Of Winter
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.953869 Composed by Francis…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.953869 Composed by Francis Osentowski. Arranged by Lyrics, Edward Garcia. Contemporary. Octavo. 7 pages. Francis Osentowski #6328761. Published by Francis Osentowski (A0.953869). Dreams of Winter, SATB and Keyboard is a setting of a delicate poem by Edward Garcia. It was published by Hal Leonard Co. and sold several thousand copies world wide. My arrangement moves the pitch up a step and fills out the piano part with thicker updated harmonies. Ranges are limited with C for basses and E for sopranos. . The poetic text is a description of a Silent Snowfall and is perfect for public school and any winter concert performance. Ex. Day dreams of snowfall on this silver day. Tumbling down in their snow soft way. Listen! Listen sounds of the silent snow...
$1.99
1.83 €
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Choral SATB
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Francis Osentowski
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Dreams Of Winter
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Francis Osentowski
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SheetMusicPlus
La loba (The Wolf) for SATB and flute
Choral SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1178090 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1178090 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Halloween,Latin,Multicultural,World. 14 pages. Adrienne Inglis (ASCAP) #778051. Published by Adrienne Inglis (ASCAP) (A0.1178090). Fabulous feminist empowerment piece by a woman poet and woman composer!For SATB mixed chorus and electronically distorted flute.La loba (2022) by Adrienne Inglis (ASCAP)SATB mixed chorus and distorted fluteText: an excerpt from La loba (1916) by Argentine poet Alfonsina Storni (1892-1938)Commissioned by Jonathan Riemer for Inversion Ensemble’s The Electric Choir concert October 22, 2022Duration 4:08 minutesDifficulty 3 (Advanced high school, collegiate or community chorus)Language — SpanishThe perusal score video will be included on this YouTube playlist.https://youtube.com/playlist?list=PLY9Jh0jT7VQvcM78yozLNYpIXeWzJjMPsPerformances:22 Oct 2022 at 2 PM Inversion Ensemble and flutist Adrienne Inglis (world premiere) at KMFA Classical 89.5. Commissioned by Jonathan Riemer for Inversion Ensemble’s “Electric Choir†concert in October 2022, La loba (The Wolf) displays Alfonsina Storni’s powerful poetic voice as a feminist amidst the patriarchy of early twentieth century Buenos Aires. She breaks away from her expected role as a sheep in an obedient flock and becomes a wolf sharpening her teeth and honing her skills. Moreover, she calls for others to follow her to stand up and face the enemy. More than a century later, Storni’s voice still echoes with a powerful call to action in a world where women’s rights are as fragile as ever. Bored of its usual role as a bird, the flute breaks away from the flock to inhabitat the wolf through transformative electronic distortions. The main theme mimics actual wolf calls, surprisingly comfortable in the flute’s low register. The tango-infused choral harmonies evoke the dissonance and angst in women’s struggle for equality through the ages.
$1.99
1.83 €
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Choral SATB
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Adrienne Inglis
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La loba
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Adrienne Inglis
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SheetMusicPlus
LIFE From The Three Best Things
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.904429 Composed by John T …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.904429 Composed by John T Sarno. Arranged by Words: Henry Van Dyke. Concert,Contemporary,Graduation. Octavo. 8 pages. John T Sarno #6864361. Published by John T Sarno (A0.904429). 4-part SATB (with divisi) is a high school level piece. The romanticism of this poetic setting describes life as an adventure filled with joy, love, friendship, and courage. It challenges the listener to live life to the fullest, always striving to be their best. This is perfect for a choral concert and it can also be used for graduation. ($2.99) Approx. 2:30 Pages: 8 Because this is in a digital format you must purchase a minimum of 10 copies.Appox. 1:57Pages: 4 Because this is in a digital format you must purchase a minimum of 10 copies.
$2.99
2.76 €
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Choral SATB
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John T Sarno
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LIFE From The Three Best Things
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John T Sarno
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SheetMusicPlus
Every Day is Thanksgiving
Choral SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.912545 Composed by …
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.912545 Composed by Edgar F Girtain IV. 20th Century,Contemporary,Holiday. 20 pages. Edgar F. Girtain IV #3114117. Published by Edgar F. Girtain IV (A0.912545). Program NotesAs part of an ongoing artistic collaboration between the conductor Hingrid Kujawinski and composer Edgar Girtain, Every Day isThanksgiving is a choral adaptation of a quotation by Gladys Widdis, elder of theWampanoag Native American tribe. As the Wampanoag are reputed to have been the tribe present at the first thanksgiving feast, Widdis's thoughts on the holiday are particularly apt. Her words of wisdom are worthy of meditation by all people:Every day [is] a day of thanksgiving to the Wampanoag...[We] give thanks for the dawn of thenew day, at the end of the day, to the sun, to the moon, for rain for helping crops grow...There [is]always something to be thanksful for...Giving thanks comes naturally for the Wampanoag... About the ComposerEdgar F Girtain IV is an American composer who work has been hailed as immediatley captivating by the NewYork Times. A commanding poly-stylist, his orchestral, chamber, and vocal work has garnered acclaim for its poetic temperment and dramatic scope, with recent performances at the Imperial College in London, the Conservatories of Helsinki and Seville, Northwestern University, and Carnegie Hall. A native of the New Jersey Pine Barrens, he currently lives and teaches in Puerto Montt, Chile. His scores are available for purchase on JW Pepper, Sheet Music Plus, and through his website, www.EdgarFGirtainIV.com.
$3.00
2.77 €
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Choral SATB
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Edgar F Girtain IV
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Every Day is Thanksgiving
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Edgar F. Girtain IV
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SheetMusicPlus
Wenn es das Licht ist
Choral SATB
Mixed choir a cappella - intermediate - Digital Download SKU: S9.Q20184 Sieben C…
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Mixed choir a cappella - intermediate - Digital Download SKU: S9.Q20184 Sieben Chorsätze nach Gedichten von Sigrid Nordmar-Bellebaum. Composed by Andreas Pieper. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Schott Music - Digital #Q20184. Published by Schott Music - Digital (S9.Q20184). German.Andreas Pieper's secular cycle Wenn es das Licht ist for four-part mixed a-cappella choir (SATB) consists of seven choral settings based on poems by Sigrid Nordmar-Bellebaum. Apart from the eponymous last choral piece, the organist and choirmaster of the parish of Our Lady in Duisburg set to music the following poems by the anthroposophist born in Gdansk in 1941: Weiße Brombeerblüten, Birkenstille, Ruhelos, Farnblätter, Wenn der Regen die Rosen schlägt, and Sonne. In reply to the question what, to him, makes up the charm of these poetic gems, the award-winning (choral) composer said: 'The poems which were set to music in the 1980s fascinated me with their mysterious look at a world behind things. This is the space in which I have always wanted to move musically. The music is mainly atmospheric, linear and freely tonal.'.
$7.99
7.37 €
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Choral SATB
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Andreas Pieper
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Wenn es das Licht ist
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Schott Music - Digital
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SheetMusicPlus
11 Haiku
Choral SATB
Mixed choir (SATB) and vibraphone - advanced - Digital Download SKU: S9.Q11695 F…
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Mixed choir (SATB) and vibraphone - advanced - Digital Download SKU: S9.Q11695 For mixed choir (SATB) and Vibraphone. Composed by Bertold Hummel. This edition: score. Schott Chamber Choir. Downloadable, Score. Op. 41b. Duration 15 minutes. Schott Music - Digital #Q11695. Published by Schott Music - Digital (S9.Q11695). German.Originating from Asia, the short poetic form of 'haiku' always consists of three lines with 17 syllables. The concentration and conciseness resulting therefrom fascinated Berthold Hummel and inspired him to write these 11 miniatures for a-cappella choir and vibraphone. Without using any atonal techniques, he managed very impressively to make traditional poetry appear in a modern form. With great sensitivity, he gave musical expression to a text full of allusions.
$9.99
9.21 €
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Choral SATB
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Bertold Hummel
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11 Haiku
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Schott Music - Digital
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SheetMusicPlus
THE THREE BEST THINGS
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.904432 Composed by John T …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.904432 Composed by John T Sarno. Arranged by Words: Henry Van Dyke. A Cappella,Concert,Contemporary,Graduation. Octavo. 19 pages. John T Sarno #6864363. Published by John T Sarno (A0.904432). This SATB choral piece is a set of three pieces from the poetry of Henry Van Dyke 1852-1933. $7.50 WORK The romanticism of the poetry setting conveys the message of the importance of having a good work ethic. It carries the idea that I am the best one that can do the work I do. This work can also be used for a graduation ceremony. LOVE A cappella piece. The romanticism of the poetry setting describes love as a journey to find your best self by loving and being loved. Love offered without pretense and received with forgiveness will fill the heart’s desire for true love. To give of yourself completely and freely because there is love. LIFEThe romanticism of this poetic setting describes life as an adventure filled with joy, love, friendship, and courage. It challenges the listener to live life to the fullest, always striving to be their best. This work can also be used for a graduation ceremony. Approx. 7:20 Pages: 19 Because this is in a digital format you must purchase a minimum of 10 copies.
$7.50
6.91 €
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Choral SATB
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John T Sarno
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THE THREE BEST THINGS
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John T Sarno
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SheetMusicPlus
Pulling At My Bones (Tá Mo Chleamnas Déanta)
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.953927 Composed by Andrew …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.953927 Composed by Andrew J. Boyle. Arranged by Lyrical Publishing. Celtic,Folk,World. Octavo. 9 pages. Lyrical Publishing #2857443. Published by Lyrical Publishing (A0.953927). One of the most haunting lyrical melodies from Ireland has here been joined with a beautiful, poetic text. It will call out to everyone who has lived away from home. Boyle’s choral arrangements are known for the careful balance of accessibility - they are suitable for most choirs - and the impact of great harmonic sound.
$3.99
3.68 €
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Choral SATB
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Andrew J
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Pulling At My Bones
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Lyrical Publishing
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SheetMusicPlus
The Legend of Ramund
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.1007125 Composed by Mogens Eliasen. …
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Choral Choir (SATB) - Digital Download SKU: A0.1007125 Composed by Mogens Eliasen. Folk,Romantic Period. Octavo. 40 pages. Soverenity Enterprises Inc. #2948289. Published by Soverenity Enterprises Inc. (A0.1007125). The 40-page score is a choral symphony with a powerful lesson to modern people, based on an old Danish folk song about the young super-hero Ramund. The score is dense with contents, both musically and lyrically, and alone for that reason, the 8-minute performance takes an advanced choir.The original folk song dates back to the Viking age and consist of many episodes ofRamund's life, almost like a personal saga. Some have undoubtedly been added later,making the total number of stanzas go up around 50, but the main idea of the song isto report about a young lad, whose ideas of what is right for him to do or not doare completely unaffected by other people's opinions, including those of royalties andcelebrities. The stories are in many regards comparable to those of Beowolf.Although the stories generally are dramatic and bloody, Ramund always retains hiscool attitude and shows how unimpressed he is with power demonstrations, even hisown when he is provoked to use his strength. It is a common element throughout thestories that Ramund detests evil and aggression, and he goes to great lengths to fightpower abusers and aggressive elements. He just wants to live in peace and not haveto be bothered by all those who like to abuse power!Included in this presentation for piano and 8 voices are 11 stanzas from what is believedto be original, in English translation, with focus on clarity of meaning, more so thanpoetical rules and rhymes. The first ruling concept has been to obtain clarity and agreat fit to the music. The second concept has been to add the inspiration this old folksong has created in the mind of a modern rebel who would like to see some ofRamund's attitude to power and power abusers put into action in our modern corruptsociety. Maybe in a less bloody version, but definitely with a similar effect! The added2 stanzas and the attached coda, as well as the added lyrics to the intermezzos and theincorporated commentaries to the action should serve that purpose.In addition, the original tune itself, as well as the lyrics and the intermezzo, haveinspired some musical development throughout the piece, to further accentuate themeaning and the messages about respecting each other, standing together againstabuse, and not letting power abusers get away with their crimes.The 8 voices cover ranges as follows: First sopranos: C4 through Bb5 (possibly G5); Second sopranos: C4 through E5; All altos: G3 through D5; All tenors: C3 through G#4(possibly F#4); First basses: F2 through D4; Second basses: D2 through B3
$7.00
6.45 €
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Choral SATB
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Mogens Eliasen
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The Legend of Ramund
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Soverenity Enterprises Inc.
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SheetMusicPlus
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