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You've selected:
Remembering Them
Choral SATB
Sheetmusic to print
12 sheet music found
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1
My Soul Still Remembers Them
Choral SATB
Choral Choir (SATB divisi) - Digital Download SKU: A0.1014321 Composed by Michael A…
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Choral Choir (SATB divisi) - Digital Download SKU: A0.1014321 Composed by Michael A. McKay. 20th Century,Christian,Contemporary,Patriotic. Octavo. 14 pages. Michael A. McKay #6080911. Published by Michael A. McKay (A0.1014321). My Soul Still Remembers Them is a setting of Lamentations 3:19-23, adapted to be relevant to a Remembrance Day service. The music moves from sorrow, to hope, and finally to triumph--an apotheosis to those being remembered.
$1.99
1.84 €
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Choral SATB
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Michael A
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My Soul Still Remembers Them
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Michael A. McKay
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SheetMusicPlus
Only Remembered (SATB) -SATB version of this Memorial Day or Veterans Day hymn/anthem setting of wor
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.915897 Composed by Judy La…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.915897 Composed by Judy Lane. Contemporary,Holiday,Patriotic,Praise & Worship,Sacred. Octavo. 12 pages. Judy Lane Music #4368536. Published by Judy Lane Music (A0.915897). Award winning hymn/anthem setting of - 'ONLY REMEMBERED' - honouring fallen soldiers. After many requests, Judy Lane has composed an SATB version of this moving hymn. 'Only Remembered' is ideal for Memorial Day or Veterans Day church services - The solo/congregation version is also available on this website. Here are some snippets from Church Directors of Music Well, the music turned out to be a great success. ... I am sure we will again use this setting to those words. I am finding it difficult to get the tune out of my head. Our congregation thought the words were so appropriate and the music matched the words so well which gave a very poignant feel to the singing.. ….It sounds lilting and beautiful…. ..I just played it through, words and music are beautiful… …I like it very much… …Charming music - I enjoyed the harmonies… …I found Only Remembered both lilting and haunting - the music is so evocative….. Just click on the listen link above to hear this SATB version with piano accompaniment - it's very moving - Duration approx 4 minutes.
$1.99
1.84 €
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Choral SATB
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Judy Lane
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Only Remembered
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Judy Lane Music
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SheetMusicPlus
Dear Men and Women
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.850794 Composed by Shelley…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.850794 Composed by Shelley Rink. A Cappella,Contemporary,Jewish,Spiritual. Octavo. 5 pages. Shelley Rink #4764355. Published by Shelley Rink (A0.850794). This SATB a capella SATB original work by Shelley Rink, from the poem Dear Men and Women by John Hall Wheelock, used by permission from the Estate of John Hall Wheelock, is a 4 minute a capella work about profound grief, about losing the giants of our childhood, and also joy, at the wonder of remembering them, with a love that is almost joy. With deep gratitude to the Sierra College Chamber Singers, Lee Hoffman, Director, for their beautiful and meaningful performances of this new work. Intermediate level work particularly suited to chamber choirs, church and temple choirs.
$3.99
3.69 €
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Choral SATB
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Shelley Rink
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Dear Men and Women
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Shelley Rink
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SheetMusicPlus
Love Lifted Me
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976723 Composed by Robert …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976723 Composed by Robert Myers. Christian,Sacred. Octavo. 13 pages. WheatMyer Music #5191473. Published by WheatMyer Music (A0.976723). My worship professor often cited the revival era hymn, Love Lifted Me, with its cheerful, lilting melody beneath doleful lines of sin-speckled poetry, as the epitome of poor tune and text pairing. I countered that the point of the hymn is the sinner’s joy in redemption and the happy nature of the music is appropriate to its ultimate message. Yet, my professor’s words lingered over the years to the point that I endeavored to revisit the hymn in consideration of a more functional melding of tune and text. The result is this choral anthem, Love Lifted Me, setting a slightly adapted version of James Rowe’s poetry. Even though the music is completely new, albeit quoting snippets of the original hymn tune, it has an air of familiarity that melds with the text to paint its message in a fresh light. For example, the passages remembering sin and despair are aimless and brooding, while the lines rejoicing over redemption are flowing, energetic, and ebullient. Listen to Love Lifted Me and let your ears be the judge whether this setting expresses the story of personal redemption fittingly.Arranged for SATB chorus and piano, this anthem fills the role of personal testimony and witness with an evangelistic call to respond to the Gospel. It is suitable for most experienced student and adult mixed choirs. Robert MyersS.D.G.
$2.25
2.08 €
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Choral SATB
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Robert Myers
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Love Lifted Me
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WheatMyer Music
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SheetMusicPlus
By Christ Redeemed
Choral SATB
SATB choir - Digital Download SKU: LX.10-3202L Composed by Jean Anne Shafferman. Sa…
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SATB choir - Digital Download SKU: LX.10-3202L Composed by Jean Anne Shafferman. Sacred Anthem, Communion. Octavo. 7 pages. Exaltation Publications #e10/3202L. Published by Exaltation Publications (LX.10-3202L). UPC: 000308096446.This expressive anthem, a distinctive blending of remembering Christ's sacrifice while anticipating his promised return, is appropriate for communion worship throughout the year.
$2.40
2.22 €
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Choral SATB
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Jean Anne Shafferman
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By Christ Redeemed
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Exaltation Publications
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SheetMusicPlus
The Banyan Tree Choir S A T B
Choral SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1280352 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1280352 Composed by Gene Roberson. Arranged by Gene Roberson. 21st Century,Contemporary,Religious,Romantic Period,Spiritual. 8 pages. Gene Roberson #871806. Published by Gene Roberson (A0.1280352). Choir Anthem - Special music for remembering nature. A tribute to the people of Maui, Hawaii and the city of LaHaina who losttheir homes in the great fire of August 3, 2023.Available as piano solo, cello solo, (other intruments to be added). All proceeds will be donated to the families of LaHaina. Thank you for contributing.
$1.99
1.84 €
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Choral SATB
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Gene Roberson
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The Banyan Tree Choir S A T B
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Gene Roberson
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SheetMusicPlus
O God of Love, Give Peace Again — SATB voices, keyboard
Choral SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1451982 Compos…
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1451982 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1031298. Published by Con Spirito Music (A0.1451982). Written by Henry Williams Baker (1821-1877) and titled “The Lord Shall Give His People the Blessing of Peace,” the text of “O God of Love, Give Peace Again” was published in the 1861 edition of the landmark English hymnal, Hymns Ancient and Modern. Baker, who is perhaps best remembered for his hymn “The King of Love My Shepherd Is,” was chairman of the committee that prepared that hymnal. Because war is a constant in the world, Baker's text is always relevant. Stanza 1 is an entreaty that God would “make wars throughout the world to cease.” Stanza 2 asks that God recall his “works of old,” for only by God's hand can peace be given again. Stanza 3 extends this thought by asking “Whom shall we trust but thee, O Lord? Where rest but on thy faithful word?” and noting that “none ever called on Thee in vain.” A fourth verse, omitted in some hymnals, ends on the hopeful note that as saints and angels are bound “in holy love,” so we might also be bound to them and to one another in love and peace. In this original setting of Baker’s text, stanza 1 is sung by unison voices, stanza 2 by unison women, stanza 3 by unison men, and stanza 4 in parts following a recapitulation of the introduction and a modulation to the relative major key. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$2.00
1.85 €
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Choral SATB
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Todd Marchand
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O God of Love, Give Peace Again — SATB voices, keyboard
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Con Spirito Music
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SheetMusicPlus
Shakespeare's Sonnet 128
Choral SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1161065 Composed by…
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1161065 Composed by Dave Gardner. Classical,Historic. Octavo. 12 pages. D. M. Gardner Music #761387. Published by D. M. Gardner Music (A0.1161065). The vivid imagery and powerful emotion of Shakespeare’s 128th sonnet resonate throughout this evocative setting of the text. Few pieces elicit as genuine a response from the listener and fewer still are remembered as sweetly by the ear. How oft, when thou, my music, music play’st,Upon that blessed wood whose motion soundsWith thy sweet fingers, when thou gently sway’stThe wiry concord that mine ear confounds,Do I envy those jacks that nimble leapTo kiss the tender inward of thy hand,Whilst my poor lips which should that harvest reap,At the wood’s boldness by thee blushing stand!To be so tickl’d, they would change their stateAnd situation with those dancing chips,O’er whom thy fingers walk with gentle gait,Making dead wood more bless’d than living lips.   Since saucy jacks so happy are in this,   Give them thy fingers, me thy lips to kiss.A great piece for a good high school or college choir looking to a a memorable and fun piece to their repertoire!
$1.99
1.84 €
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Choral SATB
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Dave Gardner
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Shakespeare's Sonnet 128
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D. M. Gardner Music
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SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
81.34 €
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Choral SATB
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Two Views of Scott Joplin
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.972650 Composed by James S…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.972650 Composed by James Siddons. Contemporary,Opera,Ragtime. Octavo. 79 pages. James Siddons Music and Writings #4898807. Published by James Siddons Music and Writings (A0.972650). Two Views of Scott Joplin is an exploration of a personal and artistic crisis that Scott Joplin, the King of Ragtime, went through between 1904 and 1906. This crisis was precipitated by the untimely death of Freddie Alexander in September 1904, to whom Joplin had been married only ten weeks. Knowledge of this marriage was lost to history for almost a century until the Joplin scholar Edward A. Berlin discovered the newspaper obituary, which is quoted in the bass solo in Part II, The Obituary of Freddie Alexander. Apparently, Scott Joplin, already inspired by the progressive ideals of Booker T. Washington, saw a path to social and artistic betterment through his love of Freddie, a daughter of a refined family. During this period, Joplin used the title rag less often in his piano-solo works, and nurtured an interest in opera (he had long been active in vaudeville as well as ragtime piano). He seems to have lost his sense of direction in 1905 and 1906, until led by his publisher John Stark to move to New York City in 1907. Once there, apparently growing out of his grief, Joplin studied with an Italian opera singer and composer, composed his folk opera Treemonisha, and composed Wall Street Rag and his other late masterpieces for piano. Joplin died in April 1917 following two years of debilitating illness. Joplin left almost no personal writings, such as letters or diaries. To create an impression of autobiography, Two Views of Scott Joplin consists mostly of words and music written by Scott Joplin, and piano music composed by two close associates, the composer-pianists Louis Chauvin and Scott Hayden. These words come from Treemonisha, from Joplin’s little-remembered vaudeville and parlor songs, and also from text in his sheet-music---copyright notices, publishers’ addresses, titles and subtitles of rags, performance directions. In most cases, selected lyrics are extracted from songs and paired with piano-solo themes. These ingredients are combined in creative ways to express the biographical narrative. Instrumental themes are re-cast as necessary to express their newly-attached lyrics. But in no place can any of the music in Two Views of Scott Joplin be considered an arrangement of a given, intact composition, nor a medley of tunes, nor a theatrical revue. The character development and dialogue found in Scott Joplin’s Struggle with Destiny (Part II, No. 3) is my own biographical interpretation of Joplin, based on known evidence and on his music.The score contains extensive Performance Notes for performing this 16-minute work as a choral work or as a short opera scene.
$9.99
9.24 €
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Choral SATB
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James Siddons
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Two Views of Scott Joplin
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James Siddons Music and Writings
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SheetMusicPlus
Lord, Who Throughout These Forty Days
Choral SATB
SATB choir a cappella, optional solo - Moderately Easy - Digital Download SKU: MQ.50-30…
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SATB choir a cappella, optional solo - Moderately Easy - Digital Download SKU: MQ.50-3047-E Composed by Kenneth T. Kosche. Lent. 4 pages. MorningStar Music Publishers - Digital Sheet Music #50-3047-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-3047-E). An easily remembered new American tune (JUERGENSEN) is shared by men and women in alternating stanzas of this Lenten anthem. Comfortably performable by a small or larger choir with optional solo. Text suitable for any of the first weeks of Lent.
$2.15
1.99 €
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Choral SATB
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Kenneth T
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Lord, Who Throughout These Forty Days
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Eight Hymns of Isaac Watts
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.836712 Composed by Brian J…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.836712 Composed by Brian Joyce. Christian,Sacred. Octavo. 21 pages. Brian Joyce #4325937. Published by Brian Joyce (A0.836712). If you ever need a break from the soundbyte theology found in so many contemporary Christian lyrics, why not revisit the words of Isaac Watts (1674-1748), who could stretch a single coherent thought across multiple verses of his hymns? Watts was a prolific writer on many subjects, including geography, astronomy, ethics, and psychology. His book on Logic became a standard university text, being used at Oxford for over 100 years. But his greatest desire was to assist Christians in the worship of God and it is his hymns for which he is best remembered today.These old words are here set to new music which represents a blending of three different traditions: First, and most obvious, is the rustic sound of early American shape-note singing. Second is the strong linearity of 13th century Ars Antiqua voice leading, in which each part was more or less independent. And third is my own fondness for mixed meters and sonorities built on fourths and seconds. Yet it all works somehow: these are actually very singable hymns once the choir has acclimated to the style. Most fall comfortably into a simple diatonic language and would present no jarring problems for the listener. Five of the hymns are for standard mixed voices (SATB); one is for men’s voices (TTB); one for women’s (SSA) and the last, a Doxology, is in six parts (SSATTB) with a florid threefold amen. There is admittedly a certain sameness about these settings; perhaps it’s best if they are not all sung in one go, cover to cover. Taken individually, however, there is no reason they couldn’t make for a refreshing change from the usual church anthem, and a group of three or four could easily find a place on a choral recital program.
$2.50
2.31 €
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Choral SATB
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Brian Joyce
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Eight Hymns of Isaac Watts
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Brian Joyce
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SheetMusicPlus
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