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Serenade | Schubert | Lead Sheet | A minor
SheetMusicPlus
Choral SATB
Sheetmusic to print
16 sheet music found
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1
Psalm 31: Be a Rock of Refuge
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.881950 Composed by Ephrem …
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.881950 Composed by Ephrem Feeley. Easter,Sacred. Octavo. 5 pages. Cherrybrook Music #5209649. Published by Cherrybrook Music (A0.881950). A pleading, minor key refrain, with dissonances in the verses captures the anguish of this psalm. Scored for full choir, schola, cantor and organ.
$2.40
2.19 €
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Choral SATB
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Ephrem Feeley
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Psalm 31: Be a Rock of Refuge
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Cherrybrook Music
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SheetMusicPlus
(Ghost) Riders In The Sky (A Cowboy Legend)
Choral SATB
Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1434494…
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Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1434494 By Johnny Cash. By Stan Jones. Arranged by Rob Riker. A Cappella,Country,Folk,Pop,Traditional. 19 pages. Robert Riker #1014656. Published by Robert Riker (A0.1434494). Arrangement for a cappella voices SATB, with some divisi, of the Johnny Cash classic. This is set in Cash's key of Bb minor, which places the lead quite low, but if you've got a low singer looking for a chance to step out in front of the ensemble, this is a killer option!
$2.25
2.05 €
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Choral SATB
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Johnny Cash
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(Ghost) Riders In The Sky
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Robert Riker
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SheetMusicPlus
Friend In Jesus
Choral SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.977152 Composed by …
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.977152 Composed by Tim Russell. Praise & Worship,Spiritual. 5 pages. Sing Alleluia! Music #3573011. Published by Sing Alleluia! Music (A0.977152). SATB song intended to be used in a choir with a lead. This is written in the style of a spiritual in a minor key that ends in a major key.
$2.99
2.73 €
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Choral SATB
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Tim Russell
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Friend In Jesus
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Sing Alleluia! Music
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SheetMusicPlus
Anim Zemiros
Choral SATB
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909…
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00
2.74 €
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Choral SATB
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
There is no Rose
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.851304 Composed by Tim Att…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.851304 Composed by Tim Attride. Christmas. Octavo. 2 pages. Tim Attride #3589141. Published by Tim Attride (A0.851304). Starting with bars of 11 beats might raise a few eyebrows. However, this short setting of anonymous C15th words (as with many of my pieces) is intended to support the text, rather than be a nice tune with words shoehorned in. What turns out to be a flowing opening line for the Sopranos (/ solo) leads into a simple refrain. Altos join for the second verse, still in unison, with a slightly elaborated 2-part refrain including duplets against 3/4. So on with the Tenors added in verse three and the Basses in verse four. By verse five, some harmony is forthcoming, as is a brief division for the Sops. Although the nominal key rests in C minor and the refrains so far have resolved on a G major chord, the final chorus ends on a triumphant 8-part C major chord.A definite showpiece for an (at least) reasonably competent choir.
$1.99
1.82 €
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Choral SATB
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verse five, some harmony is forthcoming, as is a brief division for the Sops
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Tim Attride
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There is no Rose
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Tim Attride
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SheetMusicPlus
In the Bleak Midwinter (SATB)
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.719693 Composed by Curtis …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.719693 Composed by Curtis Hanson. Arranged by Curtis Hanson. A Cappella,Christian,Christmas,Sacred. Octavo. 6 pages. Curtis Hanson #3109143. Published by Curtis Hanson (A0.719693). This wonderful Christmas text is here given a new treatment with an original melody and four-part SATB harmonization. A capella performance is preferred, but a keyboard instrument may support by doubling the voices. The first verse is for optional solo with a humming choral accompaniment and is in a minor mode. The second verse is tutti with all voices singing the text and is in the parallel major. The final verse incorporates the familiar tune by Gustav Holst. The piece concludes by recalling the original humming motif in the middle voices. This work has comfortable ranges and relatively easy voice-leading so is accessible for a wide variety of choral abilities, but it requires a good ear for the close harmonies. 2017 Choral Contest Entry
$2.00
1.83 €
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Choral SATB
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Curtis Hanson
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In the Bleak Midwinter
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Curtis Hanson
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SheetMusicPlus
Love Asks For Nothing
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.875707 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.875707 Composed by Michael Woytiuk. Sacred. Octavo. 3 pages. Michael Woytiuk #4887087. Published by Michael Woytiuk (A0.875707). Love asks for nothing is a beautiful reflection on the nature of love taken from a text by the thirteenth century Persian Poet Mevlana Rumi. Starting from a simple C major chord the music grows with small gestures leading to a sweeping expression that love risks everything. The first section finishes with a a simple and asks for nothingPart two feels like a waltz without the interruptions of silence in part one. The text is reversed. Starting in a minor key with love asks for nothing nothing nothing and ends with loves risks everything!
$1.99
1.82 €
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Choral SATB
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Michael Woytiuk
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Love Asks For Nothing
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Michael Woytiuk
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SheetMusicPlus
At the Cross
Choral SATB
Choral SATB choir with optional oboe & cello - Digital Download SKU: H1.C5275DP Com…
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Choral SATB choir with optional oboe & cello - Digital Download SKU: H1.C5275DP Composed by Ralph E. Hudson. Arranged by Joel Raney. Piano with Optional Oboe & Cello. Lent, General Worship, Communion, Atonement, Blood, Cross of Christ, Grace, Love, Mercy, Sacrifice. Octavo. 12 pages. Hope Publishing - Digital #C5275DP. Published by Hope Publishing - Digital (H1.C5275DP). By Isaac Watts & Ralph E. Hudson. 1 Corinthians 1:18 - 1 John 3:1 - Galatians 6:14 - Isaiah 53:4 - John 1:1 - John 1:2 - Matthew 27:45 - Romans 12:1 - 2 Corinthians 5:20 - 2 Corinthians 5:21 - 2 Corinthians 6:1 - 2 Corinthians 6:2 - 2 Corinthians 6:3 - 2 Corinthians .Classic hymn by Isaac Watts & Ralph E. Hudson The powerful nature of this somber arrangement perfectly captures the sobering reality of the death of Christ. Arranger Joel Raney begins in a minor key for the first two verses, weaving strains of O Sacred Head Now Wounded in and out of the accompaniment. He then moves to the major key in the third verse and, with an exciting modulation, leads to the triumphant chorus at the end. The piano, oboe, cello, and voices weave an intensely passionate musical fabric, giving this historic tune fresh impact.
$2.95
2.69 €
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Choral SATB
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Isaac Watts & Ralph E
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Ralph E
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At the Cross
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Hope Publishing - Digital
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SheetMusicPlus
Mondnacht
Choral SATB
Soprano Voice, Choir, SATB - Advanced Intermediate - Digital Download Composed by Joy…
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Soprano Voice, Choir, SATB - Advanced Intermediate - Digital Download Composed by Joy DeCoursey- Porter. 21st Century, 20th Century. Score. 9 pages. Published by Joy DeCoursey- Porter
This piece has been recognized by Project Encore and the American Prize.Text by Joseph Freiherr von EichendorffEichendorff was one of the leading poets of nineteenth-century German Romanticism. His poem Mondnacht (“Moon-night”) was especially beloved by his compatriot composers, with over two dozen settings including a particularly famous one by Schumann. Debussy is reflected in extended, quasi-impressionistic harmonies, such as the opening C-major-ninth chord with an A in the melody. The opening sonorities return for the final stanza, expanding and accelerating as the soul stretches its wings. The work concludes with gentle, again impressionistic, oscillations between C minor and C major.Es war, als hätt’ der HimmelDie Erde still geküßt,Daß sie im BlütenschimmerVon ihm nun träumen müßt.Die Luft ging durch die Felder,Die Ähren wogten sacht,Es rauschten leis die Wälder,So sternklar war die Nacht.Und meine Seele spannteWeit ihre Flügel aus,Flog durch die stillen Lande,Als flöge sie nach Haus.It was as if the heavenshad quietly kissed the earth,that she, in blossoms’ shimmer,now must dream of him.The breeze went by the field,the ears of corn waved softly,it rustled gently the woods,so starlit was the night.And my soul stretchedout wide its wings,flew through the quiet lands,as if flying itself home.— Joseph Freiherr von Eichendorff (1788–1857)Please contact Joy at joyfulporter@hotmail.com if you are planning a performance of this piece. Thank you!
$2.50
2.28 €
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Choral SATB
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Joy DeCoursey- Porter
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Mondnacht
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Joy DeCoursey- Porter
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SheetMusicPlus
THE GREAT HUMILITY OF CHRIST (SATB) – Philippians 2:5-11
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926663 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926663 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 7 pages. M.A. Morizio #3588423. Published by M.A. Morizio (A0.926663). In chapter two of Paul's letter to the Philippians, Paul begins speaking to his readers about encouragement, comfort from love, participation in the Spirit, and godly affection and sympathy for one another. He says, we are to count others as more important than ourselves. He pleads, Complete my joy by doing these things. From this point, Paul breaks immediately into this other known 1st century Hymn to Christ (Verses 5-11), which I have called, The Great Humility of Christ. The hymn text is a beautiful exposition of the Gospel; Christ in the form of God, did not hold onto (grasp) His equality with God, but humbled Himself and took on the human form of a servant (slave) and poured Himself out for all of mankind. The anthem is composed for SATB (a cappella) choir in two stanzas, with a bridge section and a coda. The piece is scored in D minor, but weaves between D minor and G Major (representing the dual natures of Christ-fully God and fully man). After the first stanza, regarding Christ’s taking on human flesh, the unthinkable happens; Christ humbles Himself in holy obedience to be put to death, even a humiliating and repugnant death on a cross. Here in the anthem we find the musical bridge between the two stanzas with the sopranos holding onto a single note (high D) followed by a cascade of dissonant suspensions, one voice handing off to the other, finally resolving in a descending scale.The second stanza declares God’s having exalted Christ as a consequence of His sacrifice, giving Him a name that is above every name, that at the name of Jesus every knee shall bow, in heaven and on earth and under the earth. The final coda (in G Major) trumpets the pronouncement that; Every tongue will confess that Jesus Christ is Lord, to the glory of the Father.
$1.99
1.82 €
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Choral SATB
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Michael A
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THE GREAT HUMILITY OF CHRIST
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M.A. Morizio
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SheetMusicPlus
Jesus Was Crucified
Choral SATB
Choral SATB Chorus - Digital Download SKU: H1.C5272DP Composed by Jay Althouse. Pia…
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Choral SATB Chorus - Digital Download SKU: H1.C5272DP Composed by Jay Althouse. Piano Accompaniment. Lent, Holy Week, Good Friday, General Worship, Communion, Atonement, Cross of Christ, Lord's Supper, Redemption, Sacrifice. Octavo. 8 pages. Hope Publishing - Digital #C5272DP. Published by Hope Publishing - Digital (H1.C5272DP). Jay Althouse.Original anthem From Jay Althouse, this poignant Lenten anthem features fresh harmonies with straightforward voice leadings, making it accessible to most choirs. Set to a haunting, minor key melody, the narrative describes Jesus' hours on the cross, culminating with his words, Father, they know not what they do. .
$2.95
2.69 €
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Choral SATB
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Jay Althouse
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Jesus Was Crucified
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Hope Publishing - Digital
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SheetMusicPlus
Watercolor Morning (SATB)
Choral SATB
SATB chorus - Digital Download SKU: C7.CGE111 Composed by Ruth Elaine Schram. Gener…
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SATB chorus - Digital Download SKU: C7.CGE111 Composed by Ruth Elaine Schram. General. Sing! Octavo. 12 pages. Chorister's Guild - Digital #CGE111. Published by Chorister's Guild - Digital (C7.CGE111). UPC: 749193023303.Creating a mood full of wonder, mystery and anticipation, Gilpin's expressive original is a superb choice for your winter or holiday concert. The hauntingly beautiful minor melody is first stated in unison. It then expands into full harmony, culminating in an ending of quiet unison. This piece provides wonderful opportunities to teach phrasing, text interpretation, rubato and to experience a full range of dynamics. I see footprints in the snow, where they lead, I do not know. Who is this traveler all alone? Should I follow.....or turn for home?
$2.10
1.92 €
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Choral SATB
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Ruth Elaine Schram
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Watercolor Morning
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Chorister's Guild - Digital
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SheetMusicPlus
Bless His Holy Name (with Holy, Holy,Holy)
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.894091 Composed by Roger L…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.894091 Composed by Roger Lowe, John B. Dykes. Arranged by Roger Lowe. Christian,Sacred. Octavo. 10 pages. Roger Lowe Music #17281. Published by Roger Lowe Music (A0.894091). This anthem combines a new work - Bless His Holy Name - with a new arrangement of the familiar hymn Holy, Holy, Holy. With harmonies that cross back and forth between major and minor, and a contemplative be still and know setting, Bless His Holy Name evokes a worshipful atmosphere that leads into the hymn arrangement set in 6/8 which slows the motion of the song and allows for counterpoint in the harmonies. A recap follows to close the piece.
$1.99
1.82 €
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Choral SATB
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Roger Lowe, John B
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Bless His Holy Name
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Roger Lowe Music
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SheetMusicPlus
The water is wide (O waly waly) for SSAATTBB
Choral SATB
Choral Choir (SATB divisi) - Digital Download SKU: A0.881169 Composed by Public dom…
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Choral Choir (SATB divisi) - Digital Download SKU: A0.881169 Composed by Public domain melody. Arranged by Boo Lewis. A Cappella. Octavo. 4 pages. Rebecca de Bruin #6503837. Published by Rebecca de Bruin (A0.881169). This eight part choral arrangement of 'The water is wide' (to the tune O waly waly) was written in August 2013 for a university a cappella group. The melody is mainly in the soprano part, apart from verse 2 where it is taken by the tenors. The arrangement moves from a melody line (which could be sung by a soloist rather than all the sopranos) over 'do do' backing, to a polyphonic second verse, before moving into a homophonic structure with minor splits in the alto and tenor parts and finally full eight part harmony in the fourth verse. The ranges and voice leading do not make this particularly challenging (although there is one high A in the soprano 1 part and the tenor 1 part and 1 low E in the bass part).Vocal ranges:Soprano 1: C#4 - A5 (C# above middle C to A above high C)Soprano 2: C#4 - E5 (C# above middle C to E above high C) Alto 1 and 2: A3 - C#5 (A below middle C to C# above high C)Tenor 1: C#3 - A4 (C# below middle C to A above middle C)Tenor 2: C#3 - F#4 (C# below middle C to F# above middle C)Bass 1: A2 - A3 (A below low C to A below middle C)Bass 2: E2 - A3 (E below low C to A below middle C)
$3.00
2.74 €
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Choral SATB
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Public domain melody
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The water is wide
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Rebecca de Bruin
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SheetMusicPlus
I Just Called To Say I Love You
Choral SATB
Choral Choir,Choral (SATB) - Level 1 - Digital Download SKU: A0.1235539 By Stevie W…
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Choral Choir,Choral (SATB) - Level 1 - Digital Download SKU: A0.1235539 By Stevie Wonder. By Stevie Wonder. Arranged by Rochus Paul. Pop. 5 pages. Rochus Paul #831056. Published by Rochus Paul (A0.1235539). Easy, but soundful athmospheric SATB-Arrangement with Alto in Lead. A capella recommended, but naturally possible with accompagnation.Please buy as many copies as performers participate during the performance - fair and square. Copies may be reused. Minor modifications are always permitted. For audio material or special wishes please visit rochuspaul.de/kontakt.
$2.99
2.73 €
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Choral SATB
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Stevie Wonder
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I Just Called To Say I Love You
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Rochus Paul
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SheetMusicPlus
O Come Emmanuel - SATB Ensemble
Choral SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1045075 Composed by…
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1045075 Composed by Traditional Latin. Arranged by Mark R Lewis. Christmas,Classical,Holiday,Sacred,Traditional. Octavo. 8 pages. Mark R Lewis #649637. Published by Mark R Lewis (A0.1045075). O Come, O Come Emmanuel is an ancient Latin hymn associated with the Vespers services leading up to Christmas. This SATB divisi arrangement by Mark R Lewis imitates the tradition of Latin plainsong but is fully modern in conception. While this arrangement is not too extreme in terms of notes and rhythms, it will stretch the limits of many singers' vocal ranges and incorporates some complex harmonies. ​The arrangement incorporates a pedal note drone that can be played on any instrument. There is an optional hand drum part. While this arrangement does work with only the drone accompaniment, Mark has also published string orchestra and woodwind ensemble settings that work wonderfully as accompaniment to the vocal setting. The audio sample for this item is from the vocal trio arrangement of this piece that Mark has published. Vocal Range: Key of d minor Soprano - 1 1/2 octaves (C4 - A5 {opt. Bb5}) Alto - 1 + octaves (A3 - Bb4) Tenor - 1 + octaves (C3 - D4) Bass - 1 1/2 octaves ({opt. D2} F2 - C4).
$1.99
1.82 €
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Choral SATB
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Traditional Latin
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O Come Emmanuel - SATB Ensemble
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Mark R Lewis
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SheetMusicPlus
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