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You've selected:
Shepherd Tam
Choral SATB
Sheetmusic to print
6 sheet music found
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1
The Shepherd's Benediction
Choral SATB
SATB choir, a cappella (With Optional Tambourine, Accompaniment MP3, Hand Drum) - Digital …
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SATB choir, a cappella (With Optional Tambourine, Accompaniment MP3, Hand Drum) - Digital Download SKU: LX.10-5749L Composed by Victor C Johnson. Sacred Anthem, Benediction. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/5749L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5749L). Pamela Stewart's text comes alive when paired with Victor Johnson's music. Written in an a cappella Renaissance-style, the 6/8 meter propels the music forward, and optional hand drum and tambourine parts complete the musical package. The lyrics speak from the point of view of the shepherds, as they joyfully tell the world what they have seen and heard: Gloria! Sing gloria! Each heart a bed of hay, every life a Bethlehem, each day a Christmas Day!
$2.50
2.26 €
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Choral SATB
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Victor C Johnson
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The Shepherd's Benediction
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Shepherd's Hymn
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1014625 Composed by Willem…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1014625 Composed by Willem Scott King. Christian,Christmas,Contemporary,Sacred. Octavo. 10 pages. Willem Scott King #3912919. Published by Willem Scott King (A0.1014625). SATB- Shepherd's Hymn is a contemporary SATB choral piece that was composed in honor of the Mapleton Chorale's (Mapleton, Utah) 25th Anniversary. The piece takes it lyrics from the New Testament book of Luke, chapter 2 as well as additional lyrics by the composer. The piece reflects the great event of the angels' visit to humble shepherd's and the wondrous news of the birth of Jesus. This piece was composed for a community choir and would be ideal for community choir or church use.For more information about the composer or this work or others, please feel free to contact Willem Scott King at willemscottking@gmail.com
$2.75
2.48 €
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Choral SATB
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Willem Scott King
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Shepherd's Hymn
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Willem Scott King
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SheetMusicPlus
Villancico Xicarrero
Choral SATB
Digital Download SKU: OX.9780193570207 Composed by Fernando Taberner. Score. 6 page…
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Digital Download SKU: OX.9780193570207 Composed by Fernando Taberner. Score. 6 pages. Oxford University Press Digital #9780193570207. Published by Oxford University Press Digital (OX.9780193570207). ISBN 9780193570207.For SATB and percussion. Fernando Taberner pairs percussion and mixed voices in his innovative and zealous new carol that depicts a shepherd's joy at the birth of Christ. The two percussion parts may be played on tambourines or other suitable instruments. Offprinted from Carols for Choirs 6.
$3.25
2.93 €
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Choral SATB
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Fernando Taberner
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Villancico Xicarrero
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Oxford University Press Digital
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SheetMusicPlus
Os nace un Cordero (Unto You a Lamb is Born) for SATB chorus, piano, and pedal or lever harp
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.953634 Composed by Adrienn…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.953634 Composed by Adrienne Inglis (ASCAP). Christian,Christmas,Contemporary,Sacred,World. Octavo. 16 pages. Adrienne Inglis (ASCAP) #6883479. Published by Adrienne Inglis (ASCAP) (A0.953634). Celebratory sacred intermediate-level piece for the Christmas season, with gorgeous Spanish textOs nace un Cordero (Unto You a Lamb is Born)Commissioned by Chorus Austin for On a Winter’s Eve 2021Music by Adrienne (ASCAP)Text by Santa Teresa de Jesús de Ãvila, España (1515-1582)SATB chorus, piano, pedal or lever harpLanguage: SpanishDuration 3:30Commissioned by Chorus Austin, Os nace un Cordero (Unto You a Lamb Is Born) sets excerpts from the Spanish poem Pastores que veláis by Santa Teresa de Jesús de Ãvila for SATB mixed chorus, piano, and harp. As angels announce the birth of Jesus to the shepherds, Teresa foreshadows Jesus’ crucifixion by referring to him as Cordero (Lamb). She also affirms Jesus as the fully human (hombre también junto) and fully divine son of the sovereign God (Hijo de Dios Soberano). The piece opens with angels approaching from a distance singing pastores (shepherds) followed by joyful choral couplets. Several dualities weave together representing the oneness of the human and divine: harp and piano; Venezuelan joropo rhythm derived from Spanish dance; sixteenth century text and twenty-first century music; and major and Phrygian modes. Spanning cultures, oceans, and centuries, this music exuberantly announces the celebrated birth of Christ.Santa Teresa de Jesús de Ãvila, España 1515-1582Lines 1-4, 17-20 from Pastores que veláis ¡Ah, pastores que veláis,por guardar vuestro rebaño,mirad que os nace un Cordero,Hijo de Dios Soberano! –¡Oh, que es hombre también junto!La vida estará en su mano;mirad, que es este el Cordero,Hijo de Dios Soberano. Translation by Adrienne Inglis and Jennifer Inglis Hudson Ah, shepherds who watch, for keeping your flock, see that a Lamb is born to you, Son of Sovereign God! Oh, he's fully a man as well!In his hand is the life of every creature; look, this is the Lamb, Son of Sovereign God.https://youtu.be/u8gTnpn3VuE?t=5485
$2.99
2.7 €
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Choral SATB
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Adrienne Inglis
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Os nace un Cordero
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Adrienne Inglis
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SheetMusicPlus
Wonderful Counselor
Choral SATB
SATB choir - Digital Download SKU: LX.65-1031T A Christmas Cantata for SATB choi…
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SATB choir - Digital Download SKU: LX.65-1031T A Christmas Cantata for SATB choir and Congregatio. Composed by John Purifoy. Choral Cantatas. Christmas. 52 pages. Triune Music Inc #e65/1031T. Published by Triune Music Inc (LX.65-1031T). UPC: 000308027761.SATB Choir and Congregation. A moving and worshipful remembrance of the Christmas story from the words of the prophet, Isaiah, ready by three narrators, to the New Testament account of the birth and the rejoicing of the angels and shepherds. The work begins with a new arrangement of ANGELS FROM THE REALMS OF GLORY which may be used as a Call to Worship and processional hymn. Other titles include: WONDERFUL COUNSELOR, THE GLORY OF THE LORD, MY SOUL DOTH MAGNIFY THE LORD (soprano solo), BREAK FORTH, O BEAUTEOUS HEAVENLY LIGHT, an exciting new setting of HARK! THE HERALD ANGELS SING, and a carol medley for choir and congregation including O COME, ALL YE FAITHFUL, THE FIRST NOEL, and ANGELS WE HAVE HEARD ON HIGH.-.
Song List: Angels from the Realms of Glory Break Forth O Beauteous Heavenly Light Carol Medley Hark the Herald Angels Sing My Soul doth magnify the Lord The Glory of the Lord Wonderful Counselor Wonderful Counselor SATB
$8.95
8.07 €
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Choral SATB
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John Purifoy
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Wonderful Counselor
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Triune Music Inc
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SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
79.37 €
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Choral SATB
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
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