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Choral SATB
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Hope of the World 15 Why Have You Forsaken Me? by Stephen R Dalrymple
Choral SATB
Choral Choir,Choral (SATB) - Digital Download SKU: A0.818373 By Stephen R Dalrymple…
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Choral Choir,Choral (SATB) - Digital Download SKU: A0.818373 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. 29 pages. Stephen R Dalrymple #6709753. Published by Stephen R Dalrymple (A0.818373). Hope of the World: 15 Why Have You Forsaken Me?original song arranged for SATB choir and piano by Stephen R Dalrymple (includes an optional tenor solo)♫ sequenced by the composer♫ music © 1999 Stephen R Dalrymple♫ recording ℗ 2022 Stephen R Dalrymple♫ presentation © 2024 Stephen R Dalrymple♫ based on (Psalm 22, Matthew 27)♫ with At the Cross (public domain hymn by Isaac Watts and Ralph Hudson.)♫ In Psalm 22, David describes the pain he is feeling in the current controversy he was facing. Deliberate hyperbole was one of the figures of speech used in ancient Jewish culture (as it is used in our culture today.) Probably much of what David is describing is somewhat metaphoric. But for Jesus on the cross, this Psalm all too real. Jesus literally lived Psalm 22 on the cross.       ♫ Includes 1) full score 2) SATB choir part on 2 staves 3) full score for 10 inch tablet♫  (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube channel @DalrympleDesigns
$2.00
1.82 €
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Choral SATB
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Stephen R Dalrymple
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Hope of the World 15 Why Have You Forsaken Me? by Stephen R Dalrymple
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Stephen R Dalrymple
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SheetMusicPlus
Tell Me Why
Choral SATB
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1399636 By Jimmy So…
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1399636 By Jimmy Somerville. By James William Somerville, Lawrence Cole, and Steven William Bronski. Arranged by Jane Edwardson. 20th Century,Pop. 8 pages. Gay Abandon #982913. Published by Gay Abandon (A0.1399636). SATB and piano accompaniment.
$1.99
1.81 €
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Choral SATB
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Jimmy Somerville
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Tell Me Why
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Gay Abandon
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SheetMusicPlus
Lesbia mi dicit semper male
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.864441 Composed by Mark D.…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.864441 Composed by Mark D. Templeton. 20th Century,Contemporary. Octavo. 12 pages. Mark Templeton Choral Music #2343381. Published by Mark Templeton Choral Music (A0.864441). Lesbia mi dicit semper male, commonly known as Catullus 92, consists of two elegiac couplets written by Gaius Valerius Catullus (84-54 B.C.E) for his lover, Lesbia. Lesbia was the name believed to have been given by Catullus to his mistress. Her real name was Clodia, the sexually promiscuous wife of proconsul Quintus Caecilius Metellus Celer, known as Metellus. Catullus’ earlier poem, 83, brings some context to 92. In the first part of 83, Catullus says: Lesbia keeps insulting me in front of her husband:this fills the fatuous idiot with delight. Mule, do you perceive nothing? If she shut up and ignored me that’d show healthy indifference;… In 92, Catullus expounds on the idea of why Clodia insults him in front of Metellus. Catullus reckons that he is always cursing her, and he loves her. She always curses him, so she must love him as well. In his desperation, Catullus uses his wit and humor to reason that his obsessive love for Coldia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint the words, Lesbia mi dicit semper male nec tacet umquam de me (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythms return in the men’s voices when Catullus says he does the same, quia sunt totidem mea: deprecor illam assidue (…it’s the same with me: I’m continually complaining.) The piece comes to a final rest after Catullus realizes the he will always be cursed to love her.
$2.00
1.82 €
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Choral SATB
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Mark D
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Lesbia mi dicit semper male
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Mark Templeton Choral Music
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SheetMusicPlus
I Will Sing of the Lord's Great Love Forever
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.1016962 Composed by James M. Parker,…
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Choral Choir (SATB) - Digital Download SKU: A0.1016962 Composed by James M. Parker, Jr. Christian,Sacred. Octavo. 7 pages. Jim Parker #5992185. Published by Jim Parker (A0.1016962). Based on selected scripture from Psalm 89, this song was written for church choir and organ. It would also be good for high school, college choir or community chorus. After the initial statement, in the title, the lyrics tell why we are driven to sing of the Lord's great love forever, and ends with a proud restatement of our intentions. If you have any questions, you can reach me at Jims_Music@aol.com or text to (314) 791-3274.
$2.25
2.05 €
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Choral SATB
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James M
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I Will Sing of the Lord's Great Love Forever
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Jim Parker
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SheetMusicPlus
And He Died
Choral SATB
Choral SATB Chorus - Digital Download SKU: H1.C5323DP Composed by Jay Althouse. Pia…
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Choral SATB Chorus - Digital Download SKU: H1.C5323DP Composed by Jay Althouse. Piano with Optional Narrator. Lent, Holy Week, Good Friday, Cross of Christ, Sacrifice. Octavo. 7 pages. Hope Publishing - Digital #C5323DP. Published by Hope Publishing - Digital (H1.C5323DP). Original anthem From Jay Althouse, here is a dramatic work for Easter week and Good Friday incorporating narration from the gospel of Mark. It tells the story of Jesus' suffering and death and his final cry, My God, why have you forsaken me? A simple, strong accompaniment underscores the full-sounding chords and powerful melody.
$2.95
2.69 €
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Choral SATB
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Jay Althouse
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And He Died
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Hope Publishing - Digital
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SheetMusicPlus
Three Latin Elegies to Lesbia
Choral SATB
Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Cen…
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Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.<br> <br> Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.<br> <br> Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:<br> <br> Lesbia keeps insulting me in front of her husband:<br> <br> thisfills the fatuous idiot with delight.<br> <br> Mule, doyou perceive nothing? If she shut up and ignored me<br> <br> that’dshow healthy indifference;…<br> <br> In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.<br> <br> Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
$4.99
4.54 €
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Choral SATB
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
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