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The Basis Of It All
Choral SATB
Sheetmusic to print
4 sheet music found
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1
Missa Solemnis, op. 27 (vocal score)
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
80.8 €
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Choral SATB
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Under the Stars
Choral SATB
Choral SATB Chorus - Digital Download SKU: H1.C5536DP Composed by Anna Driscoll and…
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Choral SATB Chorus - Digital Download SKU: H1.C5536DP Composed by Anna Driscoll and George Reynolds. Arranged by Jane Holstein. Piano Accompaniment. Christmas, Sacred. Octavo. 8 pages. Hope Publishing - Digital #C5536DP. Published by Hope Publishing - Digital (H1.C5536DP). Luke 2:1 - Luke 2:2 - Luke 2:3 - Luke 2:4 - Luke 2:5 - Luke 2:6 - Luke 2:7 - Luke 2:8 - Luke 2:9 - Luke 2:10 - Luke 2:11 - Luke 2:12 - Luke 2:13 - Luke 2:14 - Luke 2:15 - Luke 2:16 - Luke 2:17 - Luke 2:18 - Luke 2:19 - Luke 2:20.Christmas ballad The charming hymn Under the Stars is the basis for this Christmas ballad arranged by Jane Holstein for SATB choir with a captivating piano accompaniment. This little-known lullaby with music by George Reynolds and words by Anna Driscoll captures the very essence of the events and characters that were present at the manger on the night of Christ's birth as the story unfolds under the stars one night. The enchanting tune entices listeners with a hint of It Came upon the Midnight Clear. .
$2.95
2.71 €
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Choral SATB
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Anna Driscoll and George Reynolds
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Under the Stars
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Hope Publishing - Digital
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SheetMusicPlus
Art is a fire!
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.925770 Composed by David N…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.925770 Composed by David Nelson Jex. 20th Century,Concert,Contemporary,Graduation. Octavo. 9 pages. David Jex #2154591. Published by David Jex (A0.925770). 2016 Choral Contest EntryArt is a fire! is a bold statement on the importance of Art in our lives and society.Composed for SATB Chorus and Piano it is of moderate difficulty, with a length of 3 1/2 minutes.. The text is from a poem written by our older son, Matthew. He has a gift to express ideas and emotions in words that I do not, and I was very pleased and excited when he gave me permission to set his poem to music. The music is in an overall ternary form, with the fiery outer sections tempered with a more spiritual middle segment. The piano plays an important but supporting accompanying role. The music is somewhat tonally oriented, with an E minor basis for the more passionate outer sections. These sections also require the choir to sing some chromatic melodic and harmonic lines and constructions. The rhythm also varies somewhat, asking the chorus to express these emotional portions of the piece. The flowing middle section has a more consistent tempo and is centered in C major. This key seems to have the qualities of innocence and peace, which offsets the more restless and fiery E minor of the rest of this work. This more meditative center section also has a more triadic basis than the somewhat contrapuntal textures surrounding it. It invites the music performers and listeners to experience the joy of Music and Art, while the closing music and text sing of the passion and energy of the artistic experience.
$2.99
2.75 €
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Choral SATB
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David Nelson Jex
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Art is a fire!
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David Jex
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SheetMusicPlus
El amor (Carta de S. Pablo)
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.939986 Composed by Césa…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.939986 Composed by César Zumel. Christian,Sacred,Wedding. Octavo. 2 pages. César Zumel #3224713. Published by César Zumel (A0.939986). For a wedding, just S. Paul's letter to Corintians, the most requested lyric. Charming enough for the most important day. It is usual that in many weddings is read the letter of S. Paul to Corintians. Why only read and not sung? If you have sung in a wedding with low energy, this song can change that, easy to understad, sing and act. If you are married you will refresh your own wedding.From musical point of view, progresive energy is built up from introduction soft on the basis of El amor as obstinato. After that bass solo and choir answers. Next step is soprano melody acompanished by choir obstinato. Finally an unisono reinforce the main melody. Just for a ceremony it fits all requeriments.
$5.00
4.59 €
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Choral SATB
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César Zumel
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El amor
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César Zumel
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SheetMusicPlus
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