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518
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461
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267
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254
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196
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78
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52
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23
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14
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1299
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1256
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898
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668
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399
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195
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192
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114
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73
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3986
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3766
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3658
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3494
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3328
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2993
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2143
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2010
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1963
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1735
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1462
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1157
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1014
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993
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903
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583
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524
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486
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415
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366
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350
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84
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63
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4237
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3925
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2855
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2732
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1595
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1383
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1132
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785
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646
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636
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594
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583
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539
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453
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396
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325
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308
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301
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278
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265
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243
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213
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166
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144
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139
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139
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122
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119
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113
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108
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99
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96
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77
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73
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72
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69
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55
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52
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48
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41
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40
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35
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35
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31
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30
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27
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27
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26
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26
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23
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21
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19
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19
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18
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17
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15
Horn and Organ
15
Horn, Trumpet, Trombone (trio)
13
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10
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10
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9
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9
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9
Cornet and Piano
8
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8
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8
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7
3 Tubas (trio)
7
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7
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6
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5
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5
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5
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4
4 Euphoniums
4
Cornet and Orchestra
2
Trumpet, Bassoon (duet)
2
Horn, Cello and Piano
2
Trombone, cello (duet)
1
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1
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String Quartet: 2 violins, viola, cello
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6318
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4997
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4821
Harp
3553
Violin
2929
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2576
String Trio: violin, viola, cello
2128
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2030
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1962
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1732
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1310
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1306
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1210
2 Violins (duet)
1149
String Quintet: 2 violins, viola, cello, bass
696
String Trio: 2 violins, cello
658
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580
String Trio: 3 violins
504
4 Cellos
460
2 Harps (duet)
424
Piano Trio: Violin, Viola, Piano
414
Harp, Flute (duet)
366
Violin, Guitar (duet)
342
Violin (band part)
285
Harp, Violin (duet)
284
String Trio: 3 cellos
261
String quartet: 4 violins
232
Double Bass
231
Cello, Guitar (duet)
220
String trio
195
Viola (band part)
175
Cello, String Bass (duet)
157
String Trio: 3 violas
156
String Trio: 2 violins, viola
153
Viola, Guitar (duet)
151
String Quartet : 4 violas
149
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121
Doublebass (band part)
110
2 Violins, Piano
92
Harp, Cello (duet)
64
Violin, Bassoon (duet)
61
Cello (band part)
55
Viola and Harp
48
2 Cellos, Piano
46
Violin, Clarinet, Piano (trio)
41
Harp, Voice
39
String Quintet: 2 violins, 2 violas, cello
38
Violin ensemble
36
4 Double Basses
36
Harp, Violin, Violoncello
33
Cello, Organ
33
String Quintet: 2 violins, viola, 2 cellos
31
Viola ensemble
29
Cello Ensemble
28
Flute, Doublebass (duet)
26
Violin, Organ
25
Cello, Orchestra
22
Violin, Tuba (duet)
22
2 Violas, Piano
18
3 double basses
17
Harp and mandolin
15
3 Harps
12
Viola and Bassoon
12
Harp and Piano
11
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9
Harp, Trombone (duet)
8
Viola, Organ
7
Violin, Cello, Clarinet
7
Violin, Trumpet and Piano
6
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5
Harp, String quartet
4
5 Harps
2
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2
2 Violins and Basso
1
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1
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1
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8007
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6664
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5329
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3973
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3835
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2089
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1953
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1256
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764
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182
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163
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93
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27
Big band
27
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25
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21
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20
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15
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15
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9
3 Marimbas
8
Woodwind Trio: any 3 woodwinds
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Voice and Orchestra
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2
Timpani
2
3 Percussions
2
2 Xylophones
2
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1
Xylophone (band part)
1
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1
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1
Voice Mezzo-Soprano, Orchestra
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Musical course - Solfege
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The Core
Choral SATB
Sheetmusic to print
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Them Changes
Choral SATB
Rhythm Section SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1453743
(+)
Rhythm Section SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1453743 Composed by Chris Jasper, Ernie Isley, Marvin Isley, O'Kelly Isley, Ronald Isley, and Rudolph Isley. Arranged by Kerry Marsh. Funk,Jazz,Pop,Soul. Vocal Jazz Ensemble. 52 pages. Kerry Marsh #1032960. Published by Kerry Marsh (A0.1453743). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a much lower price than the standard flat-fee range ($60 to $75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the All Tracks Pack with SkyTracks (No Sheet Music) package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation)Them Changes is a standout track by Thundercat, featuring a funky, bass-driven groove that highlights Thundercat's virtuosic bass playing and unique blend of jazz, funk, and R&B influences. The lyrics explore themes of heartbreak and emotional turmoil, delivered with Thundercat's signature falsetto vocals.Kerry Marsh's vocal jazz arrangement begins with an a cappella rendition of the song's bridge, serving as a teaser before launching into the now-iconic drums and bass groove. A hallmark of neo-soul, the dissonance between the chord changes and the melody can present challenges for vocal harmonies. This arrangement skillfully navigates these tricky spots, employing octaves and unison writing to minimize clashes, and then breaking out into lush, dense harmonies where they are most effective.The chart concludes with a space for vocal or instrumental improv, accompanied by vocal backgrounds, ending the piece in a sudden and unconventional manner. This modern-day classic will be a hit with your vocal jazz ensemble, offering something for singers, instrumentalists, and the audience alike to enjoy.Perfect for advanced ensembles looking to explore contemporary jazz-funk, this arrangement captures the essence of Thundercat's innovative style while providing a fresh and exciting challenge. Check out the Scoreflipper preview to see how this arrangement can elevate your group's performance and captivate your audience.
$49.99
46.09 €
#
Choral SATB
#
Chris Jasper, Ernie Isley, Marvin Isley, O'Kelly Isley, Ronald Isley, and Rudolph Isley
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Them Changes
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Kerry Marsh
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SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
81.12 €
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Choral SATB
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
When I Survey the Wondrous Cross
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976711 Composed by Isaac W…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pages. WheatMyer Music #4775085. Published by WheatMyer Music (A0.976711). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The piano/organ accompaniments are straightforward yet very colorful. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet does not compromise on artistic expression.The parts provided in this version include a full score, a piano-vocal octavo (which may be performed alone), and organ and timpani/percussion parts. Neither organ or timpani are required but adding either or both provides a deep and rich experience. Parts for reduced orchestra (strings and single winds) are available separately.
$2.50
2.3 €
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Choral SATB
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Isaac Watts / Lowell Mason
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When I Survey the Wondrous Cross
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WheatMyer Music
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SheetMusicPlus
The Sense of a Place Will Remain
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Con…
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Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King. Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes. Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.
$7.95
7.33 €
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Choral SATB
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Paul Burnell
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The Sense of a Place Will Remain
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Paul Burnell
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SheetMusicPlus
The Trinity Service - Magnificat & Nunc dimittis
Choral SATB
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1211209 Composed by…
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1211209 Composed by Ivo Antognini. A Cappella,Contemporary,Latin,Sacred. Octavo. 24 pages. Ivo Antognini #808911. Published by Ivo Antognini (A0.1211209). In this Trinity Service (2021) I used the text of the Magnificat as if it were the storyboard of a film. I tried to describe in the utmost detail the emotion the words conveyed to me and the images they suggested. In this composition I have used word-painting, attempting to colour as many words, phrases and situations as possible; hence the score is full of expression markings such as ‘majestic’, ‘with vigour’, ‘lively’, ‘intense’, ‘with affection’ and ‘with verve’. The result is a piece that changes texture rather quickly, and its noble opening theme (‘My soul doth magnify the Lord’) returns only once in abbreviated form (‘He hath filled the hungry with good things’). The following Nunc dimittis has a much more meditative and intimate character with a sparser texture. There are some references to the themes presented in the Magnificat. A motif from the Magnificat, ‘Glory be to the Father, and to the Son’, recurs in almost the same form towards the close of the Nunc dimittis, but in a quieter vein and in 4 rather than the 43 of the Magnificat. The Magnificat and the Nunc dimittis may be performed individually.
$3.99
3.68 €
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Choral SATB
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Ivo Antognini
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The Trinity Service - Magnificat & Nunc dimittis
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Ivo Antognini
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SheetMusicPlus
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00
27.66 €
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Choral SATB
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Stuart Brown
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An Omani Dance Suite - COMPLETE BUNDLE
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Stuart Brown Music
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SheetMusicPlus
Manchester Magnificat - full orchestral version score only
Choral SATB
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.581259 Composed by David …
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.581259 Composed by David Warin Solomons. Arranged by Guy Protheroe. 20th Century,Christian,Contemporary. Octavo. 33 pages. David Warin Solomons #1193. Published by David Warin Solomons (A0.581259). This version with orchestral accompaniment is the first of 2 settings of the poems of Audrey Vaughan concerning the religious and social history of Manchester (UK). This version was originally arranged for me by Guy Protheroe in 1994 and it has now been updated in terms of clarity of scoring. For further details on this work (including all the words, mp3s and videos created so far) please see http://www.dwsolo.com/serif/manchestermagnificat.html The pdf file contains the score only. I have also uploaded score and parts together. The version for piano and organ accompaniment is also available on this site. During 2016 there will be new performances of both versions (with orchestra and with piano and organ), which will then be included (as mp3s and as videos) on the above web page (The current audio sample is from the original 1994 performance) Video of recent performance in Budapest: https://www.youtube.com/watch?v=HSPG9mL1U1Q
$16.00
14.75 €
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Choral SATB
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David Warin Solomons
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Manchester Magnificat - full orchestral version score only
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David Warin Solomons
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SheetMusicPlus
Sing Glory Hallelujah - Anthem - Score
Choral SATB
Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.909976 Composed by Tinus…
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Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.909976 Composed by Tinus Badenhorst. 20th Century,Contemporary,Praise & Worship. Octavo. 18 pages. Envangeli #5025913. Published by envangeli (A0.909976). Sing Glory Hallelujah - Anthem - Score (A3)A universal praise anthem for most denominations and for all times of the year.To be performed by a full orchestra and two choirs. The larger, the better.In section A almost a marching rhythm is started by the contrabasses and cellos with an underlying drone sound from the synthesizer.In section B one alto flute begins with the verse.In section C the altos of the SATB 1 choir sing the verse.In section D the bass pattern changes slightly and the sopranos and altos sing together with an echo by the tenors+basses, then the SATB 1 choir sings in unison.4 Bars before section E the bass pattern changes completely, the SATB 2 choir and more instruments join in and in section E the SATB 1 choir sings the chorus of the piece.In section F more instruments join in and finish in a magnificant chord that plays 4 bars and reverb afterwards in another 4 bars rest.In section G the bass line returns to the first theme and the verse is sung again by the SATB 1 choir with the alto flutes playing a counter melody.
$4.99
4.6 €
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Choral SATB
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Tinus Badenhorst
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Sing Glory Hallelujah - Anthem - Score
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envangeli
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SheetMusicPlus
The Legend of Ramund
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.1007125 Composed by Mogens Eliasen. …
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Choral Choir (SATB) - Digital Download SKU: A0.1007125 Composed by Mogens Eliasen. Folk,Romantic Period. Octavo. 40 pages. Soverenity Enterprises Inc. #2948289. Published by Soverenity Enterprises Inc. (A0.1007125). The 40-page score is a choral symphony with a powerful lesson to modern people, based on an old Danish folk song about the young super-hero Ramund. The score is dense with contents, both musically and lyrically, and alone for that reason, the 8-minute performance takes an advanced choir.The original folk song dates back to the Viking age and consist of many episodes ofRamund's life, almost like a personal saga. Some have undoubtedly been added later,making the total number of stanzas go up around 50, but the main idea of the song isto report about a young lad, whose ideas of what is right for him to do or not doare completely unaffected by other people's opinions, including those of royalties andcelebrities. The stories are in many regards comparable to those of Beowolf.Although the stories generally are dramatic and bloody, Ramund always retains hiscool attitude and shows how unimpressed he is with power demonstrations, even hisown when he is provoked to use his strength. It is a common element throughout thestories that Ramund detests evil and aggression, and he goes to great lengths to fightpower abusers and aggressive elements. He just wants to live in peace and not haveto be bothered by all those who like to abuse power!Included in this presentation for piano and 8 voices are 11 stanzas from what is believedto be original, in English translation, with focus on clarity of meaning, more so thanpoetical rules and rhymes. The first ruling concept has been to obtain clarity and agreat fit to the music. The second concept has been to add the inspiration this old folksong has created in the mind of a modern rebel who would like to see some ofRamund's attitude to power and power abusers put into action in our modern corruptsociety. Maybe in a less bloody version, but definitely with a similar effect! The added2 stanzas and the attached coda, as well as the added lyrics to the intermezzos and theincorporated commentaries to the action should serve that purpose.In addition, the original tune itself, as well as the lyrics and the intermezzo, haveinspired some musical development throughout the piece, to further accentuate themeaning and the messages about respecting each other, standing together againstabuse, and not letting power abusers get away with their crimes.The 8 voices cover ranges as follows: First sopranos: C4 through Bb5 (possibly G5); Second sopranos: C4 through E5; All altos: G3 through D5; All tenors: C3 through G#4(possibly F#4); First basses: F2 through D4; Second basses: D2 through B3
$7.00
6.45 €
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Choral SATB
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Mogens Eliasen
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The Legend of Ramund
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Soverenity Enterprises Inc.
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SheetMusicPlus
Never weather-beaten sail (SATB unaccompanied)
Choral SATB
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1081761 Comp…
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1081761 Composed by Alan Bullard. 20th Century,A Cappella,Sacred. 8 pages. Colne Edition / BullardMusic #685886. Published by Colne Edition / BullardMusic (A0.1081761). This peaceful and restrained original setting of Campion’s well-known text is the fourth movement of Bullard’s Four Sacred Songs, but is also available separately here. Suitable for funerals and other occasions where a peaceful anthem is required, and also for concert performance. The YouTube link allows you to hear the music and see the score. (Note: this is different from Bullard’s arrangement of Campion’s original song in The Oxford Book of Flexible Anthems) Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a growing reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
$1.99
1.83 €
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Choral SATB
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Alan Bullard
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Never weather-beaten sail
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Colne Edition / BullardMusic
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SheetMusicPlus
Why The Chimes Rang (the musical) (for Virtual or Reader's Theatre) (Score and Script)
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.627629 Composed by Stephen…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.627629 Composed by Stephen DeCesare. Broadway,Christian,Christmas,Film/TV,Musical/Show. Octavo. 62 pages. Exultet Music #6035855. Published by Exultet Music (A0.627629). Once, long ago, a majestic church stood on a high hill in the center of a great city. But more remarkable than its tall towers, great archways and grand entrance was the legend surrounding the bells. It was the custom on Christmas Eve for all the people to bring to the church their offerings to the Christ-child. And there had been a time when an unusual offering brought magnificent music from the chimes which were rung, everyone believed, by the angels. But lately, no offering had been great enough...that is until young, poor brothers, Pedro and Manuel, make their first pilgrimage through the snow to give their simple gift.This touching story is enhanced with a re-enactment of the nativity by the children's choir. Score and script included as well as unlimited performance rights for one year. To hear the entire score, please visit the YouTube link. If you are interested in accompaniment tracks, please contact: mtapublishing@gmail.com and ask about pricing.
$50.00
46.1 €
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Choral SATB
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Stephen DeCesare
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Why The Chimes Rang
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Exultet Music
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SheetMusicPlus
Manchester Magnificat - full orchestral version, score, parts and choral reduction
Choral SATB
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.581260 Composed by David …
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.581260 Composed by David Warin Solomons. Arranged by Guy Protheroe. 20th Century,Christian,Contemporary. Octavo. 118 pages. David Warin Solomons #941. Published by David Warin Solomons (A0.581260). This version with orchestral accompaniment is the first of 2 settings of the poems of Audrey Vaughan concerning the religious and social history of Manchester (UK). The pdf file contains score, parts and choral score. This version was originally arranged for me by Guy Protheroe in 1994 and it has now been updated in terms of clarity of scoring. For further details on this work (including all the words, mp3s and videos created so far) please see http://www.dwsolo.com/serif/manchestermagnificat.html The pdf file contains the score and parts (including a choral score with cues). I have also uploaded the score only. The version for piano and organ accompaniment is also available on this site. During 2016 there will be new performances of both versions (with orchestra and with piano and organ), which will then be included (as mp3s and as videos) on the above web page (The current audio sample is from the original 1994 performance) Video of recent performance in Budapest: https://www.youtube.com/watch?v=HSPG9mL1U1Q
$31.00
28.58 €
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Choral SATB
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David Warin Solomons
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Manchester Magnificat - full orchestral version, score, parts and choral reduction
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David Warin Solomons
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SheetMusicPlus
Let Us in the Lord Rejoice
Choral SATB
SATB choir, piano SKU: LO.10-4940S Composed by Douglas E. Wagner. Choral. Sacred An…
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SATB choir, piano SKU: LO.10-4940S Composed by Douglas E. Wagner. Choral. Sacred Anthem. Octavo. Sacred Music Press #10/4940S. Published by Sacred Music Press (LO.10-4940S). ISBN 9780787758424.The core message of the Christian faith is beautifully expressed in this anthem from Douglas E. Wagner and Ronald Cadmus. Beginning gently and lyrically, it gradually builds to a joyous conclusion.
$2.75
2.54 €
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Choral SATB
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Douglas E
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Let Us in the Lord Rejoice
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Sacred Music Press
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SheetMusicPlus
Let Us in the Lord Rejoice
Choral SATB
SATB choir, Piano - Digital Download SKU: LX.10-4940S Composed by Douglas E. Wagner…
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SATB choir, Piano - Digital Download SKU: LX.10-4940S Composed by Douglas E. Wagner. Sacred Anthem, General. Octavo. 8 pages. Sacred Music Press #e10/4940S. Published by Sacred Music Press (LX.10-4940S). ISBN 9780787758424. Text: Ronald W. Cadmus.The core message of the Christian faith is beautifully expressed in this anthem from Douglas E. Wagner and Ronald Cadmus. Beginning gently and lyrically, it gradually builds to a joyous conclusion.
$2.40
2.21 €
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Choral SATB
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Douglas E
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Let Us in the Lord Rejoice
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Sacred Music Press
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SheetMusicPlus
For the Immigrants (Get to Know Me) - Pop version
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.810565 Composed by Words &…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.810565 Composed by Words & Music by Fred Bogert. Contemporary,Pop. Octavo. 5 pages. Frederick W Bogert #3546541. Published by Frederick W Bogert (A0.810565). This song is a resource for public witness on behalf of refugees. This is and SATB and piano arrangement of the Pop recording of this The words and music cut to the core of the issue. We cannot allow fear to overcome our moral courage to welcome the stranger, to risk our comfort to insure the safety and wholeness of another helpless child. Feel free to refer folks to the youtube video of this powerful piece:
$3.99
3.68 €
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Choral SATB
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Words & Music by Fred Bogert
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For the Immigrants
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Frederick W Bogert
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SheetMusicPlus
Herzliebster Jesu From the St. Matthew Passion (Bm)
Choral SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1324265 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1324265 Composed by Johann Sebastian Bach. Arranged by Alex E. Advent,Baroque,Classical,Religious,Sacred. 3 pages. Müller Publishing company #912463. Published by Müller Publishing company (A0.1324265). Herzliebster Jesu  From the St. Matthew Passion (Bm)Explore the profound beauty of Herzliebster Jesu from the St. Matthew Passion with this high-resolution digital score. Carefully arranged for choirs, this musical treasure in B minor enables your ensemble to delve into the emotional depths of the composition effortlessly.**Why Choose This Digital Score?****Impeccable Quality:** Immerse yourself in a high-resolution score that accentuates every musical nuance, ensuring a visually engaging experience for all choir members.**Tailored for Lower Voices:** This score is thoughtfully adapted for choirs with lower voices, providing a comfortable vocal range for each member to delve into the harmonies, enhancing accessibility and enjoyment.**Deep Emotional Atmosphere:** Herzliebster Jesu is renowned for its profound emotional resonance. Feel the intensity of passion and savor the beauty of melodies as your choir breathes life into this masterpiece.**Convenient Digital Format:** Bid farewell to concerns about lost or damaged physical scores. The digital score's versatility facilitates easy sharing among choir members, promoting efficient and collaborative preparation.**Ideal for Choral Performance:** Tuned in B minor, the score creates an optimal sonic environment for choirs, allowing voices to harmonize powerfully and leaving a lasting impression on the audience.**Deep Musical Exploration:** Enable your choir to explore the emotional nuances of St. Matthew's work with a score that illuminates harmonic and melodic complexities.**How to Acquire:**Seize the opportunity to enrich your choral repertoire with the magnificent digital score of Herzliebster Jesu from the St. Matthew Passion. Elevate the expressiveness and musical quality of your choir. Purchase now and embark on a unique emotional journey through the pages of this classical masterpiece.
$1.99
1.83 €
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Choral SATB
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Johann Sebastian Bach
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Herzliebster Jesu From the St. Matthew Passion
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Müller Publishing company
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SheetMusicPlus
THE GREAT HUMILITY OF CHRIST (SATB) – Philippians 2:5-11
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926663 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926663 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 7 pages. M.A. Morizio #3588423. Published by M.A. Morizio (A0.926663). In chapter two of Paul's letter to the Philippians, Paul begins speaking to his readers about encouragement, comfort from love, participation in the Spirit, and godly affection and sympathy for one another. He says, we are to count others as more important than ourselves. He pleads, Complete my joy by doing these things. From this point, Paul breaks immediately into this other known 1st century Hymn to Christ (Verses 5-11), which I have called, The Great Humility of Christ. The hymn text is a beautiful exposition of the Gospel; Christ in the form of God, did not hold onto (grasp) His equality with God, but humbled Himself and took on the human form of a servant (slave) and poured Himself out for all of mankind. The anthem is composed for SATB (a cappella) choir in two stanzas, with a bridge section and a coda. The piece is scored in D minor, but weaves between D minor and G Major (representing the dual natures of Christ-fully God and fully man). After the first stanza, regarding Christ’s taking on human flesh, the unthinkable happens; Christ humbles Himself in holy obedience to be put to death, even a humiliating and repugnant death on a cross. Here in the anthem we find the musical bridge between the two stanzas with the sopranos holding onto a single note (high D) followed by a cascade of dissonant suspensions, one voice handing off to the other, finally resolving in a descending scale.The second stanza declares God’s having exalted Christ as a consequence of His sacrifice, giving Him a name that is above every name, that at the name of Jesus every knee shall bow, in heaven and on earth and under the earth. The final coda (in G Major) trumpets the pronouncement that; Every tongue will confess that Jesus Christ is Lord, to the glory of the Father.
$1.99
1.83 €
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Choral SATB
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Michael A
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THE GREAT HUMILITY OF CHRIST
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M.A. Morizio
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SheetMusicPlus
Man In The Mirror / Gospel (Score and All Part)
Choral SATB
Piano Accompaniment, Organ, Drums, Guitar, Guitar Tab, Bass Guitar, Choir, SATB - Inter…
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Piano Accompaniment, Organ, Drums, Guitar, Guitar Tab, Bass Guitar, Choir, SATB - Intermediate - Digital Download By Glee Cast, Michael Jackson. Arranged by Hiroshi Yasuda. Individual Part, Score, Set of Parts. 33 pages. Published by SoulandFunk StandardLibrary
Performed by Michael Jackson
Chorus arrangement by Hiroshi Yasuda
The Man in the Mirror from the movie Joyful Noise.
https://youtu.be/ytZsndEc830
I'm not sure if this is a good idea or not. I've had actual students sing it for me, and I've worked hard to make sure it has a comfortable range, easy to catch notes, and beautiful harmonies. We have also adjusted the difficulty level to make it easy to sing.
The size and placement of the notes are as per the sound source.
Solo, soprano, alto, and tenor chorus parts, piano, organ, electric guitar, bass, and drums.
Lyrics are included in the score. There is no separate lyric card.
Total 12 pages
$84.99
78.35 €
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Choral SATB
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Glee Cast, Michael Jackson
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Man In The Mirror / Gospel
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SoulandFunk StandardLibrary
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SheetMusicPlus
There Will Never Be Another You
Choral SATB
Choral Choir (4-Part) - Digital Download SKU: A0.540603 Composed by Harry Warren. A…
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Choral Choir (4-Part) - Digital Download SKU: A0.540603 Composed by Harry Warren. Arranged by Corey Cerullo. Contemporary. Octavo. 45 pages. Cerullo Music LLC #4310883. Published by Cerullo Music LLC (A0.540603). This is a fairly simple arrangement for big band and SATB quartet. The quartet uses close voicing's that are indicative of the early 40s and 50s style swing bands. The band parts are pretty tame and offer a real accompaniment feel to the choir parts, which hold the bulk of the melodic material. This package includes the score and all individual parts including the SATB score.I hope you enjoy this arrangement! .
$60.00
55.31 €
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Choral SATB
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Harry Warren
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There Will Never Be Another You
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Cerullo Music LLC
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SheetMusicPlus
The Red Wheelbarrow
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1225939 Composed by Rich C…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1225939 Composed by Rich Campbell. 21st Century. Octavo. 12 pages. Pay The Band Music #821977. Published by Pay The Band Music (A0.1225939). Composers Note: “The Red Wheelbarrow,†an innovative environmental/imagist poem I first read as a teenager, struck me as an alluring and joyful means to immerse in a commission by Austin's Inversion Ensemble for their Planet Home project. The score blossomed during a fellowship at the Virginia Center for the Creative Arts, a pastoral setting that nurtured embracing the poem’s vivid landscape. The piano provides a repeating foundation over which the choir playfully evokes the spare text, using variations of the initial theme throughout. There is a contemplative moment midway, then the pulse resumes, concluding with a gleeful repetition of the last line.The Red Wheelbarrow is a wonderfully approachable and fun piece of music. The singers of Inversion had a blast working through the rhythmic lilt and subtly beautiful harmonies, so often found in Rich Campbell's music. The clever musical interpretation brought out the wry humor of the text, which helped to set a relaxed atmosphere for the rest of our concert. It was exactly the opener we needed!-Trevor F. ShawArtistic Director, Inversion Ensemble.
$2.75
2.54 €
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Choral SATB
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Rich Campbell
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The Red Wheelbarrow
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Pay The Band Music
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SheetMusicPlus
Spring from "The Seasons" (Downloadable Piano/Choral Score)
Choral SATB
SATB choir and string quartet - Medium - Digital Download SKU: MQ.8559-E Composed b…
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SATB choir and string quartet - Medium - Digital Download SKU: MQ.8559-E Composed by Frank Ferko. Secular, 21st Century, Creation/Nature, Spring. Score & instrument part. 10 pages. Duration 2 minutes, 40 seconds. E. C. Schirmer Music Company - Digital #8559-E. Published by E. C. Schirmer Music Company - Digital (MQ.8559-E). UPC: 600313485596. English.The Seasons was commissioned by the South Bend Chamber Singers, Nancy Menk, conductor, and first performed on March 3, 2013 by the South Bend Chamber Singers with the Euclid Quartet in a concert devoted to music about the weather. The texts for this work were selected by the composer, and they represent three different time periods, the 17th, 19th and early 20th centuries, to show that writers have long been fascinated by the seasons and by the distinct weather conditions that each season brings. Although certain types of weather, such as wind or rain, may occur in any of the seasons, the descriptions of weather in these four poems present specific weather conditions which commonly occur in each of the four seasons: a still, hot, sultry day interrupted by the movement of a light breeze from the hills (summer); the cooling morning mists and light frost which signal the coming of winter (autumn); the bitter iciness of fierce winds and frozen air-in this poem, further compared with man's ingratitude (winter); the warm rains and southerly winds that melt the ice and bring about new life (spring). Throughout this piece various musical devices are employed to underscore or even interpret the words. These devices include text painting, contrapuntal structures (double canon and fugue), and dramatically shifting harmonic colors as each season unfolds. The contrasting performing forces of mixed choir and string quartet are particularly well-suited for presenting, very colorfully, the various musical depictions of the weather conditions and characteristics of each of the seasons. -Frank FerkoDuration: 2:40.
$2.65
2.44 €
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Choral SATB
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Frank Ferko
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Spring from "The Seasons"
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Seascapes (Choral Score) (Downloadable)
Choral SATB
SATB choir and low flutes (bass and alto) - Medium - Digital Download SKU: MQ.7.0666-E
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SATB choir and low flutes (bass and alto) - Medium - Digital Download SKU: MQ.7.0666-E Composed by Stanley M. Hoffman. Advanced/Collegiate. Secular, 21st Century, Creation/Nature. Score & instrument part. 15 pages. Duration 6 minutes, 20 seconds. Galaxy Music Corporation - Digital #7.0666-E. Published by Galaxy Music Corporation - Digital (MQ.7.0666-E). UPC: 600313706660. English.My dear colleague, the renowned low flute player Peter Sheridan, lost his mother, Pauline, in 2014. One of my best friends, the very talented artist Malcolm Tuffnell, lost his mother, Jacqueline, in 2010. One night, Malcolm posted some of his late mother's poetry on a social networking site. I was so moved by the ones I saw that I immediately asked to see more of them. I narrowed down my choices to eight sea-themed poems that became the basis for Seascapes. This score is dedicated to the memory of these two inspirational and much beloved mothers. -Stanley M. Hoffman
$2.85
2.63 €
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Choral SATB
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Stanley M
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Seascapes
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Galaxy Music Corporation - Digital
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SheetMusicPlus
She Used To Be Mine (from Waitress the Musical)
Choral SATB
SATB - Advanced Intermediate - Digital Download By Sara Bareilles. Arranged by Theodore …
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SATB - Advanced Intermediate - Digital Download By Sara Bareilles. Arranged by Theodore Hicks. Score. 10 pages. Published by Theo Hicks Music
This heartfelt ballad is from the hit Broadway production Waitress the Musical, written by Sara Bareilles. This arrangement originally premiered at the Barbershop Harmony Society's 2019 International Convention by Momma's Boys, a men's quartet, but all voicings (SSAA, TTBB, SATB) are available. This piece works well for small ensemble (quartet minimum) or a large choir.
This song is contestable in Barbershop Harmony Society contests, Sweet Adeline's International contests, and Harmony Incorporated contests.
$4.50
4.15 €
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Choral SATB
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Sara Bareilles
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She Used To Be Mine
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Theo Hicks Music
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SheetMusicPlus
GORDON DALE ST. LUKE'S ANTHEM SCORE & PARTS
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.811666 Composed by GORDON …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.811666 Composed by GORDON DALE 1935 - 2001). 20th Century,Christian,Concert,Praise & Worship,World. Octavo. 30 pages. Piper Publications #3436431. Published by Piper Publications (A0.811666). Commissioned by Ross Choral Society for the Ross 700 Festival in 1984 and first performed by them on November 10th 1984, St. Luke's Anthem was very well received. It was composed from sketches Gordon made while in Farnborough Hospital in 1965. It is scored for S.A.T.B. choir with 2 trumpets, 2 trombones and organ and lasts for about 7.5 minutes. St. Luke's Anthem is well within the scope of most amateur choirs and the instrumental parts are not technically demanding.Choir parts are available separately.
$15.00
13.83 €
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Choral SATB
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GORDON DALE 1935 - 2001)
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GORDON DALE ST. LUKE'S ANTHEM SCORE & PARTS
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Piper Publications
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SheetMusicPlus
Two Short Anthems
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.851263 Composed by Tim Att…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.851263 Composed by Tim Attride. Christian,Christmas,Sacred. Octavo. 7 pages. Tim Attride #12549. Published by Tim Attride (A0.851263). Cantate Domino uses words from the start of Psalm 96. Sung cheerfully - mostly in 6/8, but with occasional 5/8 bars - the music reflects the joy of the Psalmist. Gloria in Excelsis joyously proclaims the angels' words at Christmas, firstly on the organ alone, then with the organ accompanying the same theme in the voices ending on an added 2nd chord. Now fully re-set in Musescore. NB, following the title page are two sample pages - the first page of each anthem. To save paper, print page 1, then 4-7. (To save even more paper, omit the first page as well.).
$2.99
2.76 €
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Choral SATB
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Tim Attride
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Two Short Anthems
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Tim Attride
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SheetMusicPlus
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