Download Digital Sheet Music of The Strings for Choral SATB

The Strings
Choral SATB

LE TRISTE ETAT, based on LA FOLIA, for SATB c.,strings and organ Choral SATB

Choral Choir,Choral (SATB) - Digital Download SKU: A0.887066 Composed by Anon. Arra…(+)

Choral Choir,Choral (SATB) - Digital Download SKU: A0.887066 Composed by Anon. Arranged by Marilena Zlatanou. Baroque. 19 pages. Marilena Zlatanou #3035413. Published by Marilena Zlatanou (A0.887066). A SATB choir arr. with strings and/or organ.The melody comes from a French manuscript from 1613 which is based on the well known chord sequence LA FOLIA.The subject matter of the text is quite original: Joseph's frustration over the fact that a better place for his betrothed Mary to give birth could not be found, while she consoles him because the poor people of the world will be able to identify with them exactly for that. Duration just under 3 and a half minutes.It may also be performed just with the strings or just with the organ, depending on the resources available. The pdf file includes conductor's score, choir score, and parts. The attached mp3 file is a converted sibelius file.A well tried and well received part of any Christmas concert! Please visit website www.zlatanou.net for moe information.Member of TONO, the Norwegian copyright org. Â
$4.50 4.14 € #Choral SATB #Anon #LE TRISTE ETAT, based on LA FOLIA, for SATB c.,strings and organ #Marilena Zlatanou #SheetMusicPlus

Canticle of the Sun (choir SATB + String Orch. + piano score : 42 pages) Choral SATB

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.990549 Composed by Ivo Ant…(+)

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.990549 Composed by Ivo Antognini. Christmas,Contemporary,Holiday. Octavo. 42 pages. Ivo Antognini #3368393. Published by Ivo Antognini (A0.990549). Canticle of the Sun is a declaration of love and gratitude to our beautiful planet, to its creator and all living beings that inhabit it. This piece comes from my first major, extended work, A Prayer for Mother Earth, that was premiered at the Carnegie Hall on May 28, 2016.Â Canticle of the Sun is the most popular sacred poem of the Italian literature, written in 1224 by Francis of Assisi. It is a prayer, a hymn of thanksgiving and praise to God for the creation of the world. Â Be praised, my Lord, through Sister Water;she is very useful, and humble, and precious, and pure. Â In this movement (which is the 3rd of five) the orchestration is very delicate, the strings often playing pizzicato. The piano plays an important role, introducing the principal theme that is later taken up by the voices. The file contains the whole score and all the individual parts.Write to the composer to obtain other informations (ivo.antognini@gmail.com)
$12.00 11.05 € #Choral SATB #Ivo Antognini #Canticle of the Sun #Ivo Antognini #SheetMusicPlus

In the Bleak Midwinter Choral SATB

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1292100 By Christin…(+)

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1292100 By Christina Rossetti. By Lukas C Jaeger. Arranged by Lukas C Jaeger. A Cappella,Christmas,Contemporary,Holiday,Religious. 4 pages. Lukas C Jaeger #882689. Published by Lukas C Jaeger (A0.1292100). A reharmonization of the well known text. There are many cheery arrangements of this song, which never made much sense to me. This arrangement bucks that trend in favor of a more serious and contemplative take- reflective of the faithful nature and emotional weight present in the text. Without overcomplicating things for listeners, the reharmonization of this text brings out a more introspective character. This piece is great if youre looking for something familiar for your audience, but also want to surprise them with something new.(sound file is strings because MIDI voices don't sustain well like real voices. trust me. the strings are better for the MP3).
$2.00 1.84 € #Choral SATB #Christina Rossetti #In the Bleak Midwinter #Lukas C Jaeger #SheetMusicPlus

10,000 Reasons (Bless The Lord) Choral SATB

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1015142 By Matt Redman. By…(+)

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1015142 By Matt Redman. By Jonas Myrin and Matt Redman. Arranged by Phil Hodges. A Cappella,Christian. Octavo. 16 pages. Phil Hodges #4715737. Published by Phil Hodges (A0.1015142). This arrangement is intended for high school or college choirs. The choir in certain sections of the song have generally simple and static parts. As the song builds, the suspensions, tensions - and resolutions - increase. The piano part is written with a simple, stride-like and slightly improvised feel. As such, feel free to completely ignore the written part and just follow the chords written above the piano grand staff. There is also accompaniment written for violin, viola, cello and bass, but it's optional. If you don't have a string orchestra handy, you can just accompany the choir with piano. There are sections where the choir sings a cappella. The piano can drop out there, but there is one section of the song where the strings and choir play together without the piano. If you don't have a string orchestra, the piano can continue during that section. Just follow the verse chord progressions. Contact me at CummingMusicLessons@gmail.com. You can also visit my website at www.CummingMusicLessons.com as well as my Facebook account: www.Facebook.com/CummingMusicLessons
$12.99 11.96 € #Choral SATB #Matt Redman #10,000 Reasons #Phil Hodges #SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1008091 Composed by Connie Pwll Walck Tyler. Contemporary,Spiritual. Octavo. 12 pages. Connie Tyler #4833171. Published by Connie Tyler (A0.1008091). The Tree Song is one of many songs from the novel The Earth Woman Tree Woman Quartet. This piece for two cellos, a viola and a double bass, with SATB choir evokes the deep voice of the tree. The choral part is not difficult, but the strings are challenging. The string parts can be played on a synthesizer. Contact Connie at connie@deephum for help with this. The song is short, two and half minutes and might be performed with some of the other songs from the book. Some of the songs can be found on the website www.earthwomantreewoman.com. The words are: Waves of things of forms I am exist in dreams within me,flow through the sap of trees to come and leaves to come,falling, decaying, the soil I am, a nutrient for things living,eating the earth, water and sun, fruit I become,feeding the unrooted beings ever I'm giving.And then I am free.I stretch my wings and fling myself into the air.I sing, I call. My joy is beyond any earthly care.The snap of the jaws of the four-legged one is only a moment of painfor I am living again with a diff'rent name.And when this life's done the worms I become and pass to the earth to gain my rebirth. See my website at www.deephum.com and my facebook pages at Connie Pwll Walck Tyler, Deep Hum Productions, and The Earth Woman Tree Woman Quartet. For more information contact me at connie@deephum.com.

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the â€žFilioqueâ€ (which would still fit the rhythm of the repeated â€žqui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a â€žliturgical oratorio for all nationsâ€, more appropriate in the concert hall.Â The work has had a long gestation: imagined in 1984 after the composerâ€™s first contact with Beethovenâ€™s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the Â King of Kings), â€žrex caelestisâ€ and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the â€žanabasisâ€ gesture at â€žGloria in excelsis Deoâ€, â€žet ascendit in caelisâ€, â€žin remissionem peccatorumâ€ and the resurrection, a flute trill standing for the Holy Spirit who has come â€™like a doveâ€™ at â€žet incarnatus estâ€, a cross-shaped texture at â€žcrucifixusâ€, and some word-painting (hushed sonorities at â€žet invisibiliumâ€, anticipations between orchestra and chorus at â€žet exspectoâ€ etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit).Â â€žKyrieâ€ is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrinaâ€™s serene modality and counterpoint. â€žGloriaâ€ begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. â€žCredoâ€ has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn â€žPange linguaâ€, made famous by Mozartâ€™s last symphony and by other Classical composers. Both â€žGloriaâ€ and â€žCredoâ€ end with extended, powerful and elaborate fugues (â€žin gloria Dei Patrisâ€ and â€žet vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the wordsâ€™ accents, a la Stravinsky. The same sections plus â€žAgnus Deiâ€ end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of â€žSanctusâ€). â€žJudicareâ€ quotes the beginning of the well-known â€žDies iraeâ€ plainchant tune, and the Consecration between the â€žSanctusâ€ and â€žBenedictusâ€ sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens â€žAgnus Deiâ€, which includes another quotation (the famous â€™Dresden Amenâ€™ at â€žqui tollis peccata mundiâ€ and â€ždona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the â€žKyrie eleisonâ€ theme is briefly remembered, then it ends softly and peacefully.Â Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15Â½ minutes. It consists of a Pavane, BourÃ©e, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/