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You've selected:
Theo's Tune
Choral SATB
Sheetmusic to print
6 sheet music found
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1
Robin Adair for mixed choir (SATB)
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Choral SATB
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EASY
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Carroll O'Daly
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David Warin Solomons
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Robin Adair for mixed choir
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David Warin Solomons
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.576139 Composed by Carroll O'Daly. Arranged by David Warin Solomons. Contemporary,Folk,World. Oc...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.576139 Composed by Carroll O'Daly. Arranged by David Warin Solomons. Contemporary,Folk,World. Octavo. 3 pages. David Warin Solomons #2031597. Published by David Warin Solomons (A0.576139). Choral arrangement of Robin Adair, with some interesting harmonies. Audio sample sung (multitrack and transposed down a little) by the composer The original tune was composed with the words Eibhlin a Ruin (Ellen Aroon or Eileen Aroon) by the Irish bard Carroll O'Daly (14th Century), although it was later attributed to the 18th century Irish composer Charles Coffey (this was presumably an arrangement of the original). The words of Robin Adair itself are understood to be by Lady Caroline Keppel, who was in love with a surgeon by that name. (This seems more likely than the theory that Robert Burns wrote it, although Burns certainly knew Keppel's lyrics and made his own parodies upon the words). Some later versions of the melody contain Scotch snaps but this version follows the simplest melodic line, without the Scotch snaps - which may have been closer to O'Daly's original tune - and with quite romantic choral harmonies.
$2.99
IN THE BEGINNING WAS THE WORD (SSATB) – John 1:1-18
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Choral SATB
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INTERMEDIATE
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Sacred music
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Michael A
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IN THE BEGINNING WAS THE WORD
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M.A. Morizio (A0.926671). My dear friend, and Pastor Don Colageo and I cut our teeth together with this piece when we decided to dive headlong into this cycle of Seven Anthems to Christ. It was the second song of the (SEVEN ANTHEMS TO CHRIST) cycle that I had composed, but the first using his Greek translation(s). It eventually would become the last piece to grace the cycle of seven in order of my musical presentation sequence. In fact, this known 1st century Hymn to Christ spans 18 verses of the first chapter of the Gospel of John. My setting of the anthem is seven plus minutes long in performance length. The song's length was not on purpose, but the number seven does have Biblical significance (seven days of creation, seven golden lamp stands, etc.) The number seven is also known among Biblical scholars as the number of Holiness and Perfect Creation. Since this rather long, yet theologically complete Hymn to Christ already existed in the 1st century, it is no wonder the Apostle John opted to begin his Gospel with it, probably quoting the entire text. Consequently, he converted this particular Hymn to Christ’s lyrics into what would later become canonized Scripture. The anthem is composed for SSATB with solo SSA trio, and Solo Soprano and Solo Baritone lines, accompanied by Flute and B♠Clarinet. The key signature of the anthem is B♠Major. However, a lot of time is spent weaving and bobbing around the Dominant chord, (F Major). The Flute and Clarinet introduction play seven different motifs, interweaving with counterpoint, musically connoting the dual natures of Christ--fully God, and fully man. An SSA trio opens the piece recounting the creation story. A bass solo shortly follows, introducing John the baptizer's story and purpose. Soon, the anthem breaks out into full SSATB illustrating Christ's life and purpose for our salvation. The final coda is the great Doxology, sung in 5 parts, accompanied by the Flute and Clarinet, and the entire congregation (or audience) is invited to sing along with the familiar tune.
$2.99
Thy Strong Word Did Cleave the Darkness (Downloadable Choral Score)
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Choral SATB
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EASY
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James Biery
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Thy Strong Word Did Cleave the
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Congregation, SATB choir, and organ, with optional brass quartet and timpani - Moderately Easy - Digital Download SKU: MQ.60-6114-E Composed by James Bie...
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Congregation, SATB choir, and organ, with optional brass quartet and timpani - Moderately Easy - Digital Download SKU: MQ.60-6114-E Composed by James Biery. Epiphany, Reformation. 20 pages. MorningStar Music Publishers - Digital Sheet Music #60-6114-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.60-6114-E). English.From the mysterious to the glorious, Biery perfectly captures the wide-ranging moods of this text, set to the enduring tune EBENEZER. This hymn concertato was written for the Schola Cantorum of Concordia Theological Seminary, Fort Wayne, Indiana in observance of the 500th anniversary of the Reformation. So, it's no surprise that the setting has considerable sweep and gravitas, with some fresh harmonic twists. A beautiful choir-only section spans stanzas three and four in major tonalities that nicely complement the staid minor of the rest of the hymn. The sixth and final stanza is unison with descant and concludes with a choir Alleluia and Amen. Stirring and majestic. Duration 4:00.
$3.15
Go Forth for God
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Choral SATB
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Erik Routley
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Eugene Butler
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Go Forth for God
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Hope Publishing - Digital
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SheetMusicPlus
Choral SATB choir with optional congregation - Digital Download SKU: H1.C5957DP Composed by Erik Routley. Arranged by Eugene Butler. Piano Accompaniment ...
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Choral SATB choir with optional congregation - Digital Download SKU: H1.C5957DP Composed by Erik Routley. Arranged by Eugene Butler. Piano Accompaniment with Optional Congregation. General Worship, Worship. Octavo. 12 pages. Hope Publishing - Digital #C5957DP. Published by Hope Publishing - Digital (H1.C5957DP). J. R. Peacey. 1 Cor. 13:12 - 1 Thes. 5:14, 21-22 - 2 Tim. 1:6, 4:2 - Heb. 12:12 - Is. 55:12 - Rom. 12:21, 15:1.Hymn anthem With a text by J. R. Peacey and the powerful hymn tune, LITTON, by the English theologian and musician Erik Routley, arranger Eugene Butler has crafted a stirring call to action hymn anthem. Appropriate for everyday worship as well as special occasions, this setting provides opportunity to showcase your women and men's sections both separately and combined, ending with a soaring descant and optional congregation.
$2.95
The Water is Wide
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Choral SATB
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Lorenzo Butler
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The Water is Wide
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Imagine Music - Digital
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SheetMusicPlus
SATB chorus divisi & Piano - Grade 3 - Digital Download SKU: IZ.VMW183 Composed by Lorenzo Butler. Score. 10 pages. Imagine Music - Digital #VMW183. Publ...
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SATB chorus divisi & Piano - Grade 3 - Digital Download SKU: IZ.VMW183 Composed by Lorenzo Butler. Score. 10 pages. Imagine Music - Digital #VMW183. Published by Imagine Music - Digital (IZ.VMW183). 6.75 x 10.5 in inches.Tasked with arranging a choral piece for a theory course, I struggled for weeks to find the right piece. Then by an unexpected stroke of luck, I stumbled across this one in a choral book, and was transported back to high school to the first time I had heard it: it was the first time I ever heard one of my best friends sing. Then, as now, I was moved by the lyrics and the easy folk tune melody, and in that instant, I knew. This was the one. From there, the vocal parts seemed to write themselves. I contributed vocals of my own in order to heighten the impact of the cluster chords and to further enhance the song's themes. I hope the music provides as much joy as it did for me writing it and singing it.
$2.05
The Story of a Leader
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Choral SATB
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ADVANCED
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Classical
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Igor Korneitchouk
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The Story of a Leader
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Studio at the Post
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 3...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04
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