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To Free Or Not To Free
Choral SATB
Sheetmusic to print
48 sheet music found
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1
26
Sound the Bell of Holy Freedom: Come to Us, O Holy Spirit (Downloadable Concertato Choral Score)
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Choral SATB
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EASY
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Normand Gouin
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8
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Sound the Bell of Holy Freedom
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Congregation, SATB choir, brass quintet, timpani, suspended cymbal, organ - Moderately Easy - Digital Download SKU: MQ.60-6015-E Composed by Normand Goui...
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Congregation, SATB choir, brass quintet, timpani, suspended cymbal, organ - Moderately Easy - Digital Download SKU: MQ.60-6015-E Composed by Normand Gouin. Cathedral Series. Ordination, Pentecost, Confirmation, Ordination/Installation, 21st Century. Instrument parts. 12 pages. MorningStar Music Publishers - Digital Sheet Music #60-6015-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.60-6015-E). English.This new hymn, with words by Andrew Ciferni and music by Normand Gouin, was chosen as the official hymn of the World Meeting of Families 2015, and it will be used at the liturgies in Philadelphia during Pope Francis' first visit to the United States. This festive concertato features brass and percussion, and includes a special introduction appropriate for a solemn procession. The arrangement may also be pared down to fit available musical resources and liturgical use. It includes a second text, by Anthony Corvaia, that invokes the Holy Spirit and is appropriate for general use and for Pentecost. A special optional verse is provided for use at Confirmation and Ordination.Instrumental parts packet includes: Trumpets I and II C and in B-flat, Trombones I and II, Horn in F (sub for Trombone I), Bass Trombone/Tuba, Timpani, Suspended Cymbal, OrganNotes regarding Congregation Card Pack, 60-6015C: Printed on white card stock and are sold in quantities of 50 packs. Dimensions: 5.5†width; 8.5†length. Notes regarding Downloadable Congregation Part, file_60-6015C-E:Purchaser may reproduce this page for the congregation under these circumstances:-With valid license from OneLicense or LicenSing. -Usage must be reported to either OneLicense or LicenSing. -Copyright notice must be included. -If the purchaser does not have a license from OneLicense or LicenSing, one may be obtained directly from the publisher. Click here to email the MorningStar Music Publishers Copyright Department. -If the purchaser does not wish to purchase a license, then they should purchase the printed congregational cards, product 60-6015C. Notes regarding SATB/Accompaniment Hymn Only:This publication serves as the accompaniment to the hymn Sound the Bell of Holy Freedom. The publication may also be used as a simple SATB version for the choir. If used by the choir, multiple copies need to be purchased. -Reprint permission is not included with the purchase of this publication.-Multiple copies must be purchased for additional instrumentalists, or the choir.-This publication is available in two forms, either as a downloadable publication, or as a printed publication.
$2.65
If You Love Somebody Set Them Free
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Choral SATB
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INTERMEDIATE
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Sting
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Frank Oldengott
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If You Love Somebody Set Them
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Frank Oldengott
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SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 3 - Digital Download SKU: A0.1509853 By Sting. By Sting. Arranged by Frank Oldengott. A Cappella,Pop,Rock,Singe...
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Choral Choir,Choral (SATB Chorus) - Level 3 - Digital Download SKU: A0.1509853 By Sting. By Sting. Arranged by Frank Oldengott. A Cappella,Pop,Rock,Singer/Songwriter. 14 pages. Frank Oldengott #1085081. Published by Frank Oldengott (A0.1509853). Sting - A Cappella Arrangement for mixed SATB ChoirQuick notes to sound and fun!You can easily rehearse the feeling and groove of the song, when you sing along to the original-song. Please let me know, when your choir has published a video of the song!All parts of the arrangement were created with great care and respect for the original song. No part was influenced or generated by AI.Frank Oldengottwww.fantastartist.de.
$3.49
Nothing Compares (Anthem) - Piano Accompaniment
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Choral SATB
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INTERMEDIATE
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Sacred music
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Christopher R
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Nothing Compares
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Christopher Brown
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.747197 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 10 pa...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.747197 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 10 pages. Christopher Brown #4611321. Published by Christopher Brown (A0.747197). About the song: This anthem begins by compelling the listener and the performer to consider the parable of the hidden treasure and the pearl. The second verse reflects on David's superlative description of God's Word in Ps. 19. In his letter to the Philippians, Paul speaks of the surpassing worth of knowing Christ when compared to everything else in this life. The lyrics of this song are intended to echo these Truths, encourage the believer, and testify to the incomparable gift of entering into the Kingdom of God, understanding His Word, and being strengthened and set free to do the good works that He prepared in advance for us to do.Can be performed with piano accompaniment only, OR with additional band members, OR with full orchestra*.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.*Full orchestration and parts also available on Sheet Music Plus.Included in your Purchase:Piano Accompaniment
$5.99
Nothing Compares (Anthem) - Vocal Score
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Choral SATB
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INTERMEDIATE
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Sacred music
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Gospel/Spiritual
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Christopher R
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Nothing Compares
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Christopher Brown
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.747196 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 6 pag...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.747196 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 6 pages. Christopher Brown #4611313. Published by Christopher Brown (A0.747196). About the song: This anthem begins by compelling the listener and the performer to consider the parable of the hidden treasure and the pearl. The second verse reflects on David's superlative description of God's Word in Ps. 19. In his letter to the Philippians, Paul speaks of the surpassing worth of knowing Christ when compared to everything else in this life. The lyrics of this song are intended to echo these Truths, encourage the believer, and testify to the incomparable gift of entering into the Kingdom of God, understanding His Word, and being strengthened and set free to do the good works that He prepared in advance for us to do.Can be performed with piano accompaniment only, OR with additional band members, OR with full orchestra*.Included in your Purchase:Choral Score (SATB with Solo)Please Note:Performance of this music requires one copy of the choral score purchased for each singer.*Full orchestration and parts also available on Sheet Music Plus.
$1.99
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Choral SATB
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INTERMEDIATE
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 2 - Eighths
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Dots and Beams
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Do...
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
#WeToo
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Choral SATB
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INTERMEDIATE
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Sally Whitwell
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#WeToo
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Published by Sally Whitwell (A0.1262362). On the morning of 2 March 2020, I finished writing the first draft of this song. It was the same morning that the New South Wales Rural Fire Service announced that for the first time since July 2019, the state was free of active bush and grass fires.At the time it felt quite euphoric. We’d been through a lot. Little did we know what was coming just a few days from then, when the Covid19 global pandemic reached our shores. It’s a virus that would kill millions across the world, and disable millions more, long term. It forced us, globally, into a kind of reckoning the like of which we had never experienced before. Non pharmaceutical controls like lockdowns, mask mandates, social distancing and ventilation standards were employed to keep us safe from this airborne virus, whilst scientists worked round clock to develop vaccines and treatments.Technically, the declaration of a pandemic is still active, but governments and people have somehow decided for themselves that it is all over. No one takes any precautions any more. Governments have stopped reporting statistics. People who know they are infected are going about their business with no thought for others. Meanwhile, many of the immune-compromised, the disabled, the vulnerable, are unable to safely leave their homes and engage in activities out in the world. I know this, because I am a carer for a vulnerable person.What this whole exercise has taught me is that people in the world are actually much less kind than I thought they were. Humans do not really care for each other. People attack me for wearing a mask, tell me that I’m virtue signalling and that I look ridiculous (as if I care how I look). I’ve asked questions about workplace Covid safety and been informed that it’s “a bit rich†that I’m asking at all, when everything is now safe. A friend’s diagnosed Long Covid symptoms were cruelly minimised or completely dismissed “Oh, it’s not Covid. How old are you? In your forties? It’s your hormones, it’s the menopause.†The fatal combination of sheer selfishness, rampant misinformation and DISinformation continues, whilst people waltz around spreading a deadly virus with no thought for the grief that will undoubtedly ensue.It boils down to this: if we want to continue as a species and to have a planet on which to reside, we have to stop with the Self Care and start with the Community Care. A choir is the perfect instrument for expressing these notions, through the unique power of the massed first person plural. My wish for this piece is that it spurs performer and listener alike into some kind of action. Please consider the effect your actions have on others, and on the planet, and make any changes necessary, however inconvenient or difficult they are. Otherwise, there’s really no point.Sally Whitwell 11 July 2023.
$1.99
This Is Me
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Choral SATB
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EASY
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The Greatest Showman Ensemble
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Paul Lorenz
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This Is Me
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Paul Lorenz
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1388031 By The Greatest Showman Ensemble. By Benj Pasek and Justin Paul. Arranged by Paul...
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1388031 By The Greatest Showman Ensemble. By Benj Pasek and Justin Paul. Arranged by Paul Lorenz. A Cappella,Broadway,Contest,Festival,Film/TV,Musical/Show,Pop. 15 pages. Paul Lorenz #971626. Published by Paul Lorenz (A0.1388031). Discover the Power of Individuality with This Is Me from The Greatest Showman At Paul Lorenz Music, we are thrilled to present our exclusive collection of This Is Me sheet music, derived from the unforgettable anthem of resilience and self-acceptance featured in The Greatest Showman. This powerful piece has not only captivated audiences worldwide but has also become a beacon of empowerment for many. Whether you're a seasoned musician or a budding pianist, our This Is Me piano sheet music and comprehensive PDF arrangements are designed to inspire and enhance your musical journey. Unleash Your Musical Talent with This Is Me Piano Sheet Music Dive into the heart of The Greatest Showman with our meticulously crafted This Is Me piano sheet music. Perfect for pianists of all levels, this arrangement captures the spirit and dynamism of the original score. Explore our This Is Me piano notes to bring the essence of this powerful song to life right at your fingertips. For those seeking the convenience of digital music sheets, our This Is Me sheet music PDF is just a click away, offering instant access to this inspiring composition. Elevate Your Choir's Performance with This Is Me SATB and Choral Arrangements Transform your choir's repertoire with our This Is Me SATB and choral arrangements. Paul Lorenz Music takes pride in offering This Is Me choir sheet music that resonates with choirs and audiences alike. Our This Is Me choral arrangement is specifically designed to capture the song's uplifting and inclusive message, making it a perfect addition to any concert or event. Experience the Magic of This Is Me Free Sheet Music At Paul Lorenz Music, we believe in the power of music to inspire and unite. That's why we offer This Is Me free sheet music, allowing musicians and educators to access this remarkable piece without barriers. Our commitment to making music accessible to all is reflected in our diverse range of This Is Me the Greatest Showman sheet music, ensuring everyone can experience the joy and empowerment this song provides.
$2.99
Awake, My Soul in Christ, sacred choral music
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
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Like Nephi, I shall win
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Awake, My Soul in Christ, sacr
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1373142 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worsh...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1373142 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 9 pages. Kevin G. Pace #957484. Published by Kevin G. Pace (A0.1373142). A rousing, sacred choral anthem with music by Kevin G. Pace and text by Mary Ann W. Snowball. Inspired by 2 Nephi 4:28 from the Book of Mormon, Another Testament of Jesus Christ. Text:Why should I longer yield to sin, Or to temptation's grievous snare? Why should the evil one afflict my soul's desire, My soul's desire to bear? Wilt Thou deliver me, O Lord, And make my path be straight? Encircle me with heav'nly pow'r And glory at Thy gate.Awake, awake my soul in Christ! No longer droop in mortal sin. Rejoice, and sing my psalm to Thee; Like Nephi, I shall win.I know in whom I trust; For me my Savior came. My God is my support, my all; With love I'll praise His name. I will not put my faith in flesh; I know of Christ's sure victory. I know the Rock of Righteousness through mercy saves, through mercy sets me free. I lift my voice with laud to heav'n; My peace, from Thee restored. Thy Spirit's as a flame of fire; Thou art my King, my Lord.
$1.99
Ring, Ring the Banjo
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Choral SATB
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BEGINNER
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Stephen Foster
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Thomas G Degan
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Ring, Ring the Banjo
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Thomas Degan
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 1 - Digital Download SKU: A0.1449955 Composed by Stephen Foster. Arranged by Thomas G Degan. 19th Century,A Cappe...
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Choral Choir,Choral,SATB Chorus - Level 1 - Digital Download SKU: A0.1449955 Composed by Stephen Foster. Arranged by Thomas G Degan. 19th Century,A Cappella,Early Music,Folk,Historic. 2 pages. Thomas Degan #1029685. Published by Thomas Degan (A0.1449955). Ring, Ring de Banjo is a minstrel song written in 1851. The song's words and music are from Stephen Foster. THIS ARRANGEMENT HAS BEEN UPDATED TO INCLUDE CONTEMPORARY ENGLISH AND DOES NOT INCLUDE REFERENCES TO SLAVERY OR DEROGATORY RACIAL TERMS.The song, (originally) written to mimic the dialect of Black people in the Southern United States, is about a newly-freed slave who wishes to come back to his master's plantation. As his old master is dying, the singer plays the banjo on his old master's deathbed until he dies. It is one of minstrelsy's most explicit evocations of the potentially violent relationship in slavery between master and slave and inspired a number of imitators, including the abolitionist Harriet Beecher Stowe. -Wikipedia.
$1.99
Come, Follow Me, a new sacred hymn
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
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Come, Follow Me, a new sacred
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1083536 Composed by Kevin G. Pace (ASCAP), John Nicholson. Praise & Worship,Sacred,Spiritual. Oc...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1083536 Composed by Kevin G. Pace (ASCAP), John Nicholson. Praise & Worship,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #687736. Published by Kevin G. Pace (A0.1083536). A beautiful, new musical hymn setting of this famous text by John Nicholson. Music by Kevin G. Pace. Text: Come, follow me, the Savior said. Then let us in his footsteps tread, For thus alone can we be one With God's own loved begotten Son. Come, follow me, a simple phrase, Yet truth's sublime, effulgent rays Are in these simple words combined To urge inspire the human mind. Is it enough alone to know That we must follow him below, While trav'ling thru this vale of tears? No No this extends to holier spheres. Not only shall we emulate His course while in this earthly state, But when we're freed from present cares, if with our Lord we would be heirs. We must the onward path pursue As wider fields expand to view, And follow him unceasingly, WhatWhat e'er our lot or sphere may be. For thrones, dominions, kingdoms, pow'rs, And glory great and bliss are ours, If we throughout eternity, Obey his words, Come follow me. Chorus: Come, follow me. Come follow me. Obey the Savior's words, Come follow me. follow me..
$1.99
Widening Circles
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Choral SATB
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INTERMEDIATE
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William Spencer Germany
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Widening Circles
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W. Spencer Germany
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1352595 By William Spencer Germany. By William Spencer Germany. 21st Century,A Cappella,C...
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1352595 By William Spencer Germany. By William Spencer Germany. 21st Century,A Cappella,Contemporary,Contest,Festival,New Age. 14 pages. W. Spencer Germany #937387. Published by W. Spencer Germany (A0.1352595). The text Widening Circles is from Rilke’s Book of Hours, Love Poems to God reflecting on reflection; how the longer we live and connect with others, the more our sphere of interaction and “self†stretches out, like ripples in a pond. A great programmatic piece for high school, collegiate, or community ensembles.W. Spencer Germany is a young composer from Memphis, Tennessee. Beginning composing at the age of 15, he has had premieres with featured performances by multiple choirs. He has been noted as bringing fresh and new vitality to his music. Spencer has a degree in Music Education from Middle Tennessee State University and is the choir director at Central Magnet School in Murfreesboro, TN. Spencer composes not only for choir but also for the stage, with albums such as Who Says We Can’t? as well as his EP “In The Air†available anywhere you stream or buy music. Spencer’s work can be found published on Sheet Music Press and on Facebook, YouTube, and Instagram @SpencerGermanyMusic.
$1.99
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
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Choral SATB
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INTERMEDIATE
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Stuart Brown
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An Omani Dance Suite - COMPLET
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Stuart Brown Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brow...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00
When I Land
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Choral SATB
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INTERMEDIATE/ADVANCED
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Greg Bartholomew
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When I Land
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Burke & Bagley
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.787259 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Standards. Octavo. 10 pages. Burk...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.787259 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Standards. Octavo. 10 pages. Burke & Bagley #49725. Published by Burke & Bagley (A0.787259). An Open World, When I Land and And the Wind are three settings of poems from Fletcher LaVallee Bartholomew's collection entitled And the Wind: Gnostic Poems 1945 - 1979. When I Land is duration ca. 5 minutes. Minneapolis native Fletcher Bartholomew spent most of his life in aviation, beginning with a childhood flight in a Curtis Robin in 1929. His work in aviation started with a job as an inspector in an aircraft factory. He went on to become a test pilot in World War II, serving at the South India Air Depot at Bangalore, India. He often spoke later of his experience on the ship to India and the people he met travelling around the subcontinent. He subsequently worked in aviation in Munich, Germany, and in Lima, Peru, before he concluded his career working in airport planning and management. Follow along in the score as you listen to a performance in this video: https://youtu.be/8ZmbFg3jI6s TEXT: I fly da Vinci's dream on wings of speed,With effortless delight I cleave the air, Free in the boundless realm of sky, I feed My soul with wonder, questions seeming fair. Why brought forth to wander on this earth? Why given this brief breath of life, To wonder at our enigmatic birth, To reach for stars, want reason for the strife. Yet, being here, why try to find a plan? Why waste time in thought before we go? Is not life enough for any man? How many have, as theirs, my answer, No. When I set foot again upon the land, And darkness gains upon the setting of the sun, I long to feel the welcome of your hand In mine, to rest, let Time its silly cycles run, Life's nights are all too few. No other hand, no other's look, no other one, Can bring that peace to mind or heart or soul, No peace. Although I know there's always fun In life, to reach that sublime goal, I must return to you.
$2.25
Greater Is He (Anthem) - Piano Accompaniment
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Choral SATB
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INTERMEDIATE
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Sacred music
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Christopher R
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Greater Is He
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Christopher Brown
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.747204 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 11 pa...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.747204 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 11 pages. Christopher Brown #4725447. Published by Christopher Brown (A0.747204). About the song: Satan has been decisively defeated. In every battle with the devil, 1 John 4:4 assures us that God is greater. When we feel trapped in sin, God is greater. When we are tempted to doubt, God is greater. When we face trials, God is greater. When we experience great loss or disappointment, God is greater still. He is able to strengthen, help, comfort, and uphold our souls by His power and might regardless of the circumstances in which we find ourselves. This is reason for hope, joy, and praise even in the darkest valley.Can be performed with piano accompaniment only, OR with additional band members, OR with full orchestra*.Please Note:You can purchase individual copies of the vocal part separately on Sheet Music Plus. Performance of this piece requires the purchase of one vocal score per singer.*Full orchestration and parts also available on Sheet Music Plus.Included in your Purchase:Piano AccompanimentLyrics:Verse 1When it seems there’s no way out,He can make a way.In the darkness of my doubt,He’s the light of day.Ev’ry trial that I face,Comes with His mercy and His grace.Pre-Chorus 1Greater is He Who lives in me.Stronger than the plans of ev’ry enemy.From sin and death I’ve been set free.He set me free!Chorus 1This is my hope when I’m walking through the valley of the shadow.This is my joy in the sorrow and the pain.This is the Truth when I’m caught up in the middle of the battle.Greater is He that is in me.Verse 2When my world begins to shake,He’s unshakable.When my circumstances change,He’s unchangeable.In ev’ry storm and crashing wave,My God is powerful to save.Pre-Chorus 2Greater is He Who lives in me.Stronger than the plans of ev’ry enemy.From sin and death I’ve been set free.He set me free!Chorus 2This is my hope when I’m walking through the valley of the shadow.This is my joy in the sorrow and the pain.This is the Truth when I’m caught up in the middle of the battle.Greater is He that is in me.Bridge 1There isn’t any other,Who has the power, power.The King of Kings, and Lord of Lords,We lift Him higher, higher.Bridge 2We raise our voices louder,Our God is stronger, stronger.The King of Kings, and Lord of Lords,We lift Him higher, higher.Chorus 3This is my hope when I’m walking through the valley of the shadow.This is my joy in the sorrow and the pain.This is the Truth when I’m caught up in the middle of the battle.Greater is He,Greater is He,Greater is He that is in me.
$4.99
Saturnalia Song for voices, wind, brass and percussion
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Choral SATB
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INTERMEDIATE/ADVANCED
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David Warin Solomons
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Saturnalia Song for voices, wi
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David Warin Solomons
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.576366 Composed by David Warin Solomons. 20th Century,Christmas,Classical,Contemporary,World. O...
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.576366 Composed by David Warin Solomons. 20th Century,Christmas,Classical,Contemporary,World. Octavo. 27 pages. David Warin Solomons #18013. Published by David Warin Solomons (A0.576366). A vivid and at times raucous celebration of Saturnalia, in Latin, for an ensemble of voices and instruments (including various percussion, woodwind and brass instruments). The sound sample is a sung performance by the composer with an electronic preview of the instruments. Further explanations: Song for Saturnalia - a raucous and fun romp - in whole tones (since there is scant evidence of the types of scales used in those days - whole tones just seem to work in this context). The Latin words make references to relatively modern times but the spirit of Saturnalia is timeless, after all. The pileum (also written pilleum) is the little cap that slave wore during Saturnalia to show they were free men and women on that day - they would point to their cap and say libertus sum (I am a free person) and omnes aequales sumus (we are all equal). The words (and translation - both by me) are as follows: Saturnalia Song Io Saturnalia! Hodie igitur dominus noster non es. [Hooray, it’s Saturnalia, so today you’re not our boss] Hodie omnes aequales sumus. Io! [Today we are all equal, hooray!] [spoof of USA Anthem] Salve O Frutici [Hi there, Bush] Ecce meum pileum: [Look, see my little cap of freedom] libertus sum [I’m a free man] [spoof of UK Anthem] Salve O Campestri [Hi there, Blair] Ecce meum pileum: [Look, see my little cap of freedom] libertus sum [I’m a free man] [spoof of German Anthem] Salve O Candelari [Hi there Brandt] Ecce meum pileum: [Look, see my little cap of freedom] libertus sum [I’m a free man] Io Saturnalia, Io! [Hooray, it’s Saturnalia, hooray!] [Note on the invented names (used in the vocative in the song of course): Fruticius is based on the word frutex a bush - it’s also used to mean blockhead in Roman comedies, but I can’t help that!. Campestrius is based on campester - a plain or place of clear ground (Blair is the Celtic equivalent word - a forest clearing!) Candelarius is based on candela - a taper or candle - ie something burning hence Brandt (yes, I know he’s earlier than the other two politicians, but, hey, it’s all a bit of anachronistic fun!)].
$10.00
Golgotha
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Norm MacQueen
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Mark Mitchell
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Golgotha
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N. MacQueen
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1031389 Composed by Norm MacQueen. Arranged by Mark Mitchell. Broadway,Christian,Easter,Praise &...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1031389 Composed by Norm MacQueen. Arranged by Mark Mitchell. Broadway,Christian,Easter,Praise & Worship,Spiritual. Octavo. 9 pages. N. MacQueen #3213535. Published by N. MacQueen (A0.1031389). Golgotha is a choral song on an Easter theme. It is written in respectful emulation of the classic Afro-American Spiritual style, casting an appreciative glance toward the traditional Broadway stylings of Gershwin and Kern as well. It is intended as a mournful, soulful piece reflecting the intense emotions surrounding Christ's sufferings on the cross - not unlike Take My Mother Home or Jesus Walked That Lonesome Valley. In the hands of the right performers, capable of balancing reverence with showmanship, it has proven itself a very moving piece that audiences enjoy. It is suitable for performers of all ages. It would be appropriate for church services, Christian choral groups, as well as secular choirs open to exploring the synthesis between soulful music, heartfelt entertainment, and/or Easter. Feel free to contact me at nmacqueen@rogers.com for more info.
$2.99
FOR IF WE DIED WITH HIM (SATB) w/Rehearsal Piano – 2 Timothy 2:11-13
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Choral SATB
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EASY
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Michael A
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FOR IF WE DIED WITH HIM
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Moriz...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Published by M.A. Morizio (A0.926665). In the first chapter of Paul’s second letter to Timothy, verses 1-10, we observe the intimate relationship that exists, between a spiritual father and his son… I remember you constantly in my prayers night and day. As I remember your tears, I long to see you, that I may be filled with joy. In Chapter two we also witness Paul’s commissioning Timothy to entrust to faithful men all that he was taught by the Apostle, that they then may be able to teach others in the same way also. While the elder Paul is now in prison and bound in chains, he is nonetheless empowered by the Holy Spirit to encourage and exhort Timothy to share in suffering as a good soldier of Christ, for the sake of the Gospel. Though Paul is bound in chains, he declares to Timothy the word of God is not bound! Endurance for Paul serves only one purpose, the salvation that is in Christ Jesus with eternal glory.In verse 11, Paul supports his statements by inserting another known 1st century Hymn to Christ, which brings us to our fifth anthem, For If We Died with Him. The text-or lyrics-of this hymn are even bracketed (or indented) in the NKJV Bible, suggesting the hymnic setting. The proposition of the text is quite clear; if we died with Christ, then we shall also live eternally with Christ. If we endure in the faith, then we shall also reign eternally with Christ. However, there is an insertion of 'Law' here, with a dire warning that the opposite is also true: If we deny Christ, resist, and refuse His beckoning and free invitation to salvation, then He will also deny us. Not everyone who says to me ‘Lord, Lord,’ will enter the kingdom of heaven… I will declare to them, ‘I never knew you; depart from me, you workers of lawlessness.’ (Matthew 7:31-23). Thus, the stage has been set for the fifth anthem. The piece is composed for SATB a cappella. The key is F Major. The opening phrase, This is a trustworthy saying, is in ¾ time, where a series of triplets are sung three times each (the Trinitarian opening motif). The meter then shifts to 2/4 with a lovely, distinctive unison melody for the opening phrase, For if we died with Him, we shall also live with Him. Soon after, when the lyrics shift to the words, If we deny Him, He will also deny us, the song drops into the relative minor key (F minor). The melody in this passage is haunting, and sends a clear warning signal to the listener to pay heed to what is being sung. When the text then transitions from if we are faithless, He remains faithful, however, the key shifts back to F Major in a new (dance-like) rhythm for the final verse, He remains faithful, for He cannot deny Himself. A coda is inserted in the final phrase where the triplet pattern is recapitulated (This is a trustworthy saying) and the sopranos ascend to a high F singing the lyrics, we shall live, for He remains faithful! to triumphantly end the piece.
$1.99
One Nation, One Kingdom
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Choral SATB
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INTERMEDIATE
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Ginger Stidd, words by Kathy S
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Ginger Stidd
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One Nation, One Kingdom
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Ginger Stidd
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.878015 Composed by Ginger Stidd, words by Kathy Stahlman Hildebrand. Arranged by Ginger Stidd. C...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.878015 Composed by Ginger Stidd, words by Kathy Stahlman Hildebrand. Arranged by Ginger Stidd. Christian,Gospel,Holiday,Patriotic,Sacred. Octavo. 27 pages. Ginger Stidd #33909. Published by Ginger Stidd (A0.878015). A Celebration of Freedom....With Gratitude to Those who Paid the Price! This patriotic choral piece is arranged as a mini cantata with a powerful narration. This 24 page, S.A.T.B. patriotic score is excellent for July 4th, Memorial Day, September 11th or Veteran's Day. The mp3 sample is a shorter version of the song done by a trio and does not include the narration. The narration can be viewed on the pdf sample. Written by Kathy Stahlman Hildebrand and arranged by Ginger Stidd. Published by Kathy Stahlman Hildebrand and Ginger Stidd.
$2.25
High Flight
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Choral SATB
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Mark Hayes
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High Flight
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Heritage Music Press
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SheetMusicPlus
SATB choir, Piano (With Optional Full Orchestra) - Digital Download SKU: LX.15-3577H Composed by Mark Hayes. Educational. Octavo. 16 pages. Heritage Musi...
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SATB choir, Piano (With Optional Full Orchestra) - Digital Download SKU: LX.15-3577H Composed by Mark Hayes. Educational. Octavo. 16 pages. Heritage Music Press #e15/3577H. Published by Heritage Music Press (LX.15-3577H). ISBN 9780787761035.Oh, I have slipped the surly bonds of earth and danced the skies on laughter-silvered wings… Iconic words of John Gillespie Magee, Jr., spontaneously and magnificently come to life in this vibrant, free-flowing setting with unison, two-part, and four-part vocal scoring. For general concert or patriotic occasions, this one is not to be missed!
$2.75
Johann Georg Albrechtsberger - Messa a 4 voci e strumenti 2. Gloria
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Choral SATB
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INTERMEDIATE/ADVANCED
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Johann Georg Albrechtsberger
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Guido Menestrina
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Johann Georg Albrechtsberger -
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828712 Composed by Johann Georg Albrechtsberger. Arranged by Guido Menestrina. Baroque,Sacred. O...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828712 Composed by Johann Georg Albrechtsberger. Arranged by Guido Menestrina. Baroque,Sacred. Octavo. 23 pages. Guido Menestrina #443117. Published by Guido Menestrina (A0.828712). Trascrizione a cura di Guido Menestrina Johann Georg Albrechtsberger (Klosterneuburg, 3 febbraio 1736 – Vienna, 7 marzo 1809) è stato un compositore austriaco. Johann Georg Albrechtsberger studiò musica presso l'Abbazia di Melk e filosofia al Seminario dei Gesuiti a Vienna e divenne uno dei più importanti e noti maestri di contrappunto della sua epoca. La sua grande fama di teorico gli procurò numerosi allievi che giunsero a Vienna per seguire le sue lezioni, fra essi vi furono Johann Nepomuk Hummel, Ignaz Moscheles, Joseph Weigl e Ludwig van Beethoven. Inoltre scrisse due trattati teorici e un metodo per pianoforte. Fu amico di Franz Joseph Haydn e Wolfgang Amadeus Mozart. Follow the score on youtube: https://www.youtube.com/watch?v=pfVI-p4AhUk or listen to it on soundcloud: https://soundcloud.com/guido-menestrina/johann-georg-albrechtsberger-messa-a-4-voci-e-strumenti-2-gloria Buying this score entitles you to ask for its version in modern keys (SAT, timpani, viola and organ converted to their contemporary keys) for free. Score includes: full score and single parts; organ part contains figured bass. Info: info@guidomenestrina.it.
$11.99
Johann Georg Albrechtsberger - Messa a 4 voci e strumenti 1. Kyrie
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Choral SATB
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INTERMEDIATE
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Classical
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Johann Georg Albrechtsberger
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Guido Menestrina
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Johann Georg Albrechtsberger -
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.828711 Composed by Johann Georg Albrechtsberger. Arranged by Guido Menestrina. Baroque. Octavo. ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.828711 Composed by Johann Georg Albrechtsberger. Arranged by Guido Menestrina. Baroque. Octavo. 28 pages. Guido Menestrina #432023. Published by Guido Menestrina (A0.828711). Trascrizione a cura di Guido Menestrina Johann Georg Albrechtsberger (Klosterneuburg, 3 febbraio 1736 – Vienna, 7 marzo 1809) è stato un compositore austriaco. Johann Georg Albrechtsberger studiò musica presso l'Abbazia di Melk e filosofia al Seminario dei Gesuiti a Vienna e divenne uno dei più importanti e noti maestri di contrappunto della sua epoca. La sua grande fama di teorico gli procurò numerosi allievi che giunsero a Vienna per seguire le sue lezioni, fra essi vi furono Johann Nepomuk Hummel, Ignaz Moscheles, Joseph Weigl e Ludwig van Beethoven. Inoltre scrisse due trattati teorici e un metodo per pianoforte. Fu amico di Franz Joseph Haydn e Wolfgang Amadeus Mozart. Follow the score on youtube: https://www.youtube.com/watch?v=Xjqhsbh9lzs or listen to it on soundcloud: https://soundcloud.com/guido-menestrina/johann-georg-albrechtsberger-messa-a-4-voci-e-strumenti-1-kyrie Buying this score entitles you to ask for its version in modern keys (SAT, timpani, viola and organ converted to their contemporary keys) for free. Score includes: full score and single parts; organ part contains figured bass.
$11.99
The Glory of Our God (Kol’ slaven) (Downloadable)
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Choral SATB
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EASY
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Anthony Antolini and Dimitri S
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Anthony Antolini
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The Glory of Our God
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir unaccompanied - Moderately Easy - Digital Download SKU: MQ.8208-E Composed by Anthony Antolini and Dimitri S. Bortniansky. Arranged by Anthony...
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SATB choir unaccompanied - Moderately Easy - Digital Download SKU: MQ.8208-E Composed by Anthony Antolini and Dimitri S. Bortniansky. Arranged by Anthony Antolini. Advanced/Collegiate. Church Anniversary, Confirmation, Memorial, Classical. Instrument part. 10 pages. Duration 4 minutes, 15 seconds. E. C. Schirmer Music Company - Digital #8208-E. Published by E. C. Schirmer Music Company - Digital (MQ.8208-E). French, Russian.The Russian version, Kol' slaven, sets the poetry of M. M. Kheraskov (1733–1807), a Mason. The hymn was first associated with Freemasonry in Russia, but its popularity quickly grew. It became an unofficial national anthem until it was superseded by Lvov's “God save the Tsar.†Except during the Soviet period (1917–1991), Kol' slaven has been used in Russia at public gatherings and military ceremonies such as the christening of ships, lowering or raising of the flag, and at military funerals. Kol' slaven also became popular among émigré Russians and has been associated with Russian emigration in many countries. The singing of hymns with multiple verses in chorale style is not a part of Russian Orthodox worship. For this reason, Bortniansky's hymn is not considered liturgical in the Russian Church but is used mostly for secular ceremonies. The language of the hymn is Russian (although with several archaic words and word endings) rather than the language of Russian Orthodox worship, Church Slavonic. In Germany, the hymn is used not only in worship but also for military ceremonies and is occasionally sung as a prelude to the German national anthem. This scholarly performance edition includes extensive notes concerning the history of Bortniansky and this piece, performance notes, the editorial method of the English singing version, and a pronunciation guide for the Russian transliteration.Duration: 4:15.
$2.25
I Will Bless the Lord (Based on Psalm 34)
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Choral SATB
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INTERMEDIATE
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Sacred music
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Tom Dwight
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I Will Bless the Lord
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Tom Dwight
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.921646 Composed by Tom Dwight. Christian,Praise & Worship,Sacred. Octavo. 8 pages. Tom Dwight #...
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.921646 Composed by Tom Dwight. Christian,Praise & Worship,Sacred. Octavo. 8 pages. Tom Dwight #3547503. Published by Tom Dwight (A0.921646). This version of I Will Bless the Lord, based on Psalm 34, is a versatile piece that can be done as a solo or using the optional harmony parts. It has been used as a responsorial psalm but can also be used during communion or another appropriate place in the service. This also comes with optional C & Bb instrument parts (the parts are the same but transcribed for each instrument type). I hope you enjoy it!The recording is from a Mass in May of 2018 - my apologies for the phone-quality audio. As with all my music, if you would like to make a semi-pro/pro recording of the piece, I am happy to compensate you with additional original music for free! Just email me if you're interested (tommydwightmusic@gmail.com)+ Worship aid version available upon request
$1.99
Smile
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Choral SATB
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INTERMEDIATE/ADVANCED
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Nina Quinlivan
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Nina Quinlivan
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Smile
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Nina Quinlivan
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.987503 Composed by Nina Quinlivan. Arranged by Nina Quinlivan. Contemporary,Pop,World. Octavo. 1...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.987503 Composed by Nina Quinlivan. Arranged by Nina Quinlivan. Contemporary,Pop,World. Octavo. 10 pages. Nina Quinlivan #15803. Published by Nina Quinlivan (A0.987503). Smile is written in an A, B, C format for an SATB choir. Part A starts with a haunting but beautiful vocal line eventually being enhanced with rich harmonic tones. Part B is the same tempo as Part A but is now in a major key with splendid harmonies which starts to give the song an uplifting feeling. Part C is now faster with each voice getting a chance to shine with gorgeous melodic lines. This song can be sung by a high school choir or an adult choir. A note from the composer; I wrote Smile because I am around young people a lot and there is so much talk about sadness and suicide in today’s culture. I wanted to write a song that gave them hope. Sometimes it just takes a smile from you to turn someone’s day around. It can also work in reverse. Someone may take the time to smile at you to turn your day into a good day. So smile, it’s free.
$2.95
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