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Two At A Time
Choral SATB
Sheetmusic to print
95 sheet music found
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What Was It Like? (for S.A.T.B.)
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1012875 Composed by Dean H…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1012875 Composed by Dean H. Hamill with Lyrics by Bruce C. Kusch. A Cappella,Christian,Christmas,Gospel,Sacred. Octavo. 7 pages. D H Hamill #6136887. Published by D H Hamill (A0.1012875). For Christmas programs, What Was It Like? is a beautiful and memorable choral work set for SATB with piano accompaniment. The lyrics reflect the thoughts of so many of us who wonder what it felt like to those who witnessed the birth and early years of Jesus Christ. The vocal parts are all within normal ranges and of no particular difficulty. The piano accompaniment is of medium difficulty. Meter changes set off the verses from the chorus melody, one verse may be sung a cappella and there is one key change. This is appropriate for both worship services and any public Christmas program venue. Performance time is five minutes. There are two other arrangements on the website, one for vocal solo medium voice and one for two-part women's chorus or duet. The lyricist, Bruce C. Kusch, is at this time the president of Ensign College in Salt Lake City, Utah. The composer, Dean H. Hamill, resides in Saratoga Springs, Utah and may be contacted at dean.hamill@hushmail.com.
$2.55
2.3 €
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Choral SATB
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Dean H
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What Was It Like?
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D H Hamill
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SheetMusicPlus
We Will Sing At Christmas (SATB)
Choral SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.723454 Composed by Garrett…
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.723454 Composed by Garrett Breeze, Gustav Holst. Christmas,Holiday. Octavo. 7 pages. Lagom Music #6600593. Published by Lagom Music (A0.723454). Setting a new text by composer Garrett Breeze to the familiar tune of In the Bleak Midwinter this simple but memorable arrangement is a sentimental and uplifting addition to any winter concert. Part dominant rehearsal tracks available at holidaychoirmusic.comALSO AVAILABLE IN: SAB: https://bit.ly/302xciUSSA: https://bit.ly/3EPTuDQTTB: https://bit.ly/2YqxqQITwo-Part:https://bit.ly/2ZYZVpxWith the text In the Bleak MidwinterSATB: https://bit.ly/3o76bok
$2.25
2.03 €
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Choral SATB
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Garrett Breeze, Gustav Holst
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We Will Sing At Christmas
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Lagom Music
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SheetMusicPlus
I Love a Piano
Choral SATB
Chorus - Digital Download SKU: AX.00-PO-0002888 I Love a Piano - SATB. Compo…
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Chorus - Digital Download SKU: AX.00-PO-0002888 I Love a Piano - SATB. Composed by Irving Berlin. Arranged by Philip Kern. Secular Choral. 23 pages. Alfred Music - Digital Sheet Music #00-PO-0002888. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002888). UPC: 038081200446.This dazzling arrangement showcases (who else?), your pianists! The accompaniment is a stunning 4-hand piano part featuring two players at one piano. The vocal parts are glorious and, of course, it's all wrapped up in Irving Berlin's inimitable and unforgettable song. Opens with a slow verse, leading into the familiar melody in a ragtime style. The SoundTrax CD will be a worthwhile addition for rehearsals or performance.Recorded Acc. Available.
$4.95
4.46 €
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Choral SATB
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Irving Berlin
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I Love a Piano
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Sense of a Place Will Remain
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Con…
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Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King. Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes. Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.
$7.95
7.17 €
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Choral SATB
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Paul Burnell
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The Sense of a Place Will Remain
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Paul Burnell
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SheetMusicPlus
Two Sisters and a Funeral - a Roger Jones musical
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927468 Composed by Roger J…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927468 Composed by Roger Jones, Tim Jones. Arranged by Annie Routley. Christian,Musical/Show,Praise & Worship,Sacred,Spiritual. Octavo. 90 pages. Christian Music Ministries #6266401. Published by Christian Music Ministries (A0.927468). Lord, Martha said to Jesus, if you had been here, my brother would not have died ... Jesus said to her, I am the resurrection and the life. He who believes in me will live, even though he dies; and whoever lives and believes in me will never die. Do you believe this?(John 11:21-26)(NIV)Jesus is a welcome guest and friend at the home of Martha, Mary and their brother Lazarus in the village of Bethany. So when Lazarus falls gravely ill, the sisters send a message to Jesus: Lord, the one you love is sick. But by the time Jesus arrives, Lazarus has already been in the tomb for four days. Two Sisters and a Funeral tells the exciting story of a family transformed first of all by seeing their brother Lazarus raised from the tomb, and then the death and resurrection of Jesus Christ, Saviour of the world.Full piano score, SATB choir, solo parts, guitar chords and narration.
$9.99
9.01 €
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Choral SATB
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Roger Jones, Tim Jones
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Two Sisters and a Funeral - a Roger Jones musical
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Christian Music Ministries
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SheetMusicPlus
HEART WARMING GOSPEL AND PATRIOTIC SONGS # TWO
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.522484 Arranged by Paul A.…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.522484 Arranged by Paul A. Jorg. A Cappella,Christian,Gospel,Sacred. Octavo. 95 pages. Paul A. Jorg #6265951. Published by Paul A. Jorg (A0.522484). This is a collection of Gospel and Patriotic songs, 24 in all. This is the second half of the pair of songs alphabetically, from J - Y. Numbers 34,40 & 48 have piano accompaniment. You can see both indexes in either collection. If you buy a single collection, the price is $14.95; but you can get an 5% discount if you buy both collections together at the same time .Most of the arrangements are for male harmony (TTBB) a cappella, but several are for mixed trios or SATB quartets. Most songs are available as single sheet music under my name - Paul A. Jorg
$14.95
13.48 €
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Choral SATB
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Numbers 34,40 &
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HEART WARMING GOSPEL AND PATRIOTIC SONGS # TWO
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Paul A. Jorg
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SheetMusicPlus
The Time for Singing Has Come
Choral SATB
SATB choir SKU: LO.S285 Composed by Natalie Sleeth. Choral. Sacred Anthem. Octavo. …
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SATB choir SKU: LO.S285 Composed by Natalie Sleeth. Choral. Sacred Anthem. Octavo. Sacred Music Press #S285. Published by Sacred Music Press (LO.S285). UPC: 000308002973.Any Combination in two-parts - General - originally scored for SATB, this new voicing of an all-time favorite is perfect for children's choirs or smaller adult choruses. A lively expression of joy - Natalie Sleeth at her best!
$3.20
2.89 €
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Choral SATB
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Natalie Sleeth
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The Time for Singing Has Come
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Sacred Music Press
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SheetMusicPlus
At Last
Choral SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1311271 By Etta Jam…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1311271 By Etta James. By Harry Warren and Mack Gordon. Arranged by Roy Rashbrook. 20th Century,A Cappella,Barbershop,Jazz. 4 pages. Silverbright Music #900271. Published by Silverbright Music (A0.1311271). At Last is a song written by Mack Gordon and Harry Warren for the musical film Sun Valley Serenade (1941). Glenn Miller and his orchestra recorded the tune several times, with a 1942 version reaching number two on the US Billboard pop music chart.In 1960, rhythm and blues singer Etta James recorded an arrangement by Riley Hampton that improvised on Warren's original melody. Etta James' rendition became the title track on her debut album At Last! (1960) and was eventually inducted into the Grammy Hall of Fame in 1999.This arrangement was originally for SSAA (also available) - and was subsequently transposed and rearranged for SATB (with one bass split at the very end). Although quite chromatic, with a key change before the final verse, this arrangement has been performed by amateur choirs.
$1.99
1.79 €
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Choral SATB
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Etta James
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At Last
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Silverbright Music
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SheetMusicPlus
Time Warp
Choral SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1291690 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1291690 Composed by Richard O'brien. Arranged by Julie Hinton. 20th Century,A Cappella,Broadway,Film/TV,Halloween,Musical/Show. 9 pages. Red Tape Productions #882295. Published by Red Tape Productions (A0.1291690). SATB acapella. This haunting yet enticing arrangement alternates the melody and rhythm lines primarily between the alto and tenor in the first two verses, always leading back to more traditional 4-part harmonies for the chorus. The soprano takes over on the upbeat third verse and the bass narrates the actions throughout. It all comes to a rousing climax at the end. Great for theatrical voices, versatile acapella groups and fun-loving show choirs!
$2.25
2.03 €
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Choral SATB
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Richard O'brien
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Time Warp
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Red Tape Productions
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SheetMusicPlus
Not but a seed...
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.1027800 Composed by Justin Casinghin…
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Choral Choir (SATB) - Digital Download SKU: A0.1027800 Composed by Justin Casinghino. Contemporary. Octavo. 11 pages. World Projects Corporation #2989153. Published by World Projects Corporation (A0.1027800). The text for Not but a Seed…, which was written by the composer, follows the growth of tree from a single seed, through its existence as a full-grown member of the forest around it. In the mind of the author/composer, this growth exists as a metaphor for two of the most important elements of life, family and the process of artistic creation. In each, the tiniest of particles is created from elements that it is initially unaware of. Over time, these tiny elements grow to become able to foster creation of their own, ultimately connecting into a single unending web. Musically, this concept is dealt with during the course of the piece, where the opening chord is used as a catalyst for melodic and harmonic expansion throughout. This sonority is also used at important goal points throughout the setting of the three–stanza text. The piece is set for SATB choir, with each section occasionally splitting by half. The work includes rich harmonies throughout, as well as melodic moments for each voice part to shine through. The clear linear progress of each voice, combined with the recurring sonorities mentioned above make this piece a rewarding and accessible musical undertaking. A rehearsal piano reduction is included in the vocal score.
$4.50
4.06 €
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Choral SATB
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Justin Casinghino
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Not but a seed...
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World Projects Corporation
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SheetMusicPlus
What a Friend and Jesus Loves Me
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1186179 Composed by Joseph…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1186179 Composed by Joseph Scriven and William Bradbury. Arranged by Steve Thweatt. A Cappella,Children,Christian,Praise & Worship,Religious. Octavo. 8 pages. Steve Thweatt #785834. Published by Steve Thweatt (A0.1186179). This piano vocal arrangement combines two well loved hymns togetherat the same time! While the choir part is not too difficult the piano has a very inspiring solo in the middle of the piece. Also, enjoy some good a cappella choir in part of this arrangement.
$7.95
7.17 €
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Choral SATB
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Joseph Scriven and William Bradbury
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What a Friend and Jesus Loves Me
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Steve Thweatt
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SheetMusicPlus
Monk - Abide with Me (Eventide) in E flat Major - Easy
Choral SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.1077080 Composed by Willia…
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.1077080 Composed by William Henry Monk. Arranged by Piacere Music Sheets. A Cappella,Praise & Worship,Romantic Period,Sacred,Spiritual. Octavo. 10 pages. Piacere Music Sheets #681177. Published by Piacere Music Sheets (A0.1077080). Opus/Catalog Number: IWM 1 Key/Tone: E flat major Movements/Sections: Andante Year/Date of Composition: 1861 Difficulty: Grade 2/12 (Easy) Obs.: This hymn is sung by Christians all over the world in times of sorrow and deep distress. The lyrics were written in 1847 by Henry Francis Lyte, an English pastor, poet and musician, only a few weeks before he died from tuberculosis. He was inspired by Saint Luke's account of Christ's appearance with His two disciples on the way to Emmaus: They urged Him strongly: Stay with us, for it is nearly evening; the day is almost over. (Luke 24:29). The music was composed by William Henry Monk, music editor of the famous Anglican Church hymnal Hymns Ancient and Modern, and it was included in the first edition of that hymnal in 1861. Mrs. Monk has described in her own words the context: This tune was written at a time of great sorrow - when together we watched, as we did daily, the glories of the setting sun. As the last golden ray faded, he took some paper and penciled that tune which has gone all over the earth. This score is the complete version of Abide With Me for choir SATB. Included: Full score and separated parts for each voice.
$2.95
2.66 €
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Choral SATB
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William Henry Monk
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the day is almost over
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Monk - Abide with Me
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Piacere Music Sheets
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SheetMusicPlus
Mea Lesbia
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.864429 Composed by Mark D.…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.864429 Composed by Mark D. Templeton. Contemporary. Octavo. 8 pages. Mark Templeton Choral Music #2098371. Published by Mark Templeton Choral Music (A0.864429). Mea Lesbia, commonly known as Catullus 87, consists of two elegiac couplets written by Gaius Valerius Catullus (84 - 54 B.C.E) for his lover, Lesbia. Catullus was only one of Lesbia’s many lovers, and he often wrote of his jealousy and disdain for her unfaithful actions. This elegy was written at a time when Lesbia had been particularly cruel toward Catullus. Despite being broken hearted, his obsession with her never waned. In his despair and desperation, he basically says, My love for you is so great that no other woman could possibly even know what love is..
$2.00
1.8 €
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Choral SATB
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Mark D
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Mea Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
I Would Rock My Child to Sleep from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891206 Arranged by Dandeli…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891206 Arranged by Dandelion Music Press. Contemporary,Folk,World. Octavo. 15 pages. Dandelion Music Press #3104497. Published by Dandelion Music Press (A0.891206). This tender lullaby is a touching memorial for an end of life commemoration of a parent or caregiver. Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infantIII. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
1.89 €
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Choral SATB
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I Would Rock My Child to Sleep from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
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Dandelion Music Press
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SheetMusicPlus
Old Beggarman from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891205 Composed by Traditi…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891205 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 26 pages. Dandelion Music Press #3104495. Published by Dandelion Music Press (A0.891205). The first of three movements, here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project : Encore 2017Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved. I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WASet of three and single movements available for purchase.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
1.89 €
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Choral SATB
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Traditional Irish
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Old Beggarman from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
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Dandelion Music Press
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SheetMusicPlus
Lost Songs of Ancient Ireland [SATB with Treble Descant]
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891204 Composed by Traditi…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891204 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 61 pages. Dandelion Music Press #3104111. Published by Dandelion Music Press (A0.891204). Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$6.25
5.64 €
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Choral SATB
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Traditional Irish
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Lost Songs of Ancient Ireland [SATB with Treble Descant]
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Dandelion Music Press
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SheetMusicPlus
Landslide
Choral SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1451532 By Fle…
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1451532 By Fleetwood Mac. By Stevie Nicks. Arranged by Dylan Trần. A Cappella,Folk,Pop,Rock,Singer/Songwriter. 7 pages. Dylan Trần #1030859. Published by Dylan Trần (A0.1451532). Accessible and moving, this arrangement of Landslide by Fleetwood Mac is fit for professional choir, college choir, community choir, high school choir, acapella groups, vocal pop groups, and more. Dylan Tran uses idiomatic yet evocative voicings that will immediately reward on first reading as well as in polished performance. Learn more at www.dylantranmusic.com Fleetwood Mac's Landslide offers a perfect blend of musical beauty and emotional depth, making it an ideal choice for any choir seeking to connect with their audience on a profound level. Landslide isn't just another song – it's a timeless classic that speaks to the universal themes of resilience, self-discovery, and the passage of time. Its introspective lyrics and haunting melody create a captivating atmosphere that invites listeners to reflect on their own experiences and journeys in life. From a musical standpoint, Landslide offers versatility and richness that allow choirs to showcase their vocal talents. Whether it's the soft, delicate harmonies of the verses or the powerful crescendos of the chorus, this song provides ample opportunity for expressive interpretation and dynamic performance. Moreover, Landslide enjoys widespread recognition and popularity, thanks to its status as a staple of Fleetwood Mac's discography. By including this iconic song in your choir's repertoire, you can leverage its existing fan base and attract attention to your performances without sounding like a sales pitch. In conclusion, Landslide by Fleetwood Mac is more than just a song – it's an emotional journey that resonates with audiences of all ages and backgrounds.
$5.00
4.51 €
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Choral SATB
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Fleetwood Mac
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Landslide
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Dylan Trần
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SheetMusicPlus
Prophitiae Sibyllarum
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1264673 Composed by Orland…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1264673 Composed by Orlande De Lassus. Arranged by Jasper Swank. A Cappella,Historic,Religious,Renaissance. Octavo. 28 pages. Jasper Swank #857504. Published by Jasper Swank (A0.1264673). About the composer Orlando Lasso, Orlande de Lassus, Orlando di Lasso or Orlandus Lassus was born in Bergen (Dutch) or Mons (French) in Henegouwen, Belgium – which was a place in the Habsburg Netherlands at the time – in 1532, and was highly regarded as the best composer of his time. Temopraries appointed him titles like ‘ruler of music’ and ‘master of motets’. The roman-catholic composer was also one of the most productive composers of all times. Among his works are 53 masses for four to eight voices, and 1250 works for two to twelve voices in the form of motets, requiems, madrigals, chansons and songs for choir. Later in life, he wrote German drinking songs, as well as Dutch songs. From the latter category, none have been preserved. One of his drinking songs ‘Un jour vis un foulon qui fouloit’ was translated to English by William Shakespeare, after which it was used in his theatre play ‘Henry IV part 2’. About this work Prophetiae Sibyllarum is a motet in Latin for four voices. Posthumously published in 1600, it sets 12 prophecies attributed to the Sibyls (priestesses of Apollo later adopted by Christians) with a prologue.The movements are catalogued in order under separate opus numbers LV 1048 to 1060. About this edition This edition was notated from the composer’s manuscript (published around 1600), Das Chorwerk (Wolfenbüttel, 1937) and an anonymous reading score. The note values were halved for easier sightreading by modern singers. Recordings by De Labyrintho were studied for interpretation. On the base of these recordings, small checkmarks are added at places where collective breathing moments are suggested. These are not part of the manuscript.Great care has been put in the correct notation of the original work, as well as in solving apparent inconsistencies in the source materials. However, this edition was made purely to acommodate singers to study the melodic lines and should not be used for historic purposes.
$3.09
2.79 €
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Choral SATB
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Orlande De Lassus
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Prophitiae Sibyllarum
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Jasper Swank
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SheetMusicPlus
Three Latin Elegies to Lesbia
Choral SATB
Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Cen…
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Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.<br> <br> Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.<br> <br> Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:<br> <br> Lesbia keeps insulting me in front of her husband:<br> <br> thisfills the fatuous idiot with delight.<br> <br> Mule, doyou perceive nothing? If she shut up and ignored me<br> <br> that’dshow healthy indifference;…<br> <br> In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.<br> <br> Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
$4.99
4.5 €
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Choral SATB
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
Only from Blood Does Freedom Grow (Piano/Choral Score)
Choral SATB
Choral Choir,Choral,SATB Chorus divisi - Level 2 - Digital Download SKU: A0.1465704…
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Choral Choir,Choral,SATB Chorus divisi - Level 2 - Digital Download SKU: A0.1465704 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 16 pages. Stanleymhoffman.com #1044314. Published by stanleymhoffman.com (A0.1465704). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30.
$4.00
3.61 €
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Choral SATB
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Stanley M Hoffman
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Only from Blood Does Freedom Grow
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stanleymhoffman.com
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SheetMusicPlus
Without Knowing
Choral SATB
SATB chorus a cappella - Digital Download SKU: BJ.1485 Composed by Henrik Dahlgren.…
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SATB chorus a cappella - Digital Download SKU: BJ.1485 Composed by Henrik Dahlgren. Secular. 10 pages. Bo Ejeby Forlag - Digital #1485. Published by Bo Ejeby Forlag - Digital (BJ.1485). 8.27 x 11.7 inches.During a composer’s residency at the Banff Centre for Arts and Creativity in Canada, I wrote two major choral pieces, Before the West, a complex, rhythmical 7-minutes piece, and this, Without Knowing. Perhaps a simple response to the complexity I was exploring at the time. Pablo Neruda’s words are overflowing with love, warmth and compassion, and my job when setting it to music was mostly to not do too much with it. […] The piece to me sounds it’s best when sung that way. Simple, without dramatic gestures – almost like a folk tune, or even a pop song. – Henrik Dahlgren.
$4.00
3.61 €
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Choral SATB
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Henrik Dahlgren
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Without Knowing
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
Kyrie Nicholas de Burgundy
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.771853 Composed by Nicholas de Burgu…
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Choral Choir (SATB) - Digital Download SKU: A0.771853 Composed by Nicholas de Burgundy. Arranged by Gregory Hamilton. Classical. Octavo. 3 pages. Dr. Gregory Hamilton #3245769. Published by Dr. Gregory Hamilton (A0.771853). Kyrie Nicholas de BurgundyNicholes de BurgundyIn the baptismal records of the Cathredale St. Lazare, Autin (Burgundy) there is mention of a Nicholes de Burgundy born probably early April 1571.Little is know of his early life, or where he received his training. He possibly received his musical tutoring from a former master of the choristersat St. Lazare, as by the evidence of his few surviving works, he was trainedin the Palestrina school. His slim ouvre survives in but one manuscript, theMss.Autin.Res. 127.a, presently in the Bibliteque Nationale. There are two surviving masses (untitled) and six motets, one incomplete.This Kyrie is taken from the second of the mass settings, and employs as cantus firmus the chant later to be know as the Missa da Angelus (a nineteenth century moniker). This arrangement approximates theperformance style of Alternatim, used in a number of different waysthroughout Europe at the time. It provides today, an ideal way of forming afruitful liturgical dialogue between the Congregation, Choir and Cantor.Ed. note; some of the texural underlay is conjectural and unclear in the mss.
$2.00
1.8 €
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Choral SATB
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Nicholas de Burgundy
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Kyrie Nicholas de Burgundy
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Dr. Gregory Hamilton
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SheetMusicPlus
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