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Vista Music
Choral SATB
Sheetmusic to print
5 sheet music found
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1
Five German Christmas Carols, for SATB acappella
Choral SATB
Composed by Barry L. Coleman. A Cappella, Christmas, Contemporary. Octavo. 38 pages.…
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Composed by Barry L. Coleman. A Cappella, Christmas, Contemporary. Octavo. 38 pages. Wistful vista power and light company #2063575. Published by wistful vista power and light company
$6.00
5.61 €
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Choral SATB
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Barry L
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Five German Christmas Carols, for SATB acappella
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wistful vista power and light company
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SheetMusicPlus
Ver in die ou Kalahari
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.899036 Composed by Traditi…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.899036 Composed by Traditional. Arranged by Michael Hankinson. Folk. Octavo. 3 pages. Vista Music #2897801. Published by Vista Music (A0.899036). Traditional Afrikaans folk song arranged for mixed voice choir.
$2.99
2.8 €
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Choral SATB
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Traditional
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Ver in die ou Kalahari
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Vista Music
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SheetMusicPlus
Sailing
Choral SATB
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.899055 By Rod Stewart. By…
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.899055 By Rod Stewart. By Gavin Sutherland. Arranged by Michael Hankinson. Rock. Octavo. 30 pages. Vista Music #5889509. Published by Vista Music (A0.899055). Full orchestra version with optional chorus part .
$40.00
37.43 €
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Choral SATB
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Rod Stewart
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Sailing
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Vista Music
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SheetMusicPlus
Northwest Passage (Downloadable Piano/Choral Score)
Choral SATB
SATB choir, wind quintet and string quartet or piano - Medium - Digital Download SKU: M…
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SATB choir, wind quintet and string quartet or piano - Medium - Digital Download SKU: MQ.1.3438-E Composed by Z. Randall Stroope. Advanced/Collegiate. Secular, 21st Century, Creation/Nature. Score & instrument part. 24 pages. Duration 8 minutes, 25 seconds. Galaxy Music Corporation - Digital #1.3438-E. Published by Galaxy Music Corporation - Digital (MQ.1.3438-E). English.Northwest Passage is a set of “poetic landscapes†that reflects on three elements of the great Northwest of the United States—rivers, mountains, and prairies. Each sonic reflection (movement) combines to form a larger image, not unlike someone standing on a vista and seeing rivers, mountains, and prairies—each distinct, but part of one vast expanse.The work is scored for two versions: mixed chorus and piano, or mixed chorus, wind quintet, and string quartet. The harmonic vocabulary of the work maintains an uncomplicated, transparent (“organicâ€) approach in describing nature. The melodic vocabulary immediately pulls the listener's eye to the image, and rhythm is used as the underlying spark that is subtly ever changing and unpredictable. These three poetic landscapes should be performed without applause between movements.1. A Willow by the River|William Carlos Williams was a medical practitioner, pediatrician, and an avid writer. He wrote short stories, novels, plays, critical essays and, of course, poetry. The subjects of his writing were often “local†images, and he preferred to see the world “as it is,†without unnecessary trappings or “airs.†He was an important mentor to many younger poets of his day. “Willow Poem†(A Willow by the River) has no rhyme scheme but is comprised of fourteen individual lines. The willow is the focus of the poem (by its title and content) and how it never changes but will always “be.†The river represents, among other things, life quickly moving by and in a constant state of motion.2. Mountains|Marjorie Seiffert (who often used the pseudonyms Elijah Hay or Angela Cypher) led an incredibly full and balanced life. College introduced her to a world beyond her domestic and civic life and, as a result, she wanted to experience self-empowerment and independence. She prided herself in being a spouse, mother and maintaining a full slate of professional appearances and commissions for writing. Her poetry is vivid, keenly “visual,†and full of fast-paced, tightly woven ideas. “Mountain trails†(Mountains) was written at Glacier Park, Montana in September 1917.3. The Prairie|John Hay was an American statesman who was personal assistant to Abraham Lincoln. He also served as U. S. Secretary of State and Ambassador to Great Britain. He was a cultivated man of letters and wrote poetry which was straightforward in design and delivery. Nature was often the subject of his creative output. -Z. Randall StroopeDuration: 8:25Instrumental Parts packet includes: Flute, Oboe, Clarinet, Horn, Bassoon, Strings (1-1-1-1).
$3.20
2.99 €
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Choral SATB
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Z
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Northwest Passage
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Lábios de sabor a mar / Sea flavour lips (Choir+Piano)
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1271766 Composed by Rudesi…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1271766 Composed by Rudesindo Soutelo. Arranged by Choir & Piano. 20th Century,A Cappella,Classical,Contemporary. Octavo. 30 pages. Publisher by Rudesindo Soutelo #864117. Published by Publisher by Rudesindo Soutelo (A0.1271766). À memoria da actriz Cruz ComesanhaLábios de sabor a mar (Derradeira epÃstola) / Sea flavour lips (Last epistle) for Choir and Piano [ca. 7' 34]Première: 27-V-2023. Igreja de Santo António, Lisboa. Int.: Coro da Academia Nacional Superior de Orquestra (ANSO). Dir: Rafael Araújo.The origin of this work is the emotional emptiness I felt when I received the news of the death of a close friend in an unfortunate accident at home. The text was constructed with ideas and phrases taken from the poetic correspondence we had exchanged in the previous months. A few years later, I plucked up the courage to write the music, firstly for Choir a Cappella, followed by a version for Brass Quintet and another for Voice and Piano. This new edition for Choir has been revised in its entirety and includes, as an option, the Piano.The English translation of the text at the end of the score is not intended to be sung. It is only inserted to help singers who do not understand Portuguese to comprehend the message.The complexes that organise the harmonic and melodic structure are [6, 2, 5, 1, 3], [10, 9, 2, 8] and [4, 8, 9, 7].--oOo--A origem desta obra está no vazio emocional que me produziu a notÃcia da morte de uma Ãntima amiga, num infortunado acidente caseiro. O texto foi construido com ideias e frases retiradas da correspondência poética que trocáramos nos meses anteriores. Alguns anos depois, ganhei coragem para escrever a música, primeiramente para Coro a Cappella, seguindo-se uma versão para Quinteto de Metais e outra para Voz e Piano. Esta nova edição para Coro foi revista na sua totalidade e inclui, como opção, o Piano.A tradução inglesa do texto, no final da partitura, não é para ser cantada. Só se insere para ajudar na compreensão da mensagem, aos cantores que não percebam português. Os complexos que organizam a estrutura harmónica e melódica são [6, 2, 5, 1, 3], [10, 9, 2, 8] e [4, 8, 9, 7].ISWC: T-041.574.843-4ISMN: 979-0-707704-16-5.
$3.00
2.81 €
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Choral SATB
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Rudesindo Soutelo
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Lábios de sabor a mar / Sea flavour lips
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
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