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An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00
26.87 €
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Choral SATB
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Stuart Brown
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An Omani Dance Suite - COMPLETE BUNDLE
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Stuart Brown Music
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SheetMusicPlus
Shelter in Place for SSAATB chorus and nature soundtrack
Choral SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.953628 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.953628 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 14 pages. Adrienne Inglis (ASCAP) #6405671. Published by Adrienne Inglis (ASCAP) (A0.953628). Great for concerts about nature and the environment, pandemic life, creativity!Shelter in Place by Adrienne Inglis (ASCAP) for mixed SSAATB chorus with nature soundtrack created by Chris Clark-Johnsona setting of Shelter in Place, a poem by Kim Stafford Commissioned by Lewis & Clark College, Portland, Oregon, April 2021Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas.Poet Kim Stafford grew up in Oregon, Iowa, Indiana, California, and Alaska, following his parents as they taught and traveled through the West. He is the author of a dozen books of poetry and prose, and the founding director of the Northwest Writing Institute at Lewis & Clark College, where he has taught since 1979. He holds a PhD in Medieval Literature from the University of Oregon, and has worked as a printer, photographer, oral historian, editor, and visiting writer at a host of colleges and schools, and offered writing workshops in Italy, Scotland, and Bhutan.Shelter in Place by Kim Stafford (used with permission)Long before pandemic prisoned us,the trees knew how to guard their placewith roots and shade.Moss found how to hug a stone for life.Every stream knows how to move in place,stay home and yet flow outward,sending bounty far.Now is our time to practice-now to sing from balconies,now send words of comfortby any courier,now to hoard lonesome generosity-and then to shine in all directions like stars.Program note: Shelter in Place (2021) by Adrienne Inglis, commissioned by Lewis & Clark College, Portland, Oregon, April 2021, sets former Oregon poet laureate Kim Stafford’s poem Shelter in Place (2020) for SSAATB mixed choir with Oregon nature soundtrack created by Chris Clark-Johnson, Lewis & C lark College class of 2021. Written during the coronavirus pandemic, the poem expresses how quarantine can serve as a conduit for healing, how words of comfort flow despite barriers, and how the paralysis of sheltering in place generates creative movement. The music and poem draw inspiration from ancient forest wisdom, shown musically with a pentatonic scale. The tight harmonies of Locrian mode bind moss to stone and stream to its own flow. Then vocal expression bursts forth with lush harmonies as singers serenade from balconies, sharing compassion through music. Returning to the pentatonic scale, we overcome obstacles and send generosity beyond our ancient and modern world into the celestial realm. The nature soundtrack features sounds of the Oregon forest, stream, and night sky.Acknowledgements: The composer warmly thanks Katherine FitzGibbon, Bailey Dean, Chris Clark-Johnson, Kim Stafford, and the Lewis & Clark College Community Chorale. Contact the composer to obtain the audio file of the nature soundtrack.Copyright © 2021 Adrienne Inglis | adrienne.inglis.com
$3.99
3.57 €
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Choral SATB
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Adrienne Inglis
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Shelter in Place for SSAATB chorus and nature soundtrack
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Adrienne Inglis
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SheetMusicPlus
How Beautiful on the Mountain
Choral SATB
SATB Chorus, Piano, Flute, Oboe - Digital Download SKU: IZ.VMW221V Composed by Robe…
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SATB Chorus, Piano, Flute, Oboe - Digital Download SKU: IZ.VMW221V Composed by Robert M. Shearn. Octavo. 15 pages. Imagine Music - Digital #VMW221V. Published by Imagine Music - Digital (IZ.VMW221V). 9 x 12 inches.“The Galaxies is a grand orchestral composition in A minor written for string orchestra, mixing classical and modern musical writing styles. This piece tells the story of three young American astronauts who went up to space to discover the galaxies and life in outer space. They found out things that no one has ever thought of, the gleams and sophistication, the immense beauty that defies our human knowledge on space. This piece is divided into three parts, namely Adagietto, Maestoso and Grandioso. Adagietto represents the mysteriousness of space and the awe they felt as they took their first glance into the surreal world of fantasies and imaginations.Maestoso is the central part of the piece, where the main theme resembles the exquisitely beautiful galaxies in outer space. Over several years, they found a way to communicate with the extra-terrestrial and developed a mutual understanding. This part contains various majestically glorious melodies, symbolising the visions of humanity. They took a giant leap of faith for this nearly impossible mission to perceive what humankind can never envision. Grandioso signifies the lavish natural architectures that filled the galaxies and the monumental bonding between humans and aliens. As the friendship blossomed, they further explored the world that has been an enigma for centuries. Before the piece ends, the main theme is delivered again. This time, it is an emotional farewell as these astronauts return to Earth and cannot wait to share information that will revolutionise astrophysics forever.
$2.25
2.02 €
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Choral SATB
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Robert M
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How Beautiful on the Mountain
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Imagine Music - Digital
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SheetMusicPlus
I Would Rock My Child to Sleep from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891206 Arranged by Dandeli…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891206 Arranged by Dandelion Music Press. Contemporary,Folk,World. Octavo. 15 pages. Dandelion Music Press #3104497. Published by Dandelion Music Press (A0.891206). This tender lullaby is a touching memorial for an end of life commemoration of a parent or caregiver. Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infantIII. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
1.88 €
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Choral SATB
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I Would Rock My Child to Sleep from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
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Dandelion Music Press
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SheetMusicPlus
The Sense of a Place Will Remain
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Con…
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Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King. Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes. Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.
$7.95
7.12 €
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Choral SATB
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Paul Burnell
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The Sense of a Place Will Remain
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Paul Burnell
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SheetMusicPlus
Old Beggarman from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891205 Composed by Traditi…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891205 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 26 pages. Dandelion Music Press #3104495. Published by Dandelion Music Press (A0.891205). The first of three movements, here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project : Encore 2017Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved. I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WASet of three and single movements available for purchase.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
1.88 €
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Choral SATB
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Traditional Irish
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Old Beggarman from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
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Dandelion Music Press
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SheetMusicPlus
Lost Songs of Ancient Ireland [SATB with Treble Descant]
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891204 Composed by Traditi…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891204 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 61 pages. Dandelion Music Press #3104111. Published by Dandelion Music Press (A0.891204). Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$6.25
5.6 €
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Choral SATB
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Traditional Irish
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Lost Songs of Ancient Ireland [SATB with Treble Descant]
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Dandelion Music Press
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SheetMusicPlus
IN THE BEGINNING WAS THE WORD (SSATB) – John 1:1-18
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M.A. Morizio (A0.926671). My dear friend, and Pastor Don Colageo and I cut our teeth together with this piece when we decided to dive headlong into this cycle of Seven Anthems to Christ. It was the second song of the (SEVEN ANTHEMS TO CHRIST) cycle that I had composed, but the first using his Greek translation(s). It eventually would become the last piece to grace the cycle of seven in order of my musical presentation sequence. In fact, this known 1st century Hymn to Christ spans 18 verses of the first chapter of the Gospel of John. My setting of the anthem is seven plus minutes long in performance length. The song's length was not on purpose, but the number seven does have Biblical significance (seven days of creation, seven golden lamp stands, etc.) The number seven is also known among Biblical scholars as the number of Holiness and Perfect Creation. Since this rather long, yet theologically complete Hymn to Christ already existed in the 1st century, it is no wonder the Apostle John opted to begin his Gospel with it, probably quoting the entire text. Consequently, he converted this particular Hymn to Christ’s lyrics into what would later become canonized Scripture. The anthem is composed for SSATB with solo SSA trio, and Solo Soprano and Solo Baritone lines, accompanied by Flute and B♠Clarinet. The key signature of the anthem is B♠Major. However, a lot of time is spent weaving and bobbing around the Dominant chord, (F Major). The Flute and Clarinet introduction play seven different motifs, interweaving with counterpoint, musically connoting the dual natures of Christ--fully God, and fully man. An SSA trio opens the piece recounting the creation story. A bass solo shortly follows, introducing John the baptizer's story and purpose. Soon, the anthem breaks out into full SSATB illustrating Christ's life and purpose for our salvation. The final coda is the great Doxology, sung in 5 parts, accompanied by the Flute and Clarinet, and the entire congregation (or audience) is invited to sing along with the familiar tune.
$2.99
2.68 €
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Choral SATB
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Michael A
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IN THE BEGINNING WAS THE WORD
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M.A. Morizio
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SheetMusicPlus
In Heaven and on Earth for SATB chorus, flute, and pedal or lever harp or piano
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.953621 Composed by Adrienn…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.953621 Composed by Adrienne Inglis (ASCAP). Celtic,Christian,Contemporary,Sacred. Octavo. 19 pages. Adrienne Inglis (ASCAP) #4807817. Published by Adrienne Inglis (ASCAP) (A0.953621). One of the most powerful passages in scripture set to music! Good length for an anthem, interesting and idiomatic use of flute and harp, nice mix of beautiful melodic passages and crunchy bits!A Setting of Philippians 2:5-11 from New Revised Standard VersionFor SATB chorus, flute, and clà rsach (Scottish lever harp) or harp or pianoDuration approximately 5:00 The Letter of Paul to the Philippians 2:5-11 (NRSV)*Let the same mind be in you that was in Christ Jesus, who, though he was in the form of God, did not regard equality with God as something to be exploited, but emptied himself, taking the form of a slave, being born in human likeness. And being found in human form, he humbled himself and became obedient to the point of death - even death on a cross.Therefore God also highly exalted him and gave him the name that is above every name, so that at the name of Jesus every knee should bend, in heaven and on earth and under the earth, and every tongue should confess that Jesus Christ is Lord, to the glory of God the Father. *New Revised Standard Version Bible, copyright © 1989 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved.Composed by Adrienne Inglis in 2014 and premiered in 2014 in Austin, Texas, by the Westminster Presbyterian Church Sanctuary Choir, In Heaven and on Earth for SATB chorus, flute, and clà rsach, draws inspiration from the tune Love is the Cause of my Mourning from The Caledonian Pocket Companion Book 1, p. 27. The piece opens with the tune altered to G mixolydian mode. As the word exploited appears, a sinister-sounding E flat enters the harmony. Open octaves between soprano and bass show the emptying, followed by a shift to E phrygian mode with the word slave. Several dissonances emerge as the narrative gets darker. The flute and clà rsach represent chaos or hell with an aleatoric interlude of extended techniques involving tongue rams, flutter tonguing, multiphonics, spoken syllables, and lever glissandi. The harp then joyfully proclaims the new tonality of G major in a fanfare to introduce the text of praise and exaltation. The original source tune returns harmonically restored to G major.
$3.99
3.57 €
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Choral SATB
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Adrienne Inglis
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In Heaven and on Earth for SATB chorus, flute, and pedal or lever harp or piano
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Adrienne Inglis
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SheetMusicPlus
The City In the Sea: Choral Tone Poem
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanle…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60
5.02 €
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Choral SATB
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Stanley M Hoffman
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The City In the Sea: Choral Tone Poem
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stanleymhoffman.com
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SheetMusicPlus
Oh, Praise the Lord!
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.707897 Composed by Kristin…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.707897 Composed by Kristine Johanek. Arranged by Kristine Johanek. Christian,Sacred. Octavo. 11 pages. Kristine Johanek #12367. Published by Kristine Johanek (A0.707897). Oh, Praise the Lord! is an excellent choice for a special performance in which many groups can join together in praise and worship. Flexibility is built into this arrangement. The SATB choir can be accompanied by either organ or piano. A flute part adds movement. A 2nd verse melody line can be sung by soloist or children's choir. These groups can be further accompanied by optional handbells and optional brass quartet, (which can be made up of two trumpets and a combination of trombones, euphonium and/or tuba.) Perfect for 'Music Sunday' or any festival occasion. The choral octavo is also the full score, and can be used for all groups to read from. Also available for purchase are the brass quartet part and the handbell part, written out separately for ease of use.
$2.49
2.23 €
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Choral SATB
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Kristine Johanek
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Oh, Praise the Lord!
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Kristine Johanek
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SheetMusicPlus
The Wondrous Cross
Choral SATB
SATB choir, Flute, Piano - Digital Download SKU: LX.10-3406LA Composed by Evelyn La…
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SATB choir, Flute, Piano - Digital Download SKU: LX.10-3406LA Composed by Evelyn Larter. Sacred Anthem, General, Lent. Octavo. 7 pages. Laurel Press #e10/3406LA. Published by Laurel Press (LX.10-3406LA). UPC: 000308105902.This traditional English folk melody is presented first as a duet between the women and a solo flute, and then a duet between the men and women. The accompaniment adds delightful and unexpected harmonies as the piece builds to a broad, grand conclusion.
$2.40
2.15 €
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Choral SATB
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Evelyn Larter
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The Wondrous Cross
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Laurel Press
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SheetMusicPlus
Sing Glory Hallelujah - Anthem - Score
Choral SATB
Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.909976 Composed by Tinus…
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Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.909976 Composed by Tinus Badenhorst. 20th Century,Contemporary,Praise & Worship. Octavo. 18 pages. Envangeli #5025913. Published by envangeli (A0.909976). Sing Glory Hallelujah - Anthem - Score (A3)A universal praise anthem for most denominations and for all times of the year.To be performed by a full orchestra and two choirs. The larger, the better.In section A almost a marching rhythm is started by the contrabasses and cellos with an underlying drone sound from the synthesizer.In section B one alto flute begins with the verse.In section C the altos of the SATB 1 choir sing the verse.In section D the bass pattern changes slightly and the sopranos and altos sing together with an echo by the tenors+basses, then the SATB 1 choir sings in unison.4 Bars before section E the bass pattern changes completely, the SATB 2 choir and more instruments join in and in section E the SATB 1 choir sings the chorus of the piece.In section F more instruments join in and finish in a magnificant chord that plays 4 bars and reverb afterwards in another 4 bars rest.In section G the bass line returns to the first theme and the verse is sung again by the SATB 1 choir with the alto flutes playing a counter melody.
$4.99
4.47 €
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Choral SATB
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Tinus Badenhorst
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Sing Glory Hallelujah - Anthem - Score
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envangeli
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SheetMusicPlus
Three Sacred Songs: 1. The Round Day (Downloadable)
Choral SATB
SATB choir, flute and piano (ad lib.) - Moderately Difficult - Digital Download SKU: MQ…
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SATB choir, flute and piano (ad lib.) - Moderately Difficult - Digital Download SKU: MQ.7540-E Composed by Derek Healey. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #7540-E. Published by E. C. Schirmer Music Company - Digital (MQ.7540-E). English.These songs are dedicated to William Osborne. The title Three Sacred Songs: was given to these pieces rather than the more usual terms anthem or motet because of the strongly secular presence in the texts. The songs were written over a period of some eighteen months. The Shepherd Lad was finished on February 29, 2008. The Round Day and Magdalene’s Song were completed in Brooklyn on June 11, 2009, the music having been originally sketched-out on Christmas Day and Boxing Day 2008, at Putnam Valley, New York. In the first song, The Round Day, the singer hears the voice of the Blessed Virgin Mary as she sings to the glory of God throughout the day. The text was written on June 7, 2008. In The Shepherd Lad, the Spanish mystic Saint John of the Cross describes a shepherd lad’s (Jesus’s) love for a shepherdess (the Church) and how another (the Devil) tempted his love away. Heartbroken, the shepherd climbed a tree, “And threw wide his arms in sweetest charity, Since by His Shepherdess He was forsaken.†The original Spanish text was translated and adapted into Villanelle form by the composer in early December 2004. The text of Magdalene’s Song describes the feelings of a mystic, or a devotee of Jesus, inspired by the fresh beauty, grace and power of the Lord of creation. The main body of the text is given to a soprano solo. The text was written on April 27, 2008. These sacred songs were conceived as being performed either as a set or individually. The composer had secular ensembles in mind, such as college or concert choruses, but these songs may, of course, also be performed in a liturgical setting. The accompanying flute provides introductions, interludes and codas throughout the set and, on a few occasions, plays with the voices. The piano part is ad lib. (optional).
$1.95
1.75 €
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Choral SATB
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Derek Healey
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Three Sacred Songs: 1. The Round Day
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Safe And Sound
Choral SATB
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.874251 By Taylor Swift Fe…
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.874251 By Taylor Swift Featuring The Civil Wars. By John Paul White, Joy Williams, T-Bone Burnett, and Taylor Swift. Arranged by Ray-Michael Kauffman, a do Ray me flute studio production. Pop. Octavo. 36 pages. As do Ray meflute studio production #4317427. Published by as do Ray meflute studio production (A0.874251). https://youtu.be/yThmw9_DBnASafe and Sound from the movie The Hunger games, performed by The Civil Wars and Taylor Swift. arranged for flute choir / flute ensemble by me, Ray-Michael Kauffman.This beautiful , a hunting melody is not only great for a movie themed flute choir performance , but also for those whom never seen the movie because the music is written that well by the composers and the arranger. scored for piccolo, 5 c flutes, alto flute in g, bass flute , opt. contra bass flute, and opt. cello.This arrangement , like most of my pieces, are perfect addition for your players such as giving every one a chance at the melody, as well as creating something sounding complex and rich well entertaining audiences of various backgrounds and taste preferences.You'll love playing this piece, and your flute choir / flute group will enjoy this for years to come. Thanks for checking my music out! To purchase this or other available music please visit ; :https://www.sheetmusicplus.com/publishers/a-do-ray-me-flute-studio-production/7545 and check out my website @ doraymeflute.com.
$14.99
13.43 €
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Choral SATB
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Taylor Swift Featuring The Civil Wars
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my music out!
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Safe And Sound
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as do Ray meflute studio production
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SheetMusicPlus
How Beautiful on the Mountain
Choral SATB
SATB Chorus, Piano, Flute, Oboe - Digital Download SKU: IZ.VMW221 Composed by Rober…
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SATB Chorus, Piano, Flute, Oboe - Digital Download SKU: IZ.VMW221 Composed by Robert M. Shearn. Score and Parts. 19 pages. Imagine Music - Digital #VMW221. Published by Imagine Music - Digital (IZ.VMW221). 8.5 x 11 inches.America, the Land of Liberty celebrates immigration, freedom, and liberty in America. Verses from the poem on the pedestal of the Statue of Liberty, “Give me your tired, your poor… are set to music and then combined with My Country ‘Tis of Thee and Home on the Range. This piece of music weaves in a fresh new setting of the timeless poetry of Emma Lazarus along with patriotic music and a classic folk song, giving a sense of the contemporary and traditional importance of American immigration.“Give me your tired, your poor,Your huddled masses yearning to breathe free,The wretched refuse of your teeming shore.Send these, the homeless, tempest-tost to me,I lift my lamp beside the golden door!- From “The New Colossus by Emma Lazarus.
$12.00
10.75 €
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Choral SATB
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Robert M
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How Beautiful on the Mountain
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Imagine Music - Digital
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SheetMusicPlus
One Thousand Hosannas
Choral SATB
Choral SATB Chorus - Digital Download SKU: H1.C5455DP Composed by Joel Raney. Piano…
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Choral SATB Chorus - Digital Download SKU: H1.C5455DP Composed by Joel Raney. Piano with Optional Cello, Flute, French Horn, Guitar, Oboe, Percussion. Celebration, Palm Sunday, Holy Week. Octavo. 12 pages. Hope Publishing - Digital #C5455DP. Published by Hope Publishing - Digital (H1.C5455DP). John Parker. Matthew 21:9 - Matthew 21:15 - Mark 11:9 - John 12:13.Original Psalm Sunday anthem This original Palm Sunday anthem is largely Two-Part Mixed, with a few moments of Divisi. The original text by John Parker is given a lively, lilting setting by Joel Raney, The verses begin in a minor-key with energetic anticipation. The major key takes over by the time we reach the exciting chorus And together we sing one thousand Hosannas. For SATB with keyboard, instrumental, or CD track accompaniment. The instrumental parts consist of: Conductor's score, piano, flute, oboe, Horn in F, cello, guitar, bass & percussion.
$3.25
2.91 €
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Choral SATB
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Joel Raney
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One Thousand Hosannas
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Hope Publishing - Digital
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SheetMusicPlus
The Settling Years: (Piano/Choral Score)
Choral SATB
SATB choir and piano or wind quintet and piano - Medium - Digital Download SKU: MQ.4286…
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SATB choir and piano or wind quintet and piano - Medium - Digital Download SKU: MQ.4286-E Composed by Libby Larsen. Choral score. 52 pages. E. C. Schirmer Music Company - Digital #4286-E. Published by E. C. Schirmer Music Company - Digital (MQ.4286-E). English.This piece is a three-part collection based on poetry by American pioneers. The texts are full of a kind of raw energy, swashbuckling attitude, and profundity of heart and commitment characteristic of those settlers west of the Hudson. I had also looked at the more erudite essays of Coleridge-Taylor, Thoreau, and Emerson but chose the rougher stanzas because the primitive voices, the pioneers, were profound, simply in the way they expressed the nature of their experiences. The first piece, 'Comin’ to Town,' is about cowboys after a month on the range—bawdy, rowdy, and raucous. The second, 'Beneath These Alien Stars,' is about the bonding of the human spirit to the land. The third piece, 'A Hoopla,' depicts a barn dance and vocalists circle ‘round the instruments, stomp, clap, and generally perform with abandon, vigor, and boisterousness. The Settling Years was commissioned and premiered by The Singing Sergeants and the United States Air Force Band for the 150th anniversary of the Music Educators National Convention.-Libby LarsenInstrumental Parts include: Flute, Oboe, Clarinet, Horn, Bassoon, and Piano.
$5.60
5.02 €
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Choral SATB
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Libby Larsen
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The Settling Years:
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
The Settling Years: 1. Comin' to Town (Piano/Choral Score)
Choral SATB
SATB choir, wind quintet, and piano - Medium - Digital Download SKU: MQ.8560-E Comp…
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SATB choir, wind quintet, and piano - Medium - Digital Download SKU: MQ.8560-E Composed by Libby Larsen. Instrument part. 28 pages. E. C. Schirmer Music Company - Digital #8560-E. Published by E. C. Schirmer Music Company - Digital (MQ.8560-E). English.This piece is a three-part collection based on poetry by American pioneers. The texts are full of a kind of raw energy, swashbuckling attitude, and profundity of heart and commitment characteristic of those settlers west of the Hudson. I had also looked at the more erudite essays of Coleridge-Taylor, Thoreau, and Emerson but chose the rougher stanzas because the primitive voices, the pioneers, were profound, simply in the way they expressed the nature of their experiences. The first piece, 'Comin’ to Town,' is about cowboys after a month on the range—bawdy, rowdy, and raucous. The second, 'Beneath These Alien Stars,' is about the bonding of the human spirit to the land. The third piece, 'A Hoopla,' depicts a barn dance and vocalists circle ‘round the instruments, stomp, clap, and generally perform with abandon, vigor, and boisterousness. The Settling Years was commissioned and premiered by The Singing Sergeants and the United States Air Force Band for the 150th anniversary of the Music Educators National Convention.-Libby LarsenInstrumental Parts include: Flute, Oboe, Clarinet, Horn, Bassoon, and Piano.
$3.25
2.91 €
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Choral SATB
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Libby Larsen
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The Settling Years: 1. Comin' to Town
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Darkness as Light for SATB and pedal or lever harp or keyboard
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.953617 Composed by Adrienn…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.953617 Composed by Adrienne Inglis (ASCAP). Contemporary,Easter,Multicultural,Sacred,World. Octavo. 15 pages. Adrienne Inglis (ASCAP) #4569683. Published by Adrienne Inglis (ASCAP) (A0.953617). Ideal for contemplative, Lenten, memorial services, easy/moderate for SATB (no divisi) with harp or keyboard Darkness As Light is loosely based on a Venezuelan pasaje rhythm with modified Dorian modality typical of Andean mestizo music. Psalm 139:1-12, 23-24 occurs in the 16th Sunday in Ordinary Time in Year A of the Common Lectionary. Psalm 139: 7-12 Where can I go from your spirit? Or where can I flee from your presence? If I ascend to heaven, you are there; if I make my bed in Sheol, you are there. If I take the wings of the morning and settle at the farthest limits of the sea, even there your hand shall lead me, and your right hand shall hold me fast. If I say, ‘Surely the darkness shall cover me, and the light around me become night,’ even the darkness is not dark to you; the night is as bright as the day, for darkness is as light to you. Scripture quotations are from the New Revised Standard Version Bible, copyright © 1989 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. Duration: about 2:00 Third Edition with revised harp/keyboard part February 2019 Second Edition 31 July 2005 Third Edition 26 Apr 2018 Founder, award-winning composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. Frequently drawing on her family history and Ojibwe, Venezuelan, and Scottish ethnicities, Inglis composes choral, chamber, and orchestral music. An avid birder and environmentalist, she lives in the rural hill country of Central Texas.https://adrienneinglis.com/
$2.99
2.68 €
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Choral SATB
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Adrienne Inglis
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Darkness as Light for SATB and pedal or lever harp or keyboard
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Adrienne Inglis
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SheetMusicPlus
The Day Is Done (Downloadable Choral Score)
Choral SATB
SATB choir, children’s choir (SA), flute, strings, and percussion, or piano - Mediu…
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SATB choir, children’s choir (SA), flute, strings, and percussion, or piano - Medium - Digital Download SKU: MQ.8776-E Composed by Gwyneth W. Walker. 23 pages. E. C. Schirmer Music Company - Digital #8776-E. Published by E. C. Schirmer Music Company - Digital (MQ.8776-E). English.Longfellow's poem, The Day is Done, speaks of evening as the time when poetry and music comealive and soothe the cares of day. The musical setting presents the opening lyrics in the children’s voices: The day is done, and the darkness falls from the wings of night. These phrases, or slight variations thereof, return as refrains throughout the song. The verses alternate between the men’s and women’s voices, with the children interjecting refrains or offering commentary in the background. Finally, the children interrupt the SATB dialogue with exclamations of a song! a song! a song! These lead to the climax of the song, given to the children’s chorus, singing And the night shall be filled with music. All voices then join together in celebration: Our song shall fill the night. The accompaniment (originally composed for piano, later adapted for flute, strings, and percussion) delights in text-setting with sparkling arpeggios depicting the celestial harmonies, and filigree patterns for the star-filled night sky. Duration: 5:00.
$3.20
2.87 €
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Choral SATB
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Gwyneth W
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The Day Is Done
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
the sea is awash with roses
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.1007509 Composed by R. LaBanca. Cont…
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Choral Choir (SATB) - Digital Download SKU: A0.1007509 Composed by R. LaBanca. Contemporary. Octavo. 14 pages. R. LaBanca #4801000. Published by R. LaBanca (A0.1007509). The text for this piece comes from one of my favorite American poets, Kenneth Patchen, who has been the inspiration for several of my compositions. The sense imagery that is illiciated from his words resonate with me. The sounds of musical waves become the bases for the piece. The women’s voices are used as the vehicles of the text while the men’s voices service as a lilting musical ebb and flow. The idea that life and love float along like petals on the ocean, blowing ashore with no ability to change anything - just along for the ride, is a powerful thought. The poet also suggests that even with a long life, our understanding of pleasure is like that of snow, fleeting and temporary. And life keeps blowing rose petals from the ocean to the land in a seemingly random but perhaps divine pattern. This piece utilizes flute and ocean drum to create the atmosphere of the coastline and waves.
$3.99
3.57 €
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Choral SATB
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R
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the sea is awash with roses
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R. LaBanca
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SheetMusicPlus
Winds Through the Olive Trees (Downloadable)
Choral SATB
SATB choir divisi (a cappella), oboe - Medium - Digital Download SKU: MQ.50-1429-E …
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SATB choir divisi (a cappella), oboe - Medium - Digital Download SKU: MQ.50-1429-E Composed by Sandra Peter. With oboe. Christmas, Hanging of the Green. 8 pages. MorningStar Music Publishers - Digital Sheet Music #50-1429-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-1429-E). Winds Through the Olive Trees was widely sung in many Sunday school programs early in the 20th century. This arrangement will bring back some of those memories, as the tune is set here for adult voices and oboe. The simple Austrian carolStill, Still, Still is woven into the piece to further create a sense of peace and calm as one contemplates the setting of the birth of Christ. The arrangement was written for Christmas at Luther College 2008. Parts for Oboe (Violin, Flute) and Clarinet in B-flat are included in the choral score.
$2.25
2.02 €
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Choral SATB
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Sandra Peter
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Winds Through the Olive Trees
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
The Star Spangled Banner.
Choral SATB
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.1003861 Arranged by Larry…
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.1003861 Arranged by Larry A. Schacher. Folk. Octavo. 2 pages. Larry A. Schacher #3109169. Published by Larry A. Schacher (A0.1003861). This arrangement of our national anthem was performed by The Seattle Opera chorus during a Sonics/Sun game at the Kingdome, many years ago. I wrote the arrangement and conducted the Seattle Opera for this performance and the performance was televised on national T.V. and is one of my fondest memories. Voices are realized by synth voices.Performing rights: August Wine Publishing, B.M.I. Larry Schacher on FacebookLarry Schacher is a multi-instrumentalist, vocalist, arranger and composer. Larry is fluent on piano, sax, clarinet, flute, guitar and bass. While in college, Larry also learned the violin, viola, trumpet, trombone, and bassoon.Larry taught public school music, and gifted classes in music for high schoolers at Eastern Oregon University, and Montana State; Larry also taught adult classical and folk guitar classes at Mt. Hood Community College. Larry also developed a rock and roll boot camp for middle schoolers that ran for several years during spring breaks at the Overlake School in Redmond, Wa. Larry was commissioned to to write the Overlake School anthem. Larry’s students have earned scholarships to the Berkeley School of music; attended the Thornton School of music; New York University and many others. Larry is a recording studio musician and besides the 5 albums he has published on CDbaby, he has appeared on many other albums, produced jingles for commercials that received air play in the Seattle market, and was the pianist for a syndicated gospel TV show. Larry has performed from Hawaii to New York city. https://store.cdbaby.com/cd/larryschacher2http://fandalism.com/mystro1020
$5.00
4.48 €
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Choral SATB
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The Star Spangled Banner.
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Larry A. Schacher
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SheetMusicPlus
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