Download Digital Sheet Music of Prelude to Act 1 from for Oboe, Piano (duet)

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PIANO & KEYBOARDS

Piano solo 57 1 Piano, 4 hands 3 Piano, Voice 1 Organ 1

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Saxophone Quartet: 4 saxophones 6 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 4 Clarinet Quartet: 4 clarinets 4 Flute and Piano 3 Flute, Oboe, Clarinet, Bassoon 3 Oboe (band part) 2 Flute (band part) 2 Saxophone ensemble 2 Clarinet and Piano 1 Clarinet Quintet: Clarinet, String Quartet 1 Recorder Ensemble 1 Clarinet 1 2 Clarinets (duet) 1 Oboe, Piano (duet) 1

Alto Saxophone and Piano 1 Tenor Saxophone and Piano 1 Clarinet Quintet: 5 clarinets 1

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Brass Quintet: 2 trumpets, horn, trombone, tuba 3 French horn 3 Tuba and Piano 2 Trumpet (band part) 2 Tuba 2

Euphonium 1 Euphonium, Piano (duet) 1 Trumpet, Piano 1 Brass Quartet: 2 trumpets, horn, trombone 1 Brass quartet : 2 trumpets, trombone, tuba 1

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STRINGS

String Trio: violin, viola, cello 8 String Quartet: 2 violins, viola, cello 6 Violin 4 Violin and Piano 4 Viola, Piano 2

Harp 2 Violin, Cello (duet) 2 Double Bass 2 Double bass, Piano (duet) 2 Viola 2 Cello, Piano 2 Viola (band part) 1 4 Double Basses 1 Viola, Cello (duet) 1

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PERCUSSION & ORCHESTRA

Orchestra 9 Concert band 3 Percussion Ensemble 3 String Orchestra 2 Brass ensemble 1

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Prelude to Act 1 from

Oboe, Piano (duet)

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Bach-Gounod: Ave Maria for Oboe and Piano Oboe, Piano (duet)

Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Easter, Mother'…(+)

Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Easter, Mother's Day, Wedding, Bar or Bat Mitzvah, Funeral. Set of Parts. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.

$7.95 7.33 € #Oboe, Piano (duet) #J #Bach-Gounod: Ave Maria for Oboe and Piano # Colin Kirkpatrick Publications #SheetMusicPlus