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You've selected:
Premier Concert
Oboe, Piano (duet)
Sheetmusic to print
14 sheet music found
<
1
Premiers Pas
Oboe, Piano (duet)
Chamber Music & Piano Accompaniment Oboe, Piano - Grade 2 - Digital Download SKU: FX.FX…
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Chamber Music & Piano Accompaniment Oboe, Piano - Grade 2 - Digital Download SKU: FX.FX073545 Composed by Pascal Saint-Leger. Original Composition. Classical, Educational. Score and Set of Parts. Duration 2 minutes, 15 seconds. FLEX Editions - Digital Sheet Music #FX073545. Published by FLEX Editions - Digital Sheet Music (FX.FX073545). The young musicians will love playing this piece that will find its place in an exam or a concert. - Pascal SAINT-LEGER ; A piece that can be played from 2 years of instrument practice ; Instruments: 1 Oboe 1 Piano.
$7.95
7.29 €
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Oboe, Piano (duet)
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Pascal Saint-Leger
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Premiers Pas
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
"Meditation" from 'Thaïs' by Jules Massenet; for oboe and piano
Oboe, Piano (duet)
Composed by Jules Massenet. Arranged by Len Rhodes. Concert,Contemporary,Easter,Romantic P…
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Composed by Jules Massenet. Arranged by Len Rhodes. Concert,Contemporary,Easter,Romantic Period,Wedding. Score and part. 8 pages. Len Rhodes Music #3025497. Published by Len Rhodes Music
A new transcription for oboe and piano of this lyrical, reflective work from Massenet's opera, Thaïs . This piece was an immediate success at the time of the opera's premiere at the Paris Opera, and has remained popular ever since. Download includes separate oboe part, and score.
$6.95
6.37 €
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Oboe, Piano (duet)
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Jules Massenet
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"Meditation" from 'Thaïs' by Jules Massenet; for oboe and piano
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Len Rhodes Music
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SheetMusicPlus
Bolero
Oboe, Piano (duet)
Oboe,Piano - Level 4 - Digital Download SKU: A0.648114 Composed by Arbos, Ferdinand…
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Oboe,Piano - Level 4 - Digital Download SKU: A0.648114 Composed by Arbos, Ferdinand Enrique. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and part. 15 pages. Theupperstaff #3052829. Published by theupperstaff (A0.648114). Arbos was a great violinist, serving as concertmaster which included orchestras in Berlin and Boston. He was also quite an accomplished conductor. He conducted the premieres in Spain of Stravinsky's Rite of Spring and Strauss' Don Quixote. Arbos was a composer as well. Less known for this talent however, as you can see by this composition still very talented. This dance is full of his native flair, passion and fervor. This demands accomplished performers. Enjoy!
$9.99
9.16 €
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Oboe, Piano (duet)
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Arbos, Ferdinand Enrique
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Bolero
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theupperstaff
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SheetMusicPlus
Tales from Childhood for oboe and piano
Oboe, Piano (duet)
Oboe,Piano - Level 3 - Digital Download SKU: A0.886667 Composed by Panagiotis Theod…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.886667 Composed by Panagiotis Theodossiou. Children,Concert,Contemporary,Graduation,Standards. Score and part. 43 pages. Panagiotis Theodossiou #3060673. Published by Panagiotis Theodossiou (A0.886667). Tales from Childhood, for oboe and piano (2015)a. Fairy Taleb. Swingin' Cucoo c. Mirror, Mirror on the Walld. Between Two Corridorse. Silencef. CaressMemories from childhood which begins with a fairy tale and ends with a caress..There are transcriptions of the work for clarinet and piano and flute and piano as well.Premier performance by Iwona Glinla and Faye Pana at Art & Artistry Hall, Athens in 2016.
$11.99
11 €
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Oboe, Piano (duet)
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Panagiotis Theodossiou
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Artistry Hall, Athens in 2016
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Tales from Childhood for oboe and piano
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Panagiotis Theodossiou
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Oboe & Piano
Oboe, Piano (duet)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549488 Composed by Felix Mendelssoh…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549488 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500659. Published by jmsgu3 (A0.549488). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.22 €
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Oboe, Piano (duet)
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Felix Mendelssohn
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Mendelssohn: Song Without Words Op. 109 for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Wedding March for Oboe & Piano
Oboe, Piano (duet)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549890 Composed by Felix Bartholdy …
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602933. Published by jmsgu3 (A0.549890). Score: 12 pages, piano part: 6 pages, oboe part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Be.
$24.95
22.88 €
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Oboe, Piano (duet)
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Felix Bartholdy Mendelssohn
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Mendelssohn: Wedding March for Oboe & Piano
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jmsgu3
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Oboe & Piano
Oboe, Piano (duet)
Oboe,Piano - Level 2 - Digital Download SKU: A0.549426 Composed by AntonÃn DvoÅ…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.549426 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494023. Published by jmsgu3 (A0.549426). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25  Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation all nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30.22 €
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Oboe, Piano (duet)
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AntonÃn Dvořák
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Oboe & Piano
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jmsgu3
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SheetMusicPlus
A Christmas Sonnet
Oboe, Piano (duet)
Oboe,Piano - Level 3 - Digital Download SKU: A0.699261 Composed by Kenneth D. Fried…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.699261 Composed by Kenneth D. Friedrich. Christmas. Score and part. 11 pages. KFS Publishing #2926439. Published by KFS Publishing (A0.699261). Written originally for a quartet, including a trio of 5th grade flute players and a 7th grade marimba player, A Christmas Sonnet premiered in December 2005 at a Christmas concert in front of over 700 family and friends at a Catholic church in Austin, TX . This arrangement for solo and piano is great for Christmas concerts, church services, or home performances.
$15.00
13.76 €
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Oboe, Piano (duet)
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Kenneth D
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A Christmas Sonnet
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KFS Publishing
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SheetMusicPlus
Handel: Largo from Xerxes for Oboe & Piano
Oboe, Piano (duet)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549386 Composed by George Frideric …
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549386 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492325. Published by jmsgu3 (A0.549386). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.22 €
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Oboe, Piano (duet)
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George Frideric Handel
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Handel: Largo from Xerxes for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Oboe and Piano
Oboe, Piano (duet)
Oboe,Piano - Level 2 - Digital Download SKU: A0.587921 Composed by G F Handel. Arra…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.587921 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044829. Published by David McKeown (A0.587921). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Oboe and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.22 €
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Oboe, Piano (duet)
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G F Handel
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Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Oboe and Piano
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David McKeown
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SheetMusicPlus
Pavel Trojan - Sonata for Oboe nad Piano N.2
Oboe, Piano (duet)
Oboe,Piano - Level 5 - Digital Download SKU: A0.1021216 Composed by Pavel Trojan. C…
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Oboe,Piano - Level 5 - Digital Download SKU: A0.1021216 Composed by Pavel Trojan. Contemporary,Standards. Score and part. 42 pages. Pavel Trojan #5791345. Published by Pavel Trojan (A0.1021216). The Composition was created during January 2019. The premiere took place on 9.12.2019 performed by Jana Brožková, the oboe player of the Czech Philharmonic Orchestra, and Daniel Wiesner (piano) at the headquarters of the Prague Spring Festival in Prague. This Piece is suitable both for music school students and professional concert artist
$12.99
11.91 €
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Oboe, Piano (duet)
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Pavel Trojan
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Pavel Trojan - Sonata for Oboe nad Piano N.2
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Pavel Trojan
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SheetMusicPlus
Pie Jesus, from Fauré's Requiem, for Oboe and Piano
Oboe, Piano (duet)
Oboe,Piano - Level 2 - Digital Download SKU: A0.587708 Composed by Gabriel Faure. A…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.587708 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Standards. Score and part. 5 pages. David McKeown #4810605. Published by David McKeown (A0.587708). Pie Jesus is the fifth and central movement of Gabriel Fauré’s Requiem. The piece was premiered in Paris in 1888, and underwent several revisions in subsequent years. The Requiem was performed at Fauré’s own funeral in 1924, but it’s only in recent years that this gentle version of the Mass for the Dead has received the international recognition it deserves. Contemporary performances in Parisian churches required the Pie Jesus to be sung by a boy treble, but in the concert hall, Fauré always preferred a soprano voice for the part.This arrangement transcribes the orchestral score as a Solo for Oboe with Piano accompaniment. Both the piano score and the solo part are included in the pdf file. The linked youtube performance is the clarinet version of this arrangement.Soloists at an early intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing. The slow tempo though will require good breath and tone control. The piano part is suitable for an intermediate player. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$4.60
4.22 €
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Oboe, Piano (duet)
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Gabriel Faure
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Pie Jesus, from Fauré's Requiem, for Oboe and Piano
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David McKeown
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SheetMusicPlus
Bach-Gounod: Ave Maria for Oboe and Piano
Oboe, Piano (duet)
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Easter, Mother'…
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Easter, Mother's Day, Wedding, Bar or Bat Mitzvah, Funeral. Set of Parts. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
7.29 €
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Oboe, Piano (duet)
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J
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Bach-Gounod: Ave Maria for Oboe and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
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