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ACCORDION
AUTOHARP
BAGPIPE
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BASSOON
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DIDGERIDOO
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FLUTE
FRENCH HORN
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HANDBELLS
HARMONICA
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HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
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ORGAN
PANPIPES
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PIANO
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Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
102482
PIANO & KEYBOARDS
Piano solo
200318
Piano, Vocal and Guitar
142551
Piano, Voice
81066
Easy Piano
44740
Organ
11353
Big Note Piano
9197
1 Piano, 4 hands
5694
Accordion
5363
C Instruments
4887
Piano Accompaniment
2101
Piano (band part)
1654
Piano Trio: piano, violin, cello
1065
2 Pianos, 4 hands
917
Melody line, Piano
564
Organ, Piano (duet)
216
Piano Quartet: piano, 2 violins, cello
207
Piano Quartet: piano, violin, viola, cello
199
Piano Quintet: piano, 2 violins, viola, cello
198
Accordion, Voice
193
Organ, Trumpet (duet)
190
1 Piano, 6 hands
166
Solo instrument and Organ
165
Keyboard
123
Harpsichord
96
2 Pianos, 8 hands
72
2 Accordions
64
Accordion ensemble
54
Organ, Voice
40
All Instruments
22
2 Organs (duet)
18
Accordion, String(s)
10
Accordion, Piano
8
Fake Book
7
Accordion and Orchestra
7
Organ and Orchestra
5
Piano Quintet: piano, violin, viola, cello, double bass
4
Concertina
3
Accordion - Piano, Voice, Guitar chords
2
3 Pianos
2
Piano ensembles
2
Instrumentations suivantes
Retracter
GUITARS
Guitar notes and tablatures
67319
Melody line, (Lyrics) and Chords
38861
Lyrics and Chords
21567
Guitar
20121
Ukulele
14300
Bass guitar
10718
Guitar (band part)
2140
2 Guitars (duet)
1020
Banjo
884
Dulcimer
795
Mandolin
788
Guitar Ensemble
552
Piano, Guitar (duet)
494
4 Guitars (Quartet)
380
Electric Bass (band part)
367
Band Scores
280
Baritone Ukulele
253
3 Guitars (trio)
248
Ukulele Ensemble
122
Lap Steel Guitar
95
2 Dulcimers (duet)
81
Dobro
69
Guitar Tab, Voice, Bass, Drum
40
Mandolin, Guitar (duet)
29
2 Ukuleles
26
Mandolin, Piano (duet)
25
3 Dulcimers (trio)
21
Guitar, Violin, Cello (trio)
16
Guitar, Orchestra
10
Plectrum Orchestra
9
Guitar, Flute, Clarinet
9
Guitar, String Quartet
8
2 Mandolins (duet)
7
Lute
7
Bouzouki
5
Zither
4
2 Guitars and Orchestra
2
Instrumentations suivantes
Retracter
VOICE
Choral SATB
42619
Choral 3-part
18605
Choral 2-part
12324
Choral
8351
Voice solo
7633
Choral TTBB
6088
Choral Unison
3571
Choral SSAA
3340
Vocal duet, Piano
3113
Choral Instrumental Pak
1994
High voice
1170
Vocal duet
1072
Soprano voice, Piano
826
Low voice, Piano
569
Tenor voice, Piano
490
Baritone voice, Piano
381
Alto voice, Piano
352
Medium voice, Piano
305
Voice, Guitar
304
Choral SSATB
252
Medium Voice
245
Choral SSAATTBB
197
Mezzo-Soprano voice, Piano
179
Choral SSATTB
134
Choral SSATBB
125
Soli, Mixted choir and accompaniment
105
Choral SATTB
93
Tenor voice
82
High voice, Piano
59
Choral SSAB a cappella
56
Soprano voice
50
Choral, Organ
37
Children choir
37
Choral SSAB, Piano
35
Voice, Basso continuo
32
Low voice
31
Choral SAATB A Cappella
31
Choral SATBB
25
Choral SSAATB
24
Voix Masculines
19
Baritone voice
16
Choral SATTBB, keyboard
11
Soprano voice, Orchestra
9
Choral SSAATB A Cappella
8
Vocal duet, Organ
7
Choral SATTBB A Cappella
6
Lyrics only
3
Instrumentations suivantes
Retracter
WOODWIND
Saxophone (band part)
19699
Saxophone
17927
Flute
16694
Clarinet
14910
Clarinet (band part)
12647
Flute and Piano
8349
Alto Saxophone
7773
Tenor Saxophone
7015
Saxophone Quartet: 4 saxophones
6271
Flute (band part)
5589
Clarinet and Piano
5576
Alto Saxophone and Piano
3998
Flute, Oboe, Clarinet, Bassoon
3887
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
3743
Oboe (band part)
3622
Oboe, Piano (duet)
3612
2 Saxophones (duet)
3298
2 Flutes (duet)
3044
Clarinet Quartet: 4 clarinets
2939
Tenor Saxophone and Piano
2740
Oboe
2392
2 Clarinets (duet)
2243
Recorder
1880
Soprano Saxophone and Piano
1788
Saxophone Quintet: 5 Saxophones
1784
Flute Quartet: 4 flutes
1611
Eb Instruments
1285
Soprano Saxophone
1166
3 Clarinets (trio)
1045
3 Saxophones (trio)
986
Clarinet Ensemble
914
Flute, Clarinet (duet)
887
Flute Trio: 3 flutes
844
Flute ensemble
843
Ocarina
769
Baritone Saxophone, Piano
743
Harmonica
724
Flute and Guitar
722
Saxophone ensemble
687
2 Recorders (duet)
632
Clarinet Quintet: 5 clarinets
629
2 Oboes (duet)
590
Descant (Soprano) Recorder
583
English horn, Piano
436
Recorder Quartet
392
Saxophone, Clarinet (duet)
391
Clarinet, Violin (duet)
386
Piccolo
377
Bass Clarinet
376
Treble (Alto) Recorder
376
Oboe, Bassoon (duet)
365
Flute, Violin, Piano
361
Flute, Violin
308
Oboe, Clarinet (duet)
303
Flute, Oboe, Clarinet (trio)
281
Baritone Saxophone
271
Bass Clarinet, Piano
260
Clarinet, Trumpet (duet)
248
Flute, Clarinet and Bassoon.
232
2 Flutes, Piano
227
Clarinet, Guitar (duet)
212
English Horn
204
Flute, Clarinet, Piano (trio)
196
3 Recorders (trio)
190
Clarinet, Bassoon (duet)
186
Flute, Violoncello
178
Treble (Alto) Recorder, Piano
176
Oboe, Clarinet, Bassoon (trio)
172
Oboe, Flute
169
Flute Quintet : 5 flutes
169
Clarinet and Viola
168
Flute, Viola (duet)
164
Descent (Soprano) Recorder, Piano
154
Flute, Saxophone (duet)
152
Flute, Oboe, Bassoon
145
Clarinet, Harp (duet)
141
Flute, Oboe (duet)
134
Flute, Cello, Piano (trio)
133
Flute, Trumpet (duet)
132
Clarinet, Cello (duet)
130
Recorder Ensemble
127
Oboe, Cello
113
2 Clarinets, Piano
111
Recorder, Piano
110
5 Recorders
110
2 Saxophones, Piano
107
Wind ensemble
91
Clarinet, Cello, Piano (trio)
86
Tenor Recorder
84
Saxophone and Piano
79
Flute, Violin and Violoncello
70
Flute, Oboe, Piano (trio)
70
Flute, Bassoon, and Piano
59
Oboe, Violin (duet)
55
Treble (Alto) Recorder, Basso continuo
54
Pennywhistle
53
Flute, Viola and Piano
51
Bagpipe
49
Recorder, Guitar (duet)
49
Flute, Clarinet, Horn and Bassoon (Quartet)
47
Saxophone and Organ
47
3 Oboes
46
Piccolo, Piano
45
Saxophone and Harp
44
Oboe, Guitar (duet)
44
Oboe, Harp
39
Flute, Trombone (duet)
39
Flute, Basso continuo
38
Oboe and viola (duet)
37
Flute, Harp and Cello
34
Flute, trombone and piano
33
Flute, Organ (duet)
33
4 Oboes
31
Clarinette, Viola and Piano (trio)
29
Flute and Strings Trio
29
Flute, Violin, Violoncello and Piano
29
Clarinet, Trombone (duet)
28
Flute, harp and violin
27
Saxophone and Guitar
26
Oboe, Bassoon and Piano
25
Flute, Violin, Guitar
24
2 Recorders, Piano
24
Flute and String Quartet
24
Clarinet, Bassoon, Piano (trio)
23
2 Clarinets, Bassoon
20
Flute, Oboe, Violin
19
Flute, Orchestra
19
Clarinet Quintet: Clarinet, String Quartet
18
Flute, Cello, Guitar
18
Oboe, Cello and Piano
18
2 Oboes, Piano
18
Clarinet Quartet: Clarinet, Violin, Viola, Cello
17
Clarinet, trumpet and piano
16
Saxophone and Orchestra
15
Clarinet, Organ
15
Oboe, Violin, Piano
15
Oboe, Clarinet and Piano (Trio)
13
Oboe ensemble
13
Clarinet, Double bass (duet)
12
Clarinet, Orchestra
11
Flute, Clarinet, Violin (trio)
10
2 Oboes and English horn
10
2 Flutes and Harp
10
Flute, Tuba (duet)
10
Descant (Soprano) Recorder, Basso continuo
10
2 Oboes and Basson
9
Flute, Viola and Cello
9
Flute, Viola and harp
8
Pan Flute
8
Oboe, Violin, Viola and Violoncello (Quartet)
8
Flute, French horn (duet)
8
Oboe, Organ
8
Clarinet, Tuba
8
Flute, Guitar, Piano
7
2 English horns and Pianoforte
7
Oboe, Trombone (duet)
7
English Horn, Guitar (duet)
6
2 Flutes, 2 Clarinets (Quartet)
6
Oboe and Orchestra
6
Oboe, Trumpet (duet)
6
2 Flutes, Basso continuo
6
Harmonica, Piano
4
Clarinet, Saxophone, Piano
3
2 Flutes and Guitar
3
Clarinet, String quartet and Piano
3
Recorder, Harp
3
Oboe and String quartet
3
Saxophone, Tuba (duet)
2
Melodica
2
2 clarinets, 2 bassoons
2
Saxophone and cello
2
English horn, Harp (duet)
2
2 Recorders, Guitar
2
3 Recorders, Piano
1
Flute, viola, cello and guitar
1
2 Oboes, 2 Horns and 2 Bassoons
1
Oboe, Clarinet, Bassoon and Piano
1
Instrumentations suivantes
Retracter
WOODBRASS
Trombone (band part)
15391
Trumpet
13740
Trumpet (band part)
12627
Trombone
11070
Brass Quintet: 2 trumpets, horn, trombone, tuba
5855
French horn
5667
French horn (band part)
5643
Tuba (band part)
4488
Trumpet, Piano
4244
Trombone and Piano
3224
French Horn and Piano
2493
Brass quartet : 2 trumpets, trombone, tuba
2187
Tuba
1914
Bass Clef Instruments
1805
2 Trumpets (duet)
1511
2 Trombones (duet)
1450
Bb Instruments
1223
Tuba and Piano
1164
Brass Quartet
1151
Brass Quartet: 2 trumpets, horn, trombone
836
Euphonium
714
Brass Quartet: 4 trombones
694
2 French horns (duet)
599
Euphonium, Piano (duet)
585
2 Euphoniums and 2 Tubas
572
Brass Quartet: 4 horns
564
4 Tubas
552
Trumpet, Trombone (duet)
517
English horn, Piano
436
Tuba or Euphonium or Saxhorn
381
Cornet
368
Brass Trio
364
Trumpet, Horn (duert)
350
F Instruments
303
Trumpet, Saxophone (duet)
301
Trombone ensemble
255
Brass Quartet: 4 trumpets
241
3 Trombones (trio)
236
3 Trumpets (trio)
229
Trumpet ensemble
227
2 Tubas (duet)
214
English Horn
204
Horn Ensemble
176
2 Trumpets, Keyboard (piano or organ)
113
Brass Quartet: 2 trumpets, 2 trombones
93
Tuba and Organ
88
Tuba ensemble
75
3 French horns (trio)
62
Bass Trombone
57
French Horn and Harp
54
Euphonium, Tuba (duet)
50
Trombone, Horn (duet)
45
Trombone, Tuba (duet)
43
Trombone, Organ
42
Trumpet, Cello, Piano
41
Bass Trombone and Piano
40
Horn, Cello (duet)
40
Trumpet, Harp
39
2 Euphoniums (duet)
38
2 Trombones, Piano
34
Horn, Tuba (duet)
33
Trumpet, Cello (duet)
30
Trumpet, Trombone, Piano
30
Trumpet, Tuba (duet)
29
3 Tubas (trio)
28
Trumpet, Bassoon (duet)
27
Trumpet and Guitar
17
Trumpet, Orchestra
17
4 Euphoniums
16
French horn and Basson (duet)
16
2 French horns, Piano
16
Cornet and Piano
15
Horn and Organ
15
Brass Quintet: 2 trumpets, horn, 2 trombones
12
Horn and Orchestra
9
Flügelhorn
9
Trombone, Violin (duet)
9
Euphonium (band part)
9
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
9
Trumpet, violin (duet)
8
Trombone and Orchestra
8
Trombone, cello (duet)
7
2 English horns and Pianoforte
7
English Horn, Guitar (duet)
6
Horn, Cello and Piano
6
Clarinet, Horn (duet)
6
Trumpet, Euphonium (duet)
5
3 Euphoniums
4
Instruments en Sol
4
Euphonium or Saxhorn and Piano
3
Horn, Trumpet, Trombone (trio)
3
Bass Saxhorn or Euphonium or Tuba and Piano
3
Cornet and Orchestra
2
English horn, Harp (duet)
2
Trombone, Viola (duet)
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
17436
Violin
14972
Violin and Piano
10550
Cello
9818
Viola
9095
Violin (band part)
8868
Cello, Piano
6922
Harp
6045
Doublebass (band part)
4822
Viola, Piano
4572
Cello (band part)
3188
2 Violins (duet)
3019
Violin, Cello (duet)
2628
Viola (band part)
2391
String Trio: violin, viola, cello
2217
2 Cellos (duet)
2211
Double Bass
1625
String Quintet: 2 violins, viola, cello, bass
1151
Violin, Viola (duet)
1075
Double bass, Piano (duet)
944
2 Violas (duet)
931
String Trio: 2 violins, cello
846
Piano Trio: Violin, Viola, Piano
506
4 Cellos
478
String trio
472
2 Harps (duet)
450
Viola, Cello (duet)
410
Harp, Flute (duet)
399
String Trio: 3 violins
387
Violin, Guitar (duet)
368
Cello, Guitar (duet)
293
String Trio: 3 cellos
272
String quartet: 4 violins
240
Harp, Violin (duet)
170
Viola, Guitar (duet)
170
2 Violins, Piano
162
2 Double basses (duet)
135
String Trio: 3 violas
133
String Quartet : 4 violas
117
Harp, Cello (duet)
99
Violin, Bassoon (duet)
96
String Trio: 2 violins, viola
89
Harp (band part)
84
Cello, String Bass (duet)
82
String Quintet: 2 violins, 2 violas, cello
65
2 Cellos, Piano
62
Cello Ensemble
62
Viola and Harp
61
Violin, Basso continuo
55
Viola and Bassoon
50
Harp, Voice
49
Violin, Clarinet, Piano (trio)
48
Cello, Organ
48
String Quintet: 2 violins, viola, 2 cellos
46
Cello, Orchestra
43
Violoncello, Basso continuo
41
2 Violins and Basso
39
Violin ensemble
38
Violin, Organ
37
Harp and Piano
34
3 Harps
31
2 Violas, Piano
28
Viola ensemble
26
Flute, Doublebass (duet)
25
Harp, Violin, Violoncello
24
Autoharp
20
4 Double Basses
18
Harp and mandolin
16
Viola and orchestra
16
Harp, Trombone (duet)
14
Violin, Trumpet and Piano
11
Violin, Cello, Clarinet
9
3 double basses
9
Viola, Organ
9
Violin, Tuba (duet)
8
4 Harps
7
Harp and Organ
7
5 Harps
6
Harp, Orchestra
4
Harp, String quartet
4
Double basses ensemble
3
Violin, Double bass (duet)
1
Violin, Clarinet and Guitar
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
59800
Orchestra
15142
String Orchestra
12917
Marching band
12547
Drums
9726
Jazz Ensemble
9476
Percussion (band part)
7315
Handbells
3527
Percussion
3068
Brass ensemble
2487
Drum (band part)
2002
Timpani (band part)
1944
Chamber Orchestra
1479
Jazz combo
1121
Percussion Ensemble
583
Timpani
503
Marimba
481
Xylophone
432
Vibraphone
286
Snare drums
154
Piano and Orchestra
102
Woodwind Quintet
97
Xylophone, Piano
76
Woodwind Quartet: any 4 woodwinds
70
Orchestra, Violin
48
Vibraphone (band part)
45
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
44
Big band
37
Drums-Marching band
28
2 Xylophones
27
Flexible Instrumentation
24
2 Marimbas
23
School Ensemble
20
Xylophone (band part)
19
Brass Quintet: other combinaisons
18
3 Marimbas
17
Xylophone or Marimba or Vibraphone
12
Marimba and Organ
12
3 Percussions
11
Vibraphone and Marimba
9
Marimba, Piano (duet)
7
Bongos
7
Voice and Orchestra
7
Woodwind Trio: any 3 woodwinds
5
2 Snare Drums (duet)
4
Conga
4
Cajon
4
Bodhran
3
Symphonic Band
3
2 Percussions
3
Marimba or Xylophone and Piano
2
Voice Mezzo-Soprano, Orchestra
2
Marimba, Saxophone (duet)
1
Vibraphone, Piano
1
Instrumentations suivantes
Retracter
OTHERS
Musical course - Solfege
417
Music Theory
53
Stationery
33
Musical Awakening
1
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Piano and Orchestra
Sheetmusic to print
102 sheet music found
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When Johnny Comes Marching Home
Piano and Orchestra
By Patrick Gilmore. Arranged by Stephen DeCesare. For Piano, Voice, Flute, Choral. Instruc…
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By Patrick Gilmore. Arranged by Stephen DeCesare. For Piano, Voice, Flute, Choral. Instructional, Secular, Children's Music, Early Music, World. Intermediate. Octavo. Published by Exultet Music
$3.99
3.66 €
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Piano and Orchestra
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Patrick Gilmore
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When Johnny Comes Marching Home
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Exultet Music
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SheetMusicPlus
Concerto para piano e orquestra n.2 em formas brasileiras
Piano and Orchestra
Composed by Hekel Tavares. 21st Century, Contemporary Classical, South American. Solo Part…
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Composed by Hekel Tavares. 21st Century, Contemporary Classical, South American. Solo Part. 34 pages. Published by Musica Brasilis (S0.240407). - Solo Part - 21st Century,Contemporary Classical,South American - Musica Brasilis
$17.50
16.06 €
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Piano and Orchestra
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Hekel Tavares
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Concerto para piano e orquestra n.2 em formas brasileiras
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Musica Brasilis
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SheetMusicPlus
This Is My Body
Piano and Orchestra
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Chri…
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By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian, Easter. Early Intermediate. Octavo. Published by Exultet Music
$3.99
3.66 €
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Piano and Orchestra
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Stephen DeCesare
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This Is My Body
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Exultet Music
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SheetMusicPlus
Beautiful Star
Piano and Orchestra
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Chri…
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By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian, Christmas. Early Intermediate. Octavo. Published by Exultet Music
$3.99
3.66 €
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Piano and Orchestra
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Stephen DeCesare
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Beautiful Star
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Exultet Music
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SheetMusicPlus
Multicolored Blues (strings)
Piano and Orchestra
By Bradley Sowash. For Piano, Orchestra. Blues, Instructional, Jazz. Intermediate. Set of …
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By Bradley Sowash. For Piano, Orchestra. Blues, Instructional, Jazz. Intermediate. Set of Parts, Piano Reduction, Score. Bradley Sowash Music #MULTICOLORED. Published by Bradley Sowash Music
$19.99
18.34 €
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Piano and Orchestra
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Bradley Sowash
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Multicolored Blues
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Bradley Sowash Music
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SheetMusicPlus
Peace I Leave With You
Piano and Orchestra
Composed by Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contempo…
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Composed by Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian, Easter. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.66 €
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Piano and Orchestra
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Stephen DeCesare
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Peace I Leave With You
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Exultet Music
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SheetMusicPlus
Still, Still With Thee
Piano and Orchestra
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Chri…
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By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian. Intermediate. Octavo. Published by Exultet Music
$3.99
3.66 €
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Piano and Orchestra
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Stephen DeCesare
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Still, Still With Thee
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Exultet Music
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SheetMusicPlus
A Little Bit Of Love
Piano and Orchestra
Composed by Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Children's Mus…
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Composed by Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Children's Music, Christian, Contemporary Christian, Folk Music. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.66 €
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Piano and Orchestra
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Stephen DeCesare
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A Little Bit Of Love
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Exultet Music
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SheetMusicPlus
You Are Mine
Piano and Orchestra
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Chri…
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By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.66 €
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Piano and Orchestra
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Stephen DeCesare
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You Are Mine
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Exultet Music
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SheetMusicPlus
Good Friday
Piano and Orchestra
Composed by Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contempo…
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Composed by Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.66 €
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Piano and Orchestra
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Stephen DeCesare
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Good Friday
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Exultet Music
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SheetMusicPlus
Softly And Tenderly
Piano and Orchestra
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Chri…
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By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian, Easter, Gospel. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.66 €
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Piano and Orchestra
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Stephen DeCesare
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Softly And Tenderly
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Exultet Music
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SheetMusicPlus
May The Angels
Piano and Orchestra
Composed by Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contempo…
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Composed by Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.66 €
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Piano and Orchestra
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Stephen DeCesare
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May The Angels
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Exultet Music
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SheetMusicPlus
Though The Mountains May Fall
Piano and Orchestra
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Chri…
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By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian, Easter. Early Intermediate. Octavo. Published by Exultet Music
$3.99
3.66 €
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Piano and Orchestra
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Stephen DeCesare
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Though The Mountains May Fall
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Exultet Music
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SheetMusicPlus
I Saw Water Flowing
Piano and Orchestra
Composed by Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contempo…
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Composed by Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian, Easter. Advanced Intermediate. Octavo. Published by Exultet Music
$3.99
3.66 €
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Piano and Orchestra
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Stephen DeCesare
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I Saw Water Flowing
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Exultet Music
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SheetMusicPlus
The Lord's Prayer (for Children)
Piano and Orchestra
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Children's Music, Chris…
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By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Children's Music, Christian, Contemporary Christian. Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.66 €
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Piano and Orchestra
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Stephen DeCesare
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The Lord's Prayer
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Exultet Music
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SheetMusicPlus
How Can I Keep From Singing?
Piano and Orchestra
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Chri…
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By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian, Pop, Gospel. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.66 €
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Piano and Orchestra
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Stephen DeCesare
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How Can I Keep From Singing?
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Exultet Music
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SheetMusicPlus
Listen To The Mocking Bird
Piano and Orchestra
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Children's Music, Movies/TV, Ro…
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By Stephen DeCesare. For Piano, Voice, Flute, Choral. Children's Music, Movies/TV, Romantic Period, Folk Music, World. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.66 €
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Piano and Orchestra
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Stephen DeCesare
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Listen To The Mocking Bird
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Exultet Music
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99
22.02 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano Music with Orchestra
Piano and Orchestra
(Piano: Left Hand). Composed by Paul Hindemith (1895-1963). This edition: piano reduct…
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(Piano: Left Hand). Composed by Paul Hindemith (1895-1963). This edition: piano reduction with solo part. Downloadable, piano reduction with solo part. Op. 29. Duration 18 minutes. Schott Music - Digital #Q19660. Published by Schott Music - Digital
$55.99
51.38 €
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Piano and Orchestra
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Piano Music with Orchestra
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Schott Music - Digital
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SheetMusicPlus
Concerto No. 2
Piano and Orchestra
For Piano and Orchestra. Composed by Mikis Theodorakis (1925-). This edition: study …
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For Piano and Orchestra. Composed by Mikis Theodorakis (1925-). This edition: study score. Music Of Our Time. Downloadable. Duration 28 minutes. Schott Music - Digital #Q7222. Published by Schott Music - Digital
$49.99
45.88 €
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Piano and Orchestra
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Mikis Theodorakis (1925-)
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Concerto No. 2
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Schott Music - Digital
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SheetMusicPlus
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