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ACCORDION
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99008
PIANO & KEYBOARDS
Piano solo
196832
Piano, Vocal and Guitar
141471
Piano, Voice
79880
Easy Piano
43152
Organ
11152
Big Note Piano
8930
1 Piano, 4 hands
5614
Accordion
4987
C Instruments
4073
Piano Accompaniment
2221
Piano (band part)
1793
Piano Trio: piano, violin, cello
982
2 Pianos, 4 hands
906
Melody line, Piano
564
Organ, Piano (duet)
214
Piano Quartet: piano, 2 violins, cello
213
Piano Quartet: piano, violin, viola, cello
200
Organ, Trumpet (duet)
195
Piano Quintet: piano, 2 violins, viola, cello
195
Accordion, Voice
193
1 Piano, 6 hands
168
Solo instrument and Organ
165
Keyboard
113
Harpsichord
95
2 Pianos, 8 hands
70
2 Accordions
63
Accordion ensemble
53
Organ, Voice
40
All Instruments
22
2 Organs (duet)
18
Piano ensembles
11
Accordion, String(s)
10
Accordion, Piano
8
Accordion and Orchestra
7
Organ and Orchestra
5
Piano Quintet: piano, violin, viola, cello, double bass
4
Concertina
3
Accordion - Piano, Voice, Guitar chords
2
3 Pianos
2
Instrumentations suivantes
Retracter
GUITARS
Guitar notes and tablatures
67090
Melody line, (Lyrics) and Chords
38101
Lyrics and Chords
21340
Guitar
19533
Ukulele
14047
Bass guitar
9273
Guitar (band part)
2281
2 Guitars (duet)
973
Banjo
836
Mandolin
778
Dulcimer
773
Electric Bass (band part)
744
Guitar Ensemble
551
Piano, Guitar (duet)
485
4 Guitars (Quartet)
367
Band Scores
280
Baritone Ukulele
249
3 Guitars (trio)
241
Ukulele Ensemble
122
Lap Steel Guitar
95
2 Dulcimers (duet)
81
Dobro
69
Guitar Tab, Voice, Bass, Drum
40
Mandolin, Guitar (duet)
29
2 Ukuleles
26
Mandolin, Piano (duet)
25
3 Dulcimers (trio)
21
Guitar, Violin, Cello (trio)
16
Guitar, Orchestra
11
Plectrum Orchestra
9
Guitar, Flute, Clarinet
9
Guitar, String Quartet
7
Lute
7
2 Mandolins (duet)
6
Bouzouki
5
Zither
4
2 Guitars and Orchestra
2
Instrumentations suivantes
Retracter
VOICE
Choral SATB
41207
Choral 3-part
18219
Choral 2-part
12085
Choral
8353
Voice solo
7514
Choral TTBB
5948
Choral Unison
3563
Choral SSAA
3244
Vocal duet, Piano
2893
Vocal duet
1072
High voice
900
Soprano voice, Piano
749
Low voice, Piano
541
Tenor voice, Piano
311
Voice, Guitar
304
Medium voice, Piano
281
Choral SSATB
245
Medium Voice
245
Choral SSAATTBB
197
Baritone voice, Piano
180
Mezzo-Soprano voice, Piano
178
Alto voice, Piano
164
Choral SSATTB
130
Choral SSATBB
125
Soli, Mixted choir and accompaniment
105
Choral SATTB
93
Tenor voice
82
High voice, Piano
61
Soprano voice
50
Choral SSAB a cappella
43
Children choir
37
Choral, Organ
37
Choral SSAB, Piano
34
Voice, Basso continuo
32
Choral SAATB A Cappella
31
Low voice
30
Choral SATBB
25
Choral SSAATB
23
Voix Masculines
19
Baritone voice
16
Choral SATTBB, keyboard
11
Soprano voice, Orchestra
9
Choral SSAATB A Cappella
8
Vocal duet, Organ
7
Choral SATTBB A Cappella
6
Lyrics only
3
Instrumentations suivantes
Retracter
WOODWIND
Saxophone (band part)
22317
Saxophone
16614
Flute
15873
Clarinet
14794
Clarinet (band part)
13436
Flute and Piano
8070
Alto Saxophone
7530
Saxophone Quartet: 4 saxophones
5954
Flute (band part)
5863
Tenor Saxophone
5635
Clarinet and Piano
4834
Flute, Oboe, Clarinet, Bassoon
3803
Alto Saxophone and Piano
3798
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
3609
Oboe (band part)
3605
Oboe, Piano (duet)
3464
2 Saxophones (duet)
3114
Clarinet Quartet: 4 clarinets
2858
2 Flutes (duet)
2845
Tenor Saxophone and Piano
2662
Oboe
2257
2 Clarinets (duet)
2162
Recorder
1858
Saxophone Quintet: 5 Saxophones
1754
Soprano Saxophone and Piano
1715
Flute Quartet: 4 flutes
1537
Eb Instruments
1277
Soprano Saxophone
1073
3 Clarinets (trio)
1017
3 Saxophones (trio)
906
Clarinet Ensemble
904
Flute, Clarinet (duet)
875
Flute ensemble
835
Flute Trio: 3 flutes
820
Baritone Saxophone, Piano
702
Flute and Guitar
697
Saxophone ensemble
663
Harmonica
625
Clarinet Quintet: 5 clarinets
608
2 Recorders (duet)
597
2 Oboes (duet)
562
Descant (Soprano) Recorder
523
Ocarina
462
English horn, Piano
412
Saxophone, Clarinet (duet)
391
Recorder Quartet
385
Clarinet, Violin (duet)
383
Piccolo
376
Treble (Alto) Recorder
365
Bass Clarinet
352
Oboe, Bassoon (duet)
337
Flute, Violin
306
Oboe, Clarinet (duet)
291
Flute, Oboe, Clarinet (trio)
257
Clarinet, Trumpet (duet)
248
Baritone Saxophone
229
Bass Clarinet, Piano
228
2 Flutes, Piano
226
Flute, Clarinet and Bassoon.
213
Clarinet, Guitar (duet)
208
English Horn
197
Flute, Clarinet, Piano (trio)
189
3 Recorders (trio)
187
Clarinet, Bassoon (duet)
185
Treble (Alto) Recorder, Piano
173
Flute, Violoncello
171
Clarinet and Viola
168
Oboe, Flute
164
Flute Quintet : 5 flutes
163
Oboe, Clarinet, Bassoon (trio)
159
Flute, Viola (duet)
158
Flute, Violin, Piano
158
Descent (Soprano) Recorder, Piano
155
Flute, Saxophone (duet)
152
Clarinet, Harp (duet)
142
Flute, Cello, Piano (trio)
133
Flute, Oboe, Bassoon
124
Flute, Oboe (duet)
123
Recorder Ensemble
122
Flute, Trumpet (duet)
121
Clarinet, Cello (duet)
115
2 Clarinets, Piano
111
Recorder, Piano
109
5 Recorders
108
2 Saxophones, Piano
104
Wind ensemble
94
Oboe, Cello
93
Tenor Recorder
84
Saxophone and Piano
79
Clarinet, Cello, Piano (trio)
76
Flute, Violin and Violoncello
70
Flute, Bassoon, and Piano
58
Oboe, Violin (duet)
53
Pennywhistle
52
Bagpipe
49
Recorder, Guitar (duet)
49
Treble (Alto) Recorder, Basso continuo
49
Flute, Clarinet, Horn and Bassoon (Quartet)
48
Saxophone and Organ
47
Piccolo, Piano
45
Oboe, Guitar (duet)
44
3 Oboes
44
Saxophone and Harp
43
Flute, Oboe, Piano (trio)
42
Flute, Basso continuo
38
Oboe, Harp
37
Flute, Viola and Piano
37
Flute, Harp and Cello
34
Flute, Organ (duet)
33
Oboe and viola (duet)
33
Flute, trombone and piano
33
4 Oboes
30
Flute, Violin, Violoncello and Piano
29
Clarinette, Viola and Piano (trio)
29
Flute and Strings Trio
29
Saxophone and Guitar
26
Flute, harp and violin
26
Oboe, Bassoon and Piano
24
Flute, Trombone (duet)
24
Flute, Violin, Guitar
24
Flute and String Quartet
24
2 Recorders, Piano
23
Clarinet, Bassoon, Piano (trio)
22
2 Clarinets, Bassoon
20
Flute, Oboe, Violin
19
Flute, Orchestra
19
Clarinet Quintet: Clarinet, String Quartet
18
2 Oboes, Piano
18
Flute, Cello, Guitar
18
Oboe, Cello and Piano
18
Clarinet, Trombone (duet)
17
Clarinet Quartet: Clarinet, Violin, Viola, Cello
17
Clarinet, trumpet and piano
16
Saxophone and Orchestra
15
Oboe, Violin, Piano
15
Clarinet, Organ
15
Oboe ensemble
14
Clarinet, Double bass (duet)
12
Clarinet, Orchestra
11
Flute, Clarinet, Violin (trio)
10
Descant (Soprano) Recorder, Basso continuo
10
2 Oboes and English horn
10
2 Flutes and Harp
10
Flute, Viola and Cello
9
2 Oboes and Basson
9
Oboe, Clarinet and Piano (Trio)
9
Flute, Tuba (duet)
9
Oboe, Organ
8
Oboe, Violin, Viola and Violoncello (Quartet)
8
Clarinet, Tuba
8
Pan Flute
8
Flute, Viola and harp
8
Flute, French horn (duet)
8
Flute, Guitar, Piano
7
2 English horns and Pianoforte
7
Oboe, Trombone (duet)
7
2 Flutes, 2 Clarinets (Quartet)
6
Oboe and Orchestra
6
2 Flutes, Basso continuo
6
English Horn, Guitar (duet)
6
Harmonica, Piano
4
Clarinet, String quartet and Piano
3
Clarinet, Saxophone, Piano
3
Oboe and String quartet
3
2 Flutes and Guitar
3
Recorder, Harp
3
Saxophone and cello
2
Saxophone, Tuba (duet)
2
Melodica
2
2 clarinets, 2 bassoons
2
2 Recorders, Guitar
2
English horn, Harp (duet)
2
2 Oboes, 2 Horns and 2 Bassoons
1
Oboe, Clarinet, Bassoon and Piano
1
3 Recorders, Piano
1
Flute, viola, cello and guitar
1
Instrumentations suivantes
Retracter
WOODBRASS
Trombone (band part)
16149
Trumpet (band part)
13673
Trumpet
13057
Trombone
10500
French horn (band part)
6492
Brass Quintet: 2 trumpets, horn, trombone, tuba
5589
French horn
5506
Tuba (band part)
4848
Trumpet, Piano
4049
Trombone and Piano
3047
French Horn and Piano
2361
Brass quartet : 2 trumpets, trombone, tuba
2062
Tuba
1808
Bass Clef Instruments
1800
2 Trumpets (duet)
1463
2 Trombones (duet)
1417
Bb Instruments
1215
Brass Quartet
1128
Tuba and Piano
1079
Brass Quartet: 2 trumpets, horn, trombone
836
Brass Quartet: 4 trombones
688
Euphonium
666
2 French horns (duet)
574
Euphonium, Piano (duet)
565
2 Euphoniums and 2 Tubas
554
4 Tubas
546
Brass Quartet: 4 horns
539
Trumpet, Trombone (duet)
496
English horn, Piano
412
Tuba or Euphonium or Saxhorn
379
Cornet
368
Brass Trio
359
Trumpet, Horn (duert)
347
Trumpet, Saxophone (duet)
302
F Instruments
296
Trombone ensemble
254
Brass Quartet: 4 trumpets
227
Trumpet ensemble
225
2 Tubas (duet)
209
3 Trumpets (trio)
206
3 Trombones (trio)
203
English Horn
197
Horn Ensemble
165
2 Trumpets, Keyboard (piano or organ)
113
Tuba and Organ
88
Brass Quartet: 2 trumpets, 2 trombones
86
Tuba ensemble
74
3 French horns (trio)
60
French Horn and Harp
53
Bass Trombone
52
Euphonium, Tuba (duet)
51
Trombone, Organ
43
Trombone, Tuba (duet)
42
Trombone, Horn (duet)
40
Horn, Cello (duet)
39
2 Euphoniums (duet)
38
Trumpet, Harp
37
2 Trombones, Piano
34
Bass Trombone and Piano
34
Horn, Tuba (duet)
32
Trumpet, Trombone, Piano
30
Trumpet, Cello (duet)
30
Trumpet, Bassoon (duet)
27
3 Tubas (trio)
24
Trumpet, Tuba (duet)
24
Trumpet, Cello, Piano
22
Trumpet and Guitar
17
Trumpet, Orchestra
17
4 Euphoniums
16
French horn and Basson (duet)
16
2 French horns, Piano
16
Cornet and Piano
15
Horn and Organ
15
Brass Quintet: 2 trumpets, horn, 2 trombones
12
Flügelhorn
10
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
9
Trombone, Violin (duet)
9
Horn and Orchestra
9
Trumpet, violin (duet)
8
Trombone and Orchestra
8
Euphonium (band part)
8
2 English horns and Pianoforte
7
Clarinet, Horn (duet)
6
English Horn, Guitar (duet)
6
Horn, Cello and Piano
6
Trumpet, Euphonium (duet)
5
Instruments en Sol
4
3 Euphoniums
4
Euphonium or Saxhorn and Piano
3
Bass Saxhorn or Euphonium or Tuba and Piano
3
Horn, Trumpet, Trombone (trio)
3
Cornet and Orchestra
2
English horn, Harp (duet)
2
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
17070
Violin
14485
Violin and Piano
10279
Violin (band part)
8900
Viola
8726
Cello
7675
Cello, Piano
6696
Harp
5976
Cello (band part)
4980
Doublebass (band part)
4962
Viola, Piano
4369
2 Violins (duet)
2935
Violin, Cello (duet)
2524
Viola (band part)
2445
2 Cellos (duet)
2171
String Trio: violin, viola, cello
1956
Double Bass
1462
String Quintet: 2 violins, viola, cello, bass
1107
Violin, Viola (duet)
1032
2 Violas (duet)
903
Double bass, Piano (duet)
801
String Trio: 2 violins, cello
785
Piano Trio: Violin, Viola, Piano
508
String trio
472
4 Cellos
468
2 Harps (duet)
450
Harp, Flute (duet)
400
Viola, Cello (duet)
386
Violin, Guitar (duet)
344
String Trio: 3 violins
302
Cello, Guitar (duet)
287
String Trio: 3 cellos
255
String quartet: 4 violins
227
Harp, Violin (duet)
171
2 Violins, Piano
161
Viola, Guitar (duet)
158
2 Double basses (duet)
129
String Quartet : 4 violas
109
Harp (band part)
106
String Trio: 3 violas
101
Harp, Cello (duet)
98
Cello, String Bass (duet)
81
String Trio: 2 violins, viola
76
Violin, Bassoon (duet)
73
String Quintet: 2 violins, 2 violas, cello
65
Viola and Harp
62
Cello Ensemble
61
2 Cellos, Piano
61
Violin, Basso continuo
55
Harp, Voice
49
Violin, Clarinet, Piano (trio)
48
Cello, Organ
46
String Quintet: 2 violins, viola, 2 cellos
46
Cello, Orchestra
43
Viola and Bassoon
43
Violoncello, Basso continuo
41
2 Violins and Basso
39
Violin ensemble
38
Violin, Organ
36
Harp and Piano
33
3 Harps
31
2 Violas, Piano
28
Viola ensemble
26
Harp, Violin, Violoncello
24
Flute, Doublebass (duet)
24
Autoharp
20
4 Double Basses
18
Viola and orchestra
16
Harp and mandolin
16
Violin, Trumpet and Piano
10
Violin, Cello, Clarinet
9
3 double basses
9
Violin, Tuba (duet)
8
Harp, Trombone (duet)
8
Viola, Organ
8
4 Harps
7
Harp and Organ
7
5 Harps
6
Harp, String quartet
4
Harp, Orchestra
4
Double basses ensemble
3
Violin, Clarinet and Guitar
1
Violin, Double bass (duet)
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
57370
Orchestra
14947
String Orchestra
12684
Drums
9019
Jazz Ensemble
8128
Percussion (band part)
7897
Marching band
6093
Drum (band part)
3836
Handbells
3258
Percussion
3052
Brass ensemble
2412
Timpani (band part)
1914
Chamber Orchestra
1383
Jazz combo
1070
Percussion Ensemble
577
Timpani
502
Marimba
482
Xylophone
432
Vibraphone
286
Snare drums
154
Piano and Orchestra
102
Woodwind Quintet
99
Woodwind Quartet: any 4 woodwinds
71
Xylophone, Piano
66
Vibraphone (band part)
48
Orchestra, Violin
48
Big band
38
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
38
Drums-Marching band
28
2 Xylophones
27
2 Marimbas
24
Flexible Instrumentation
22
School Ensemble
20
Xylophone (band part)
18
3 Marimbas
17
Brass Quintet: other combinaisons
17
Marimba and Organ
12
Xylophone or Marimba or Vibraphone
12
3 Percussions
10
Vibraphone and Marimba
9
Voice and Orchestra
8
Marimba, Piano (duet)
7
Bongos
7
Woodwind Trio: any 3 woodwinds
5
2 Snare Drums (duet)
4
Cajon
4
Conga
4
Symphonic Band
4
2 Percussions
3
Bodhran
3
Voice Mezzo-Soprano, Orchestra
2
Marimba or Xylophone and Piano
2
Vibraphone, Piano
1
Marimba, Saxophone (duet)
1
Instrumentations suivantes
Retracter
OTHERS
Musical course - Solfege
414
Music Theory
53
Stationery
33
Musical Awakening
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Piano and Orchestra
Sheetmusic to print
102 sheet music found
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When Johnny Comes Marching Home
Piano and Orchestra
By Patrick Gilmore. Arranged by Stephen DeCesare. For Piano, Voice, Flute, Choral. Instruc…
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By Patrick Gilmore. Arranged by Stephen DeCesare. For Piano, Voice, Flute, Choral. Instructional, Secular, Children's Music, Early Music, World. Intermediate. Octavo. Published by Exultet Music
$3.99
3.66 €
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Piano and Orchestra
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Patrick Gilmore
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When Johnny Comes Marching Home
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Exultet Music
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SheetMusicPlus
Concerto para piano e orquestra n.2 em formas brasileiras
Piano and Orchestra
Composed by Hekel Tavares. 21st Century, Contemporary Classical, South American. Solo Part…
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Composed by Hekel Tavares. 21st Century, Contemporary Classical, South American. Solo Part. 34 pages. Published by Musica Brasilis (S0.240407). - Solo Part - 21st Century,Contemporary Classical,South American - Musica Brasilis
$17.50
16.04 €
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Piano and Orchestra
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Hekel Tavares
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Concerto para piano e orquestra n.2 em formas brasileiras
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Musica Brasilis
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SheetMusicPlus
This Is My Body
Piano and Orchestra
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Chri…
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By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian, Easter. Early Intermediate. Octavo. Published by Exultet Music
$3.99
3.66 €
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Piano and Orchestra
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Stephen DeCesare
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This Is My Body
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Exultet Music
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SheetMusicPlus
Beautiful Star
Piano and Orchestra
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Chri…
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By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian, Christmas. Early Intermediate. Octavo. Published by Exultet Music
$3.99
3.66 €
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Piano and Orchestra
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Stephen DeCesare
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Beautiful Star
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Exultet Music
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SheetMusicPlus
Multicolored Blues (strings)
Piano and Orchestra
By Bradley Sowash. For Piano, Orchestra. Blues, Instructional, Jazz. Intermediate. Set of …
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By Bradley Sowash. For Piano, Orchestra. Blues, Instructional, Jazz. Intermediate. Set of Parts, Piano Reduction, Score. Bradley Sowash Music #MULTICOLORED. Published by Bradley Sowash Music
$19.99
18.33 €
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Piano and Orchestra
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Bradley Sowash
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Multicolored Blues
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Bradley Sowash Music
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SheetMusicPlus
Peace I Leave With You
Piano and Orchestra
Composed by Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contempo…
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Composed by Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian, Easter. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.66 €
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Piano and Orchestra
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Stephen DeCesare
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Peace I Leave With You
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Exultet Music
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SheetMusicPlus
Still, Still With Thee
Piano and Orchestra
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Chri…
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By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian. Intermediate. Octavo. Published by Exultet Music
$3.99
3.66 €
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Piano and Orchestra
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Stephen DeCesare
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Still, Still With Thee
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Exultet Music
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SheetMusicPlus
A Little Bit Of Love
Piano and Orchestra
Composed by Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Children's Mus…
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Composed by Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Children's Music, Christian, Contemporary Christian, Folk Music. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.66 €
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Piano and Orchestra
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Stephen DeCesare
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A Little Bit Of Love
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Exultet Music
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SheetMusicPlus
You Are Mine
Piano and Orchestra
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Chri…
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By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.66 €
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Piano and Orchestra
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Stephen DeCesare
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You Are Mine
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Exultet Music
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SheetMusicPlus
Good Friday
Piano and Orchestra
Composed by Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contempo…
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Composed by Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.66 €
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Piano and Orchestra
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Stephen DeCesare
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Good Friday
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Exultet Music
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SheetMusicPlus
Softly And Tenderly
Piano and Orchestra
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Chri…
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By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian, Easter, Gospel. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.66 €
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Piano and Orchestra
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Stephen DeCesare
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Softly And Tenderly
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Exultet Music
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SheetMusicPlus
May The Angels
Piano and Orchestra
Composed by Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contempo…
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Composed by Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.66 €
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Piano and Orchestra
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Stephen DeCesare
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May The Angels
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Exultet Music
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SheetMusicPlus
Though The Mountains May Fall
Piano and Orchestra
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Chri…
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By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian, Easter. Early Intermediate. Octavo. Published by Exultet Music
$3.99
3.66 €
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Piano and Orchestra
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Stephen DeCesare
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Though The Mountains May Fall
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Exultet Music
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SheetMusicPlus
I Saw Water Flowing
Piano and Orchestra
Composed by Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contempo…
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Composed by Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian, Easter. Advanced Intermediate. Octavo. Published by Exultet Music
$3.99
3.66 €
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Piano and Orchestra
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Stephen DeCesare
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I Saw Water Flowing
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Exultet Music
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SheetMusicPlus
The Lord's Prayer (for Children)
Piano and Orchestra
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Children's Music, Chris…
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By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Children's Music, Christian, Contemporary Christian. Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.66 €
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Piano and Orchestra
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Stephen DeCesare
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The Lord's Prayer
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Exultet Music
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SheetMusicPlus
How Can I Keep From Singing?
Piano and Orchestra
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Chri…
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By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian, Pop, Gospel. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.66 €
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Piano and Orchestra
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Stephen DeCesare
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How Can I Keep From Singing?
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Exultet Music
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SheetMusicPlus
Listen To The Mocking Bird
Piano and Orchestra
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Children's Music, Movies/TV, Ro…
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By Stephen DeCesare. For Piano, Voice, Flute, Choral. Children's Music, Movies/TV, Romantic Period, Folk Music, World. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.66 €
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Piano and Orchestra
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Stephen DeCesare
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Listen To The Mocking Bird
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Exultet Music
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano Music with Orchestra
Piano and Orchestra
(Piano: Left Hand). Composed by Paul Hindemith (1895-1963). This edition: piano reduct…
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(Piano: Left Hand). Composed by Paul Hindemith (1895-1963). This edition: piano reduction with solo part. Downloadable, piano reduction with solo part. Op. 29. Duration 18 minutes. Schott Music - Digital #Q19660. Published by Schott Music - Digital
$55.99
51.33 €
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Piano and Orchestra
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Piano Music with Orchestra
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Schott Music - Digital
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SheetMusicPlus
Concerto No. 2
Piano and Orchestra
For Piano and Orchestra. Composed by Mikis Theodorakis (1925-). This edition: study …
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For Piano and Orchestra. Composed by Mikis Theodorakis (1925-). This edition: study score. Music Of Our Time. Downloadable. Duration 28 minutes. Schott Music - Digital #Q7222. Published by Schott Music - Digital
$49.99
45.83 €
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Piano and Orchestra
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Mikis Theodorakis (1925-)
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Concerto No. 2
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Schott Music - Digital
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SheetMusicPlus
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