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53290
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24599
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19605
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11481
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5799
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4506
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2890
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1487
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1281
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1095
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902
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524
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513
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510
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475
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139
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102
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96
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94
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82
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81
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78
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50
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49
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40
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30
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18
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15
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12
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6
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3
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15525
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13095
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6719
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5125
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2217
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2200
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961
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561
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490
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252
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209
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158
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135
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125
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87
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83
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69
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39
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37
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32
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30
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18
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16
2 Mandolins (duet)
11
Band Scores
6
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5
Bouzouki
4
2 Guitars and Orchestra
4
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3
3 Dulcimers (trio)
2
Zither
2
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1
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1
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15859
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13266
Choral Instrumental Pak
11277
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6485
Choral Unison
3489
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3235
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2518
Choral SSAA
1421
Choral
965
Vocal duet
940
Voice solo
889
High voice
482
Soprano voice, Piano
314
Low voice, Piano
231
Alto voice, Piano
228
Tenor voice, Piano
177
Baritone voice, Piano
132
Medium Voice
97
Voice, Guitar
97
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87
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44
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35
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28
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25
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22
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20
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17
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17
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15
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15
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14
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13
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11
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10
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6
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6
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6
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14595
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7438
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7369
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6335
Flute
6039
2 Clarinets (duet)
5412
Clarinet
4830
Alto Saxophone
4377
Saxophone Quartet: 4 saxophones
3879
Flute (band part)
3781
Flute and Piano
3642
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3553
Clarinet and Piano
3475
Oboe (band part)
3193
Flute, Oboe, Clarinet, Bassoon
3160
Alto Saxophone and Piano
2978
Oboe, Piano (duet)
2646
Tenor Saxophone and Piano
2437
Clarinet Quartet: 4 clarinets
1939
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
1916
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1602
2 Oboes (duet)
1284
2 Recorders (duet)
1267
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1153
3 Clarinets (trio)
1139
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1099
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1056
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1026
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928
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792
Flute and Guitar
679
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677
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660
English horn, Piano
607
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535
Clarinet Quintet: 5 clarinets
497
Soprano Saxophone
469
Saxophone ensemble
378
Recorder
365
Harmonica
355
Descant (Soprano) Recorder
348
Flute ensemble
343
Oboe, Bassoon (duet)
326
Flute, Violin
308
Bass Clarinet, Piano
292
2 Flutes, Piano
263
Flute, Violin, Piano
242
2 Saxophones, Piano
241
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241
Treble (Alto) Recorder
232
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228
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226
Ocarina
209
Recorder Quartet
208
Baritone Saxophone
207
2 Clarinets, Piano
204
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197
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194
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193
Piccolo
189
3 Recorders (trio)
183
Flute Quintet : 5 flutes
176
Flute, Oboe, Clarinet (trio)
171
Bass Clarinet
166
Flute, Oboe, Bassoon
163
English Horn
158
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152
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143
Oboe, Clarinet, Bassoon (trio)
143
Tenor Recorder
142
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131
Saxophone, Clarinet (duet)
131
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130
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128
Flute, Oboe (duet)
127
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125
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115
Saxophone and Guitar
104
Flute, Viola (duet)
102
2 Clarinets, Bassoon
101
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101
Recorder Ensemble
96
Oboe, Cello
94
Clarinet, Trumpet (duet)
91
Clarinet and Viola
84
Flute, Violin and Violoncello
73
3 Oboes
68
Flute, Saxophone (duet)
65
Oboe, Violin (duet)
63
Flute, Trombone (duet)
63
Flute, Bassoon, and Piano
51
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45
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41
5 Recorders
40
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38
Saxophone and Organ
37
Flute, Clarinet, Piano (trio)
37
2 English horns and Pianoforte
36
Flute, Clarinet, Horn and Bassoon (Quartet)
35
English Horn, Guitar (duet)
33
Flute, Cello, Piano (trio)
31
Harmonica, Piano
31
4 Oboes
28
2 Recorders, Piano
28
Clarinet, Bassoon, Piano (trio)
25
Flute, Tuba (duet)
25
Oboe and viola (duet)
25
Saxophone, Violin (duet)
24
2 Oboes, Piano
22
Wind ensemble
21
Oboe, Trumpet (duet)
19
Flute and Strings Trio
18
Recorder, Guitar (duet)
18
Saxophone and Orchestra
15
Flute, Clarinet, Violin (trio)
15
Flute, Organ (duet)
15
2 Flutes and Guitar
14
Clarinet Quartet: Clarinet, Violin, Viola, Cello
14
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13
Bagpipe
13
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13
Flute, harp and violin
13
Flute, Viola and Piano
12
Oboe, Trombone (duet)
11
Clarinet, Harp (duet)
11
Clarinette, Viola and Piano (trio)
11
Flute, Basso continuo
11
Saxophone and Piano
10
2 Oboes and English horn
10
2 Flutes and Harp
10
Flute, Harp and Cello
9
2 Oboes and Basson
9
Clarinet, Tuba
9
Clarinet Quintet: Clarinet, String Quartet
9
Clarinet, Organ
9
Treble (Alto) Recorder, Basso continuo
8
Oboe, Violin, Piano
8
2 Flutes, 2 Clarinets (Quartet)
7
Oboe, Harp
7
Clarinet, Orchestra
6
Oboe, Violin, Viola and Violoncello (Quartet)
6
Clarinet, Double bass (duet)
6
Saxophone and cello
6
2 Flutes, Basso continuo
6
Clarinet, Cello, Piano (trio)
6
Flute, French horn (duet)
5
Flute and String Quartet
5
2 Harmonicas
4
Oboe, Bassoon and Piano
4
Flute, Cello, Guitar
4
Clarinet, String quartet and Piano
3
Oboe, Cello and Piano
3
Recorder, Harp
3
Oboe, Clarinet and Piano (Trio)
3
Flute, Violin, Guitar
3
Flute, Orchestra
3
English horn, Harp (duet)
2
Melodica
2
Descant (Soprano) Recorder, Basso continuo
2
Pennywhistle
2
Oboe and String quartet
2
Flute, Oboe, Violin
2
2 Recorders, Guitar
2
Flute, trombone and piano
2
Saxophone and Harp
2
2 clarinets, 2 bassoons
2
Pan Flute
1
2 Oboes, 2 Horns and 2 Bassoons
1
Flute, Viola and harp
1
Saxophone, Tuba (duet)
1
Oboe ensemble
1
Instrumentations suivantes
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Trumpet (band part)
10871
Trombone (band part)
10063
Brass Quintet: 2 trumpets, horn, trombone, tuba
9835
Trumpet
4731
Brass quartet : 2 trumpets, trombone, tuba
4495
Trombone
3661
French horn (band part)
3481
2 Trumpets (duet)
3147
2 Trombones (duet)
2730
French horn
2665
Trumpet, Piano
2592
Trombone and Piano
2351
Brass Quartet: 2 trumpets, horn, trombone
1862
Tuba (band part)
1843
French Horn and Piano
1734
Tuba
1375
2 French horns (duet)
1197
2 Euphoniums and 2 Tubas
1024
Brass Quartet
958
Tuba and Piano
791
Trumpet, Trombone (duet)
611
English horn, Piano
607
Euphonium
456
Euphonium, Piano (duet)
453
2 Tubas (duet)
365
Bass Clef Instruments
308
Trumpet, Horn (duert)
306
Brass Quartet: 4 trombones
304
Brass Trio
266
Brass Quartet: 4 horns
233
Bb Instruments
232
Tuba or Euphonium or Saxhorn
209
Trumpet, Saxophone (duet)
190
English Horn
158
3 Trombones (trio)
153
2 Trumpets, Keyboard (piano or organ)
149
Trombone ensemble
121
Bass Trombone and Piano
115
Brass Quartet: 2 trumpets, 2 trombones
114
3 Trumpets (trio)
101
Brass Quartet: 4 trumpets
83
Cornet
83
2 Euphoniums (duet)
79
4 Tubas
71
Euphonium, Tuba (duet)
68
Trumpet, Tuba (duet)
61
Bass Trombone
51
Horn, Cello (duet)
48
Trombone, Tuba (duet)
45
Horn Ensemble
41
Trombone, Horn (duet)
40
Trumpet, Bassoon (duet)
38
Trumpet, violin (duet)
38
Trombone, cello (duet)
37
Trombone, Organ
36
2 English horns and Pianoforte
36
Trumpet, Cello (duet)
35
English Horn, Guitar (duet)
33
Euphonium (band part)
30
Horn, Tuba (duet)
30
Trumpet ensemble
30
Trombone, Violin (duet)
23
3 Tubas (trio)
23
3 French horns (trio)
21
Tuba and Organ
21
Horn, Trumpet, Trombone (trio)
19
2 French horns, Piano
18
2 Trombones, Piano
18
Trumpet and Guitar
17
French horn and Basson (duet)
16
Brass Quintet: 2 trumpets, horn, 2 trombones
14
Tuba ensemble
13
Horn and Organ
13
Trumpet, Trombone, Piano
11
Clarinet, Horn (duet)
8
Trumpet, Euphonium (duet)
7
F Instruments
7
Trombone, Viola (duet)
5
Trombone and Orchestra
5
French Horn and Harp
5
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
4
3 Euphoniums
4
Trumpet, Harp
3
Flügelhorn
3
Instruments en Sol
2
English horn, Harp (duet)
2
4 Euphoniums
2
Cornet and Piano
1
Cornet and Orchestra
1
Trumpet, Cello, Piano
1
Horn and Orchestra
1
Bass Saxhorn or Euphonium or Tuba and Piano
1
Instrumentations suivantes
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STRINGS
String Quartet: 2 violins, viola, cello
31198
Violin
8405
2 Violins (duet)
6067
Cello
5593
Violin (band part)
5307
Violin and Piano
4983
2 Cellos (duet)
4312
Viola
4090
Cello, Piano
3488
Viola, Piano
3031
Doublebass (band part)
2555
Harp
2207
2 Violas (duet)
2108
Violin, Cello (duet)
2017
String Quintet: 2 violins, viola, cello, bass
1929
String Trio: 2 violins, cello
1767
Viola (band part)
1608
String Trio: violin, viola, cello
1548
Cello (band part)
1414
Double Bass
1330
Violin, Viola (duet)
936
Double bass, Piano (duet)
654
2 Harps (duet)
631
Viola, Cello (duet)
445
String Trio: 3 violins
413
Piano Trio: Violin, Viola, Piano
410
String Trio: 2 violins, viola
366
2 Double basses (duet)
354
2 Violins, Piano
346
4 Cellos
267
Violin, Guitar (duet)
258
String Trio: 3 cellos
243
String quartet: 4 violins
158
String Quintet: 2 violins, 2 violas, cello
157
Cello, Guitar (duet)
149
String Trio: 3 violas
124
2 Cellos, Piano
119
String trio
111
Cello, String Bass (duet)
102
String Quintet: 2 violins, viola, 2 cellos
95
Violin, Bassoon (duet)
93
Viola, Guitar (duet)
90
String Quartet : 4 violas
88
2 Violas, Piano
72
Harp, Flute (duet)
62
Viola and Bassoon
56
Harp (band part)
40
2 Violins and Basso
39
Harp, Violin (duet)
34
Flute, Doublebass (duet)
24
Harp, Cello (duet)
22
Cello, Organ
21
4 Double Basses
17
Cello, Orchestra
15
Cello and Marimba
15
Harp, Voice
15
Viola and Harp
14
3 double basses
13
Violin, Tuba (duet)
12
Violin, Organ
12
Harp and Piano
9
Violin, Basso continuo
9
Cello Ensemble
8
Violin, Clarinet, Piano (trio)
8
Violoncello, Basso continuo
7
Violin, Cello, Clarinet
7
Harp, Violin, Violoncello
6
Viola, Organ
5
Violin ensemble
4
3 Harps
4
5 Harps
2
Harp and Organ
1
Viola ensemble
1
Violin, Clarinet and Guitar
1
Instrumentations suivantes
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PERCUSSION & ORCHESTRA
Concert band
31376
String Orchestra
5288
Jazz Ensemble
5229
Percussion (band part)
4941
Orchestra
4017
Handbells
3076
Marching band
2737
Drums
2229
Brass ensemble
2101
Drum (band part)
1252
Chamber Orchestra
1190
Jazz combo
816
Percussion
811
Timpani (band part)
779
Percussion Ensemble
485
Timpani
228
Marimba
213
Vibraphone
206
Xylophone
157
2 Xylophones
63
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
61
Xylophone, Piano
47
Snare drums
35
Vibraphone (band part)
34
Vibraphone, Piano
27
2 Marimbas
23
Piano and Orchestra
21
Vibraphone and Marimba
19
Brass Quintet: other combinaisons
15
Flexible Instrumentation
13
Xylophone (band part)
13
Orchestra, Violin
8
Xylophone or Marimba or Vibraphone
8
Woodwind Quartet: any 4 woodwinds
7
School Ensemble
7
2 Snare Drums (duet)
6
Mariachi
4
3 Percussions
4
Woodwind Trio: any 3 woodwinds
4
Drums-Marching band
4
Woodwind Quintet
3
Big band
3
2 Percussions
3
Bongos
2
Marimba, Piano (duet)
2
Conga
1
Instrumentations suivantes
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OTHERS
Musical course - Solfege
54
Music Theory
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Piano and Orchestra
Sheetmusic to print
21 sheet music found
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1
Piano Concerto No. 2
Piano and Orchestra
Piano and orchestra - Digital Download SKU: S9.Q4499 Bb major. Composed by J…
(+)
Piano and orchestra - Digital Download SKU: S9.Q4499 Bb major. Composed by Johannes Brahms. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 83. Ernst Eulenburg & Co. GmbH - Digital #Q4499. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4499). Key: B flat major. German • English • French.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$13.99
12.9 €
#
Piano and Orchestra
#
Johannes Brahms
#
Piano Concerto No. 2
#
Ernst Eulenburg & Co. GmbH - Digital
#
SheetMusicPlus
Piano Concerto No. 2 A major
Piano and Orchestra
Piano and orchestra - Digital Download SKU: S9.Q4502 Composed by Franz Liszt. This …
(+)
Piano and orchestra - Digital Download SKU: S9.Q4502 Composed by Franz Liszt. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 15 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q4502. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4502). Key: A major. German • English.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$15.99
14.74 €
#
Piano and Orchestra
#
Franz Liszt
#
Piano Concerto No. 2 A major
#
Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Concerto No. 2 D minor
Piano and Orchestra
Piano and orchestra - Digital Download SKU: S9.Q21394 Composed by Felix Bartholdy M…
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Piano and orchestra - Digital Download SKU: S9.Q21394 Composed by Felix Bartholdy Mendelssohn. This edition: study score. Ernst Eulenburg - Orchestra. Eulenburg Miniature Scores. Downloadable, Study score. Op. 40. Ernst Eulenburg & Co. GmbH - Digital #Q21394. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21394). Key: D minor.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$11.99
11.05 €
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Piano and Orchestra
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Felix Bartholdy Mendelssohn
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Concerto No. 2 D minor
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Concerto No. 2 B-flat major
Piano and Orchestra
Piano and orchestra - Digital Download SKU: S9.Q4505 Composed by Ludwig van Beethov…
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Piano and orchestra - Digital Download SKU: S9.Q4505 Composed by Ludwig van Beethoven. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 19. Ernst Eulenburg & Co. GmbH - Digital #Q4505. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4505). Key: B flat major.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$12.99
11.98 €
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Piano and Orchestra
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Ludwig van Beethoven
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Concerto No. 2 B-flat major
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Concerto No. 2 G major
Piano and Orchestra
Piano and orchestra - Digital Download SKU: S9.Q4626 Composed by Peter Ilyich Tchai…
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Piano and orchestra - Digital Download SKU: S9.Q4626 Composed by Peter Ilyich Tchaikovsky. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 44. Duration 44' 0. Ernst Eulenburg & Co. GmbH - Digital #Q4626. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4626). Key: G major.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$18.99
17.51 €
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Piano and Orchestra
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Peter Ilyich Tchaikovsky
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Concerto No. 2 G major
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Concerto No. 2 F minor
Piano and Orchestra
Composed by Frederic Chopin (1810-1849). This edition: study score. Ernst Eulenburg - …
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Composed by Frederic Chopin (1810-1849). This edition: study score. Ernst Eulenburg - Orchester - Partitur. Eulenburg Miniature Scores. Downloadable, Study score. Op. 21. Schott Music - Digital #Q12492. Published by Schott Music - Digital
$15.99
14.74 €
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Piano and Orchestra
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Frederic Chopin (1810-1849)
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Concerto No. 2 F minor
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Schott Music - Digital
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SheetMusicPlus
Concerto No. 2 G minor
Piano and Orchestra
Composed by Camille Saint- Saens (1835-1921). This edition: study score. Ernst Eulenb…
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Composed by Camille Saint- Saens (1835-1921). This edition: study score. Ernst Eulenburg, Orchester, Partitur, Konzert. Eulenburg Miniature Scores. Downloadable. Op. 22. Duration 25 minutes. Schott Music - Digital #Q48708. Published by Schott Music - Digital
$15.99
14.74 €
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Piano and Orchestra
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Camille Saint- Saens
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Concerto No. 2 G minor
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Schott Music - Digital
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SheetMusicPlus
Concerto No. 2
Piano and Orchestra
For Piano and Orchestra. Composed by Mikis Theodorakis (1925-). This edition: study …
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For Piano and Orchestra. Composed by Mikis Theodorakis (1925-). This edition: study score. Music Of Our Time. Downloadable. Duration 28 minutes. Schott Music - Digital #Q7222. Published by Schott Music - Digital
$49.99
46.09 €
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Piano and Orchestra
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Mikis Theodorakis (1925-)
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Concerto No. 2
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Schott Music - Digital
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SheetMusicPlus
Piano Concerto ... Mozartiana (2007) for piano solo and chamber orchestra
Piano and Orchestra
By Thomas Oboe Lee. For Piano, Orchestra. Baroque Period, Classical Period, Romantic Perio…
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By Thomas Oboe Lee. For Piano, Orchestra. Baroque Period, Classical Period, Romantic Period, 20th Century, 21st Century. Advanced Intermediate. Score. 2 Flute (2. also piccolo) 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French horns 2 Trumpets in Bb 2 Tromb
$9.99
9.21 €
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Piano and Orchestra
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Thomas Oboe Lee
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Piano Concerto ... Mozartiana
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and Orchestra - Digital Download SKU: S9.Q23932 For Piano and Orchestra
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Piano and Orchestra - Digital Download SKU: S9.Q23932 For Piano and Orchestra. Composed by Gyorgy Ligeti. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 24 minutes. Schott Music - Digital #Q23932. Published by Schott Music - Digital (S9.Q23932). 1 (auch Picc.) * 1 * 1 (auch Alt-Okarina in G) * 1 - 1 * 1 * 1 * 0 - S. (Trgl. * 2 Crot. * 2 hg. Beck., klein u. normal gross * 4 Woodbl. * 5 Tempelbl. * Schellentr. * kl. Tr. * 3 Rototoms * 4 Tomt. * gr. Tr. * Guero * Kast. * Peitsche * Sirenenpfeife * Trillerpfeife * Lotosfl. * Flexaton * Chromonica in C 270 [Hohner] * Glspl. * Xyl.) (1-2 Spieler) - Str. (8 * 7 * 6 * 5 * 4; auch solistische Streicherbesetzung 1 * 1 * 1 * 1 * 1 moglich)1 (auch Picc.) · 1 · 1 (auch Alt-Okarina in G) · 1 – 1 · 1 · 1 · 0 – S. (Trgl. · 2 Crot. · 2 hg. Beck., klein u. normal groß · 4 Woodbl. · 5 Tempelbl. · Schellentr. · kl. Tr. · 3 Rototoms · 4 Tomt. · gr. Tr. · Guero · Kast. · Peitsche · Sirenenpfeife · Trillerpfeife · Lotosfl. · Flexaton · Chromonica in C 270 [Hohner] · Glspl. · Xyl.) (1–2 Spieler) – Str. (8 · 7 · 6 · 5 · 4; auch solistische Streicherbesetzung 1 · 1 · 1 · 1 · 1 möglich).
$51.99
47.93 €
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Piano and Orchestra
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Concerto D Major
Piano and Orchestra
Piano (harpsichord) and orchestra - intermediate - Digital Download SKU: S9.Q47513 …
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Piano (harpsichord) and orchestra - intermediate - Digital Download SKU: S9.Q47513 Composed by Johann Wenzel Anton Stamitz. Arranged by Karlheinz Schultz-Hauser. This edition: piano reduction for 2 pianos. Schott Archive. Downloadable, vocal/piano score. Op. 10/1. Duration 14 minutes. Schott Music - Digital #Q47513. Published by Schott Music - Digital (S9.Q47513). Key: D major.
$23.99
22.12 €
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Piano and Orchestra
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Johann Wenzel Anton Stamitz
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Concerto D Major
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Schott Music - Digital
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SheetMusicPlus
H. D'Andrea Variations on a theme by Mozart as a child for piano and orchestra.
Piano and Orchestra
Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Trumpet,Viola,Violin - L…
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Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Trumpet,Viola,Violin - Level 2 - Digital Download SKU: A0.981569 Composed by Wolfgang Amadeus Mozart. Arranged by Helios D'Andrea. Classical,Contemporary,Instructional. Score and parts. 12 pages. D'Andrea Helios #6735431. Published by D'Andrea Helios (A0.981569). Only variations on an original theme by Mozart.
$5.00
4.61 €
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Piano and Orchestra
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Wolfgang Amadeus Mozart
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H. D'Andrea Variations on a theme by Mozart as a child for piano and orchestra.
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D'Andrea Helios
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SheetMusicPlus
Tribute to Chopin (Omaggio a Chopin) for piano and orchestra
Piano and Orchestra
Small Ensemble Double Bass,Flute,Horn,Piano - Level 2 - Digital Download SKU: A0.981508…
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Small Ensemble Double Bass,Flute,Horn,Piano - Level 2 - Digital Download SKU: A0.981508 Composed by Helios D'Andrea. 20th Century,Contemporary. Score and parts. 5 pages. D'Andrea Helios #4846343. Published by D'Andrea Helios (A0.981508). Nice music composed for piano and orchestra
$15.00
13.83 €
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Piano and Orchestra
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Helios D'Andrea
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Tribute to Chopin
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D'Andrea Helios
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SheetMusicPlus
Ballade for Piano and Orchestra No.1
Piano and Orchestra
Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Piano,Timpani,Trombone,Trumpet,…
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Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Digital Download SKU: A0.1069109 Composed by Joseph Hull. Contemporary. Full Performance. Duration 47. Genesis #3014325. Published by Genesis (A0.1069109). This work was begun in 2003. Since that time it has undergone a number of revisions, culminating in its final form in 2016. It has three movements labeled: 1. Andante con moto 2. Allegro 3. Un poco allegretto. I do not think of this as a concerto but a freely expressed piece tied to no particular form. The piano is dominant throughout providing ample opportunity for virtuosity. A full orchestra is employed .
$3.99
3.68 €
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Piano and Orchestra
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Joseph Hull
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Ballade for Piano and Orchestra No.1
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Genesis
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SheetMusicPlus
God Bless America ®
Piano and Orchestra
By Celine Dion. By Irving Berlin. Arranged by Alex Nunes Rodrigues. Patriotic. Score …
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By Celine Dion. By Irving Berlin. Arranged by Alex Nunes Rodrigues. Patriotic. Score (Chords/Lyrics). 2 pages. Alex Rodrigues #835237. Published by Alex Rodrigues
$1.99
1.83 €
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Piano and Orchestra
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Celine Dion
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God Bless America ®
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SheetMusicPlus
Hatikvah. The national anthem of Israel. Easy piano.
Piano and Orchestra
Arranged by R.Sloboder. Jewish,Wedding,World. Score. 2 pages. Rivka Sloboder #573316…
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Arranged by R.Sloboder. Jewish,Wedding,World. Score. 2 pages. Rivka Sloboder #5733163. Published by Rivka Sloboder
$8.00
7.38 €
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Piano and Orchestra
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Hatikvah. The national anthem of Israel. Easy piano.
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Rivka Sloboder
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SheetMusicPlus
Concerto para piano e orquestra n.2 em formas brasileiras
Piano and Orchestra
Composed by Hekel Tavares. 21st Century, Contemporary Classical, South American. Solo Part…
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Composed by Hekel Tavares. 21st Century, Contemporary Classical, South American. Solo Part. 34 pages. Published by Musica Brasilis (S0.240407). - Solo Part - 21st Century,Contemporary Classical,South American - Musica Brasilis
$17.50
16.13 €
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Piano and Orchestra
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Hekel Tavares
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Concerto para piano e orquestra n.2 em formas brasileiras
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Musica Brasilis
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SheetMusicPlus
Concerto No. 2 (Ukrainian Concerto) for Piano and Orchestra
Piano and Orchestra
By Alexander Peskanov. For Piano, Orchestra. Romantic Period. Advanced Intermediate. Piano…
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By Alexander Peskanov. For Piano, Orchestra. Romantic Period. Advanced Intermediate. Piano Reduction. Classical Video Concepts, Inc #M-YC2. Published by Classical Video Concepts, Inc
$20.00
18.44 €
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Piano and Orchestra
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Alexander Peskanov
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Concerto No. 2
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Classical Video Concepts, Inc
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99
22.12 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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