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81381
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55661
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36266
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10694
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8272
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5886
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4661
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3382
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2212
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1716
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1293
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941
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407
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338
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278
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276
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259
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192
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158
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118
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74
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48
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41
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30
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14
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9
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8
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6
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5
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4
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13749
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9163
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4198
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3498
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2701
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1675
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1597
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704
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666
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646
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568
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387
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349
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343
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315
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196
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111
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91
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80
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53
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44
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36
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36
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29
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23
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21
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14
2 Mandolins (duet)
9
Zither
6
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5
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5
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5
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4
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32384
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15357
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14801
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10645
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7745
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5717
Choral Unison
2068
Choral
1978
Vocal duet, Piano
1789
Vocal duet
985
Voice solo
848
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782
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622
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581
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551
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375
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338
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158
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126
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94
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82
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74
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58
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54
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43
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42
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39
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38
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38
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37
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29
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27
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27
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23
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9
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8
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7
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5
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2
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10273
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8436
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8333
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6876
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6692
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6655
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6648
2 Saxophones (duet)
6570
Flute, Oboe, Clarinet, Bassoon
6189
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5904
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5548
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5392
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5184
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5103
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4945
Oboe (band part)
4705
2 Clarinets (duet)
4447
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4057
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3167
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3001
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2828
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2373
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2227
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1928
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1763
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1638
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1595
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1403
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1381
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1341
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1291
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1239
Oboe
1178
English horn, Piano
1116
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1057
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1009
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868
Flute, Violin
861
Clarinet, Violin (duet)
821
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783
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713
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676
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669
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655
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644
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604
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600
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545
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540
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497
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495
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490
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471
3 Recorders (trio)
456
Oboe, Clarinet, Bassoon (trio)
452
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404
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367
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365
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353
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338
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334
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329
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328
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322
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316
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314
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295
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288
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283
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264
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262
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258
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254
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250
Flute, Saxophone (duet)
250
Treble (Alto) Recorder, Piano
248
2 Saxophones, Piano
243
Oboe, Cello
240
3 Oboes
229
Recorder Ensemble
226
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218
Piccolo
212
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211
2 Flutes, Piano
209
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203
Saxophone and Guitar
202
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185
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174
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169
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166
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157
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144
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122
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119
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119
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112
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109
Pennywhistle
109
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109
Saxophone, Violin (duet)
107
Oboe, Trumpet (duet)
100
2 Clarinets, Bassoon
97
4 Oboes
81
Recorder, Guitar (duet)
77
Oboe and viola (duet)
76
Eb Instruments
74
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74
Flute, Clarinet, Horn and Bassoon (Quartet)
72
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71
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69
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69
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64
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58
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54
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52
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51
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49
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48
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48
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44
Saxophone and Harp
43
Flute, Tuba (duet)
43
Harmonica, Piano
41
Clarinette, Viola and Piano (trio)
35
2 English horns and Pianoforte
34
Saxophone and cello
34
Flute, Organ (duet)
31
Flute, trombone and piano
30
Clarinet, Tuba
30
Oboe, Bassoon and Piano
27
Flute, French horn (duet)
25
Oboe, Cello and Piano
25
Flute, Violin, Guitar
24
Oboe, Violin, Viola and Violoncello (Quartet)
24
Clarinet, trumpet and piano
22
Treble (Alto) Recorder, Basso continuo
22
Clarinet Quintet: Clarinet, String Quartet
20
Flute, Cello, Guitar
20
2 Oboes, Piano
19
Wind ensemble
19
Flute and String Quartet
18
Oboe, Violin, Piano
17
Saxophone and Orchestra
15
2 Recorders, Piano
15
Oboe, Clarinet and Piano (Trio)
15
Oboe ensemble
14
Clarinet, Organ
13
Clarinet, Double bass (duet)
12
2 Harmonicas
11
Clarinet, Orchestra
11
2 Flutes and Harp
10
Flute, Orchestra
10
2 Flutes and Guitar
10
Flute, Viola and Cello
10
Recorder, Harp
10
Saxophone, Tuba (duet)
9
2 Oboes and Basson
8
English horn, Harp (duet)
8
2 Oboes and English horn
8
Flute, Guitar, Piano
7
2 Flutes, 2 Clarinets (Quartet)
7
Melodica
5
Oboe and String quartet
4
Clarinet, String quartet and Piano
3
Clarinet, Saxophone, Piano
3
Flute, Basso continuo
3
Oboe and Orchestra
3
Flute, Viola and harp
3
Oboe, Organ
3
2 clarinets, 2 bassoons
2
2 Recorders, Guitar
2
2 Flutes, Basso continuo
2
Descant (Soprano) Recorder, Basso continuo
2
Oboe, Clarinet, Bassoon and Piano
1
2 Oboes, 2 Horns and 2 Bassoons
1
Pan Flute
1
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Trumpet (band part)
11979
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11733
Brass Quintet: 2 trumpets, horn, trombone, tuba
9374
Trumpet
6456
Trumpet, Piano
6105
Trombone and Piano
5310
Trombone
4766
Brass quartet : 2 trumpets, trombone, tuba
4203
French horn (band part)
3929
French Horn and Piano
3894
French horn
3612
Tuba (band part)
2889
2 Trumpets (duet)
2381
Tuba
2121
Brass Quartet
1937
2 Trombones (duet)
1899
Brass Quartet: 2 trumpets, horn, trombone
1826
Tuba and Piano
1715
Trumpet, Trombone (duet)
1401
Brass Quartet: 4 trombones
1336
English horn, Piano
1116
2 French horns (duet)
1093
Euphonium, Piano (duet)
1011
Brass Quartet: 4 horns
984
2 Euphoniums and 2 Tubas
807
Euphonium
720
Trumpet, Saxophone (duet)
641
Brass Trio
636
4 Tubas
571
Trumpet, Horn (duert)
560
Trombone ensemble
452
3 Trombones (trio)
413
2 Tubas (duet)
329
English Horn
314
3 Trumpets (trio)
303
Tuba or Euphonium or Saxhorn
290
Horn Ensemble
265
Brass Quartet: 4 trumpets
240
Trumpet, Tuba (duet)
238
Trumpet ensemble
230
Trombone, Tuba (duet)
221
Bass Trombone and Piano
185
Tuba and Organ
150
Cornet
142
Trombone, cello (duet)
140
Trumpet, violin (duet)
131
2 Trumpets, Keyboard (piano or organ)
126
Trombone, Horn (duet)
126
Trumpet, Bassoon (duet)
117
Horn, Cello (duet)
117
Horn, Tuba (duet)
112
Euphonium, Tuba (duet)
109
Brass Quartet: 2 trumpets, 2 trombones
105
3 French horns (trio)
96
Bass Trombone
95
Trombone, Violin (duet)
92
Trumpet, Cello (duet)
85
Bass Clef Instruments
80
2 Euphoniums (duet)
75
Bb Instruments
73
English Horn, Guitar (duet)
71
Tuba ensemble
56
Trombone, Organ
55
French Horn and Harp
52
French horn and Basson (duet)
49
Euphonium (band part)
46
Trumpet, Trombone, Piano
46
2 Trombones, Piano
42
Trumpet, Cello, Piano
41
Trumpet, Harp
38
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
37
2 English horns and Pianoforte
34
Trumpet and Guitar
33
Clarinet, Horn (duet)
31
3 Tubas (trio)
31
Trombone, Viola (duet)
28
Horn and Organ
21
Horn, Trumpet, Trombone (trio)
20
2 French horns, Piano
15
3 Euphoniums
14
Cornet and Piano
14
Brass Quintet: 2 trumpets, horn, 2 trombones
14
4 Euphoniums
13
Trumpet, Orchestra
12
Flügelhorn
8
English horn, Harp (duet)
8
Trumpet, Euphonium (duet)
8
F Instruments
7
Horn, Cello and Piano
6
Trombone and Orchestra
6
Instruments en Sol
4
Euphonium or Saxhorn and Piano
4
Cornet and Orchestra
2
Horn and Orchestra
2
Bass Saxhorn or Euphonium or Tuba and Piano
2
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STRINGS
String Quartet: 2 violins, viola, cello
28946
Violin and Piano
14672
Violin
10363
Cello, Piano
9099
Viola, Piano
7442
Cello
6982
Harp
6576
Violin (band part)
5828
Violin, Cello (duet)
5432
Viola
5065
String Trio: violin, viola, cello
4208
2 Violins (duet)
4199
Doublebass (band part)
3674
2 Cellos (duet)
3048
Violin, Viola (duet)
2450
Viola (band part)
2012
String Quintet: 2 violins, viola, cello, bass
1985
2 Violas (duet)
1931
Double Bass
1812
Cello (band part)
1808
Double bass, Piano (duet)
1615
String Trio: 2 violins, cello
1592
Viola, Cello (duet)
1322
4 Cellos
957
String Trio: 3 violins
898
Piano Trio: Violin, Viola, Piano
710
Violin, Guitar (duet)
686
String Trio: 3 cellos
625
String trio
542
Cello, Guitar (duet)
532
2 Harps (duet)
498
Harp, Flute (duet)
464
String quartet: 4 violins
441
Harp, Violin (duet)
397
String Trio: 2 violins, viola
352
2 Double basses (duet)
339
String Trio: 3 violas
316
Viola, Guitar (duet)
289
Cello, String Bass (duet)
286
String Quartet : 4 violas
283
Violin, Bassoon (duet)
253
Viola and Bassoon
166
2 Violins, Piano
163
String Quintet: 2 violins, 2 violas, cello
141
Harp, Cello (duet)
112
Harp and Piano
95
Cello Ensemble
77
Harp, Voice
74
Violin, Clarinet, Piano (trio)
73
String Quintet: 2 violins, viola, 2 cellos
72
Harp (band part)
71
Viola and Harp
68
4 Double Basses
60
Flute, Doublebass (duet)
52
Cello, Organ
51
Violin, Organ
50
2 Cellos, Piano
49
Violin ensemble
48
Harp, Violin, Violoncello
45
3 double basses
37
Violin, Tuba (duet)
32
Viola ensemble
31
Cello, Orchestra
28
3 Harps
27
2 Violas, Piano
22
Harp and mandolin
21
2 Violins and Basso
19
Violin, Basso continuo
17
Violin, Double bass (duet)
16
Cello and Marimba
15
Violin, Trumpet and Piano
14
Viola, Organ
13
Harp, Trombone (duet)
12
4 Harps
12
Violin, Cello, Clarinet
10
Harp, Orchestra
7
Viola and orchestra
6
Violoncello, Basso continuo
6
Autoharp
4
Harp, String quartet
4
5 Harps
3
Harp and Organ
1
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1
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28810
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10452
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9824
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8324
Marching band
7811
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5350
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4976
Handbells
4644
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4350
Chamber Orchestra
2253
Jazz combo
2045
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1762
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1408
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1285
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937
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352
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289
Xylophone
264
Woodwind Quintet
249
Vibraphone
233
Xylophone, Piano
129
Woodwind Quartet: any 4 woodwinds
106
2 Xylophones
61
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
60
Flexible Instrumentation
42
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40
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38
Big band
34
Snare drums
31
Orchestra, Violin
30
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26
Piano and Orchestra
23
Xylophone (band part)
19
3 Marimbas
18
School Ensemble
17
Woodwind Trio: any 3 woodwinds
12
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11
Vibraphone and Marimba
10
Xylophone or Marimba or Vibraphone
10
3 Percussions
8
Vibraphone, Piano
8
Voice and Orchestra
6
2 Marimbas
5
Marimba and Organ
5
Bongos
3
Cajon
1
Marimba, Saxophone (duet)
1
Marimba or Xylophone and Piano
1
Symphonic Band
1
Conga
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2 Percussions
1
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OTHERS
Musical course - Solfege
183
Music Theory
11
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1
Carol of the Bells / God Rest Ye Merry Gentlemen - Piano and String Orchestra
Piano and Orchestra
Composed by Mykola Leontovych. Arranged by Matt Riley. 21st Century, Contemporary Classica…
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Composed by Mykola Leontovych. Arranged by Matt Riley. 21st Century, Contemporary Classical, Christian, Sacred, Christmas. Score, Set of Parts. 32 pages. Published by www.mattrileymusic.com (S0.204647). - Score,Set of Parts - 21st Century,Contemporary Classical,Christian,Sacred,Christmas - www.mattrileymusic.com
Arranged by Matt Riley as part of his EPIC CHRISTMAS SERIES. Beautifully orchestrated with a cinematic sound, this highly acclaimed arrangement will stun and amaze audiences. The piano requires an early intermediate level of skill. Matt Riley has also made Advanced and Advanced Intermediate versions available on this site.
$125.00
115.24 €
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Piano and Orchestra
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Mykola Leontovych
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Carol of the Bells / God Rest Ye Merry Gentlemen - Piano and String Orchestra
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www.mattrileymusic.com
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SheetMusicPlus
Carol of the Bells / God Rest Ye Merry Gentlemen - Piano and String Orchestra
Piano and Orchestra
Composed by Mykola Leontovych. Arranged by Matt Riley. 21st Century, Christian, Contempora…
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Composed by Mykola Leontovych. Arranged by Matt Riley. 21st Century, Christian, Contemporary Christian, Sacred, Christmas. Score, Set of Parts. 38 pages. Published by www.mattrileymusic.com (S0.203945). - Score,Set of Parts - 21st Century,Christian,Contemporary Christian,Sacred,Christmas - www.mattrileymusic.com
Arranged by Matt Riley as part of his EPIC CHRISTMAS SERIES. Beautifully orchestrated with a cinematic sound, this highly acclaimed arrangement will stun and amaze audiences. The piano requires an advanced level of skill. Matt Riley has also made Early Intermediate and Late Intermediate versions available on this site. Questions? Email: Matt@mattrileymusic.com
$125.00
115.24 €
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Piano and Orchestra
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Mykola Leontovych
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Carol of the Bells / God Rest Ye Merry Gentlemen - Piano and String Orchestra
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www.mattrileymusic.com
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SheetMusicPlus
Carol of the Bells / God Rest Ye Merry Gentlemen - Piano and Orchestra
Piano and Orchestra
Composed by Mykola Leontovych. Arranged by Matt Riley. 21st Century, Contemporary Classica…
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Composed by Mykola Leontovych. Arranged by Matt Riley. 21st Century, Contemporary Classical, Christian, Spiritual, Christmas. Score, Set of Parts. 113 pages. Published by www.mattrileymusic.com (S0.220841). - Score,Set of Parts - 21st Century,Contemporary Classical,Christian,Spiritual,Christmas - www.mattrileymusic.com
Arranged by Matt Riley as part of his EPIC CHRISTMAS SERIES. Beautifully orchestrated with an epic cinematic sound and featuring a stunning piano part, this arrangement will amaze audiences. The sample recording includes some added pop style elements such as loops, synths and rhythm section but this piece can easy be performed without them which will give it a more traditional orchestral style. See the preview pages for instrumentation and print/format instructions. The piano part requires an Advanced level of skill. Late Intermediate/Advanced and Early Intermediate level versions of this arrangement are also available on this site. Also check out Matt Riley's Piano and String orchestra versions. Need part substitutions or help formatting/printing correctly? Email matt@mattrileymusic.com
$200.00
184.38 €
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Piano and Orchestra
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Mykola Leontovych
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Carol of the Bells / God Rest Ye Merry Gentlemen - Piano and Orchestra
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www.mattrileymusic.com
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SheetMusicPlus
O Holy Night- Arranged for Piano and String orchestra
Piano and Orchestra
Composed by Adolphe-Charles Adam (1803-1856). Arranged by Ognyan Petrov. Christian, Contem…
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Composed by Adolphe-Charles Adam (1803-1856). Arranged by Ognyan Petrov. Christian, Contemporary Christian, Spiritual, Sacred, Christmas. Score, Set of Parts. 22 pages. Published by Ognyan Petrov (S0.88877). - Score,Set of Parts - Christian,Contemporary Christian,Spiritual,Sacred,Christmas - Ognyan Petrov
This is an arrangement especially made for 2015 Holiday Contest.Very melodical line in Piano part, combined with lyric strings accompaniment.
$19.50
17.98 €
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Piano and Orchestra
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Adolphe-Charles Adam
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O Holy Night- Arranged for Piano and String orchestra
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Ognyan Petrov
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SheetMusicPlus
Carol of the Bells / God Rest Ye Merry Gentlemen - Piano and Orchestra
Piano and Orchestra
Full Orchestra, Piano - Advanced Intermediate - Digital Download Composed by Mykola …
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Full Orchestra, Piano - Advanced Intermediate - Digital Download Composed by Mykola Leontovych. Arranged by Matt Riley. 21st Century, Contemporary Classical, Christian, Sacred, Christmas. Score, Set of Parts. 109 pages. Published by www.mattrileymusic.com
Arranged by Matt Riley as part of his EPIC CHRISTMAS SERIES. Beautifully orchestrated with an epic cinematic sound and featuring a stunning piano part, this arrangement will amaze audiences. The sample recording includes some added pop style elements such as loops, synths and rhythm section but this piece can easy be performed without them which will give it a more traditional orchestral style. See the preview pages for instrumentation and print/format instructions. The piano part requires a Late Intermediate/Advanced level of skill. Early Intermediate and Advanced level versions of this arrangement are also available on this site. Also check out Matt Riley's Piano and String orchestra versions.
$150.00
138.29 €
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Piano and Orchestra
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Mykola Leontovych
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Carol of the Bells / God Rest Ye Merry Gentlemen - Piano and Orchestra
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www.mattrileymusic.com
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SheetMusicPlus
Carol of the Bells / God Rest Ye Merry Gentlemen - Piano and Orchestra
Piano and Orchestra
Full Orchestra, Piano - Intermediate - Digital Download Composed by Mykola Leontovy…
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Full Orchestra, Piano - Intermediate - Digital Download Composed by Mykola Leontovych. Arranged by Matt Riley. 21st Century, Contemporary Classical, Christian, Sacred, Christmas. Score, Set of Parts. 107 pages. Published by www.mattrileymusic.com
Arranged by Matt Riley as part of his EPIC CHRISTMAS SERIES. Beautifully orchestrated with an epic cinematic sound and featuring a stunning piano part, this arrangement will amaze audiences. The sample recording includes some added pop style elements such as loops, synths and rhythm section but this piece can easy be performed without them which will give it a more traditional orchestral style. See preview pages for instrumentation and print/format instructions. The piano part requires an Early Intermediate level of skill. Late Intermediate/Advanced and Advanced level versions of this arrangement are also available on this site. Also check out Matt Riley's Piano and String orchestra versions.
$125.00
115.24 €
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Piano and Orchestra
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Mykola Leontovych
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Carol of the Bells / God Rest Ye Merry Gentlemen - Piano and Orchestra
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www.mattrileymusic.com
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SheetMusicPlus
Concerto No. 25 C major
Piano and Orchestra
Piano and orchestra - Digital Download SKU: S9.Q21383 Composed by Wolfgang Amadeus …
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Piano and orchestra - Digital Download SKU: S9.Q21383 Composed by Wolfgang Amadeus Mozart. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q21383. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21383). Key: C major.His concertos justifiably rank among the milestones of solo music accompanied by orchestra. In Viennese Classicism, piano music flourished thanks to innovations in the instrumental technique, and even Mozart fully exploited the advantages of the fortepiano action over the rigid sound of the harpsichord in his works. Piano Concerto No. 25 is Mozart’s longest concerto. The harmonic structure, the continuous change between major and minor, the witty dialoguing between solo and orchestra, the strong contrapuntal saturation, the frequent use of the pedal point as well as the overflowing melodic abundance give the work a character all its own.
$12.99
11.98 €
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Piano and Orchestra
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Wolfgang Amadeus Mozart
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Concerto No. 25 C major
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Mozart - Piano Concerto No.20 in D minor K 466 for Piano and Orchestra
Piano and Orchestra
String Orchestra - Level 5 - Digital Download SKU: A0.517429 Composed by Wolfgang A…
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String Orchestra - Level 5 - Digital Download SKU: A0.517429 Composed by Wolfgang Amadeus Mozart. Arranged by Santino Cara. Classical. Score and parts. 271 pages. Santino Cara #5197099. Published by Santino Cara (A0.517429). Complete score and parts of the Piano Concerto No.20 in D minor K.466 for Piano solo and Orchestra. Composed in 1785 in Vienna by Wolfgang Amadeus Mozart. Rewritten and elaborated in Rome in 2019 by Santino Cara.
$26.20
24.15 €
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Piano and Orchestra
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Wolfgang Amadeus Mozart
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Mozart - Piano Concerto No.20 in D minor K 466 for Piano and Orchestra
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Santino Cara
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SheetMusicPlus
Concerto No. 1
Piano and Orchestra
Piano and orchestra - Digital Download SKU: S9.Q54443 Composed by Carl Maria von We…
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Piano and orchestra - Digital Download SKU: S9.Q54443 Composed by Carl Maria von Weber. Arranged by Friedrich Gustav Jansen. This edition: vocal score (also full score). Downloadable, Piano reduction. Op. 11. Duration 20 minutes. Musikverlag Robert Lienau - Digital #Q54443. Published by Musikverlag Robert Lienau - Digital (S9.Q54443). German • English • French.
$15.99
14.74 €
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Piano and Orchestra
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Carl Maria von Weber
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Concerto No. 1
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Musikverlag Robert Lienau - Digital
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SheetMusicPlus
Concerto D Major
Piano and Orchestra
Piano (harpsichord) and orchestra - intermediate - Digital Download SKU: S9.Q47513 …
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Piano (harpsichord) and orchestra - intermediate - Digital Download SKU: S9.Q47513 Composed by Johann Wenzel Anton Stamitz. Arranged by Karlheinz Schultz-Hauser. This edition: piano reduction for 2 pianos. Schott Archive. Downloadable, vocal/piano score. Op. 10/1. Duration 14 minutes. Schott Music - Digital #Q47513. Published by Schott Music - Digital (S9.Q47513). Key: D major.
$23.99
22.12 €
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Piano and Orchestra
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Johann Wenzel Anton Stamitz
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Concerto D Major
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Schott Music - Digital
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SheetMusicPlus
H. D'Andrea Variations on a theme by Mozart as a child for piano and orchestra.
Piano and Orchestra
Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Trumpet,Viola,Violin - L…
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Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Trumpet,Viola,Violin - Level 2 - Digital Download SKU: A0.981569 Composed by Wolfgang Amadeus Mozart. Arranged by Helios D'Andrea. Classical,Contemporary,Instructional. Score and parts. 12 pages. D'Andrea Helios #6735431. Published by D'Andrea Helios (A0.981569). Only variations on an original theme by Mozart.
$5.00
4.61 €
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Piano and Orchestra
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Wolfgang Amadeus Mozart
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H. D'Andrea Variations on a theme by Mozart as a child for piano and orchestra.
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D'Andrea Helios
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SheetMusicPlus
Kirculescu (Nicolae) - Moment muzical pt pian si orchestra (Musical moment for piano and orchestra)
Piano and Orchestra
Guitar,Harpsichord,Organ,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.913067…
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Guitar,Harpsichord,Organ,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.913067 Composed by Nicolae Kirculescu. Arranged by Andrei Lucian Drăgoi. 20th Century,Contemporary,Standards. 3 pages. Andrei-Lucian Dragoi #6188049. Published by Andrei-Lucian Dragoi (A0.913067). Composed for piano and orchestra by: Nicolae Kirculescu (Romanian composer) (1903-1985)
$2.00
1.84 €
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Piano and Orchestra
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Nicolae Kirculescu
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Kirculescu
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Andrei-Lucian Dragoi
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SheetMusicPlus
God Bless America ®
Piano and Orchestra
By Celine Dion. By Irving Berlin. Arranged by Alex Nunes Rodrigues. Patriotic. Score …
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By Celine Dion. By Irving Berlin. Arranged by Alex Nunes Rodrigues. Patriotic. Score (Chords/Lyrics). 2 pages. Alex Rodrigues #835237. Published by Alex Rodrigues
$1.99
1.83 €
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Piano and Orchestra
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Celine Dion
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God Bless America ®
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SheetMusicPlus
Diamond Dust
Piano and Orchestra
By Jeff Beck. By Bernie Holland. Arranged by Roger Hudson. Contemporary. Score and p…
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By Jeff Beck. By Bernie Holland. Arranged by Roger Hudson. Contemporary. Score and parts. 19 pages. Roger Hudson Music #5219395. Published by Roger Hudson Music
Featured on Jeff Beck\'s Blow by Blow album. Composed by Bernie Holland. This arrangement by Roger Hudson for the Music City Youth Orchestra and electric violinist Tracy Silverman. MCYO directed by Walter Bitner. Performed at Schermerhorn Symphony Center, Nashville, May 2011 .
$19.99
18.43 €
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Piano and Orchestra
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Jeff Beck
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Diamond Dust
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Roger Hudson Music
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SheetMusicPlus
Le Vent, Le Cri - Ennio Morricone
Piano and Orchestra
Piano and String Orchestra - Advanced Intermediate - Digital Download By Ennio Morric…
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Piano and String Orchestra - Advanced Intermediate - Digital Download By Ennio Morricone. Arranged by Armand Broshka. Score, Set of Parts. 62 pages. Published by Armand Broshka
"Le Vent, Le Cri" soundtrack from the motion picture "Le Professionnel" The Professional composed by Ennio Morricone.<br> This version is identical to that of the movie and the attached YouTube link. (This is an professional score)
$99.99
92.18 €
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Piano and Orchestra
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Ennio Morricone
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Le Vent, Le Cri - Ennio Morricone
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SheetMusicPlus
Hatikvah. The national anthem of Israel. Easy piano.
Piano and Orchestra
Arranged by R.Sloboder. Jewish,Wedding,World. Score. 2 pages. Rivka Sloboder #573316…
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Arranged by R.Sloboder. Jewish,Wedding,World. Score. 2 pages. Rivka Sloboder #5733163. Published by Rivka Sloboder
$8.00
7.38 €
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Piano and Orchestra
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Hatikvah. The national anthem of Israel. Easy piano.
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Rivka Sloboder
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99
22.12 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Cradled In A Lowly Manger
Piano and Orchestra
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Chri…
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By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian, Christmas. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.68 €
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Piano and Orchestra
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Stephen DeCesare
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Cradled In A Lowly Manger
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Exultet Music
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SheetMusicPlus
May The Angels
Piano and Orchestra
Composed by Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contempo…
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Composed by Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.68 €
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Piano and Orchestra
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Stephen DeCesare
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May The Angels
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Exultet Music
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SheetMusicPlus
When Johnny Comes Marching Home
Piano and Orchestra
By Patrick Gilmore. Arranged by Stephen DeCesare. For Piano, Voice, Flute, Choral. Instruc…
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By Patrick Gilmore. Arranged by Stephen DeCesare. For Piano, Voice, Flute, Choral. Instructional, Secular, Children's Music, Early Music, World. Intermediate. Octavo. Published by Exultet Music
$3.99
3.68 €
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Piano and Orchestra
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Patrick Gilmore
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When Johnny Comes Marching Home
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Exultet Music
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SheetMusicPlus
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