Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
11
Digital
Sheet Music
8
Sheet Music
Books
63
Music
Equipment
30,383
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
28578
PIANO & KEYBOARDS
Piano solo
40145
Piano, Voice
9066
Piano, Vocal and Guitar
6537
Easy Piano
6041
Big Note Piano
3411
Organ
2608
Accordion
2387
C Instruments
1504
1 Piano, 4 hands
770
Piano Accompaniment
488
Piano Trio: piano, violin, cello
212
2 Pianos, 4 hands
153
Piano (band part)
123
Organ, Trumpet (duet)
89
Piano Quartet: piano, 2 violins, cello
71
Piano Quartet: piano, violin, viola, cello
70
Keyboard
70
Melody line, Piano
69
Piano Quintet: piano, 2 violins, viola, cello
62
Organ, Piano (duet)
40
Accordion, Voice
23
Harpsichord
23
1 Piano, 6 hands
22
Solo instrument and Organ
16
2 Pianos, 8 hands
7
Accordion ensemble
4
All Instruments
3
Organ, Voice
3
Piano Quintet: piano, violin, viola, cello, double bass
2
Accordion, Piano
2
2 Organs (duet)
1
Concertina
1
Piano ensembles
1
Accordion, String(s)
1
Instrumentations suivantes
Retracter
GUITARS
Guitar
5762
Guitar notes and tablatures
4386
Bass guitar
3815
Melody line, (Lyrics) and Chords
1768
Ukulele
1232
Lyrics and Chords
626
Piano, Guitar (duet)
218
2 Guitars (duet)
159
Guitar (band part)
134
Banjo
118
Mandolin
99
4 Guitars (Quartet)
86
Dulcimer
76
Mandolin, Piano (duet)
46
Guitar Ensemble
37
3 Guitars (trio)
34
Electric Bass (band part)
33
Baritone Ukulele
15
2 Dulcimers (duet)
13
Dobro
10
Band Scores
10
Ukulele Ensemble
8
Mandolin, Guitar (duet)
7
Guitar, Violin, Cello (trio)
7
Lap Steel Guitar
4
2 Mandolins (duet)
3
Plectrum Orchestra
3
3 Dulcimers (trio)
2
2 Guitars, Clarinet (trio)
1
2 Ukuleles
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
8893
Voice solo
5881
Choral 2-part
3222
Choral 3-part
3183
Choral Unison
1333
Choral TTBB
1056
Vocal duet, Piano
1009
Choral SSAA
646
Choral
519
Vocal duet
433
High voice
173
Soprano voice, Piano
170
Choral SATTB
80
Choral SSATBB
60
Alto voice, Piano
45
Medium voice, Piano
40
Tenor voice, Piano
26
Low voice, Piano
25
Tenor voice
21
Mezzo-Soprano voice, Piano
18
Choral SAATB A Cappella
18
Choral SSAATTBB
17
Choral SSATB
17
Low voice
13
Choral SSATTB
12
Soli, Mixted choir and accompaniment
12
Voice, Guitar
11
Soprano voice
11
Baritone voice, Piano
10
Choral SATTBB, keyboard
8
Choral SSAB, Piano
6
Choral, Organ
4
Choral SATBB
3
Baritone voice
2
Choral SSAB a cappella
2
Vocal duet, Organ
2
Medium Voice
2
Choral SSAATB
1
Voix Masculines
1
Choral SATTBB A Cappella
1
Instrumentations suivantes
Retracter
WOODWIND
Saxophone
16056
Flute
8612
Clarinet
7838
Alto Saxophone
2135
Flute and Piano
2106
Tenor Saxophone
1932
Clarinet and Piano
1492
Recorder
1388
Oboe, Piano (duet)
1357
Saxophone (band part)
1352
2 Saxophones (duet)
1288
Saxophone Quartet: 4 saxophones
1270
Alto Saxophone and Piano
1221
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
954
Tenor Saxophone and Piano
926
Flute, Oboe, Clarinet, Bassoon
841
Clarinet Quartet: 4 clarinets
835
Oboe
811
Descant (Soprano) Recorder
790
2 Flutes (duet)
761
2 Clarinets (duet)
739
Clarinet (band part)
641
Soprano Saxophone
621
Soprano Saxophone and Piano
606
Oboe (band part)
501
Saxophone Quintet: 5 Saxophones
429
Flute Quartet: 4 flutes
405
3 Saxophones (trio)
364
Flute, Clarinet (duet)
361
3 Clarinets (trio)
350
2 Recorders (duet)
310
Flute (band part)
295
Clarinet Ensemble
268
Saxophone, Clarinet (duet)
241
2 Oboes (duet)
235
Flute Trio: 3 flutes
233
Baritone Saxophone, Piano
227
Clarinet, Violin (duet)
226
Oboe, Bassoon (duet)
213
Flute ensemble
200
English horn, Piano
186
Flute and Guitar
183
Flute, Violin
173
Recorder Quartet
173
Clarinet Quintet: 5 clarinets
170
Oboe, Clarinet (duet)
163
Saxophone ensemble
160
Clarinet, Trumpet (duet)
154
Harmonica
150
Descent (Soprano) Recorder, Piano
134
Clarinet and Viola
134
Flute, Viola (duet)
117
Flute, Clarinet and Bassoon.
116
Flute, Oboe, Clarinet (trio)
116
Flute, Violoncello
113
Clarinet, Bassoon (duet)
102
3 Recorders (trio)
99
Flute, Oboe, Bassoon
95
Flute, Saxophone (duet)
94
Oboe, Flute
93
Flute Quintet : 5 flutes
91
Flute, Violin and Violoncello
86
Treble (Alto) Recorder
82
English Horn
74
Pennywhistle
68
Bass Clarinet, Piano
65
Clarinet, Cello (duet)
64
Oboe, Clarinet, Bassoon (trio)
64
Flute, Trumpet (duet)
63
Ocarina
57
Eb Instruments
51
2 Flutes, Piano
51
Recorder Ensemble
50
5 Recorders
49
Clarinet, Guitar (duet)
48
Flute, Harp and Cello
46
Flute, Oboe (duet)
45
2 Clarinets, Bassoon
45
Clarinet, Harp (duet)
40
Baritone Saxophone
38
Recorder, Piano
36
Flute, Clarinet, Piano (trio)
36
Recorder, Guitar (duet)
33
Flute, Violin, Piano
32
Flute, Cello, Piano (trio)
31
Oboe, Cello
29
Treble (Alto) Recorder, Piano
26
Piccolo
26
Tenor Recorder
24
2 Clarinets, Piano
21
Flute, Bassoon, and Piano
20
Bass Clarinet
20
Clarinet, Cello, Piano (trio)
20
2 Saxophones, Piano
20
Piccolo, Piano
20
4 Oboes
19
Oboe, Guitar (duet)
18
Saxophone and Piano
15
Saxophone and Guitar
15
Flute, Trombone (duet)
15
3 Oboes
13
Saxophone and Organ
13
Flute, Oboe, Piano (trio)
13
Clarinet Quintet: Clarinet, String Quartet
12
English Horn, Guitar (duet)
12
Flute, Oboe, Violin
11
Clarinet, Trombone (duet)
10
Descant (Soprano) Recorder, Basso continuo
10
Flute, harp and violin
10
Oboe, Violin (duet)
9
Flute, Clarinet, Violin (trio)
9
Clarinet, Bassoon, Piano (trio)
8
Flute, Viola and Piano
8
Flute, Violin, Violoncello and Piano
8
Oboe, Harp
8
Flute and Strings Trio
8
Oboe and viola (duet)
7
Saxophone and Harp
7
Oboe, Trombone (duet)
7
Flute, Organ (duet)
7
Saxophone and cello
6
2 English horns and Pianoforte
6
Flute, trombone and piano
6
Clarinet, trumpet and piano
6
Oboe, Bassoon and Piano
6
Clarinet, Orchestra
6
Flute, Clarinet, Horn and Bassoon (Quartet)
5
Flute, Viola and Cello
5
Oboe ensemble
5
Treble (Alto) Recorder, Basso continuo
4
Oboe, Clarinet and Piano (Trio)
4
Saxophone, Violin (duet)
4
Flute, Viola and harp
4
Clarinette, Viola and Piano (trio)
4
2 Oboes, Piano
4
Flute, Basso continuo
4
Flute, Violin, Guitar
3
Clarinet, Tuba
3
Oboe, Cello and Piano
3
Flute, French horn (duet)
3
Flute, Cello, Guitar
3
Oboe, Violin, Viola and Violoncello (Quartet)
3
Bagpipe
3
Wind ensemble
3
Flute and String Quartet
3
Clarinet, Organ
2
Clarinet, Double bass (duet)
2
Recorder, Harp
2
Flute, Tuba (duet)
2
Pan Flute
2
Harmonica, Piano
2
2 Recorders, Piano
2
2 Harmonicas
1
Oboe and String quartet
1
2 clarinets, 2 bassoons
1
English horn, Harp (duet)
1
Flute, Orchestra
1
Saxophone, Bassoon (duet)
1
2 Flutes and Guitar
1
Oboe, Violin, Piano
1
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
Flute, viola, cello and guitar
1
2 Oboes and Basson
1
Melodica
1
2 Flutes and Harp
1
Instrumentations suivantes
Retracter
WOODBRASS
Trumpet
7095
Trombone
6303
Brass Quintet: 2 trumpets, horn, trombone, tuba
1366
Trumpet, Piano
1058
Trombone and Piano
1028
French horn
984
Trumpet (band part)
883
Trombone (band part)
813
French Horn and Piano
654
Brass quartet : 2 trumpets, trombone, tuba
622
Tuba
548
Euphonium
436
2 Trumpets (duet)
399
2 Trombones (duet)
394
French horn (band part)
357
Brass Quartet
355
Brass Quartet: 2 trumpets, horn, trombone
286
Tuba and Piano
261
Trumpet, Trombone (duet)
218
Tuba (band part)
206
Brass Quartet: 4 trombones
193
English horn, Piano
186
Trumpet, Saxophone (duet)
172
2 French horns (duet)
157
Euphonium, Piano (duet)
147
Trombone ensemble
111
Brass Quartet: 4 horns
102
Trumpet, Horn (duert)
84
2 Tubas (duet)
79
Trumpet ensemble
79
English Horn
74
2 Euphoniums and 2 Tubas
72
Bass Clef Instruments
71
Brass Trio
57
4 Tubas
55
Bb Instruments
55
Brass Quartet: 4 trumpets
50
3 Trombones (trio)
38
Horn Ensemble
32
Trombone, Tuba (duet)
30
2 Euphoniums (duet)
29
Euphonium, Tuba (duet)
23
3 Trumpets (trio)
22
Trombone, Horn (duet)
21
Trumpet, Tuba (duet)
17
Cornet
16
Horn, Cello (duet)
14
Tuba or Euphonium or Saxhorn
13
F Instruments
13
English Horn, Guitar (duet)
12
Trumpet, Cello (duet)
11
Tuba and Organ
11
3 French horns (trio)
10
Brass Quartet: 2 trumpets, 2 trombones
10
Trombone, Organ
10
French Horn and Harp
9
3 Tubas (trio)
9
Trumpet, Trombone, Piano
9
Trumpet, violin (duet)
9
Bass Trombone and Piano
9
Trumpet, Harp
9
2 Trumpets, Keyboard (piano or organ)
8
Trombone, Violin (duet)
8
Bass Trombone
7
Horn, Tuba (duet)
7
Brass Quintet: 2 trumpets, horn, 2 trombones
6
French horn and Basson (duet)
6
Trombone, Viola (duet)
6
2 English horns and Pianoforte
6
Trumpet, Bassoon (duet)
6
2 Trombones, Piano
6
Horn and Organ
5
Trumpet and Guitar
5
Trombone and Orchestra
4
2 French horns, Piano
3
Clarinet, Horn (duet)
3
3 Euphoniums
2
Trumpet, Cello, Piano
2
Tuba ensemble
2
Flügelhorn
2
Trumpet, Orchestra
2
Cornet and Orchestra
2
English horn, Harp (duet)
1
4 Euphoniums
1
Horn, Cello and Piano
1
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
1
Horn, Trumpet, Trombone (trio)
1
Trumpet, Euphonium (duet)
1
Instrumentations suivantes
Retracter
STRINGS
Violin
6067
String Quartet: 2 violins, viola, cello
4387
Cello
3812
Viola
2924
Violin and Piano
2677
Harp
2235
Cello, Piano
1513
Viola, Piano
1395
Violin, Cello (duet)
1173
String Trio: violin, viola, cello
922
2 Violins (duet)
766
Violin (band part)
598
Violin, Viola (duet)
557
2 Cellos (duet)
505
Double Bass
398
String Quintet: 2 violins, viola, cello, bass
382
2 Violas (duet)
379
Harp, Flute (duet)
357
String Trio: 2 violins, cello
356
Doublebass (band part)
338
Viola (band part)
326
Double bass, Piano (duet)
262
2 Harps (duet)
211
Viola, Cello (duet)
193
Cello (band part)
185
Harp, Violin (duet)
143
4 Cellos
128
Piano Trio: Violin, Viola, Piano
119
Violin, Guitar (duet)
107
String Trio: 3 cellos
83
String Trio: 3 violins
82
String trio
71
Cello, String Bass (duet)
69
Cello, Guitar (duet)
67
2 Double basses (duet)
62
String quartet: 4 violins
59
Violin, Bassoon (duet)
53
String Trio: 2 violins, viola
52
Harp and Piano
45
2 Violins, Piano
38
Viola and Bassoon
35
String Quartet : 4 violas
31
String Trio: 3 violas
27
Harp, Voice
24
Viola, Guitar (duet)
23
Violin, Organ
22
Harp (band part)
22
Harp, Cello (duet)
21
Viola and Harp
17
2 Violins and Basso
15
Flute, Doublebass (duet)
15
4 Double Basses
14
String Quintet: 2 violins, 2 violas, cello
14
Cello, Organ
14
2 Violas, Piano
11
Violin ensemble
11
2 Cellos, Piano
11
Violin, Clarinet, Piano (trio)
11
Cello, Orchestra
11
Harp and mandolin
10
Harp, Violin, Violoncello
10
String Quintet: 2 violins, viola, 2 cellos
7
Viola ensemble
7
Autoharp
7
Cello Ensemble
6
3 Harps
6
Viola, Organ
4
Violoncello, Basso continuo
4
Violin, Basso continuo
4
3 double basses
4
5 Harps
2
Harp, Trombone (duet)
2
Violin, Tuba (duet)
2
Violin, Double bass (duet)
1
Harp and Organ
1
Violin, Cello, Clarinet
1
4 Harps
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Drums
5976
Concert band
5710
Orchestra
2865
String Orchestra
2346
Handbells
1034
Jazz Ensemble
1022
Brass ensemble
914
Chamber Orchestra
731
Percussion (band part)
463
Marching band
417
Jazz combo
276
Percussion Ensemble
265
Percussion
237
Drum (band part)
179
Marimba
107
Vibraphone
70
Timpani (band part)
63
Xylophone
45
Xylophone, Piano
35
Woodwind Quintet
24
Timpani
19
2 Xylophones
11
Piano and Orchestra
8
3 Marimbas
8
School Ensemble
8
Woodwind Quartet: any 4 woodwinds
7
Flexible Instrumentation
7
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
5
Woodwind Trio: any 3 woodwinds
3
Brass Quintet: other combinaisons
3
Orchestra, Violin
3
Snare drums
3
Bongos
2
Vibraphone (band part)
2
Cajon
2
Symphonic Band
2
Conga
1
Big band
1
Vibraphone and Marimba
1
Marimba, Piano (duet)
1
Voice and Orchestra
1
Instrumentations suivantes
Retracter
OTHERS
Musical course - Solfege
50
Music Theory
8
Stationery
1
You've selected:
Can
Piano and Orchestra
Sheetmusic to print
8 sheet music found
<
1
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
(+)
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
21.54 €
#
Piano and Orchestra
#
Gyorgy Ligeti (1923-2006)
#
Concerto
#
Schott Music - Digital
#
SheetMusicPlus
Concerto para piano e orquestra n.2 em formas brasileiras
Piano and Orchestra
Composed by Hekel Tavares. 21st Century, Contemporary Classical, South American. Solo Part…
(+)
Composed by Hekel Tavares. 21st Century, Contemporary Classical, South American. Solo Part. 34 pages. Published by Musica Brasilis (S0.240407). - Solo Part - 21st Century,Contemporary Classical,South American - Musica Brasilis
$17.50
15.72 €
#
Piano and Orchestra
#
Hekel Tavares
#
Concerto para piano e orquestra n.2 em formas brasileiras
#
Musica Brasilis
#
SheetMusicPlus
Jazz Brazilian Piano Concerto No 1 in Three Movements (Full Score Only)
Piano and Orchestra
Composed by James Nathaniel Holland. Jazz, Latin Jazz, Bossa Nova, Latin, South American. …
(+)
Composed by James Nathaniel Holland. Jazz, Latin Jazz, Bossa Nova, Latin, South American. Score. 142 pages. Published by James Nathaniel Holland (S0.221491). - Score - Jazz,Latin Jazz,Bossa Nova,Latin,South American - James Nathaniel Holland
$21.95
19.71 €
#
Piano and Orchestra
#
James Nathaniel Holland
#
Jazz Brazilian Piano Concerto No 1 in Three Movements
#
James Nathaniel Holland
#
SheetMusicPlus
Carol of the Bells / God Rest Ye Merry Gentlemen - Piano and Orchestra
Piano and Orchestra
Composed by Mykola Leontovych. Arranged by Matt Riley. 21st Century, Contemporary Classica…
(+)
Composed by Mykola Leontovych. Arranged by Matt Riley. 21st Century, Contemporary Classical, Christian, Spiritual, Christmas. Score, Set of Parts. 113 pages. Published by www.mattrileymusic.com (S0.220841). - Score,Set of Parts - 21st Century,Contemporary Classical,Christian,Spiritual,Christmas - www.mattrileymusic.com
Arranged by Matt Riley as part of his EPIC CHRISTMAS SERIES. Beautifully orchestrated with an epic cinematic sound and featuring a stunning piano part, this arrangement will amaze audiences. The sample recording includes some added pop style elements such as loops, synths and rhythm section but this piece can easy be performed without them which will give it a more traditional orchestral style. See the preview pages for instrumentation and print/format instructions. The piano part requires an Advanced level of skill. Late Intermediate/Advanced and Early Intermediate level versions of this arrangement are also available on this site. Also check out Matt Riley's Piano and String orchestra versions. Need part substitutions or help formatting/printing correctly? Email matt@mattrileymusic.com
$200.00
179.61 €
#
Piano and Orchestra
#
Mykola Leontovych
#
Carol of the Bells / God Rest Ye Merry Gentlemen - Piano and Orchestra
#
www.mattrileymusic.com
#
SheetMusicPlus
How Can I Keep From Singing?
Piano and Orchestra
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Chri…
(+)
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Sacred, Christian, Contemporary Christian, Pop, Gospel. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.58 €
#
Piano and Orchestra
#
Stephen DeCesare
#
How Can I Keep From Singing?
#
Exultet Music
#
SheetMusicPlus
Carol of the Bells / God Rest Ye Merry Gentlemen - Piano and Orchestra
Piano and Orchestra
Full Orchestra, Piano - Advanced Intermediate - Digital Download Composed by Mykola …
(+)
Full Orchestra, Piano - Advanced Intermediate - Digital Download Composed by Mykola Leontovych. Arranged by Matt Riley. 21st Century, Contemporary Classical, Christian, Sacred, Christmas. Score, Set of Parts. 109 pages. Published by www.mattrileymusic.com
Arranged by Matt Riley as part of his EPIC CHRISTMAS SERIES. Beautifully orchestrated with an epic cinematic sound and featuring a stunning piano part, this arrangement will amaze audiences. The sample recording includes some added pop style elements such as loops, synths and rhythm section but this piece can easy be performed without them which will give it a more traditional orchestral style. See the preview pages for instrumentation and print/format instructions. The piano part requires a Late Intermediate/Advanced level of skill. Early Intermediate and Advanced level versions of this arrangement are also available on this site. Also check out Matt Riley's Piano and String orchestra versions.
$150.00
134.71 €
#
Piano and Orchestra
#
Mykola Leontovych
#
Carol of the Bells / God Rest Ye Merry Gentlemen - Piano and Orchestra
#
www.mattrileymusic.com
#
SheetMusicPlus
Carol of the Bells / God Rest Ye Merry Gentlemen - Piano and Orchestra
Piano and Orchestra
Full Orchestra, Piano - Intermediate - Digital Download Composed by Mykola Leontovy…
(+)
Full Orchestra, Piano - Intermediate - Digital Download Composed by Mykola Leontovych. Arranged by Matt Riley. 21st Century, Contemporary Classical, Christian, Sacred, Christmas. Score, Set of Parts. 107 pages. Published by www.mattrileymusic.com
Arranged by Matt Riley as part of his EPIC CHRISTMAS SERIES. Beautifully orchestrated with an epic cinematic sound and featuring a stunning piano part, this arrangement will amaze audiences. The sample recording includes some added pop style elements such as loops, synths and rhythm section but this piece can easy be performed without them which will give it a more traditional orchestral style. See preview pages for instrumentation and print/format instructions. The piano part requires an Early Intermediate level of skill. Late Intermediate/Advanced and Advanced level versions of this arrangement are also available on this site. Also check out Matt Riley's Piano and String orchestra versions.
$125.00
112.26 €
#
Piano and Orchestra
#
Mykola Leontovych
#
Carol of the Bells / God Rest Ye Merry Gentlemen - Piano and Orchestra
#
www.mattrileymusic.com
#
SheetMusicPlus
<
1
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version