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PIANO & KEYBOARDS
Piano, Vocal and Guitar
42664
Piano, Voice
37047
Piano solo
19154
Easy Piano
12707
Big Note Piano
6605
C Instruments
2163
Organ
1554
Piano Accompaniment
639
Piano Quartet: piano, violin, viola, cello
558
Piano Quintet: piano, 2 violins, viola, cello
523
Accordion, Voice
187
1 Piano, 4 hands
173
Accordion
145
Piano Trio: piano, violin, cello
105
Keyboard
58
2 Pianos, 4 hands
31
Piano (band part)
23
Harpsichord
23
Piano Quartet: piano, 2 violins, cello
22
Organ, Voice
10
2 Accordions
10
Organ, Trumpet (duet)
7
Piano Quintet: piano, violin, viola, cello, double bass
6
Solo instrument and Organ
6
1 Piano, 6 hands
4
Organ, Piano (duet)
4
2 Pianos, 8 hands
3
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2
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1
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1
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GUITARS
Melody line, (Lyrics) and Chords
47685
Lyrics and Chords
23875
Ukulele
5046
Guitar notes and tablatures
4876
Guitar
2229
Guitar (band part)
700
Bass guitar
477
Mandolin
287
Dulcimer
197
2 Guitars (duet)
112
Banjo
79
Piano, Guitar (duet)
59
3 Guitars (trio)
25
2 Dulcimers (duet)
23
Guitar Ensemble
22
4 Guitars (Quartet)
17
2 Ukuleles
10
Dobro
3
Guitar, Violin, Cello (trio)
2
Guitar, Flute, Clarinet
2
Guitar, Orchestra
2
Baritone Ukulele
2
Bouzouki
2
Mandolin, Guitar (duet)
2
Mandolin, Piano (duet)
1
Guitar, String Quartet
1
Electric Bass (band part)
1
Ukulele Ensemble
1
Instrumentations suivantes
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VOICE
Choral SATB
1500
Voice solo
757
Choral 3-part
675
Choral 2-part
584
High voice
456
Choral Unison
384
Vocal duet, Piano
383
Choral TTBB
222
Soprano voice, Piano
140
Choral SSAA
130
Vocal duet
80
Choral
40
Tenor voice, Piano
37
Alto voice, Piano
36
Tenor voice
29
Medium voice, Piano
26
Low voice, Piano
26
Soprano voice
14
High voice, Piano
9
Voice, Guitar
9
Mezzo-Soprano voice, Piano
8
Low voice
8
Baritone voice, Piano
6
Choral SSATB
5
Choral SSAATTBB
4
Medium Voice
4
Soli, Mixted choir and accompaniment
2
Choral SSATTB
1
Choral SSAB a cappella
1
Choral SAATB A Cappella
1
Choral, Organ
1
Choral SSAB, Piano
1
Instrumentations suivantes
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WOODWIND
Oboe, Piano (duet)
1179
Clarinet
1163
Flute
1143
Alto Saxophone and Piano
1132
Clarinet and Piano
1106
Flute and Piano
1068
Saxophone (band part)
1020
Tenor Saxophone and Piano
979
Alto Saxophone
791
Oboe (band part)
529
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
488
Saxophone Quartet: 4 saxophones
475
Flute, Oboe, Clarinet, Bassoon
466
Soprano Saxophone and Piano
386
2 Saxophones (duet)
382
English horn, Piano
341
Clarinet and Viola
305
2 Flutes (duet)
304
Flute, Viola (duet)
302
Saxophone Quintet: 5 Saxophones
277
Eb Instruments
267
2 Clarinets (duet)
202
Baritone Saxophone, Piano
166
2 Recorders (duet)
161
Tenor Saxophone
160
Flute and Guitar
145
Clarinet Quartet: 4 clarinets
141
Clarinet (band part)
141
2 Oboes (duet)
138
Oboe
116
Flute, Clarinet (duet)
114
Harmonica
113
Descant (Soprano) Recorder
97
3 Clarinets (trio)
93
Treble (Alto) Recorder
85
3 Saxophones (trio)
79
Flute Quartet: 4 flutes
75
Flute Trio: 3 flutes
73
Oboe, Clarinet (duet)
72
Oboe and viola (duet)
68
Flute and Strings Trio
67
Clarinet Quartet: Clarinet, Violin, Viola, Cello
64
Flute, Viola and Piano
57
Flute, Violin
52
Recorder
52
Soprano Saxophone
51
Clarinet Ensemble
45
Clarinette, Viola and Piano (trio)
45
Flute, Clarinet and Bassoon.
41
Saxophone ensemble
41
Recorder Quartet
40
Bass Clarinet, Piano
39
Flute, Viola and harp
37
Harmonica, Piano
37
Clarinet, Guitar (duet)
37
Flute, Oboe (duet)
36
Flute (band part)
33
Saxophone
31
Clarinet, Violin (duet)
28
Oboe, Violin, Viola and Violoncello (Quartet)
27
English Horn
27
Oboe, Bassoon (duet)
27
Clarinet Quintet: 5 clarinets
25
Flute and String Quartet
25
Saxophone and Guitar
22
Oboe, Flute
21
2 Clarinets, Piano
20
Tenor Recorder
20
Flute ensemble
20
Baritone Saxophone
20
Flute, Viola and Cello
19
Oboe, Violin (duet)
19
Clarinet, Bassoon (duet)
19
5 Recorders
18
3 Oboes
18
Flute, Cello, Piano (trio)
17
Clarinet, Trumpet (duet)
15
2 Saxophones, Piano
14
Pennywhistle
13
Recorder Ensemble
12
Oboe, Guitar (duet)
12
4 Oboes
12
Piccolo, Piano
12
Flute, Oboe, Clarinet (trio)
12
Flute, Bassoon, and Piano
12
Clarinet Quintet: Clarinet, String Quartet
11
English Horn, Guitar (duet)
11
Clarinet, Harp (duet)
11
Saxophone, Clarinet (duet)
11
Treble (Alto) Recorder, Basso continuo
10
Flute, Violoncello
9
Flute, harp and violin
9
Flute, Violin, Piano
9
Flute, Clarinet, Horn and Bassoon (Quartet)
9
Descent (Soprano) Recorder, Piano
9
3 Recorders (trio)
9
Saxophone, Violin (duet)
8
Clarinet, Cello, Piano (trio)
8
Flute Quintet : 5 flutes
8
Oboe, Clarinet, Bassoon (trio)
7
Treble (Alto) Recorder, Piano
7
Oboe, Cello
7
Flute, Oboe, Bassoon
7
Flute, Clarinet, Piano (trio)
7
Flute, Clarinet, Violin (trio)
6
Oboe, Harp
6
Flute, Trombone (duet)
6
Clarinet, Cello (duet)
6
Wind ensemble
6
2 Oboes, Piano
5
Flute, Oboe, Piano (trio)
5
Flute, Violin, Violoncello and Piano
4
Flute, Orchestra
4
2 Flutes, Piano
4
2 Flutes and Guitar
3
Flute, Violin and Violoncello
3
Recorder, Piano
3
Flute, Saxophone (duet)
3
Piccolo
3
Oboe, Violin, Piano
3
Bass Clarinet
3
Clarinet, String quartet and Piano
3
Flute, Basso continuo
2
Clarinet, Trombone (duet)
2
Flute, Cello, Guitar
2
Saxophone and Harp
2
Flute, Violin, Guitar
2
Saxophone and Piano
2
Saxophone and Organ
2
Recorder, Guitar (duet)
2
Clarinet, Bassoon, Piano (trio)
2
Clarinet, Organ
2
2 English horns and Pianoforte
2
Clarinet, trumpet and piano
2
Oboe, Cello and Piano
1
Oboe, Clarinet and Piano (Trio)
1
Flute, Trumpet (duet)
1
Flute, trombone and piano
1
Oboe, Bassoon and Piano
1
2 Clarinets, Bassoon
1
2 Flutes, Basso continuo
1
Flute, Organ (duet)
1
Flute, Harp and Cello
1
Flute, viola, cello and guitar
1
Bagpipe
1
Flute, Oboe, Violin
1
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WOODBRASS
Trumpet, Piano
970
Trumpet
872
French Horn and Piano
766
Trombone
696
Trombone and Piano
560
French horn
512
Brass Quintet: 2 trumpets, horn, trombone, tuba
364
English horn, Piano
341
Tuba
322
Tuba and Piano
307
Bass Clef Instruments
235
Brass quartet : 2 trumpets, trombone, tuba
217
Bb Instruments
198
Brass Quartet
156
2 Trumpets (duet)
152
2 Trombones (duet)
142
2 French horns (duet)
141
Trumpet (band part)
117
Trombone (band part)
112
Trumpet, Trombone (duet)
92
2 Tubas (duet)
84
Brass Quartet: 2 trumpets, horn, trombone
71
Trumpet, Horn (duert)
69
Euphonium, Piano (duet)
59
Euphonium
33
Brass Quartet: 4 trombones
32
French horn (band part)
31
Trombone, Viola (duet)
27
English Horn
27
Tuba (band part)
25
Brass Quartet: 4 horns
24
Trumpet, Saxophone (duet)
23
Brass Trio
23
Tuba and Organ
19
3 Trombones (trio)
16
Trombone ensemble
13
Trombone, Tuba (duet)
13
2 Euphoniums and 2 Tubas
12
English Horn, Guitar (duet)
11
Trumpet and Guitar
11
Trumpet, violin (duet)
10
3 Trumpets (trio)
8
Bass Trombone and Piano
7
French Horn and Harp
6
3 Euphoniums
6
Bass Trombone
6
Trumpet ensemble
6
3 Tubas (trio)
5
Trumpet, Tuba (duet)
5
Trombone, Horn (duet)
5
Horn, Cello (duet)
5
Brass Quartet: 4 trumpets
5
Trumpet, Harp
4
Trumpet, Cello, Piano
4
2 Trumpets, Keyboard (piano or organ)
4
Trumpet, Bassoon (duet)
4
Horn Ensemble
3
Euphonium, Tuba (duet)
3
Cornet
3
4 Tubas
3
Trumpet, Cello (duet)
2
Tuba ensemble
2
2 French horns, Piano
2
Trombone, Violin (duet)
2
Trombone, Organ
2
Horn, Tuba (duet)
2
2 English horns and Pianoforte
2
3 French horns (trio)
1
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
1
F Instruments
1
Trumpet, Trombone, Piano
1
Bass Saxhorn or Euphonium or Tuba and Piano
1
Horn and Organ
1
2 Euphoniums (duet)
1
2 Trombones, Piano
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
30386
Viola
12141
Viola, Piano
8561
Viola (band part)
4242
String Trio: violin, viola, cello
4227
Violin, Viola (duet)
2582
Violin and Piano
2099
2 Violas (duet)
2064
String Quintet: 2 violins, viola, cello, bass
1957
Violin
1648
Violin (band part)
1600
Cello, Piano
1472
Viola, Cello (duet)
1368
Cello (band part)
840
Piano Trio: Violin, Viola, Piano
729
Harp
427
Double Bass
377
Viola, Guitar (duet)
335
String Quartet : 4 violas
324
2 Violins (duet)
310
Double bass, Piano (duet)
304
Cello
299
String Trio: 2 violins, viola
296
Violin, Cello (duet)
267
2 Cellos (duet)
239
String Trio: 3 violas
232
String trio
198
Viola and Bassoon
157
String Quintet: 2 violins, 2 violas, cello
157
String Trio: 2 violins, cello
121
String Quintet: 2 violins, viola, 2 cellos
92
2 Double basses (duet)
80
Viola and Harp
73
2 Violas, Piano
71
Violin, Guitar (duet)
63
Doublebass (band part)
46
Cello, Guitar (duet)
44
4 Cellos
38
String Trio: 3 cellos
34
String Trio: 3 violins
31
Viola ensemble
31
Harp, Flute (duet)
28
Harp, Violin (duet)
25
2 Harps (duet)
24
Harp, Cello (duet)
21
2 Violins and Basso
20
Viola and orchestra
19
2 Violins, Piano
19
String quartet: 4 violins
15
Viola, Organ
15
Cello, String Bass (duet)
14
2 Cellos, Piano
13
Violin, Basso continuo
8
Harp, Voice
7
3 double basses
6
Violoncello, Basso continuo
5
Violin, Clarinet, Piano (trio)
5
Violin, Bassoon (duet)
5
Flute, Doublebass (duet)
4
Harp, Violin, Violoncello
4
Violin ensemble
4
Cello Ensemble
3
Cello, Organ
3
Autoharp
2
Violin, Trumpet and Piano
2
Harp and Piano
2
Violin, Organ
1
Cello, Orchestra
1
Instrumentations suivantes
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PERCUSSION & ORCHESTRA
String Orchestra
3130
Orchestra
1743
Concert band
919
Chamber Orchestra
493
Jazz Ensemble
198
Handbells
158
Brass ensemble
113
Jazz combo
78
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
50
Vibraphone (band part)
47
Percussion Ensemble
45
Percussion (band part)
34
Xylophone, Piano
23
Marimba
18
Marching band
16
Piano and Orchestra
15
Drum (band part)
15
Vibraphone
14
Flexible Instrumentation
13
Drums
11
Xylophone
11
Timpani (band part)
9
School Ensemble
7
2 Xylophones
5
Percussion
4
Orchestra, Violin
3
Big band
3
Vibraphone and Marimba
3
Woodwind Quintet
1
Woodwind Quartet: any 4 woodwinds
1
Marimba and Organ
1
Instrumentations suivantes
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OTHERS
Music Theory
1
Musical course - Solfege
1
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Serenade | Schubert | Viola | Chords
Piano and Orchestra
Sheetmusic to print
15 sheet music found
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1
VARIANTS (for piano and orchestra)
Piano and Orchestra
Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Piano,Timpani,Trombone…
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Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Digital Download SKU: A0.1057960 Composed by Jordan Grigg. Contemporary,Standards. Full Performance. Duration 413. Jordan Grigg #3628987. Published by Jordan Grigg (A0.1057960).
$1.99
1.83 €
#
Piano and Orchestra
#
Jordan Grigg
#
VARIANTS
#
Jordan Grigg
#
SheetMusicPlus
Fantasia for Piano and Orchestra
Piano and Orchestra
Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Piano,Timpani,Trombone,Trumpet,…
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Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Digital Download SKU: A0.1069115 Composed by Joseph Hull. Contemporary. Full Performance. Duration 318. Genesis #3514027. Published by Genesis (A0.1069115). This is the third movement from Fantasia for Piano and Orchestra. The full work contains four movements. .
$1.99
1.83 €
#
Piano and Orchestra
#
Joseph Hull
#
Fantasia for Piano and Orchestra
#
Genesis
#
SheetMusicPlus
Passions (for piano and orchestra)
Piano and Orchestra
Bassoon,Cello,Clarinet,Double Bass,Flute,Hand Percussion,Horn,Oboe,Piano,Timpani,Trombone,…
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Bassoon,Cello,Clarinet,Double Bass,Flute,Hand Percussion,Horn,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Digital Download SKU: A0.1057446 Composed by Jordan Grigg. 20th Century,Concert,Instructional,Standards. Full Performance. Duration 222. Jordan Grigg #3464809. Published by Jordan Grigg (A0.1057446).
$2.99
2.75 €
#
Piano and Orchestra
#
Jordan Grigg
#
Passions
#
Jordan Grigg
#
SheetMusicPlus
Fantasy for Piano and Orchestra
Piano and Orchestra
Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Piano,Timpani,Trombone…
(+)
Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Digital Download SKU: A0.1058105 Composed by Jordan Grigg. Concert,Contemporary,Instructional,Standards. Full Performance. Duration 376. Jordan Grigg #5360293. Published by Jordan Grigg (A0.1058105).
$2.99
2.75 €
#
Piano and Orchestra
#
Jordan Grigg
#
Fantasy for Piano and Orchestra
#
Jordan Grigg
#
SheetMusicPlus
Spanish Dance for Piano and Orchestra
Piano and Orchestra
Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Trombone,Trumpet,Tuba,Viola,Vio…
(+)
Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Trombone,Trumpet,Tuba,Viola,Violin - Digital Download SKU: A0.1069110 Composed by Joseph Hull. Contemporary. Full Performance. Duration 234. Genesis #3017735. Published by Genesis (A0.1069110).
$3.99
3.68 €
#
Piano and Orchestra
#
Joseph Hull
#
Spanish Dance for Piano and Orchestra
#
Genesis
#
SheetMusicPlus
Elegy for Piano and Orchestra MP3
Piano and Orchestra
Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Piano,Trombone,Trumpet,Tuba,Viola,Violi…
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Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Piano,Trombone,Trumpet,Tuba,Viola,Violin - Digital Download SKU: A0.1056809 Composed by Jordan Grigg. Concert,Contemporary,Standards. Full Performance. Duration 389. Jordan Grigg #3093137. Published by Jordan Grigg (A0.1056809).
$3.99
3.68 €
#
Piano and Orchestra
#
Jordan Grigg
#
Elegy for Piano and Orchestra MP3
#
Jordan Grigg
#
SheetMusicPlus
H. D'Andrea Variations on a theme by Mozart as a child for piano and orchestra.
Piano and Orchestra
Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Trumpet,Viola,Violin - L…
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Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Trumpet,Viola,Violin - Level 2 - Digital Download SKU: A0.981569 Composed by Wolfgang Amadeus Mozart. Arranged by Helios D'Andrea. Classical,Contemporary,Instructional. Score and parts. 12 pages. D'Andrea Helios #6735431. Published by D'Andrea Helios (A0.981569). Only variations on an original theme by Mozart.
$5.00
4.61 €
#
Piano and Orchestra
#
Wolfgang Amadeus Mozart
#
H. D'Andrea Variations on a theme by Mozart as a child for piano and orchestra.
#
D'Andrea Helios
#
SheetMusicPlus
Spanish Dance for Piano and Orchestra
Piano and Orchestra
Large Ensemble Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Piano,Trombone,T…
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Large Ensemble Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Piano,Trombone,Trumpet,Tuba,Viola,Violin - Level 5 - Digital Download SKU: A0.983241 Composed by Joseph Hull. Contemporary. Score and parts. 20 pages. Genesis #3017725. Published by Genesis (A0.983241). This piece for Piano and orchestra captures the rhythms and flavors of Spain. It is 3 min. 52 secondsin length. The piece was originally written for piano solo. .
$7.73
7.12 €
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Piano and Orchestra
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Joseph Hull
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Spanish Dance for Piano and Orchestra
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Genesis
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SheetMusicPlus
Helios D'Andrea Variazioni su un tema di Mozart for piano and orchestra
Piano and Orchestra
Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Piano,Timpani,Trumpet,Vi…
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Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Piano,Timpani,Trumpet,Viola,Violin - Level 3 - Digital Download SKU: A0.981544 Composed by Helios D'Andrea. Classical. Score and parts. 12 pages. D'Andrea Helios #6574203. Published by D'Andrea Helios (A0.981544).
$10.00
9.21 €
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Piano and Orchestra
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Helios D'Andrea
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Helios D'Andrea Variazioni su un tema di Mozart for piano and orchestra
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D'Andrea Helios
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SheetMusicPlus
Passions (for piano and orchestra)
Piano and Orchestra
Large Ensemble Bassoon,Cello,Clarinet,Cymbals,Double Bass,Flute,Horn,Oboe,Piano,Timpani,Tr…
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Large Ensemble Bassoon,Cello,Clarinet,Cymbals,Double Bass,Flute,Horn,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Level 5 - Digital Download SKU: A0.863537 Composed by Jordan Grigg. 20th Century,Concert,Standards. Score and parts. 52 pages. Jordan Grigg #3388747. Published by Jordan Grigg (A0.863537).
$15.95
14.69 €
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Piano and Orchestra
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Jordan Grigg
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Passions
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Jordan Grigg
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SheetMusicPlus
Ballade for Piano and Orchestra No.1
Piano and Orchestra
Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Piano,Timpani,Trombone,Trumpet,…
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Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Digital Download SKU: A0.1069109 Composed by Joseph Hull. Contemporary. Full Performance. Duration 47. Genesis #3014325. Published by Genesis (A0.1069109). This work was begun in 2003. Since that time it has undergone a number of revisions, culminating in its final form in 2016. It has three movements labeled: 1. Andante con moto 2. Allegro 3. Un poco allegretto. I do not think of this as a concerto but a freely expressed piece tied to no particular form. The piano is dominant throughout providing ample opportunity for virtuosity. A full orchestra is employed .
$3.99
3.68 €
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Piano and Orchestra
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Joseph Hull
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Ballade for Piano and Orchestra No.1
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Genesis
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SheetMusicPlus
Kirculescu (Nicolae) - Moment muzical pt pian si orchestra (Musical moment for piano and orchestra)
Piano and Orchestra
Guitar,Harpsichord,Organ,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.913067…
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Guitar,Harpsichord,Organ,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.913067 Composed by Nicolae Kirculescu. Arranged by Andrei Lucian Drăgoi. 20th Century,Contemporary,Standards. 3 pages. Andrei-Lucian Dragoi #6188049. Published by Andrei-Lucian Dragoi (A0.913067). Composed for piano and orchestra by: Nicolae Kirculescu (Romanian composer) (1903-1985)
$2.00
1.84 €
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Piano and Orchestra
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Nicolae Kirculescu
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Kirculescu
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Andrei-Lucian Dragoi
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SheetMusicPlus
God Bless America ®
Piano and Orchestra
By Celine Dion. By Irving Berlin. Arranged by Alex Nunes Rodrigues. Patriotic. Score …
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By Celine Dion. By Irving Berlin. Arranged by Alex Nunes Rodrigues. Patriotic. Score (Chords/Lyrics). 2 pages. Alex Rodrigues #835237. Published by Alex Rodrigues
$1.99
1.83 €
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Piano and Orchestra
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Celine Dion
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God Bless America ®
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.1 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
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