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PIANO & KEYBOARDS
Piano Trio: piano, violin, cello
410
1 Piano, 4 hands
360
Piano, Vocal and Guitar
307
Piano solo
175
Piano, Voice
143
Piano Accompaniment
111
2 Pianos, 4 hands
98
Easy Piano
81
Piano Quartet: piano, violin, viola, cello
78
Organ
64
Piano Quartet: piano, 2 violins, cello
56
Organ, Trumpet (duet)
56
1 Piano, 6 hands
46
Piano Quintet: piano, 2 violins, viola, cello
37
Organ, Piano (duet)
24
Accordion ensemble
19
C Instruments
17
2 Pianos, 8 hands
16
2 Accordions
10
Accordion
9
Piano (band part)
3
Accordion, String(s)
3
Accordion and Orchestra
2
Organ, Voice
1
Piano Quintet: piano, violin, viola, cello, double bass
1
Keyboard
1
Harpsichord
1
Accordion, Piano
1
Piano Trio: mixed chamber instrumentation
1
Organ and Orchestra
1
Piano ensembles
1
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GUITARS
4 Guitars (Quartet)
182
Guitar notes and tablatures
135
2 Guitars (duet)
123
3 Guitars (trio)
93
Guitar Ensemble
36
Ukulele
34
Guitar
33
Ukulele Ensemble
18
Bass guitar
14
Guitar, Flute, Clarinet
12
Piano, Guitar (duet)
11
Melody line, (Lyrics) and Chords
8
Guitar, Violin, Cello (trio)
8
Mandolin
6
Mandolin, Guitar (duet)
5
2 Ukuleles
5
Dulcimer
3
Guitar, Orchestra
2
Guitar (band part)
2
2 Mandolins (duet)
2
Mandolin, Piano (duet)
1
Banjo
1
2 Dulcimers (duet)
1
2 Guitars, Clarinet (trio)
1
Zither
1
Baritone Ukulele
1
Lap Steel Guitar
1
Plectrum Orchestra
1
Bouzouki
1
Instrumentations suivantes
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VOICE
Choral SATB
1059
Choral 3-part
239
Choral 2-part
156
Choral TTBB
123
Choral SSAA
93
Choral Unison
82
Vocal duet, Piano
42
Choral
36
Vocal duet
29
Children choir
27
Choral SSATB
8
Soprano voice, Piano
8
Soli, Mixted choir and accompaniment
7
Voice, Guitar
6
Baritone voice, Piano
6
Medium voice, Piano
5
Choral SSATTB
3
Voice solo
2
Children choir, Piano
2
High voice
2
Soprano voice
2
Choral SSAATTBB
2
Tenor voice, Piano
2
Choral SSAATB
1
Tenor voice
1
Choral SATBB
1
Voix Masculines
1
Soprano voice, Orchestra
1
Choral SAATB A Cappella
1
Choral SSAB a cappella
1
Instrumentations suivantes
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WOODWIND
Saxophone Quartet: 4 saxophones
1703
Clarinet Quartet: 4 clarinets
1617
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
1199
Flute Quartet: 4 flutes
833
Flute and Piano
730
Flute ensemble
693
Clarinet and Piano
625
Saxophone Quintet: 5 Saxophones
587
Flute, Oboe, Clarinet, Bassoon
522
Alto Saxophone and Piano
459
3 Clarinets (trio)
439
Clarinet Quintet: 5 clarinets
397
Flute Trio: 3 flutes
391
Clarinet Ensemble
389
2 Clarinets (duet)
376
Oboe, Piano (duet)
353
2 Flutes (duet)
336
2 Saxophones (duet)
320
3 Saxophones (trio)
294
Tenor Saxophone and Piano
284
Recorder Quartet
272
Flute, Clarinet (duet)
260
Saxophone ensemble
230
Recorder
228
Flute and Guitar
214
Soprano Saxophone and Piano
204
Flute, Clarinet and Bassoon.
139
Clarinet
127
Flute, Oboe, Clarinet (trio)
103
Oboe, Bassoon (duet)
91
3 Recorders (trio)
91
Clarinet, Guitar (duet)
87
5 Recorders
82
Flute
73
2 Recorders (duet)
72
Saxophone, Clarinet (duet)
71
Flute, Clarinet, Piano (trio)
67
Saxophone and Piano
65
Flute Quintet : 5 flutes
65
Flute, Cello, Piano (trio)
65
Flute, Violin and Violoncello
60
2 Oboes (duet)
58
Clarinet, Violin (duet)
58
Oboe, Clarinet, Bassoon (trio)
57
2 Flutes, Piano
56
Flute, Oboe, Bassoon
54
Oboe, Clarinet (duet)
51
Flute, Violin, Piano
46
Clarinet, Bassoon (duet)
42
Clarinet, Trumpet (duet)
41
Oboe, Flute
41
Flute, Violin
35
Recorder Ensemble
34
Clarinet, Cello, Piano (trio)
30
Flute, Viola (duet)
30
2 Clarinets, Piano
28
Flute, Violoncello
28
Flute, Saxophone (duet)
28
Saxophone and Organ
27
Baritone Saxophone, Piano
25
Clarinet and Viola
25
Clarinet (band part)
22
English horn, Piano
20
Bass Clarinet, Piano
19
Flute, Trumpet (duet)
19
Saxophone (band part)
18
Alto Saxophone
18
Flute, Oboe (duet)
17
2 Saxophones, Piano
17
3 Oboes
16
Descent (Soprano) Recorder, Piano
15
Clarinet, Harp (duet)
15
Flute and String Quartet
15
Flute, Viola and Piano
14
Clarinet, Cello (duet)
14
Flute, Bassoon, and Piano
14
Saxophone
14
Oboe
13
Flute, Orchestra
13
Tenor Saxophone
12
Oboe, Guitar (duet)
12
Wind ensemble
12
Flute, Viola and Cello
11
Recorder, Guitar (duet)
11
Flute, Violin, Violoncello and Piano
11
Clarinet, Orchestra
11
English Horn, Guitar (duet)
11
Clarinet, trumpet and piano
10
Clarinet, Trombone (duet)
10
Flute, Oboe, Piano (trio)
9
Oboe, Cello and Piano
9
2 Flutes and Guitar
9
Recorder, Piano
9
Clarinet Quintet: Clarinet, String Quartet
8
Saxophone and Guitar
8
Flute, French horn (duet)
8
Oboe (band part)
8
Treble (Alto) Recorder
7
Descant (Soprano) Recorder
6
Flute, harp and violin
6
Clarinet, Organ
6
2 Oboes and Basson
5
Flute, Cello, Guitar
5
Oboe ensemble
5
2 Clarinets, Bassoon
5
Flute, Harp and Cello
5
Oboe and String quartet
4
Treble (Alto) Recorder, Piano
4
2 Oboes and English horn
4
Tenor Recorder
4
Flute, Clarinet, Horn and Bassoon (Quartet)
4
Oboe, Bassoon and Piano
4
Oboe, Cello
4
2 Oboes, Piano
4
English Horn
4
4 Oboes
3
Oboe, Clarinet and Piano (Trio)
3
Clarinet, String quartet and Piano
3
Flute (band part)
3
Flute, Trombone (duet)
3
Flute and Strings Trio
3
Clarinet, Bassoon, Piano (trio)
3
Flute, Violin, Guitar
3
Flute, Viola and harp
3
Flute, trombone and piano
3
Harmonica, Piano
2
Soprano Saxophone
2
Saxophone and Harp
2
Oboe, Clarinet, Bassoon and Piano
2
2 English horns and Pianoforte
2
Piccolo
2
Baritone Saxophone
2
Oboe, Harp
2
Clarinette, Viola and Piano (trio)
2
Clarinet, Saxophone, Piano
1
Oboe and viola (duet)
1
English horn, Harp (duet)
1
Bass Clarinet
1
Piccolo, Piano
1
Harmonica
1
Flute, Organ (duet)
1
Pennywhistle
1
Pan Flute
1
2 Recorders, Piano
1
2 Flutes and Harp
1
2 Flutes, Basso continuo
1
Oboe, Organ
1
Bagpipe
1
Oboe, Violin (duet)
1
Oboe, Violin, Piano
1
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
2 Recorders, Guitar
1
2 Flutes, 2 Clarinets (Quartet)
1
Oboe and Orchestra
1
2 Oboes, 2 Horns and 2 Bassoons
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
2586
Trumpet, Piano
497
Brass Quartet
421
Trombone and Piano
370
Brass quartet : 2 trumpets, trombone, tuba
328
Brass Quartet: 2 trumpets, horn, trombone
299
Brass Quartet: 4 trombones
285
French Horn and Piano
218
Brass Quartet: 4 horns
173
Trumpet ensemble
122
Trombone ensemble
116
Brass Trio
98
2 Trumpets (duet)
88
Trumpet, Trombone (duet)
87
2 Trombones (duet)
85
Trumpet, Horn (duert)
83
3 Trombones (trio)
82
Trumpet
81
3 Trumpets (trio)
76
Euphonium, Piano (duet)
74
2 French horns (duet)
74
Tuba and Piano
72
2 Trumpets, Keyboard (piano or organ)
62
Brass Quartet: 4 trumpets
58
Trumpet, Saxophone (duet)
49
4 Tubas
48
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
38
2 Euphoniums and 2 Tubas
34
3 French horns (trio)
28
Horn Ensemble
24
Trumpet (band part)
24
French horn
21
2 Tubas (duet)
21
Trombone
20
English horn, Piano
20
Trombone, Organ
18
2 Euphoniums (duet)
17
Tuba
14
Trumpet, Trombone, Piano
14
Cornet and Piano
12
Euphonium, Tuba (duet)
11
English Horn, Guitar (duet)
11
Brass Quartet: 2 trumpets, 2 trombones
10
3 Tubas (trio)
10
Clarinet, Horn (duet)
10
Trombone (band part)
9
Bass Trombone
9
Horn and Organ
9
Euphonium
8
Horn, Tuba (duet)
8
Trombone and Orchestra
7
Tuba ensemble
6
2 Trombones, Piano
6
Trumpet, Cello, Piano
6
4 Euphoniums
5
Trumpet, Orchestra
4
Brass Quintet: 2 trumpets, horn, 2 trombones
4
French Horn and Harp
4
Trumpet, Tuba (duet)
4
English Horn
4
Trombone, Horn (duet)
3
Trombone, Tuba (duet)
3
Bass Trombone and Piano
3
Bass Saxhorn or Euphonium or Tuba and Piano
3
Tuba (band part)
2
Trumpet, Cello (duet)
2
2 English horns and Pianoforte
2
French horn (band part)
2
Cornet and Orchestra
2
Horn and Orchestra
2
3 Euphoniums
1
Euphonium or Saxhorn and Piano
1
English horn, Harp (duet)
1
Horn, Cello (duet)
1
Trumpet, Harp
1
Cornet
1
Horn, Cello and Piano
1
Horn, Trumpet, Trombone (trio)
1
Tuba and Organ
1
Flügelhorn
1
Bass Clef Instruments
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
6643
Violin and Piano
906
String Trio: violin, viola, cello
782
Violin, Cello (duet)
620
Cello, Piano
509
String trio
462
Viola, Piano
359
2 Violins (duet)
341
Violin, Viola (duet)
283
4 Cellos
251
String Trio: 2 violins, cello
198
Piano Trio: Violin, Viola, Piano
183
2 Cellos (duet)
178
String Trio: 3 violins
125
String quartet: 4 violins
123
Violin
121
String Trio: 3 cellos
114
String Quintet: 2 violins, viola, cello, bass
106
Violin (band part)
98
Viola, Cello (duet)
87
2 Harps (duet)
78
String Quartet : 4 violas
72
2 Violas (duet)
72
Cello, Guitar (duet)
71
Violin, Guitar (duet)
69
2 Violins, Piano
68
Double bass, Piano (duet)
61
Harp
58
Cello
46
Harp, Flute (duet)
43
String Trio: 3 violas
37
Cello Ensemble
36
Violin ensemble
35
Cello, String Bass (duet)
31
Viola
31
Viola ensemble
31
Harp, Violin (duet)
30
String Trio: 2 violins, viola
27
Cello, Orchestra
22
Violin, Clarinet, Piano (trio)
20
Viola, Guitar (duet)
16
Violin, Double bass (duet)
15
Cello, Organ
15
4 Double Basses
15
Harp, Cello (duet)
14
Doublebass (band part)
13
Double Bass
13
2 Cellos, Piano
13
Viola (band part)
12
Harp and Piano
12
Viola and Harp
9
String Quintet: 2 violins, 2 violas, cello
9
2 Double basses (duet)
7
Cello (band part)
6
Harp, Voice
5
Violin, Organ
5
3 Harps
5
Harp, Orchestra
4
Harp, Trombone (duet)
4
Violin, Trumpet and Piano
3
Double basses ensemble
3
Viola and Bassoon
3
2 Violas, Piano
3
5 Harps
3
Harp and mandolin
2
String Quintet: 2 violins, viola, 2 cellos
2
Viola, Organ
1
Harp and Organ
1
Harp, String quartet
1
4 Harps
1
Viola and orchestra
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Orchestra
2578
Concert band
1474
String Orchestra
1417
Brass ensemble
791
Jazz Ensemble
639
Chamber Orchestra
365
Woodwind Quintet
226
Jazz combo
213
Percussion Ensemble
204
Marching band
120
Handbells
114
Drums
110
Woodwind Quartet: any 4 woodwinds
89
Big band
46
Flexible Instrumentation
34
Brass Quintet: other combinaisons
27
School Ensemble
24
Percussion (band part)
15
Piano and Orchestra
11
Xylophone, Piano
9
3 Percussions
8
Woodwind Trio: any 3 woodwinds
8
Marimba
8
Orchestra, Violin
7
Percussion
7
Drums-Marching band
5
Xylophone
5
2 Marimbas
5
Drum (band part)
4
Voice and Orchestra
4
Marimba, Piano (duet)
3
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
2
3 Marimbas
2
Symphonic Band
2
2 Snare Drums (duet)
2
2 Percussions
2
Snare drums, Piano
1
Vibraphone and Marimba
1
Vibraphone
1
Marimba or Xylophone and Piano
1
Instrumentations suivantes
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Piano and Orchestra
Sheetmusic to print
11 sheet music found
<
1
Carol of the Bells / God Rest Ye Merry Gentlemen - Piano and Orchestra
Piano and Orchestra
Full Orchestra, Piano - Advanced Intermediate - Digital Download Composed by Mykola …
(+)
Full Orchestra, Piano - Advanced Intermediate - Digital Download Composed by Mykola Leontovych. Arranged by Matt Riley. 21st Century, Contemporary Classical, Christian, Sacred, Christmas. Score, Set of Parts. 109 pages. Published by www.mattrileymusic.com
Arranged by Matt Riley as part of his EPIC CHRISTMAS SERIES. Beautifully orchestrated with an epic cinematic sound and featuring a stunning piano part, this arrangement will amaze audiences. The sample recording includes some added pop style elements such as loops, synths and rhythm section but this piece can easy be performed without them which will give it a more traditional orchestral style. See the preview pages for instrumentation and print/format instructions. The piano part requires a Late Intermediate/Advanced level of skill. Early Intermediate and Advanced level versions of this arrangement are also available on this site. Also check out Matt Riley's Piano and String orchestra versions.
$150.00
136.44 €
#
Piano and Orchestra
#
Mykola Leontovych
#
Carol of the Bells / God Rest Ye Merry Gentlemen - Piano and Orchestra
#
www.mattrileymusic.com
#
SheetMusicPlus
Carol of the Bells / God Rest Ye Merry Gentlemen - Piano and Orchestra
Piano and Orchestra
Full Orchestra, Piano - Intermediate - Digital Download Composed by Mykola Leontovy…
(+)
Full Orchestra, Piano - Intermediate - Digital Download Composed by Mykola Leontovych. Arranged by Matt Riley. 21st Century, Contemporary Classical, Christian, Sacred, Christmas. Score, Set of Parts. 107 pages. Published by www.mattrileymusic.com
Arranged by Matt Riley as part of his EPIC CHRISTMAS SERIES. Beautifully orchestrated with an epic cinematic sound and featuring a stunning piano part, this arrangement will amaze audiences. The sample recording includes some added pop style elements such as loops, synths and rhythm section but this piece can easy be performed without them which will give it a more traditional orchestral style. See preview pages for instrumentation and print/format instructions. The piano part requires an Early Intermediate level of skill. Late Intermediate/Advanced and Advanced level versions of this arrangement are also available on this site. Also check out Matt Riley's Piano and String orchestra versions.
$125.00
113.7 €
#
Piano and Orchestra
#
Mykola Leontovych
#
Carol of the Bells / God Rest Ye Merry Gentlemen - Piano and Orchestra
#
www.mattrileymusic.com
#
SheetMusicPlus
Carol of the Bells / God Rest Ye Merry Gentlemen - Piano and Orchestra
Piano and Orchestra
Composed by Mykola Leontovych. Arranged by Matt Riley. 21st Century, Contemporary Classica…
(+)
Composed by Mykola Leontovych. Arranged by Matt Riley. 21st Century, Contemporary Classical, Christian, Spiritual, Christmas. Score, Set of Parts. 113 pages. Published by www.mattrileymusic.com (S0.220841). - Score,Set of Parts - 21st Century,Contemporary Classical,Christian,Spiritual,Christmas - www.mattrileymusic.com
Arranged by Matt Riley as part of his EPIC CHRISTMAS SERIES. Beautifully orchestrated with an epic cinematic sound and featuring a stunning piano part, this arrangement will amaze audiences. The sample recording includes some added pop style elements such as loops, synths and rhythm section but this piece can easy be performed without them which will give it a more traditional orchestral style. See the preview pages for instrumentation and print/format instructions. The piano part requires an Advanced level of skill. Late Intermediate/Advanced and Early Intermediate level versions of this arrangement are also available on this site. Also check out Matt Riley's Piano and String orchestra versions. Need part substitutions or help formatting/printing correctly? Email matt@mattrileymusic.com
$200.00
181.92 €
#
Piano and Orchestra
#
Mykola Leontovych
#
Carol of the Bells / God Rest Ye Merry Gentlemen - Piano and Orchestra
#
www.mattrileymusic.com
#
SheetMusicPlus
Carol of the Bells / God Rest Ye Merry Gentlemen - Piano and String Orchestra
Piano and Orchestra
Composed by Mykola Leontovych. Arranged by Matt Riley. 21st Century, Contemporary Classica…
(+)
Composed by Mykola Leontovych. Arranged by Matt Riley. 21st Century, Contemporary Classical, Christian, Sacred, Christmas. Score, Set of Parts. 32 pages. Published by www.mattrileymusic.com (S0.204647). - Score,Set of Parts - 21st Century,Contemporary Classical,Christian,Sacred,Christmas - www.mattrileymusic.com
Arranged by Matt Riley as part of his EPIC CHRISTMAS SERIES. Beautifully orchestrated with a cinematic sound, this highly acclaimed arrangement will stun and amaze audiences. The piano requires an early intermediate level of skill. Matt Riley has also made Advanced and Advanced Intermediate versions available on this site.
$125.00
113.7 €
#
Piano and Orchestra
#
Mykola Leontovych
#
Carol of the Bells / God Rest Ye Merry Gentlemen - Piano and String Orchestra
#
www.mattrileymusic.com
#
SheetMusicPlus
Carol of the Bells / God Rest Ye Merry Gentlemen - Piano and String Orchestra
Piano and Orchestra
Composed by Mykola Leontovych. Arranged by Matt Riley. 21st Century, Christian, Contempora…
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Composed by Mykola Leontovych. Arranged by Matt Riley. 21st Century, Christian, Contemporary Christian, Sacred, Christmas. Score, Set of Parts. 38 pages. Published by www.mattrileymusic.com (S0.203945). - Score,Set of Parts - 21st Century,Christian,Contemporary Christian,Sacred,Christmas - www.mattrileymusic.com
Arranged by Matt Riley as part of his EPIC CHRISTMAS SERIES. Beautifully orchestrated with a cinematic sound, this highly acclaimed arrangement will stun and amaze audiences. The piano requires an advanced level of skill. Matt Riley has also made Early Intermediate and Late Intermediate versions available on this site. Questions? Email: Matt@mattrileymusic.com
$125.00
113.7 €
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Piano and Orchestra
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Mykola Leontovych
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Carol of the Bells / God Rest Ye Merry Gentlemen - Piano and String Orchestra
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www.mattrileymusic.com
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SheetMusicPlus
Gregory Sullivan Isaacs: Quiet Night for piano and orchestra - score and complete parts
Piano and Orchestra
Composed by Gregory Sullivan Isaacs. 21st Century, Minimalism, Christmas. Score, Set of Pa…
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Composed by Gregory Sullivan Isaacs. 21st Century, Minimalism, Christmas. Score, Set of Parts, Solo Part. 32 pages. Published by Musik Fabrik (S0.136477). - Score,Set of Parts,Solo Part - 21st Century,Minimalism,Christmas - Musik Fabrik
$38.95
35.43 €
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Piano and Orchestra
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Quiet Night for piano and orchestra - score and complete parts
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Musik Fabrik
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SheetMusicPlus
Le Vent, Le Cri - Ennio Morricone
Piano and Orchestra
Piano and String Orchestra - Advanced Intermediate - Digital Download By Ennio Morric…
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Piano and String Orchestra - Advanced Intermediate - Digital Download By Ennio Morricone. Arranged by Armand Broshka. Score, Set of Parts. 62 pages. Published by Armand Broshka
"Le Vent, Le Cri" soundtrack from the motion picture "Le Professionnel" The Professional composed by Ennio Morricone.<br> This version is identical to that of the movie and the attached YouTube link. (This is an professional score)
$99.99
90.95 €
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Piano and Orchestra
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Ennio Morricone
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Le Vent, Le Cri - Ennio Morricone
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SheetMusicPlus
O Holy Night- Arranged for Piano and String orchestra
Piano and Orchestra
Composed by Adolphe-Charles Adam (1803-1856). Arranged by Ognyan Petrov. Christian, Contem…
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Composed by Adolphe-Charles Adam (1803-1856). Arranged by Ognyan Petrov. Christian, Contemporary Christian, Spiritual, Sacred, Christmas. Score, Set of Parts. 22 pages. Published by Ognyan Petrov (S0.88877). - Score,Set of Parts - Christian,Contemporary Christian,Spiritual,Sacred,Christmas - Ognyan Petrov
This is an arrangement especially made for 2015 Holiday Contest.Very melodical line in Piano part, combined with lyric strings accompaniment.
$19.50
17.74 €
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Piano and Orchestra
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Adolphe-Charles Adam
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O Holy Night- Arranged for Piano and String orchestra
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Ognyan Petrov
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SheetMusicPlus
Multicolored Blues (strings)
Piano and Orchestra
By Bradley Sowash. For Piano, Orchestra. Blues, Instructional, Jazz. Intermediate. Set of …
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By Bradley Sowash. For Piano, Orchestra. Blues, Instructional, Jazz. Intermediate. Set of Parts, Piano Reduction, Score. Bradley Sowash Music #MULTICOLORED. Published by Bradley Sowash Music
$19.99
18.18 €
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Piano and Orchestra
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Bradley Sowash
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Multicolored Blues
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Bradley Sowash Music
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
21.82 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
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