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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
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TUBA
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VIOLONCELLO - …
XYLOPHONE
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Op. 11
Not classified
700
Piano & keyboards
Piano, Voice
596
Piano solo
546
Easy Piano
43
Organ
36
Piano Quintet: piano, 2 violins, viola, cello
35
Piano Trio: piano, violin, cello
26
Piano Quartet: piano, violin, viola, cello
19
Piano Quartet: piano, 2 violins, cello
14
1 Piano, 4 hands
14
Harpsichord
4
Organ, Trumpet (duet)
3
2 Pianos, 4 hands
2
Organ, Piano (duet)
1
Organ, Voice
1
Piano Accompaniment
1
C Instruments
1
+ 11 instrumentations
-
Retract
Guitars
Guitar
27
Guitar notes and tablatures
21
2 Guitars (duet)
4
3 Guitars (trio)
3
Piano, Guitar (duet)
3
Ukulele
1
Guitar, Violin, Cello (trio)
1
Melody line, (Lyrics) and Chords
1
4 Guitars (Quartet)
1
+ 4 instrumentations
-
Retract
Voice
Choral SATB
22
Choral 3-part
7
Choral TTBB
6
Voice solo
5
Soprano voice, Piano
3
Vocal duet
2
Vocal duet, Piano
2
High voice
2
Baritone voice, Piano
1
Choral SSAATTBB
1
Low voice, Piano
1
Medium voice, Piano
1
Choral 2-part
1
+ 8 instrumentations
-
Retract
Woodwind
Flute and Piano
67
2 Saxophones (duet)
47
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
37
Clarinet and Piano
34
2 Flutes (duet)
34
Clarinet
30
Alto Saxophone and Piano
30
2 Clarinets (duet)
19
Oboe, Piano (duet)
18
Clarinet Quartet: 4 clarinets
16
3 Recorders (trio)
13
Flute, Oboe, Clarinet, Bassoon
12
Flute, Violin, Piano
12
2 Oboes (duet)
12
3 Saxophones (trio)
11
Tenor Saxophone and Piano
11
English horn, Piano
10
Baritone Saxophone, Piano
10
Saxophone Quartet: 4 saxophones
9
Soprano Saxophone and Piano
9
Flute Quartet: 4 flutes
9
Ocarina
8
Flute and Guitar
8
Clarinet Quintet: 5 clarinets
7
Recorder Quartet
7
Flute Trio: 3 flutes
7
3 Clarinets (trio)
6
Bass Clarinet, Piano
6
Flute, Clarinet and Bassoon.
6
Clarinet Ensemble
6
Oboe, Clarinet, Bassoon (trio)
6
Flute, Cello, Piano (trio)
5
Saxophone Quintet: 5 Saxophones
5
Flute
5
Treble (Alto) Recorder, Basso continuo
5
Flute and String Quartet
4
Flute, Oboe, Clarinet (trio)
4
2 Recorders (duet)
4
Flute, Oboe, Bassoon
3
Oboe (band part)
3
2 Clarinets, Bassoon
3
2 English horns and Pianoforte
2
Flute, Violin and Violoncello
2
Saxophone
2
Alto Saxophone
2
Treble (Alto) Recorder
1
Flute ensemble
1
2 Recorders, Piano
1
5 Recorders
1
Treble (Alto) Recorder, Piano
1
Clarinet, Cello (duet)
1
Clarinet, Guitar (duet)
1
Recorder, Piano
1
3 Oboes
1
Clarinet Quintet: Clarinet, String Quartet
1
Clarinet, Bassoon (duet)
1
Oboe, Clarinet (duet)
1
Flute and Strings Trio
1
Clarinet, Cello, Piano (trio)
1
Flute Quintet : 5 flutes
1
Flute, Violin
1
Clarinet, Orchestra
1
Flute, Clarinet, Piano (trio)
1
Flute, Organ (duet)
1
English Horn, Guitar (duet)
1
English Horn
1
+ 61 instrumentations
-
Retract
Woodbrass
Trombone and Piano
25
Brass Quintet: 2 trumpets, horn, trombone, tuba
24
French Horn and Piano
17
Trumpet, Piano
15
Euphonium, Piano (duet)
13
Trumpet
13
Brass quartet : 2 trumpets, trombone, tuba
12
2 French horns (duet)
11
English horn, Piano
10
2 Trumpets (duet)
7
Tuba and Piano
6
2 Trombones (duet)
4
Brass Quartet
4
Brass Quartet: 4 trombones
3
2 Tubas (duet)
3
Brass Quartet: 2 trumpets, horn, trombone
3
2 Euphoniums (duet)
3
Trumpet, Trombone (duet)
3
French horn
3
2 English horns and Pianoforte
2
Brass Quartet: 4 trumpets
2
Trumpet ensemble
2
Brass Trio
2
Horn Ensemble
2
4 Tubas
2
Brass Quartet: 4 horns
2
Trumpet, Horn (duert)
1
Trombone, Organ
1
Euphonium, Tuba (duet)
1
Trombone, Horn (duet)
1
Trombone ensemble
1
English Horn, Guitar (duet)
1
English Horn
1
+ 28 instrumentations
-
Retract
Strings
Violin and Piano
154
String Quartet: 2 violins, viola, cello
136
Cello, Piano
101
Viola, Piano
76
Cello
36
String Trio: violin, viola, cello
31
Violin
26
Violin (band part)
23
2 Violins (duet)
23
2 Violins, Piano
21
2 Cellos (duet)
21
String Trio: 2 violins, cello
15
Violin, Cello (duet)
15
2 Violas (duet)
15
4 Cellos
12
Violin, Viola (duet)
11
String Trio: 3 violins
11
String quartet: 4 violins
10
String Trio: 3 cellos
9
Harp
9
Viola (band part)
8
Violin, Guitar (duet)
8
Piano Trio: Violin, Viola, Piano
8
String trio
7
2 Cellos, Piano
7
2 Violas, Piano
7
Viola, Cello (duet)
6
Viola
6
Violin, Clarinet, Piano (trio)
5
Cello (band part)
5
Double bass, Piano (duet)
5
String Quartet : 4 violas
4
String Quintet: 2 violins, viola, cello, bass
3
2 Double basses (duet)
3
Viola, Guitar (duet)
3
String Trio: 3 violas
3
2 Violins and Basso
2
Cello, Orchestra
1
3 double basses
1
Harp, Flute (duet)
1
String Trio: 2 violins, viola
1
Violin, Basso continuo
1
String Quintet: 2 violins, viola, 2 cellos
1
+ 38 instrumentations
-
Retract
Orchestra & Percussion
Orchestra
96
String Orchestra
48
Concert band
32
Chamber Orchestra
28
Vibraphone (band part)
10
Jazz Ensemble
6
Brass ensemble
6
Percussion Ensemble
3
Piano and Orchestra
3
Orchestra, Violin
3
Drums
2
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You've selected:
Op. 11
Euphonium, Piano (duet)
Sheetmusic to print
13 sheet music found
<
1
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duet)
#
INTERMEDIATE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Ro...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
#
Euphonium, Piano (duet)
#
INTERMEDIATE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Ro...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Four Pieces from Op. 11 for Euphonium and Piano
#
Euphonium, Piano (duet)
#
ADVANCED
#
Zoltan Kodaly
#
Ralph Sauer
#
Four Pieces from Op. 11 for Eu
#
Gordon Cherry
#
SheetMusicPlus
Euphonium,Piano - Level 5 - Digital Download SKU: A0.811077 Composed by Zoltan Kodaly. Arranged by Ralph Sauer. 20th Century,Romantic Period,World. Score...
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.811077 Composed by Zoltan Kodaly. Arranged by Ralph Sauer. 20th Century,Romantic Period,World. Score and part. 11 pages. Gordon Cherry #4988477. Published by Gordon Cherry (A0.811077). Four Pieces from Opus 11 arranged for Euphonium and Piano by Ralph Sauer are originally from a group of seven pieces for solo Piano written between 1917 and 1918, except for movement 3, Il pleure dans mon coeur comme il pleut sur la ville (It rains in my heart like it rains in the city) from 1910. The writing is very expressive and dark, possibly evoking the mood of Europe in the throes of great upheavals and the Great War. This item is now available with parts in bass and treble clef. About 12 minutes in length, these four movements are appropriate for advanced performers.
$20.00
Fauré: Pavane Op. 50 for Euphonium & Piano
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Euphonium, Piano (duet)
#
INTERMEDIATE
#
Classical
#
Gabriel Faure
#
James M
#
Fauré: Pavane Op. 50 for Euph
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.550168 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. S...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.550168 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. Score and part. 19 pages. Jmsgu3 #4597057. Published by jmsgu3 (A0.550168). Pavane * павана * パヴァーム* Παβάνε * פ×ב×× ×” * Gabriel Fauré, Op. 50. Score: 11 pages. Duration ca. 5:10.
$32.95
Fauré: Pavane Op. 50 for Baritone Horn & Piano
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Euphonium, Piano (duet)
#
INTERMEDIATE
#
Classical
#
Gabriel Faure
#
James M
#
Fauré: Pavane Op. 50 for Bari
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.550166 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. S...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.550166 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. Score and part. 19 pages. Jmsgu3 #4597047. Published by jmsgu3 (A0.550166). Pavane * павана * パヴァーム* Παβάνε * פ×ב×× ×” * Gabriel Fauré, Op. 50. Score: 11 pages. Duration ca. 5:10.
$32.95
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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Euphonium, Piano (duet)
#
INTERMEDIATE
#
Felix Mendelssohn
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James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instr...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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Euphonium, Piano (duet)
#
INTERMEDIATE
#
Classical
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,R...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Scriabin: Prelude in G Minor for Euphonium & Piano
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Euphonium, Piano (duet)
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude in G Minor f
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.550370 Composed by Alexander Scriabin. Arranged by James M. Guthrie. Holiday,Romantic Period,Sacred,...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.550370 Composed by Alexander Scriabin. Arranged by James M. Guthrie. Holiday,Romantic Period,Sacred,Standards. Score and part. 8 pages. Jmsgu3 #4614409. Published by jmsgu3 (A0.550370). Prelude Op. 11 No. 22 Score: 6 pages. Duration ca. 1:15. Bring your best rubato for this short but sensitive prelude in G minor.
$32.95
Hessen March
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Euphonium, Piano (duet)
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Franz Rezek
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Jirka Kadlec
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Hessen March
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Editions Marc Reift - Digital
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SheetMusicPlus
Euphonium & Piano - Grade 3 - Digital Download SKU: R0.53769 Op. 161. Composed by Franz Rezek. Arranged by Jirka Kadlec. Euphonium & Piano. Score ...
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Euphonium & Piano - Grade 3 - Digital Download SKU: R0.53769 Op. 161. Composed by Franz Rezek. Arranged by Jirka Kadlec. Euphonium & Piano. Score and parts. 11 pages. Duration 2'43. Editions Marc Reift - Digital #53769. Published by Editions Marc Reift - Digital (R0.53769).
$13.95
Variations On A Rococo Theme
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Euphonium, Piano (duet)
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Pyotr Ilyitch Tchaikovsky
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Mikhail Nakariakov
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Variations On A Rococo Theme
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Editions Marc Reift - Digital
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SheetMusicPlus
Euphonium & Piano - Grade 6 - Digital Download SKU: R0.50108 Op. 33 (1876). Composed by Pyotr Ilyitch Tchaikovsky. Arranged by Mikhail Nakariakov....
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Euphonium & Piano - Grade 6 - Digital Download SKU: R0.50108 Op. 33 (1876). Composed by Pyotr Ilyitch Tchaikovsky. Arranged by Mikhail Nakariakov. Euphonium & Piano. Score and parts. 38 pages. Duration 11'59. Editions Marc Reift - Digital #50108. Published by Editions Marc Reift - Digital (R0.50108).
$32.95
Etude
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Euphonium, Piano (duet)
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Herbert Rudisser
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Etude
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Editions Marc Reift - Digital
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SheetMusicPlus
Euphonium & Piano - Grade 4 - Digital Download SKU: R0.49756 In Form eines Sonatensatzes, Op. 6. Composed by Herbert Rudisser. Euphonium & Piano. ...
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Euphonium & Piano - Grade 4 - Digital Download SKU: R0.49756 In Form eines Sonatensatzes, Op. 6. Composed by Herbert Rudisser. Euphonium & Piano. Score and parts. 11 pages. Duration 4'12. Editions Marc Reift - Digital #49756. Published by Editions Marc Reift - Digital (R0.49756).
$13.95
Tchaikovsky: Chinese Dance from Nutcracker Suite for Euphonium & Piano
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Euphonium, Piano (duet)
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INTERMEDIATE
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Classical
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Chinese Dance fro
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549789 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549789 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 11 pages. Jmsgu3 #3536985. Published by jmsgu3 (A0.549789). Duration: ca 1:00 Score: 5 pages, Solo part: 2 pages, piano part: 3 pages. Short but fascinating Chinese Dance from the Nutcracker Suite. Program this for a recital encore or Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous since the 1960s. It is now performed all over the world particularly during the Christmas season. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$32.95
Grieg: Ase's Death from Peer Gynt Suite for Euphonium & Piano
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Euphonium, Piano (duet)
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INTERMEDIATE
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Classical
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549547 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic ...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549547 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506343. Published by jmsgu3 (A0.549547). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
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