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Euphonium, Piano (duet)
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1
Fall of a Titan - Euphonium Solo - EUPHONIUM
Euphonium, Piano (duet)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017037 Composed by Adam Lawre…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017037 Composed by Adam Lawrence. 20th Century,Concert,Contemporary,Folk. Score and part. 2 pages. Adam Lawrence #6016571. Published by Adam Lawrence (A0.1017037). Please note that this is the EUPHONIUM part only. Other individual parts are available, as well as a bundle of the score with all individual parts included.One of my COVID19 summer lock-down projects, primarily inspired by recent events that saw the world come to a standstill. Written in treble clef for Bb instruments, this piece is great for any brass player looking for a solo piece to add to their repertoire. Whilst it is written with a piano accompaniment in mind, the accompaniment is primarily there to provide rhythm and bulk. As such it can be played without it, provided that the block rests are ignored.Original piece of music composed for a Solo Euphonium player of intermediate experience with a piano accompaniment, ideal for secondary school students or beginner players looking to challenge themselves. Can be played by itself as a standalone performance, for example in a talent or variety show, or as part of a larger programme such as a school concert or brass band performance.Any feedback is more than welcome.Composed using Sibelius Ultimate 2020.6 and recorded using sounds from Noteperformer 3. If you have enjoyed my work and would like to play my pieces yourself or discover more, please consider showing support using the links below.Patreon: https://www.patreon.com/FireyshadowsYouTube: https://www.youtube.com/channel/UC-vjf3a0uLYnZ9-fm3cC0lgSoundcloud: https://soundcloud.com/fireyshadows-music/Twitter: https://twitter.com/FireyMusic
$1.99
1.83 €
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Euphonium, Piano (duet)
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Adam Lawrence
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Fall of a Titan - Euphonium Solo - EUPHONIUM
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Adam Lawrence
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SheetMusicPlus
Fall of a Titan - Euphonium Solo - PIANO
Euphonium, Piano (duet)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017039 Composed by Adam Lawre…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017039 Composed by Adam Lawrence. 20th Century,Concert,Contemporary,Folk. Score and part. 5 pages. Adam Lawrence #6016579. Published by Adam Lawrence (A0.1017039). Please note that this is the PIANO part only. Other individual parts are available, as well as a bundle of the score with all individual parts included.One of my COVID19 summer lock-down projects, primarily inspired by recent events that saw the world come to a standstill. Written in treble clef for Bb instruments, this piece is great for any brass player looking for a solo piece to add to their repertoire. Whilst it is written with a piano accompaniment in mind, the accompaniment is primarily there to provide rhythm and bulk. As such it can be played without it, provided that the block rests are ignored.Original piece of music composed for a Solo Euphonium player of intermediate experience with a piano accompaniment, ideal for secondary school students or beginner players looking to challenge themselves. Can be played by itself as a standalone performance, for example in a talent or variety show, or as part of a larger programme such as a school concert or brass band performance.Any feedback is more than welcome.Composed using Sibelius Ultimate 2020.6 and recorded using sounds from Noteperformer 3. If you have enjoyed my work and would like to play my pieces yourself or discover more, please consider showing support using the links below.Patreon: https://www.patreon.com/FireyshadowsYouTube: https://www.youtube.com/channel/UC-vjf3a0uLYnZ9-fm3cC0lgSoundcloud: https://soundcloud.com/fireyshadows-music/Twitter: https://twitter.com/FireyMusic
$1.99
1.83 €
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Euphonium, Piano (duet)
#
Adam Lawrence
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Fall of a Titan - Euphonium Solo - PIANO
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Adam Lawrence
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SheetMusicPlus
Fall of a Titan - Euphonium Solo
Euphonium, Piano (duet)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017036 Composed by Adam Lawre…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017036 Composed by Adam Lawrence. 20th Century,Concert,Contemporary,Folk. Score and part. 16 pages. Adam Lawrence #6016541. Published by Adam Lawrence (A0.1017036). This is the whole bundle of score and parts, with individual parts to follow. One of my COVID19 summer lock-down projects, primarily inspired by recent events that saw the world come to a standstill. Written in treble clef for Bb instruments, this piece is great for any brass player looking for a solo piece to add to their repertoire. Whilst it is written with a piano accompaniment in mind, the accompaniment is primarily there to provide rhythm and bulk. As such it can be played without it, provided that the block rests are ignored. Original piece of music composed for a Solo Euphonium player of intermediate experience with a piano accompaniment, ideal for secondary school students or beginner players looking to challenge themselves. Can be played by itself as a standalone performance, for example in a talent or variety show, or as part of a larger programme such as a school concert or brass band performance. Any feedback is more than welcome. Composed using Sibelius Ultimate 2020.6 and recorded using sounds from Noteperformer 3. If you have enjoyed my work and would like to play my pieces yourself or discover more, please consider showing support using the links below. Patreon: https://www.patreon.com/Fireyshadows YouTube: https://www.youtube.com/channel/UC-vjf3a0uLYnZ9-fm3cC0lg Soundcloud: https://soundcloud.com/fireyshadows-music/ Twitter: https://twitter.com/FireyMusic
$9.99
9.18 €
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Euphonium, Piano (duet)
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Adam Lawrence
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Fall of a Titan - Euphonium Solo
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Adam Lawrence
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SheetMusicPlus
Handel: Largo from Xerxes for Euphonium & Piano
Euphonium, Piano (duet)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549392 Composed by George Frid…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549392 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492565. Published by jmsgu3 (A0.549392). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.26 €
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Euphonium, Piano (duet)
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George Frideric Handel
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Handel: Largo from Xerxes for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: The Four Seasons Complete for Euphonium & Piano
Euphonium, Piano (duet)
Composed by Antonio Vivaldi (1678-1741). Arranged by James M. Guthrie, ASCAP. Baroque …
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Composed by Antonio Vivaldi (1678-1741). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, General Instructional, Wedding, Recital. Score, Set of Parts, Solo Part. 188 pages. Published by jmsgu3
Antonio Vivaldi (1676-1741) The Four Seasons Complete, Op. 8 No. 1-4<br> Contents:<br> SPRING<br> Spring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42<br> I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.<br> FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.<br> <br> THUNDER: The skies are dark; lightning flashes and thunder roars.<br> SONG OF THE BIRDS: After the storm, the birds return with their song.<br> II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking Dogs<br> III. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.<br> <br> SUMMER<br> Vivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements<br> I. Allegro non molto<br> LANGUISHING IN THE HEAT<br> Man and beast wilt in the burning sun; even the evergreens feel the heat.<br> THE CUCKOO<br> The Cuckoo sings loudly.<br> THE DOVE<br> And the songs of the turtledove and goldfinch are ardent.<br> THE GOLDFINCH<br> The gentle breezes sigh.<br> CHANGING WINDS.<br> but the north wind suddenly appears and starts to quarrel.<br> THE NORTH WIND<br> A frightened shepherd weeps in fear and bemoans his fate.<br> II. Adagio<br> The fierce lightning and terrible thunder makes the shepherd unable to rest his weary body.<br> BLUE-BOTTLE FLIES<br> III. Presto<br> TEMPESTUOUS SUMMERTIME<br> The shepherd is right to be afraid. The sky flashes and the thunder is awesome.<br> Grain and fruit are destroyed by the storm.<br> <br> AUTUMN<br> Vivaldi: Autumn from the Four Seasons, Op. 8 No. 3 (RV316) Score: 27 pages, Duration: 10:37, 3 movements.<br> I. Allegro. The peasants dance and sing, hailing the fruits of the harvest.<br> The drunkard drinks deeply from the cup of Bacchus.<br> The Drunks. A Drunk.<br> The drunkards fall into a deep slumber.<br> II. Adagio molto. The drunkards sleep soundly; the season is mild; peace and rest overtake all the joyous peasants.<br> III. Allegro. The Hunt.<br> As dawn breaks the hunter appears with his horn, hound, and gun.<br> The prey appears; the chase is on.<br> The prey is bewildered by the clamorous dogs and the noise of the guns.<br> Fatigued and wounded, the prey falls and dies.<br> <br> WINTER<br> Vivaldi: Winter from The Four Seasons, Op. 8 (RV297) Score: 23 Pages, Duration: ca. 8:30, 3 movements.<br> I. Allegro non molto. We shiver in the snow and are pierced by the cruel winds.<br> We run and stamp our feet at every step.<br> Our teeth chatter with the cold.<br> II. Largo. We pass the day contented by the fireside; outside it is raining very hard.<br> III. Allegro. We carefully walk on the ice. We are afraid we may fall.<br> We Slip and fall. We get up and bravely try again.<br> The ice is breaking, the cracks are wide.<br> The shrieking winds are at war.<br> Such is winter, but it has its joys.
$49.95
45.88 €
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Euphonium, Piano (duet)
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Antonio Vivaldi (1678-1741)
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Vivaldi: The Four Seasons Complete for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
Euphonium, Piano (duet)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.32 €
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Euphonium, Piano (duet)
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Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
Euphonium, Piano (duet)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.32 €
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Euphonium, Piano (duet)
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Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
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