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578
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745
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211
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95
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79
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76
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37
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20
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12
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+ 15 instrumentations
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122
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+ 10 instrumentations
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63
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57
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51
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49
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65
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60
Trumpet (band part)
30
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16
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13
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12
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11
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8
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7
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5
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4
Trumpet ensemble
3
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3
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138
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Euphonium, Piano (duet)
Sheetmusic to print
7 sheet music found
<
1
Pequena Fantasia
#
Euphonium, Piano (duet)
#
INTERMEDIATE
#
Gessé Souza
#
Pequena Fantasia
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Gessé Souza
#
SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.1391442 Composed by Gessé Souza. 21st Century,Chamber,Classical,Contemporary,Latin. Score and par...
(+)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.1391442 Composed by Gessé Souza. 21st Century,Chamber,Classical,Contemporary,Latin. Score and part. 18 pages. Gessé Souza #974984. Published by Gessé Souza (A0.1391442). This piece was composed with the idea of ​​the soloist playing it as if he were having fun. The composer seeks to mix lyricism with an energetic character. In the last major section, a small challenge for the soloist, with an agile passage that soon leads to the predominant lyricism of the entire piece.
$15.00
Fantasia
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Euphonium, Piano (duet)
#
INTERMEDIATE
#
Classical
#
Jean-Francois Michel
#
Piano
#
Fantasia
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Composed by Jean-Francois Michel. Euphonium & Piano. Score and parts. 8 pages. Duration 3'37. Editions Marc Reift - Digital #49721. Published...
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Composed by Jean-Francois Michel. Euphonium & Piano. Score and parts. 8 pages. Duration 3'37. Editions Marc Reift - Digital #49721. Published by Editions Marc Reift - Digital
$9.95
Fantasia di Concerto
#
Euphonium, Piano (duet)
#
Classical
#
Boccalari
#
Fantasia di Concerto
#
Tuba- Euphonium Press
#
SheetMusicPlus
Composed by Boccalari. 20 pages. Published by Tuba- Euphonium Press
Composed by Boccalari. 20 pages. Published by Tuba- Euphonium Press
$18.00
Fantasia La Traviata , Op. 146
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Euphonium, Piano (duet)
#
A
#
Henry Howey
#
Fantasia La Traviata , Op. 14
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Cimarron Music Press
#
SheetMusicPlus
By A. Ponchielli. Arranged by Henry Howey. For Euphonium Solo with Piano. Solo music. Solo part and piano score. Published by Cimarron Music Press ...
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By A. Ponchielli. Arranged by Henry Howey. For Euphonium Solo with Piano. Solo music. Solo part and piano score. Published by Cimarron Music Press
$17.00
Im Walde / In The Forest
#
Euphonium, Piano (duet)
#
Joseph Serafin Alschausky
#
Bertrand Moren
#
Im Walde / In The Forest
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Euphonium & Piano - Grade 5 - Digital Download SKU: R0.44519 Konzertfantasie / Concert-Fantasia. Composed by Joseph Serafin Alschausky. Arranged b...
(+)
Euphonium & Piano - Grade 5 - Digital Download SKU: R0.44519 Konzertfantasie / Concert-Fantasia. Composed by Joseph Serafin Alschausky. Arranged by Bertrand Moren. Euphonium & Piano. Score and parts. 22 pages. Duration 9'38. Editions Marc Reift - Digital #44519. Published by Editions Marc Reift - Digital (R0.44519).
$17.95
Bach: Wachet auf for Euphonium & Piano
#
Euphonium, Piano (duet)
#
EASY
#
Classical
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Euphonium
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easte...
(+)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Bach: Wachet auf for Baritone Horn & Piano
#
Euphonium, Piano (duet)
#
EASY
#
Classical
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Baritone
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easte...
(+)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
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