Home page
Browse Free-scores.com
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Chris Ott
Not classified
1,120
Piano & keyboards
Piano solo
628
Piano, Vocal and Guitar
584
Piano, Voice
361
Organ
354
Easy Piano
236
C Instruments
47
1 Piano, 4 hands
32
Piano Accompaniment
24
Piano Trio: piano, violin, cello
13
Big Note Piano
8
Organ, Trumpet (duet)
6
Organ, Piano (duet)
6
Piano Quartet: piano, 2 violins, cello
6
Fake Book
4
Harpsichord
3
Piano (band part)
3
2 Pianos, 4 hands
3
Piano Quartet: piano, violin, viola, cello
3
Accordion
2
1 Piano, 6 hands
1
Keyboard
1
Piano Quintet: piano, violin, viola, cello, double bass
1
+ 17 instrumentations
-
Retract
Guitars
Melody line, (Lyrics) and Chords
103
Ukulele
63
Guitar notes and tablatures
59
Guitar
37
Bass guitar
27
Lyrics and Chords
25
2 Guitars (duet)
7
4 Guitars (Quartet)
5
Piano, Guitar (duet)
2
Banjo
2
Guitar Ensemble
1
3 Guitars (trio)
1
+ 7 instrumentations
-
Retract
Voice
Choral SATB
684
Choral 3-part
195
Choral 2-part
80
Choral TTBB
76
Choral Instrumental Pak
53
Choral SSAA
50
Vocal duet, Piano
32
Choral Unison
27
Voice solo
18
Choral
11
Soprano voice, Piano
9
Baritone voice, Piano
8
Choral SSAATTBB
8
Vocal duet
8
High voice
6
Choral SSAB a cappella
4
Medium voice, Piano
3
Mezzo-Soprano voice, Piano
3
Choral SSATB
3
Voice, Guitar
3
Choral SSATTB
2
Alto voice, Piano
2
Low voice
1
Choral SSATBB
1
Tenor voice, Piano
1
Choral SSAB, Piano
1
Soli, Mixted choir and accompaniment
1
Low voice, Piano
1
Choral SATTB
1
+ 24 instrumentations
-
Retract
Woodwind
Flute and Piano
76
Saxophone Quartet: 4 saxophones
63
Flute, Oboe, Clarinet, Bassoon
63
Oboe, Piano (duet)
52
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
51
Clarinet and Piano
49
Alto Saxophone and Piano
46
Tenor Saxophone and Piano
44
3 Saxophones (trio)
36
Clarinet Quartet: 4 clarinets
35
Clarinet
35
Flute
32
2 Saxophones (duet)
32
2 Flutes, Piano
29
2 Flutes (duet)
28
2 Clarinets (duet)
27
Tenor Saxophone
27
Alto Saxophone
27
Recorder
25
Flute Quartet: 4 flutes
25
2 Recorders (duet)
24
Soprano Saxophone and Piano
23
Saxophone Quintet: 5 Saxophones
19
3 Clarinets (trio)
18
Saxophone (band part)
18
Baritone Saxophone, Piano
13
3 Recorders (trio)
12
Flute and Guitar
12
Flute, Clarinet (duet)
12
Clarinet Quintet: 5 clarinets
12
Flute Trio: 3 flutes
11
Oboe (band part)
11
Recorder Quartet
11
English horn, Piano
10
Clarinet Ensemble
10
Flute, Violin, Piano
10
Clarinet (band part)
8
Flute Quintet : 5 flutes
8
Saxophone ensemble
8
Soprano Saxophone
7
Flute (band part)
6
Treble (Alto) Recorder, Piano
6
Descent (Soprano) Recorder, Piano
6
5 Recorders
6
Flute, Cello, Piano (trio)
6
Flute ensemble
5
2 Clarinets, Piano
5
Oboe, Bassoon (duet)
4
Flute, Clarinet, Piano (trio)
4
Treble (Alto) Recorder, Basso continuo
4
2 Oboes (duet)
4
Clarinet, Cello, Piano (trio)
4
Descant (Soprano) Recorder
4
Flute, Violin and Violoncello
3
Flute, Oboe, Clarinet (trio)
3
Flute, trombone and piano
3
Clarinet, trumpet and piano
3
Recorder Ensemble
3
Clarinet, Bassoon (duet)
3
Clarinet, Guitar (duet)
3
Flute, Violin
3
Bass Clarinet, Piano
3
English Horn
2
Clarinet, Violin (duet)
2
Oboe, Cello and Piano
2
Flute, Violin, Violoncello and Piano
2
Ocarina
2
Flute, Oboe, Bassoon
2
Flute, Viola and Piano
2
Oboe
2
Treble (Alto) Recorder
2
Oboe, Clarinet, Bassoon (trio)
2
Recorder, Piano
2
Piccolo, Piano
1
Saxophone and Organ
1
Oboe, Cello
1
Saxophone and Piano
1
Clarinet, Harp (duet)
1
Recorder, Guitar (duet)
1
Oboe ensemble
1
Flute, Oboe, Piano (trio)
1
Clarinet, Organ
1
3 Oboes
1
Flute, Violoncello
1
Pennywhistle
1
Oboe, Harp
1
Tenor Recorder
1
Flute, harp and violin
1
Flute, Bassoon, and Piano
1
Flute, Oboe (duet)
1
Flute, Violin, Guitar
1
Flute, Harp and Cello
1
Oboe, Guitar (duet)
1
Flute, Clarinet, Horn and Bassoon (Quartet)
1
Oboe, Clarinet (duet)
1
+ 90 instrumentations
-
Retract
Woodbrass
Trumpet
80
Brass Quintet: 2 trumpets, horn, trombone, tuba
53
Trumpet, Piano
47
Trombone and Piano
37
Brass quartet : 2 trumpets, trombone, tuba
32
Trombone
28
Brass Quartet: 2 trumpets, horn, trombone
21
French Horn and Piano
17
Trumpet (band part)
15
2 Trumpets (duet)
15
Brass Quartet: 4 horns
12
French horn
11
English horn, Piano
10
Brass Quartet: 4 trombones
10
Tuba
9
Euphonium, Piano (duet)
9
Brass Quartet
8
2 French horns (duet)
7
2 Trombones (duet)
7
Brass Quartet: 4 trumpets
7
3 Trumpets (trio)
5
Trumpet, Horn (duert)
5
Trombone ensemble
4
Trombone (band part)
4
Horn Ensemble
4
French horn (band part)
4
Trumpet, Trombone (duet)
4
4 Tubas
3
Tuba and Piano
3
Brass Quartet: 2 trumpets, 2 trombones
3
Euphonium
3
2 Euphoniums and 2 Tubas
3
2 Trumpets, Keyboard (piano or organ)
3
English Horn
2
Trombone, Organ
2
Bass Trombone
2
Trumpet, Cello, Piano
2
Trumpet ensemble
2
Brass Trio
2
2 Euphoniums (duet)
2
2 Tubas (duet)
2
Tuba and Organ
1
Trombone, Horn (duet)
1
Tuba (band part)
1
Trumpet, Bassoon (duet)
1
Bass Trombone and Piano
1
Trumpet, Cello (duet)
1
+ 42 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
137
Violin and Piano
87
2 Cellos (duet)
86
Cello, Piano
62
2 Violins (duet)
52
Violin
51
Violin (band part)
43
Viola, Piano
42
Cello
41
Harp
41
Violin, Cello (duet)
41
Violin, Viola (duet)
33
2 Violas (duet)
27
Viola
26
Viola, Cello (duet)
24
String Trio: 2 violins, cello
21
String Trio: violin, viola, cello
21
Viola (band part)
13
Cello (band part)
12
String Quintet: 2 violins, viola, cello, bass
10
4 Cellos
10
Piano Trio: Violin, Viola, Piano
7
String Trio: 3 violins
7
2 Harps (duet)
6
Double Bass
6
String Trio: 3 cellos
6
Doublebass (band part)
6
Harp, Flute (duet)
5
Violin, Basso continuo
4
String Quartet : 4 violas
4
String Trio: 3 violas
4
Harp, Violin (duet)
4
String quartet: 4 violins
4
Harp, Cello (duet)
3
Cello, Guitar (duet)
3
Viola and Harp
3
2 Violins, Piano
3
Cello, Organ
3
Violin, Guitar (duet)
3
Violin, Organ
2
Violoncello, Basso continuo
2
Cello, Orchestra
2
Violin, Clarinet, Piano (trio)
1
String Trio: 2 violins, viola
1
Viola, Guitar (duet)
1
Double bass, Piano (duet)
1
String Quintet: 2 violins, 2 violas, cello
1
Harp, Voice
1
Viola and Bassoon
1
+ 44 instrumentations
-
Retract
Orchestra & Percussion
Concert band
157
String Orchestra
67
Orchestra
42
Handbells
42
Brass ensemble
25
Drums
24
Jazz Ensemble
19
Chamber Orchestra
17
Marimba
9
Percussion Ensemble
8
Jazz combo
8
Percussion (band part)
6
Marching band
5
Orchestra, Violin
1
Timpani (band part)
1
Percussion
1
+ 11 instrumentations
-
Retract
Others
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Top Downloads
Instrumentations
Composers
New additions
Christmas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
Digital Sheet Music
9
Sheet Music Books
0
Music Equipment
19
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
Chris Ott
Euphonium, Piano (duet)
Sheetmusic to print
9 sheet music found
<
1
Just As I Am, Gospel Hymn for Euphonium and Piano
#
Euphonium, Piano (duet)
#
EASY
#
Sacred music
#
Gospel/Spiritual
#
Charlotte Elliott
#
David McKeown
#
Just As I Am, Gospel Hymn for
#
David McKeown
#
SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.592915 Composed by Charlotte Elliott. Arranged by David McKeown. Christian,Gospel,Praise & Worship,S...
(+)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.592915 Composed by Charlotte Elliott. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6413415. Published by David McKeown (A0.592915). Just as I Am is a beautiful hymn arranged here for Solo Euphonium and Piano.Just as I Am was written by Charlotte Elliott in 1835. Billy Graham was moved to conversion by the hymn in 1936 and helped the song reach a wider audience by often using it in his crusades.
$2.49
Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano
#
Euphonium, Piano (duet)
#
EASY
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwen
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standa...
(+)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888357. Published by jmsgu3 (A0.550927). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
#
Euphonium, Piano (duet)
#
EASY
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwen
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standa...
(+)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888311. Published by jmsgu3 (A0.550923). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano
#
Euphonium, Piano (duet)
#
EASY
#
J S Bach-Gounod
#
Colin Kirkpatrick
#
Bach-Gounod: Ave Maria for Bar
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,W...
(+)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score and part. 7 pages. Colin Kirkpatrick Publications #899564. Published by Colin Kirkpatrick Publications (A0.1310506). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate baritone or euphonium player. Solo parts are provided (a) in bass clef in which the range is from the lowest G on the staff to the E just above it and (b) in treble clef transposed for B flat instrument in which the range is from the A just below the treble staff to the F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
O Holy Night
#
Euphonium, Piano (duet)
#
INTERMEDIATE/ADVANCED
#
Christmas
#
Adolphe-Charles Adam
#
Gary Burch
#
O Holy Night
#
Great Scott Bones Music
#
SheetMusicPlus
Euphonium,Piano - Level 4 - Digital Download SKU: A0.848199 Composed by Adolphe-Charles Adam. Arranged by Gary Burch. Christian,Christmas,Praise & Worshi...
(+)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.848199 Composed by Adolphe-Charles Adam. Arranged by Gary Burch. Christian,Christmas,Praise & Worship,Romantic Period,Sacred. Score and part. 12 pages. Great Scott Bones Music #3467708. Published by Great Scott Bones Music (A0.848199). O Holy Night composed by Adolphe-Charles Adam (1803-1856). Arranged by Gary Burch. For Euphonium and Piano. Contains solo part, piano score, and program notes. Includes Euphonium TC part. Grade 3. Published by Great Scott Bones Music.A piano accompaniment mp3 is available for this music. Search for item: S0.302467.
$7.95
Jingle Bells for Euphonium & Piano
#
Euphonium, Piano (duet)
#
BEGINNER
#
Christmas
#
James Pierpont
#
James M
#
piano
#
Jingle Bells for Euphonium & P
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 1 - Digital Download SKU: A0.548660 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8...
(+)
Euphonium,Piano - Level 1 - Digital Download SKU: A0.548660 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408515. Published by jmsgu3 (A0.548660). Jingle Bells arranged for euphonium & piano. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
#
Euphonium, Piano (duet)
#
INTERMEDIATE
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instr...
(+)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
#
Euphonium, Piano (duet)
#
INTERMEDIATE
#
Classical
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,R...
(+)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
<
1
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version
