Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
0
Digital
Sheet Music
12
Sheet Music
Books
3
Music
Equipment
31
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
180
PIANO & KEYBOARDS
Piano solo
1026
Piano, Voice
494
Easy Piano
73
Organ
54
1 Piano, 4 hands
26
2 Pianos, 4 hands
8
Piano Trio: piano, violin, cello
7
Piano, Vocal and Guitar
6
Piano Quintet: piano, 2 violins, viola, cello
4
Organ, Piano (duet)
4
Piano Accompaniment
4
Piano Quartet: piano, violin, viola, cello
1
Piano Quartet: piano, 2 violins, cello
1
2 Pianos, 8 hands
1
1 Piano, 6 hands
1
Instrumentations suivantes
Retracter
GUITARS
Guitar
27
Guitar notes and tablatures
10
Melody line, (Lyrics) and Chords
4
Lyrics and Chords
2
2 Guitars (duet)
2
Mandolin
1
Bass guitar
1
Ukulele
1
4 Guitars (Quartet)
1
Banjo
1
Instrumentations suivantes
Retracter
VOICE
Voice solo
72
Choral SATB
15
Choral SSAA
6
Low voice, Piano
5
Choral 3-part
5
Choral TTBB
3
High voice
3
Choral 2-part
2
Medium voice, Piano
1
Vocal duet, Piano
1
Instrumentations suivantes
Retracter
WOODWIND
Flute and Piano
30
Alto Saxophone and Piano
24
Oboe, Piano (duet)
19
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
15
Clarinet and Piano
14
Tenor Saxophone and Piano
13
2 Clarinets (duet)
13
Soprano Saxophone and Piano
12
2 Saxophones (duet)
11
Clarinet
11
Baritone Saxophone, Piano
10
Clarinet Quartet: 4 clarinets
9
Bass Clarinet, Piano
9
Saxophone (band part)
6
Flute
6
Clarinet Ensemble
5
Flute Quartet: 4 flutes
4
Saxophone and Guitar
4
Flute, Oboe, Clarinet, Bassoon
4
English horn, Piano
4
2 Flutes (duet)
4
Saxophone Quartet: 4 saxophones
4
Clarinet (band part)
3
Piccolo, Piano
3
Flute, Clarinet (duet)
3
Flute Trio: 3 flutes
3
Oboe (band part)
3
Recorder, Guitar (duet)
2
Saxophone ensemble
2
Flute, Clarinet and Bassoon.
2
Flute (band part)
2
2 Oboes (duet)
2
Clarinet, Bassoon (duet)
2
Alto Saxophone
2
Flute, Violoncello
2
Bass Clarinet
1
2 Saxophones, Piano
1
Clarinet, Trombone (duet)
1
Flute and Guitar
1
Clarinet Quintet: 5 clarinets
1
Treble (Alto) Recorder, Piano
1
Flute, Oboe (duet)
1
Oboe, Bassoon (duet)
1
Piccolo
1
3 Clarinets (trio)
1
Harmonica
1
Clarinet, Guitar (duet)
1
Tenor Saxophone
1
Instrumentations suivantes
Retracter
WOODBRASS
Trombone and Piano
19
Brass Quintet: 2 trumpets, horn, trombone, tuba
15
Euphonium, Piano (duet)
12
French Horn and Piano
11
Trumpet, Piano
10
Tuba and Piano
8
Trumpet
6
Trombone (band part)
5
2 Euphoniums and 2 Tubas
4
English horn, Piano
4
Brass Quartet: 4 horns
4
Brass quartet : 2 trumpets, trombone, tuba
4
Brass Quartet: 4 trombones
3
Trumpet and Guitar
2
2 Trumpets (duet)
2
Trombone
2
French horn (band part)
2
Trumpet (band part)
1
Brass Quartet
1
Trombone ensemble
1
2 French horns (duet)
1
3 Tubas (trio)
1
Trumpet, Trombone (duet)
1
Tuba (band part)
1
Bass Trombone and Piano
1
Trombone, Organ
1
French horn
1
Instrumentations suivantes
Retracter
STRINGS
Violin and Piano
37
Cello, Piano
32
String Quartet: 2 violins, viola, cello
27
Viola, Piano
24
Violin
11
Violin (band part)
10
Cello (band part)
7
2 Violins (duet)
7
Violin, Cello (duet)
5
Double bass, Piano (duet)
3
Cello
3
Viola
3
Doublebass (band part)
3
2 Violas (duet)
3
Violin, Guitar (duet)
2
Cello, Guitar (duet)
2
2 Violins, Piano
2
2 Cellos (duet)
2
Harp, Violin (duet)
2
Harp
2
String Trio: 2 violins, cello
2
String Trio: violin, viola, cello
2
Viola, Cello (duet)
1
2 Violas, Piano
1
Violin, Clarinet, Piano (trio)
1
String Trio: 3 cellos
1
Piano Trio: Violin, Viola, Piano
1
2 Cellos, Piano
1
Violin, Bassoon (duet)
1
String trio
1
Cello, Organ
1
String Trio: 3 violas
1
Cello Ensemble
1
String Trio: 3 violins
1
Viola (band part)
1
Harp, Violin, Violoncello
1
Cello, String Bass (duet)
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Orchestra
45
Concert band
33
String Orchestra
23
Brass ensemble
7
Piano and Orchestra
3
Chamber Orchestra
2
Drum (band part)
1
Timpani (band part)
1
Vibraphone (band part)
1
Jazz combo
1
Percussion (band part)
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
Liszt
Euphonium, Piano (duet)
Sheetmusic to print
12 sheet music found
<
1
Liszt: Liebestraume for Euphonium & Piano
Euphonium, Piano (duet)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.550073 Composed by Franz Liszt…
(+)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.550073 Composed by Franz Liszt. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards,Wedding. Score and part. 20 pages. Jmsgu3 #4592651. Published by jmsgu3 (A0.550073). Duration: 4:25 Score: 11 pages. Solo part: 3 pages. Piano Part: 6 pages. Widely recognized recital piece. Dreams of Love - perfect for Valentine's Day.
$24.95
23.02 €
#
Euphonium, Piano (duet)
#
Franz Liszt
#
Liszt: Liebestraume for Euphonium & Piano
#
jmsgu3
#
SheetMusicPlus
Liszt: Liebestraume for Baritone Horn & Piano
Euphonium, Piano (duet)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.550072 Composed by Franz Liszt…
(+)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.550072 Composed by Franz Liszt. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards,Wedding. Score and part. 20 pages. Jmsgu3 #4592641. Published by jmsgu3 (A0.550072). Duration: 4:25 Score: 11 pages. Solo part: 3 pages. Piano Part: 6 pages. Widely recognized recital piece. Dreams of Love - perfect for Valentine's Day.
$24.95
23.02 €
#
Euphonium, Piano (duet)
#
Franz Liszt
#
Liszt: Liebestraume for Baritone Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
Euphonium, Piano (duet)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mende…
(+)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.4 €
#
Euphonium, Piano (duet)
#
Felix Mendelssohn
#
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
#
jmsgu3
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
Euphonium, Piano (duet)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Barth…
(+)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.4 €
#
Euphonium, Piano (duet)
#
Felix Bartholdy Mendelssohn
#
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Romance oubliée (Forgotten Romance) for Euphonium & Piano
Euphonium, Piano (duet)
Composed by Franz Liszt (1811-1886). Arranged by Sauer, Ralph. Romantic Period. 8 pages. P…
(+)
Composed by Franz Liszt (1811-1886). Arranged by Sauer, Ralph. Romantic Period. 8 pages. Published by Cherry Classics (S0.138419). - - Romantic Period - Cherry Classics
$15.00
13.84 €
#
Euphonium, Piano (duet)
#
Franz Liszt
#
Romance oubliée
#
Cherry Classics
#
SheetMusicPlus
Consolation No. 3
Euphonium, Piano (duet)
Euphonium & Piano - Grade 3 - Digital Download SKU: R0.46662 Composed by Franz Lisz…
(+)
Euphonium & Piano - Grade 3 - Digital Download SKU: R0.46662 Composed by Franz Liszt. Arranged by Timofei Dokshitser. Euphonium & Piano. Score and parts. 7 pages. Duration 3'55. Editions Marc Reift - Digital #46662. Published by Editions Marc Reift - Digital (R0.46662).
$11.95
11.02 €
#
Euphonium, Piano (duet)
#
Franz Liszt
#
Consolation No. 3
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Romance
Euphonium, Piano (duet)
Euphonium & Piano - Grade 2 - Digital Download SKU: R0.40112 Oh! Quand je dors
(+)
Euphonium & Piano - Grade 2 - Digital Download SKU: R0.40112 Oh! Quand je dors. Composed by Franz Liszt. Arranged by Timofei Dokshitser. Euphonium & Piano. Score and parts. 8 pages. Duration 4'48. Editions Marc Reift - Digital #40112. Published by Editions Marc Reift - Digital (R0.40112).
$11.95
11.02 €
#
Euphonium, Piano (duet)
#
Franz Liszt
#
Romance
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Chants du Rhin for Euphonium and Piano
Euphonium, Piano (duet)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792530 Composed by Georges Biz…
(+)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792530 Composed by Georges Bizet. Arranged by Ralph Sauer. 20th Century,Classical,Romantic Period. Score and part. 52 pages. Gordon Cherry #5008345. Published by Gordon Cherry (A0.792530). The Chants du Rhin (Songs of the Rhine), a cycle of six pieces, based on poems by Joseph Méry, were written in 1865, and Bizet performed two of them on 16 April 1866 at a soirée of the Beaujolais Philharmonic Society. The songs are grouped symmetrically around La bohémienne as the central piece, framed by two meditatively yearning pieces (in E and D flat major) and two vividly exuberant ones (similarly in E and D flat major), with L’aurore serving as an introduction. In this cycle Bizet takes up the theme of the gypsy girl which had already entered European music in the operas The Bohemian Girl by the Irish composer Michael William Balfe and Verdi’s Il trovatore, as well as in Franz Liszt’s Hungarian Rhapsodies for piano. Bizet will return to it one year later in La jolie fille de Perth and ten years later in Carmen. The fourth piece Les confidences shows similarities in tonality, structure and motifs to the middle part of the third movement of Chopin’s Sonata in B minor. This version includes parts in B-flat treble clef as well as bass clef.
$22.50
20.76 €
#
Euphonium, Piano (duet)
#
Georges Bizet
#
Chants du Rhin for Euphonium and Piano
#
Gordon Cherry
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
Euphonium, Piano (duet)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander S…
(+)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.4 €
#
Euphonium, Piano (duet)
#
Alexander Scriabin
#
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Euphonium & Piano
Euphonium, Piano (duet)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.549459 Composed by Sir Arthur …
(+)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497273. Published by jmsgu3 (A0.549459). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.86 €
#
Euphonium, Piano (duet)
#
Sir Arthur Seymour Sullivan
#
dynamic control
#
Sullivan: The Lost Chord for Euphonium & Piano
#
jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
Euphonium, Piano (duet)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander S…
(+)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.4 €
#
Euphonium, Piano (duet)
#
Alexander Scriabin
#
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
#
jmsgu3
#
SheetMusicPlus
Oh, Quand je Dors
Euphonium, Piano (duet)
Composed by Franz Liszt (1811- 1886). Arranged by Dan Bachelder. 12 pages. Published …
(+)
Composed by Franz Liszt (1811- 1886). Arranged by Dan Bachelder. 12 pages. Published by Tuba-Euphonium Press
$17.00
15.68 €
#
Euphonium, Piano (duet)
#
Franz Liszt
#
Oh, Quand je Dors
#
SheetMusicPlus
<
1
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
