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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
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VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Orchestra.ÂÂ
Not classified
10,808
Piano & keyboards
Piano solo
8,571
Accordion
1,088
Piano, Vocal and Guitar
661
Piano Accompaniment
586
Piano (band part)
366
Piano, Voice
287
Easy Piano
135
C Instruments
134
Organ
59
2 Pianos, 4 hands
56
1 Piano, 4 hands
46
Big Note Piano
31
Accordion ensemble
30
Piano Trio: piano, violin, cello
24
Piano Quartet: piano, violin, viola, cello
11
Accordion and Orchestra
7
Organ, Piano (duet)
6
Organ, Trumpet (duet)
5
Organ and Orchestra
5
Harpsichord
4
Piano Quintet: piano, 2 violins, viola, cello
4
Melody line, Piano
3
Piano Quintet: piano, violin, viola, cello, double bass
2
2 Accordions
2
Keyboard
2
Piano Quartet: piano, 2 violins, cello
1
Accordion, String(s)
1
2 Pianos, 8 hands
1
+ 23 instrumentations
-
Retract
Guitars
Guitar
733
Guitar notes and tablatures
528
Melody line, (Lyrics) and Chords
151
Guitar (band part)
38
Ukulele
33
Bass guitar
24
Piano, Guitar (duet)
19
4 Guitars (Quartet)
17
2 Guitars (duet)
16
Lyrics and Chords
15
Plectrum Orchestra
14
Guitar, Orchestra
12
Guitar Ensemble
10
Mandolin
9
Electric Bass (band part)
6
Ukulele Ensemble
6
Dulcimer
5
2 Guitars and Orchestra
4
Mandolin, Guitar (duet)
3
Guitar, Violin, Cello (trio)
3
3 Guitars (trio)
3
Guitar, String Quartet
2
Banjo
2
Lute
1
Band Scores
1
+ 20 instrumentations
-
Retract
Voice
Choral SATB
1,696
Choral Instrumental Pak
693
Choral 3-part
264
Choral TTBB
150
Voice solo
115
Choral 2-part
71
Choral SSAA
70
Choral Unison
61
Soli, Mixted choir and accompaniment
32
Choral
24
Vocal duet, Piano
20
Choral SSATB
15
High voice
14
Vocal duet
13
Soprano voice, Orchestra
9
Soprano voice, Piano
9
Baritone voice, Piano
9
Choral SSAATTBB
6
Choral SSATTB
4
Medium voice, Piano
4
Low voice, Piano
3
Tenor voice, Piano
3
Choral SSAATB
2
Mezzo-Soprano voice, Piano
2
Soprano voice
2
Tenor voice
1
Alto voice, Piano
1
Choral SATTBB A Cappella
1
Choral SSAB, Piano
1
+ 24 instrumentations
-
Retract
Woodwind
Clarinet (band part)
1,800
Flute (band part)
1,018
Oboe (band part)
598
Saxophone (band part)
506
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
204
Oboe
191
Flute
190
Flute and Piano
129
Clarinet
110
Saxophone Quintet: 5 Saxophones
108
Saxophone Quartet: 4 saxophones
94
Clarinet and Piano
85
Alto Saxophone and Piano
81
Oboe, Piano (duet)
77
Saxophone ensemble
69
Clarinet Quartet: 4 clarinets
68
Clarinet Ensemble
64
Tenor Saxophone
64
Flute, Oboe, Clarinet, Bassoon
63
2 Saxophones (duet)
53
Saxophone
48
2 Flutes (duet)
46
Alto Saxophone
44
Soprano Saxophone and Piano
40
Tenor Saxophone and Piano
37
2 Clarinets (duet)
35
Flute Quartet: 4 flutes
34
Piccolo
32
Flute, Orchestra
31
Recorder Quartet
30
5 Recorders
29
Clarinet, Orchestra
24
Recorder Ensemble
24
Flute ensemble
23
Clarinet Quintet: 5 clarinets
23
Flute Quintet : 5 flutes
16
Baritone Saxophone, Piano
16
Saxophone and Orchestra
15
Clarinet Quintet: Clarinet, String Quartet
14
3 Clarinets (trio)
14
2 Recorders (duet)
14
3 Saxophones (trio)
14
Saxophone, Clarinet (duet)
14
2 Oboes (duet)
13
Bass Clarinet
12
English Horn
12
Flute Trio: 3 flutes
11
Bass Clarinet, Piano
11
English horn, Piano
11
Flute, Clarinet (duet)
11
Wind ensemble
10
Flute and Guitar
10
Flute, Violin
10
Recorder
10
Oboe, Bassoon (duet)
10
Clarinet, Trumpet (duet)
9
Flute, Oboe, Clarinet (trio)
9
Clarinet, Violin (duet)
8
Soprano Saxophone
8
Oboe and Orchestra
7
Flute, Violin, Piano
7
2 English horns and Pianoforte
6
Eb Instruments
6
Oboe, Flute
6
Oboe, Clarinet (duet)
5
Clarinet, Bassoon (duet)
5
Flute, Saxophone (duet)
5
Clarinet, Guitar (duet)
5
Descant (Soprano) Recorder
4
Clarinet and Viola
4
Flute, Trumpet (duet)
4
Flute, Viola (duet)
3
Oboe, Clarinet, Bassoon (trio)
3
Flute, Clarinet and Bassoon.
3
Flute, Cello, Piano (trio)
3
4 Oboes
2
Clarinet, Cello (duet)
2
3 Oboes
2
Descent (Soprano) Recorder, Piano
2
Flute, Violoncello
2
Flute and Strings Trio
2
Harmonica, Piano
2
2 Saxophones, Piano
2
Flute, harp and violin
2
Piccolo, Piano
1
Flute, Violin, Violoncello and Piano
1
Oboe and viola (duet)
1
Flute, Clarinet, Piano (trio)
1
Clarinet, Cello, Piano (trio)
1
Recorder, Guitar (duet)
1
Saxophone and Guitar
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
Clarinet, Bassoon, Piano (trio)
1
Oboe ensemble
1
Flute, Oboe, Bassoon
1
Baritone Saxophone
1
Saxophone and Organ
1
Oboe, Bassoon and Piano
1
Treble (Alto) Recorder, Piano
1
Saxophone and Harp
1
English horn, Harp (duet)
1
Oboe, Violin (duet)
1
Oboe, Cello
1
3 Recorders (trio)
1
Flute, Clarinet, Violin (trio)
1
2 Flutes, Basso continuo
1
Flute, Organ (duet)
1
Flute, Oboe, Piano (trio)
1
Bagpipe
1
Treble (Alto) Recorder
1
Tenor Recorder
1
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
+ 107 instrumentations
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Trombone (band part)
1,913
Trumpet (band part)
1,387
French horn (band part)
1,159
Tuba (band part)
481
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158
French horn
152
Brass quartet : 2 trumpets, trombone, tuba
136
Trumpet
98
Trombone
72
Trombone and Piano
70
Trumpet, Piano
55
Tuba
44
French Horn and Piano
40
Trombone ensemble
26
Brass Quartet: 2 trumpets, horn, trombone
26
Trumpet ensemble
23
Trumpet, Orchestra
18
Euphonium, Piano (duet)
17
Brass Quartet
17
Tuba and Piano
15
2 Trumpets (duet)
14
2 Trombones (duet)
13
English Horn
12
Brass Quartet: 4 trombones
11
English horn, Piano
11
Horn and Orchestra
10
Trumpet, Saxophone (duet)
9
Bass Clef Instruments
8
Horn Ensemble
8
Trumpet, Trombone (duet)
8
Trombone and Orchestra
8
2 Euphoniums and 2 Tubas
7
2 English horns and Pianoforte
6
Brass Quartet: 4 horns
6
Bb Instruments
6
3 Euphoniums
5
Euphonium
5
Bass Trombone and Piano
4
Trumpet, violin (duet)
3
3 Trumpets (trio)
3
2 Tubas (duet)
3
4 Tubas
2
2 Trumpets, Keyboard (piano or organ)
2
Cornet and Orchestra
2
3 French horns (trio)
2
3 Trombones (trio)
2
F Instruments
2
Bass Trombone
2
2 French horns (duet)
2
Brass Trio
1
Tuba ensemble
1
French Horn and Harp
1
Trombone, Organ
1
Trumpet, Horn (duert)
1
Brass Quartet: 4 trumpets
1
3 Tubas (trio)
1
English horn, Harp (duet)
1
Tuba or Euphonium or Saxhorn
1
2 Euphoniums (duet)
1
Clarinet, Horn (duet)
1
+ 55 instrumentations
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Retract
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Violin (band part)
7,327
Cello (band part)
2,399
Doublebass (band part)
2,199
Viola
1,379
String Quartet: 2 violins, viola, cello
1,270
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1,215
Violin
304
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295
Cello
294
String Quintet: 2 violins, viola, cello, bass
277
Double Bass
204
Harp
203
Violin, Cello (duet)
145
Cello, Piano
135
String Trio: violin, viola, cello
114
Viola, Piano
87
String Trio: 2 violins, cello
81
Harp (band part)
72
Cello, Orchestra
68
Violin, Viola (duet)
46
2 Violins (duet)
39
2 Cellos (duet)
35
Violin, Guitar (duet)
28
4 Cellos
24
Double bass, Piano (duet)
24
2 Violas (duet)
22
String Trio: 3 violins
21
Viola and orchestra
19
2 Harps (duet)
18
Viola ensemble
13
Violin ensemble
13
Viola, Cello (duet)
10
Harp, Violin (duet)
9
Harp, Orchestra
9
String Quintet: 2 violins, 2 violas, cello
7
Cello, String Bass (duet)
6
String Trio: 3 violas
6
Cello, Guitar (duet)
6
Flute, Doublebass (duet)
5
String trio
5
String Trio: 3 cellos
5
Piano Trio: Violin, Viola, Piano
4
Harp, String quartet
4
Harp, Flute (duet)
4
Viola, Guitar (duet)
4
Cello, Organ
4
Violoncello, Basso continuo
3
String quartet: 4 violins
3
Violin, Basso continuo
3
String Trio: 2 violins, viola
3
String Quartet : 4 violas
2
Harp, Cello (duet)
2
String Quintet: 2 violins, viola, 2 cellos
2
3 Harps
1
4 Double Basses
1
Violin, Bassoon (duet)
1
2 Violins and Basso
1
2 Violins, Piano
1
4 Harps
1
Violin, Clarinet, Piano (trio)
1
Viola, Organ
1
Cello Ensemble
1
Harp and Piano
1
Violin, Organ
1
+ 59 instrumentations
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Retract
Orchestra & Percussion
Orchestra
19,812
String Orchestra
19,242
Chamber Orchestra
3,608
Percussion (band part)
1,651
Concert band
1,620
Jazz Ensemble
447
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343
Percussion
260
Drum (band part)
165
Brass ensemble
125
Piano and Orchestra
105
Timpani
97
Percussion Ensemble
72
Orchestra, Violin
71
Jazz combo
58
Marching band
52
Handbells
36
Drums
32
Flexible Instrumentation
9
Big band
8
School Ensemble
7
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
7
Voice and Orchestra
7
Vibraphone
5
Marimba
3
Xylophone, Piano
3
Vibraphone (band part)
2
Voice Mezzo-Soprano, Orchestra
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Symphonic Band
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2 Xylophones
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Vibraphone and Marimba
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Xylophone
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Orchestra.ÂÂ
Euphonium, Piano (duet)
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17 sheet music found
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1
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
#
Euphonium, Piano (duet)
#
INTERMEDIATE
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instr...
(+)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
#
Euphonium, Piano (duet)
#
INTERMEDIATE
#
Classical
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,R...
(+)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Eine Kleine Nachtmusik (1st Mov.) for Euphonium and Piano
#
Euphonium, Piano (duet)
#
INTERMEDIATE
#
Classical
#
Wolfgang Amadeus Mozart
#
Diego Marani
#
Eine Kleine Nachtmusik
#
Diego Marani
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SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.528331 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructiona...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.528331 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standards,Wedding. Score and part. 13 pages. Diego Marani #5758651. Published by Diego Marani (A0.528331). Eine kleine Nachtmusik (Serenade No. 13 for strings in G major), K. 525, is a 1787 composition for a chamber ensemble by Wolfgang Amadeus Mozart. The German title means a little serenade, though it is often rendered more literally but less accurately as a little night music. Probably it is the most popular of all Mozart's works.This arrangement for Euphonium (C and Bb parts) faithfully reproduces the original for string orchestra and includes the first movement (Allegro) of the composition.
$8.99
Pachelbel: Canon for Baritone Horn & Piano
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Euphonium, Piano (duet)
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EASY
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Classical
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding....
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95
Air Varie for Euphonium or Ophicleide
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Euphonium, Piano (duet)
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ADVANCED
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Narcisse Bousquet
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Sean Brennan
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Air Varie for Euphonium or Oph
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bl_music
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SheetMusicPlus
Euphonium,Piano - Level 5 - Digital Download SKU: A0.842573 Composed by Narcisse Bousquet. Arranged by Sean Brennan. Classical,Concert,Graduation,Romanti...
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.842573 Composed by Narcisse Bousquet. Arranged by Sean Brennan. Classical,Concert,Graduation,Romantic Period,Standards. Score and part. 14 pages. Bl_music #6644623. Published by bl_music (A0.842573). Narcisse Bousquet (ca. 1800 – 1869) was a French composer, flageolet player and the conductor of the Elysée-Monmartre orchestra. He appears to have been active in both England and France in the first half of the Century. The dates given are the conventional ones, though there is a lack of evidence to support them. In about 1855, Bousquet worked with Jules Prudence Rivière at the Casino Paganini. There is a reference to him working in Paris at the Bal Barthélémy between about 1860 and 1865. One book Le Polycorde ou Nouveau Traite Théorique et Pratique de Musique, published in 1872 by J. Frédéric Giraud, describes a six-key French flageolet as the Systéme Bousquet so he may have been involved in the development of this type of instrument. Beyond this, very little is known about Bousquet and he does not appear in any of the usual sources for information about 19th Century French musicians. Solo part in bass clef suitable for euphonium or ophicleide.
$19.99
Gospel Celebration - Solo Euphonium and Piano
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Euphonium, Piano (duet)
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ADVANCED
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Contemporary
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Peter Boris Koval
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Peter Boris Koval
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Gospel Celebration - Solo Euph
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Peter Boris Koval
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SheetMusicPlus
Euphonium,Piano - Level 5 - Digital Download SKU: A0.1312358 Composed by Peter Boris Koval. Arranged by Peter Boris Koval. 20th Century. Score and part. ...
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.1312358 Composed by Peter Boris Koval. Arranged by Peter Boris Koval. 20th Century. Score and part. 21 pages. Peter Boris Koval #901212. Published by Peter Boris Koval (A0.1312358). Four Gospel Songs in the public domain have been arranged for solo Euphonium and Piano. The solo part is complex and difficult, requiring an advanced player and providing an exciting, rhythmic piece. Other arrangements are available for Euphonium and Brass Band, Euphonium and Concert Band and Euphonium with Orchestra (with optional saxophones).
$20.00
O Come, All Ye Faithful for Euphonium or Baritone
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Euphonium, Piano (duet)
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INTERMEDIATE
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Attr
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Lawrence H
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O Come, All Ye Faithful for Eu
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Lawrence H Underwood
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SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.967717 Composed by Attr. to John Francis Wade. Arranged by Lawrence H. Underwood. Christian,Christma...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.967717 Composed by Attr. to John Francis Wade. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 10 pages. Lawrence H Underwood #6189419. Published by Lawrence H Underwood (A0.967717). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the sixth installment in his A Christmas Portfolio series, this brand new setting of O Come, All Ye Faithful is a showstopper! The arrangement opens lyrically, in a lilting 12/8, before traveling through a driving section in 5, a majestic 3/4, then baroque-flavored turns in 4/4 and again in 3/4. The interplay between the solo and accompaniment evokes the feeling of a small orchestra! Suitable for use in church or as a showpiece in any holiday setting, this piece is one your audience is sure to remember!
$5.99
Two Pieces for Euphonium & Piano
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Euphonium, Piano (duet)
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ADVANCED
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Lalo, Edouard
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Sauer, Ralph
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Two Pieces for Euphonium & Pia
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792382 Composed by Lalo, Edouard. Arranged by Sauer, Ralph. 20th Century,Contemporary,Romantic Perio...
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792382 Composed by Lalo, Edouard. Arranged by Sauer, Ralph. 20th Century,Contemporary,Romantic Period. Score and part. 16 pages. Gordon Cherry #4820069. Published by Gordon Cherry (A0.792382). Lalo was born in Lille (Nord), in northernmost France. He attended that city's music conservatory in his youth. Then, beginning at age 16, Lalo studied at the Paris Conservatoire under Berlioz's old enemy François Antoine Habeneck. For several years, he worked as a string player and teacher in Paris. In 1848, he joined with friends to found the Armingaud Quartet, playing viola and second violin. Lalo's earliest surviving compositions are songs and chamber works. He dedicated most of his career to the composition of chamber music, which was in vogue, and to writing works for orchestra. These two works beautifully arranged by Mr. Sauder show the core of Lalo's chamber music; personal, subtle at times and filled with a French lyricism. For advanced performers.
$20.00
It's Been A Long, Long Time
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Euphonium, Piano (duet)
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INTERMEDIATE
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Contemporary
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.592533 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. Dav...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.592533 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366335. Published by David McKeown (A0.592533). It’s Been a Long Long Time is arranged as a solo for one Euphonium with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duet)
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Ro...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier àlumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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Euphonium, Piano (duet)
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Ro...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier àlumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Vier Lieder aus Des Knaben Wunderhorn (Four Songs from the Youth's Magical Horn) Euphonium & Piano
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Euphonium, Piano (duet)
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INTERMEDIATE/ADVANCED
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Classical
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Gustav Mahler
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Ralph Sauer
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Vier Lieder aus Des Knaben Wun
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 4 - Digital Download SKU: A0.1034421 Composed by Gustav Mahler. Arranged by Ralph Sauer. Romantic Period. Score and part. 40 page...
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.1034421 Composed by Gustav Mahler. Arranged by Ralph Sauer. Romantic Period. Score and part. 40 pages. Gordon Cherry #639768. Published by Gordon Cherry (A0.1034421). The songs of Des Knaben Wunderhorn (The Youth's Magic Horn) by Gustav Mahler are set for voice and piano and voice and orchestra taken from German folk poems assembled and published by editors Arnim and Brentano around 1805-08. The Vier Lieder, beautifully edited for Euphonium and Piano by Ralph Sauer are taken from Mahler's fourth set of these poems published in 1899. The four songs are: I. Wer hat dies Liedlein erdacht? (Who has created this song?) II. Lob des hohen Verstandes (In praise of lofty intellect) III. Verlor’ne Müh’ (Labor lost) IV. Lied des Verfolgten im Turm (Song of the persecuted in the tower) Mr. Sauer also includes German lyrics with English translations. Altogether the songs are about 12 minutes in length. The range is suitable for moderately advanced performers.
$27.50
Sospiri (Sighs) for Euphonium and Piano
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Euphonium, Piano (duet)
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ADVANCED
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Classical
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Edward Elgar
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Ralph Sauer
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Sospiri
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - Digital Download SKU: A0.811242 Composed by Edward Elgar. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and pa...
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.811242 Composed by Edward Elgar. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 5 pages. Gordon Cherry #6425321. Published by Gordon Cherry (A0.811242). Originally titled Sospiri d'Amour, this instrumental miniature, Sospiri (Sighs), Opus 70 was originally intended as a companion to Salut d'Amour. Elgar composed this heartfelt work in 1914 for string orchestra, harp, and organ, just before the outbreak of WWI. It is a bleak adagio of thoughtful intensity that he dedicated as a tribute to W.H. Reed, a dear friend, and the Concertmaster of the London Symphony. The work has been described most beautifully by Michael Kennedy who wrote, It is, though short, a major work of grave beauty, an epitome of Elgar’s ability to express nostalgic regret.Ralph Sauer has arranged this beautiful work for Euphonium and Piano (part is in bass clef) as an homage to the great English master. The work is about 5 minutes in length and appropriate for advanced performers.
$15.00
Three Pieces for Euphonium & Piano
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Euphonium, Piano (duet)
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ADVANCED
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Classical
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Edward Elgar
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Sauer, Ralph
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Three Pieces for Euphonium & P
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792165 Composed by Edward Elgar. Arranged by Sauer, Ralph. Romantic Period. Score and part. 16 pages...
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792165 Composed by Edward Elgar. Arranged by Sauer, Ralph. Romantic Period. Score and part. 16 pages. Gordon Cherry #3820413. Published by Gordon Cherry (A0.792165). Elgar wrote two lovely contrasting works, opus 15, for Violin around the 1890’s, the Chanson de Nuit and Chanson de Matin. They were titled in French as his publisher suggested the British public would find them more appealing to purchase. The Chanson de Nuit and Chanson de Matin became his best selling works to that point and added much needed funds for the family finances.The Romance, opus 62 was originally written for the Bassoon as a lyrical work with orchestra, as Elgar tried to get away from the usually comical writing for the instrument.Mr. Sauer has combined the three delightful works into a three movement suite for Euphonium of about 12 minutes in length for advanced performers.
$15.00
Jubilee for euphonium and piano
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Euphonium, Piano (duet)
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INTERMEDIATE/ADVANCED
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Contemporary
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David Gaines
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Yamaha Performing Artist
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Jubilee for euphonium and pian
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David Gaines
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SheetMusicPlus
Instrumental Duet Euphonium,Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.918776 Composed by David Gaines. 20th Century,Contemporary. S...
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Instrumental Duet Euphonium,Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.918776 Composed by David Gaines. 20th Century,Contemporary. Score and parts. 8 pages. David Gaines #2113311. Published by David Gaines (A0.918776). A very short and fun work for euphonium and piano....very lighthearted and rhythmic. -- Adam Frey, euphonium soloist; Yamaha Performing Artist; euphonium instructor, Georgia State University.......This short, highly rhythmic prelude was inspired by the unique dancing movements of ferrets and was a semifinal round selection for the student division of the 25th Annual Leonard Falcone International Euphonium Competition in 2010.......A recording featuring euphoniumist Robert Kozanek (principal trombone, Czech Philharmonic Orchestra) is available on the Navona Records album Conversations: Keyboard and Chamber Music by John Bilotta and David Gaines (Catalogue #NV5829).
$3.99
Mundi Mundi
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Euphonium, Piano (duet)
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INTERMEDIATE
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Cezary Skubiszewski
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Daryl McKenzie
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Mundi Mundi
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Daryl McKenzie
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SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.718480 Composed by Cezary Skubiszewski. Arranged by Daryl McKenzie. Contemporary,Film/TV. Score and ...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.718480 Composed by Cezary Skubiszewski. Arranged by Daryl McKenzie. Contemporary,Film/TV. Score and part. 16 pages. Daryl McKenzie #6252429. Published by Daryl McKenzie (A0.718480). The classic theme (Closing Credits music) from the Australian film Lillian's Story arranged for Solo Euphonium and Piano accompaniment by the film's Orchestrator Daryl McKenzie. Comes with Concert Pitch Bass Clef and Bb Treble Clef parts.Full audio demo here: https://tinyurl.com/yx9s72acAlso available for Solo Piano or numerous other solo instruments with Piano Accompaniment. Also Solo Piano with String Orchestra. Search here: http://bit.ly/39MilvtMore arrangements by Daryl McKenzie: https://tinyurl.com/y4tjxfenwww.mckenziemusicproductions.comYoutube Playlist: https://www.youtube.com/playlist?list=PLgP3xAGju1BJ-n99W8ow5xCGRfwTzfwT0
$19.99
Adagio Sostenuto from "Piano Concerto No. 2" for Euphonium and Piano
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Euphonium, Piano (duet)
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INTERMEDIATE
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Sergei Rachmaninoff
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Diego Marani
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Adagio Sostenuto from "Piano C
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Diego Marani
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SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.1228546 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Film/TV,In...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.1228546 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Film/TV,Instructional,Romantic Period. Score and part. 12 pages. Diego Marani #824622. Published by Diego Marani (A0.1228546). The Piano Concerto No. 2 in C minor, Op. 18, is a concerto for piano and orchestra composed by Sergei Rachmaninov between June 1900 and April 1901. No other concerto by Rachmaninoff was as popular with audiences and pianists alike as his Second Concerto ant it is one of the most often performed concertos in the repertoire. Numerous films borrow themes from the composition and it has also inspired numerous songs, like two ones recorded by Frank Sinatra and Eric Carmen's 1975 ballad All by Myself (sung also by Celine Dion).This arrangement for euphonium (C bass clef and Bb treble clef) with piano of the marvelous and very famous second movement is suitable for classroom, repertoire and recital.
$9.99
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