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You've selected:
The Call Up
Euphonium, Piano (duet)
Sheetmusic to print
9 sheet music found
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1
When the Roll is Called Up Yonder, Gospel Hymn for Euphonium and Piano
Euphonium, Piano (duet)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.593465 Composed by James Milto…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.593465 Composed by James Milton Black. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6421157. Published by David McKeown (A0.593465). When the Roll is Called Up Yonder is a beautiful gospel hymn arranged here for Solo Euphonium and Piano.When the Roll is Called Up Yonder was written in 1893 by James Milton Black. Black ran a Sunday School class and when a child was missing from one Sunday’s roll call, he called on the family to find the child was suffering from pneumonia. After calling and paying for a doctor, Black was inspired to write this hymn.
$2.49
2.29 €
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Euphonium, Piano (duet)
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James Milton Black
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When the Roll is Called Up Yonder, Gospel Hymn for Euphonium and Piano
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David McKeown
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SheetMusicPlus
18 Gospel Hymns Vol.2 for Solo Euphonium and Piano
Euphonium, Piano (duet)
Piano Accompaniment, Euphonium - Early Intermediate - Digital Download Composed by …
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Piano Accompaniment, Euphonium - Early Intermediate - Digital Download Composed by Various. Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, Praise & Worship. Score, Solo Part. 49 pages. Published by David McKeown
18 Easy Gospel Hymns Vol.2 for Solo Euphonium and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music.<br> <br> <br> <br> The standard is early intermediate. Players with a year or two’s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal.<br> <br> <br> <br> The hymns are in alphabetical order and are as follows<br> <br> <br> <br> · O Mary Don’t You Weep, <br> <br> · O When the Saints, <br> <br> · Old Time Religion, <br> <br> · Onward Christian Soldiers, <br> <br> · Rock of Ages, <br> <br> · Shall We Gather at the River, <br> <br> · Stand Up, Stand Up for Jesus, <br> <br> · Standing in the Need of Prayer, <br> <br> · Swing Low Sweet Chariot, <br> <br> · Steal Away, <br> <br> · There is a Fountain Filled with Blood, <br> <br> · There is Power in the Blood, <br> <br> · This Little Light of Mine, <br> <br> · Wade in the Water, <br> <br> · Were You There? <br> <br> · What a Friend We Have in Jesus, <br> <br> · When the Roll Is Called Up Yonder, <br> <br> · When We All Get to Heaven. <br> <br> <br> <br> If you like these Gospel Hymns, then there are another eighteen just like them in Volume 1. To find them copy and paste 18 Easy Gospel Hymns Vol.1 for Solo Euphonium and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.<br> <br> <br> <br> To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.<br> <br> <br> <br> There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203<br> <br>
$8.49
7.79 €
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Euphonium, Piano (duet)
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Various
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Worship
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18 Gospel Hymns Vol.2 for Solo Euphonium and Piano
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David McKeown
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
Euphonium, Piano (duet)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.31 €
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Euphonium, Piano (duet)
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Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
Euphonium, Piano (duet)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.31 €
#
Euphonium, Piano (duet)
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Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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jmsgu3
#
SheetMusicPlus
Quando Me'n Vo for C Low Brass & Piano
Euphonium, Piano (duet)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.1046450 By Keith Terrett. By G…
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.1046450 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Period. Score and part. 5 pages. Keith Terrett #650972. Published by Keith Terrett (A0.1046450). Arranged for C Euphonium/ C Baritone, C Trombone & PianoQuando me'n vo', also known as Musetta's Waltz, is a soprano aria, a waltz in act two of Puccini's 1896 opera La bohème. It is sung by Musetta, in the presence of her bohemian friends, hoping to reclaim the attention of her occasional boyfriend Marcello. This scene takes place at the Café Momus [fr]. Shortly after Mimì, Rodolfo, and their friends have taken seats for a drink, Marcello's former girlfriend, Musetta, shows up with her current patron, the elderly Alcindoro. They quarrel for a bit, then the episode begins as Musetta initiates her move on Marcello. She grabs the spotlight, musically speaking, for a short self-promoting aria (Quando me'n vo'). It is a song directed at the people in the café as much as at the audience in the theater.
$4.99
4.58 €
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Euphonium, Piano (duet)
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Keith Terrett
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Quando Me'n Vo for C Low Brass & Piano
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Keith Terrett
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SheetMusicPlus
Chants du Rhin for Euphonium and Piano
Euphonium, Piano (duet)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792530 Composed by Georges Biz…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792530 Composed by Georges Bizet. Arranged by Ralph Sauer. 20th Century,Classical,Romantic Period. Score and part. 52 pages. Gordon Cherry #5008345. Published by Gordon Cherry (A0.792530). The Chants du Rhin (Songs of the Rhine), a cycle of six pieces, based on poems by Joseph Méry, were written in 1865, and Bizet performed two of them on 16 April 1866 at a soirée of the Beaujolais Philharmonic Society. The songs are grouped symmetrically around La bohémienne as the central piece, framed by two meditatively yearning pieces (in E and D flat major) and two vividly exuberant ones (similarly in E and D flat major), with L’aurore serving as an introduction. In this cycle Bizet takes up the theme of the gypsy girl which had already entered European music in the operas The Bohemian Girl by the Irish composer Michael William Balfe and Verdi’s Il trovatore, as well as in Franz Liszt’s Hungarian Rhapsodies for piano. Bizet will return to it one year later in La jolie fille de Perth and ten years later in Carmen. The fourth piece Les confidences shows similarities in tonality, structure and motifs to the middle part of the third movement of Chopin’s Sonata in B minor. This version includes parts in B-flat treble clef as well as bass clef.
$22.50
20.65 €
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Euphonium, Piano (duet)
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Georges Bizet
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Chants du Rhin for Euphonium and Piano
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Gordon Cherry
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SheetMusicPlus
Three Pieces for Euphonium and Piano
Euphonium, Piano (duet)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792459 Composed by Gabriel Pie…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792459 Composed by Gabriel Pierne. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 24 pages. Gordon Cherry #4988133. Published by Gordon Cherry (A0.792459). Gabriel Pierné was a composer and conductor who studied with Franck and Massenet. His music is typically in the French style, exhibiting charm, clear technique and beauty of melodic line.The Three Pieces are titled: 1. Serenade, Opus 7; 2. Piece in F minor; 3. March of the Tin Soldiers.This suite is suitable for advanced performers and will add a lovely charm to your recital or concert. Mr. Sauer has produced a very fine suite made up of exquisite gems from Monsieur Piernés pen.
$20.00
18.35 €
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Euphonium, Piano (duet)
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Gabriel Pierne
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2. Piece in F minor
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Three Pieces for Euphonium and Piano
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Gordon Cherry
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SheetMusicPlus
Euphonistic Dance - Piano and Euphonium
Euphonium, Piano (duet)
Composed by Gregory Fritze. 20th Century, Neo-Classical, Jazz, Repertoire, Recital. …
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Composed by Gregory Fritze. 20th Century, Neo-Classical, Jazz, Repertoire, Recital. Piano Reduction, Solo Part. 22 pages. Published by Musica Nova USA
Euphonistic Dance is a short feature piece for euphonium with piano – about 5 minutes. It is for recitals and includes some opportunities for improvisation. There is a written out option for those not wanting to improvise. It is at early intermediate level of difficulty for euphonium and piano with range up to Gb for the euphonium. It is often played by tubists who double on euphonium (I call them Bydlo level). Euphonistic Dance was premiered by myself (euphonium) with Michael Dewart (piano) at Mansfield State College in Pennsylvania March 19, 1983. It has been played by many times by high school and college players since.<br> <br> There are two recordings - on Mark Records performed by Mary Ann Craig (youtube https://www.youtube.com/watch?v=Xit7xBP9szM) and on Albany records by Ed Morse (youtube https://www.youtube.com/watch?v=yMF0MayUgAo)
$15.00
13.77 €
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Euphonium, Piano (duet)
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Gregory Fritze
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Euphonistic Dance - Piano and Euphonium
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Musica Nova USA
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SheetMusicPlus
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