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Bassoon, Piano (duet)
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1
Scriabin: Prelude Op. 11 No. 2 for Bassoon & Piano
Bassoon, Piano (duet)
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.…
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Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.549477 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3499857. Published by jmsgu3 (A0.549477). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.39 €
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Bassoon, Piano (duet)
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Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for Bassoon & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Bassoon and Piano
Bassoon, Piano (duet)
Bassoon,Piano - Level 2 - Digital Download SKU: A0.1310502 Composed by J S Bach-Gou…
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Bassoon,Piano - Level 2 - Digital Download SKU: A0.1310502 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Easter,Sacred,Wedding. Score and part. 6 pages. Colin Kirkpatrick Publications #899560. Published by Colin Kirkpatrick Publications (A0.1310502). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate bassoon player. It is in concert C and range is from G on the lowest line of the bass clef to the E just above the staff. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
7.33 €
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Bassoon, Piano (duet)
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J S Bach-Gounod
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Bach-Gounod: Ave Maria for Bassoon and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Onward Christian Soldiers, Gospel Hymn for Bassoon and Piano
Bassoon, Piano (duet)
Bassoon,Piano - Level 2 - Digital Download SKU: A0.593136 Composed by Sabine Baring…
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Bassoon,Piano - Level 2 - Digital Download SKU: A0.593136 Composed by Sabine Baring-Gould. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6416461. Published by David McKeown (A0.593136). Onward Christian Soldiers is a beautiful gospel song arranged here for Solo Bassoon and Piano.Onward Christian Soldiers was written by Sabine Baring-Gould in 1865 and set to music by Arthur Sullivan in 1871. Churchill later chose the hymn to be sung at a wartime service when he met Roosevelt in 1941. In more recent times there have been attempts, some successful, some not, to alter the military flavor of the lyrics.
$2.49
2.3 €
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Bassoon, Piano (duet)
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Sabine Baring-Gould
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Onward Christian Soldiers, Gospel Hymn for Bassoon and Piano
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David McKeown
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SheetMusicPlus
It's Been A Long, Long Time
Bassoon, Piano (duet)
Bassoon,Piano - Level 3 - Digital Download SKU: A0.592529 Composed by Jule Styne. A…
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Bassoon,Piano - Level 3 - Digital Download SKU: A0.592529 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366327. Published by David McKeown (A0.592529). It’s Been a Long Long Time is arranged as a solo for one Bassoon with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.52 €
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Bassoon, Piano (duet)
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Jule Styne
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Duo Sonatina
Bassoon, Piano (duet)
Bassoon,Piano - Level 5 - Digital Download SKU: A0.998748 Composed by Robert A. How…
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Bassoon,Piano - Level 5 - Digital Download SKU: A0.998748 Composed by Robert A. Howard. 20th Century,Contemporary,Standards. Score and part. 11 pages. Robert A. Howard #5722589. Published by Robert A. Howard (A0.998748). This single movement mini-sonata for bassoon and piano was written specifically for a festival at the Royal Academy of Music, London. The piece develops various ideas deriving directly from the piano's introductory chord sequence, throughout the work's nine-minute duration. Meanwhile, the structure combines formal elements usually found in a sonata, such as a recurring rondo theme, variation procedures, and a distinct scherzo section. This extended piece explores the full three and a half octave range of the solo instrument and therefore is suited to more advanced bassoonists (& pianists), including students and professional players. This document is the full score and also serves as the piano part. Duration: 9 minutes 10 seconds. Registered with PRS (Performing Rights Society, UK).
$6.99
6.44 €
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Bassoon, Piano (duet)
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Robert A
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Duo Sonatina
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Robert A. Howard
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SheetMusicPlus
Carson Cooman: Polpis Dreaming (2005) for contrabassoon and piano
Bassoon, Piano (duet)
Bassoon,Piano - Level 5 - Digital Download SKU: A0.533586 Composed by Carson Cooman…
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Bassoon,Piano - Level 5 - Digital Download SKU: A0.533586 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and part. 15 pages. Musik Fabrik Music Publishing #3029125. Published by Musik Fabrik Music Publishing (A0.533586). Polpis Dreaming (2005) for contrabassoon and piano is dedicated to Henry Skolnick.The title refers to Polpis, a region of Nantucket Island, Massachusetts that borders Nantucket Harbor with a variety of smaller inlets. This work is one of a variety of pieces connected to the landscape of Nantucket. In the case of this piece, the extra-musical image was one of the incredible depth of the ocean (perhaps parallel to the depth of the contrabassoon's sound) slowly being explored/achieved through the means of inlets.The work's basic material comes from the contrabassoon's opening gesture, which moves upward from the bottom of the instrument. The pitch material and interval content that are transformed throughout the work are presented in that motion.The first section of the work is declamatory, with lyric impulses. The material of the work is unfolded as the sounds of the piano's resonance, combined with the tone of the contrabassoon are explored. A faster middle section occurs next in which the harmonic gestures and transformations are always moving towards greater consonance. After the middle section, thereis a return to the mood of the opening, although the material of the middle section also appears in transformation.
$11.95
11.02 €
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Bassoon, Piano (duet)
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Carson Cooman
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Carson Cooman: Polpis Dreaming
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Musik Fabrik Music Publishing
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SheetMusicPlus
Amazing Grace, Gospel Hymn for Bassoon and Piano
Bassoon, Piano (duet)
Piano Accompaniment, Bassoon - Early Intermediate - Digital Download Composed by John…
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Piano Accompaniment, Bassoon - Early Intermediate - Digital Download Composed by John Newton. Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, Praise & Worship. Score, Solo Part. 3 pages. Published by David McKeown
Amazing Grace is a beautiful hymn arranged here for Solo Bassoon and Piano.<br> <br> Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey.<br> <br> The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.<br> <br> The standard is early intermediate. Players with a year or two’s experience will enjoy playing Amazing Grace. This gospel hymn is ideal for use in concerts or worship, formal or informal. The piano score and separate instrumental part are combined in one pdf file. Click on the link above to listen to a full YouTube performance of this gospel hymn on clarinet.<br> <br> If you like Amazing Grace, then there are another 35 just like it in 18 Easy Gospel Hymns for Solo Bassoon and Piano, Volumes 1 and 2. Each volume costs just $8.49. To find them, copy and paste 18 Easy Gospel Hymns for Solo Bassoon and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.<br> <br> To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.<br> <br> There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david- mckeown/6203
$2.49
2.3 €
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Bassoon, Piano (duet)
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John Newton
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Worship
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Amazing Grace, Gospel Hymn for Bassoon and Piano
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David McKeown
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SheetMusicPlus
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