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Mazurka - Flute Solo
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You've selected:
Mazurka - Flute Solo
Bassoon, Piano (duet)
Sheetmusic to print
4 sheet music found
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1
Mazurka Op. 38 no. 2
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Bassoon, Piano (duet)
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INTERMEDIATE
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Nikolay Andreyevich Rimsky-Kor
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Ian Fitze
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Mazurka Op. 38 no. 2
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Ian Fitze
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SheetMusicPlus
Bassoon,Piano - Level 3 - Digital Download SKU: A0.1473509 By Nikolay Andreyevich Rimsky-Korsakov. By Nikolay Andreyevich Rimsky-Korsakov. Arranged by Ia...
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Bassoon,Piano - Level 3 - Digital Download SKU: A0.1473509 By Nikolay Andreyevich Rimsky-Korsakov. By Nikolay Andreyevich Rimsky-Korsakov. Arranged by Ian Fitze. 19th Century,Contest,Festival,Folk,Instructional,Romantic Period. Score and part. 8 pages. Ian Fitze #1051309. Published by Ian Fitze (A0.1473509). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.This is a moderately challenging piece adapted for instrumental solo with Piano accompaniment. From Wikipedia: The Mazurka (Polish: mazurek) is a Polish musical form based on stylised folk dances in triple meter, usually at a lively tempo, with character defined mostly by the prominent mazur's strong accents unsystematically placed on the second or third beat.Rimsky Korsakoff makes good use of melodies and counter-melodies throughout.A fun piece for both soloist and accompanist to put together.
$1.99
Mazurka in G Minor - Bassoon & Piano
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Bassoon, Piano (duet)
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INTERMEDIATE
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Classical
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Fredric Chopin
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Andrew Middleton
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Mazurka in G Minor - Bassoon &
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Andrew Middleton
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SheetMusicPlus
Bassoon,Piano - Level 3 - Digital Download SKU: A0.735942 Composed by Fredric Chopin. Arranged by Andrew Middleton. Romantic Period. Score and part. 5 pa...
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Bassoon,Piano - Level 3 - Digital Download SKU: A0.735942 Composed by Fredric Chopin. Arranged by Andrew Middleton. Romantic Period. Score and part. 5 pages. Andrew Middleton #5867689. Published by Andrew Middleton (A0.735942). Chopin's Mazurka in G Minor, Op. 67, No. 2 arranged for solo bassoon with piano accompaniment. This arrangement would also be suitable for cello and trombone too!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99
Adelita-Bassoon Solo (Optional Piano Accompaniment)
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Bassoon, Piano (duet)
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EASY
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Classical
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Francisco Tarrega
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John May
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Adelita-Bassoon Solo
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Lost Key Music
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SheetMusicPlus
Bassoon,Piano - Level 2 - Digital Download SKU: A0.829808 Composed by Francisco Tarrega. Arranged by John May. Chamber,Classical,Contest,Festival,Romanti...
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Bassoon,Piano - Level 2 - Digital Download SKU: A0.829808 Composed by Francisco Tarrega. Arranged by John May. Chamber,Classical,Contest,Festival,Romantic Period. Score and part. 3 pages. Lost Key Music #3881229. Published by Lost Key Music (A0.829808). Francisco Tarrega (1852-1909) was a Spanish composer and classical guitarist regarded by many as the father of the classical guitar. Adelita is a mazurka originally composed for guitar by Tarrega. The mazurka originated in Poland and was popularized by Frederic Chopin. Arranged for bassoon solo with optional piano accompaniment.The tempo is indicated as Lento, but seems to work better at a faster tempo. The audio file here is at 80 bpm. However, this piece should not be performed metronomically, but rather with a more rubato style. https://youtu.be/vwIhYF9hXEkwww.lostkeymusic.comFollow Lost Key Music on social media: https://www.facebook.com/lostkeymusic...https://twitter.com/lostkeymusichttps://www.pinterest.com/lostkeymusic/https://www.instagram.com/lostkeymusic/www.lostkeymusic.com
$9.00
Scriabin: Prelude Op. 11 No. 2 for Bassoon & Piano
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Bassoon, Piano (duet)
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.549477 Composed by Alexander Scriabin. Arranged by James M. Guthri...
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Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.549477 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3499857. Published by jmsgu3 (A0.549477). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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