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Piano Sonata No. 11
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You've selected:
Piano Sonata No. 11
Bassoon, Piano (duet)
Sheetmusic to print
4 sheet music found
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1
Turkish March for Bassoon and Piano
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Bassoon, Piano (duet)
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INTERMEDIATE
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Classical
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Wolfgang Amadeus Mozart
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Diego Marani
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Turkish March for Bassoon and
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Diego Marani
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SheetMusicPlus
Bassoon,Piano - Level 3 - Digital Download SKU: A0.528086 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,...
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Bassoon,Piano - Level 3 - Digital Download SKU: A0.528086 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standards. Score and part. 7 pages. Diego Marani #4728461. Published by Diego Marani (A0.528086). The Piano Sonata No. 11 in A major, K. 331, by Wolfgang Amadeus Mozart is a piano sonata in three movements. The last one, marked Alla turca, popularly known as the Turkish Rondo or Turkish March, is often heard on its own and is one of Mozart's best-known piano pieces. This arrangement for Bassoon with Piano Accompaniment faithfully reproduces the original for piano.
$9.90
Rondo Alla Turca (Turkish March) • bassoon sheet music with piano accompaniment
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Bassoon, Piano (duet)
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INTERMEDIATE/ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Benzaiten Editions
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Rondo Alla Turca
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Benzaiten Editions
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SheetMusicPlus
Bassoon,Piano - Level 4 - Digital Download SKU: A0.1306920 Composed by Wolfgang Amadeus Mozart. Arranged by Benzaiten Editions. 19th Century,Classical. S...
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Bassoon,Piano - Level 4 - Digital Download SKU: A0.1306920 Composed by Wolfgang Amadeus Mozart. Arranged by Benzaiten Editions. 19th Century,Classical. Score and part. 9 pages. Benzaiten Editions #896250. Published by Benzaiten Editions (A0.1306920). Hey! Are you a bassoon player who wants to learn how to play Rondo Alla Turca (Turkish March) by Mozart? It's your lucky day! 🎵Rondo Alla Turca (Turkish March) • bassoon sheet music with piano accompaniment The Benzaiten Editions Bassoon Arrangement Embark on a musical journey to the exotic and lively world of Mozart's Rondo Alla Turca with our captivating bassoon sheet music! This vibrant and spirited piece, also known as the Turkish March, is a delightful showcase of Mozart's genius and is sure to enchant both players and audiences alike. Our arrangement of Rondo Alla Turca brings out the playful and energetic nature of the composition while maintaining the grandeur of Mozart's original work. About Turkish March Rondo Alla Turca is the exhilarating final movement from Mozart's Piano Sonata No. 11, often referred to as the Turkish March. The piece exudes a sense of adventure and flair, evoking images of the lively and exotic sounds of Turkey. Mozart's intricate melodies and rhythmic patterns showcase his unparalleled compositional skill, making this march a true gem of classical music.
$3.99
Sonata No.8 "Pathetique", 2nd movement (Beethoven) - bassoon and piano with FREE BACKING TRACK
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Bassoon, Piano (duet)
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ADVANCED
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Classical
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Ludwig van Beethoven
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Austin Ralphson
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Sonata No.8 "Pathetique", 2nd
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Austin Ralphson
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SheetMusicPlus
Bassoon,Piano - Level 5 - Digital Download SKU: A0.1173974 Composed by Ludwig van Beethoven. Arranged by Austin Ralphson. Classical,Wedding. Score and pa...
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Bassoon,Piano - Level 5 - Digital Download SKU: A0.1173974 Composed by Ludwig van Beethoven. Arranged by Austin Ralphson. Classical,Wedding. Score and part. 11 pages. Austin Ralphson #774131. Published by Austin Ralphson (A0.1173974). This slow movement is one of the most well-known from the classical repertoire, with its lovely, floating melody and rippling accompaniment. It is in rondo form and was originally in A flat major, but has been transposed here to suit the instrument for which it was arranged.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/OChgwLvvF28 and also in the video screen above.You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/EN4Sf
$3.99
Scriabin: Prelude Op. 11 No. 2 for Bassoon & Piano
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Bassoon, Piano (duet)
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.549477 Composed by Alexander Scriabin. Arranged by James M. Guthri...
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Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.549477 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3499857. Published by jmsgu3 (A0.549477). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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