Download Digital Sheet Music of Sonata D minor, Op. 2 No. 2 for Bassoon, Piano (duet)

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Piano solo 17 Easy Piano 7 Piano, Voice 1

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Alto Saxophone and Piano 3 Flute and Piano 3 2 Recorders (duet) 3 Baritone Saxophone, Piano 2 Oboe, Piano (duet) 2

Tenor Saxophone and Piano 2 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1 Clarinet and Piano 1 Treble (Alto) Recorder, Basso continuo 1 Flute 1 Recorder Ensemble 1 Oboe, Clarinet, Bassoon (trio) 1 Bass Clarinet, Piano 1 Clarinet 1 English horn, Piano 1 Soprano Saxophone and Piano 1 Recorder, Piano 1

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Viola, Piano 4 Violin and Piano 4 Cello, Piano 4 String Trio: 2 violins, cello 3 Violin 3

2 Cellos (duet) 2 2 Violins, Piano 2 Cello 2 String Trio: violin, viola, cello 1 Double Bass 1 4 Cellos 1 2 Violins (duet) 1 Viola 1 Double bass, Piano (duet) 1 String Quartet: 2 violins, viola, cello 1

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Sonata D minor, Op. 2 No. 2

Bassoon, Piano (duet)

Sheetmusic to print

3 sheet music found

Moonlight Sonata Bassoon, Piano (duet)

Bassoon,Piano - Level 1 - Digital Download SKU: A0.1086916 Composed by Ludwig van B…(+)

Bassoon,Piano - Level 1 - Digital Download SKU: A0.1086916 Composed by Ludwig van Beethoven. Arranged by Rodrigo Faleiros. Classical,Romantic Period. Score and part. 7 pages. Rodrigo Faleiros #691105. Published by Rodrigo Faleiros (A0.1086916). A simplified and shorter version of the world famous Moonlight Sonata, composed by Ludwig van Beethoven. Just the theme of the 1st movement of the Sonata #14, op. 27, no. 2 in C# minor - here transposed to D minor, half step up, to an easier comprehension. The tuplets and the piece were converted to a 3/4 time to make it easier for students and amateurs to read and play - 1 bar of the original were transformed into 4 in this arragement. Here the melody is played by the bassoon and the accompainment by the piano.

$4.99 4.6 € #Bassoon, Piano (duet) #Ludwig van Beethoven #Moonlight Sonata #Rodrigo Faleiros #SheetMusicPlus

Scriabin: Prelude Op. 11 No. 2 for Bassoon & Piano Bassoon, Piano (duet)

Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.…(+)

Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.549477 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3499857. Published by jmsgu3 (A0.549477). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

$19.95 18.39 € #Bassoon, Piano (duet) #Alexander Scriabin #Scriabin: Prelude Op. 11 No. 2 for Bassoon & Piano #jmsgu3 #SheetMusicPlus

Level Up! Bassoon, Piano (duet)

Bassoon,Piano - Level 2 - Digital Download SKU: A0.1316530 Composed by Angela Salva…(+)

Bassoon,Piano - Level 2 - Digital Download SKU: A0.1316530 Composed by Angela Salvaggione. Baroque,Contest,Festival,Instructional. Score and part. 7 pages. Angela Salvaggione #905263. Published by Angela Salvaggione (A0.1316530). This piece is based on a ground, or ostinato. That means it has a repeating pattern, in this case, eight bars. La Folia is a ground thatâ€™s been used by many composers over the centuries, including Corelli (Violin Sonata Op. 5, no. 12) and Vivaldi (Trio Sonata, Op. 1 no. 12), and more recently, Rachmaninoff (Variations on a Theme of Corelli) and Manuel Ponce (Variations sur Folia de EspaÃ±a et fugue), and more recently still, Glen Shannonâ€™s La Follia Variations for recorder ensemble. Many of these pieces are quite long to listen to, but are written for a variety of instruments and a variety of styles. Perhaps it will inspire you to try and write a variation yourself. You can have your teacher play the ground and you play your variation at the same time to see if you like how it sounds together.Â Warning! DO NOT start this piece too fast! The opening theme is very easy, but after every eight bars, each variation becomes more difficult as you Level Up through the piece. Keep everything under control, and think of ways you can make each variation sound different â€“ experiment with your dynamics and articulations.Â Time: ca. 2:15Key: D minorRange: E2-Bb3With large leaps and running scalar sixteenth note passages, this piece is appropriate for a second year student.Once the student has purchased this piece, an adjudicatorâ€™s copy may be made. Teachers may purchase individual copies for each studentâ€™s use. Studio licensing is not available.

$10.00 9.22 € #Bassoon, Piano (duet) #Angela Salvaggione #Level Up! #Angela Salvaggione #SheetMusicPlus