Download Digital Sheet Music of Center for Brass Quartet: 4 trombones

Center

Dvorak Front and Center (Medley of A. Dvorak Pieces) for TROMBONE QUARTET

Dvorak Front and Center (Medley of A. Dvorak Pieces) for TROMBONE QUARTET Brass Quartet: 4 trombones

Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.872914 Composed by Ant…(+)

Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.872914 Composed by Antonin Dvorak. Arranged by P.A. Drahozal. 20th Century,Concert,Folk,Romantic Period,World. Score and parts. 18 pages. MusicPAD Music Publications #6057877. Published by MusicPAD Music Publications (A0.872914). This is a musically flowing compilation of several lighter selections authored by the legendary Antonin Dvorak and set for a trombone quartet. This challenging arrangement is the perfect addition to a college trombone recital or presentation piece. Lively, entertaining, engaging and full of beautiful counterpoint, Dvorak Front and Center is bound to be an audience pleaser from note one! Logically placed generous rehearsal markings are carefully set and a score is included to facilitate efficient preparation and rehearsal. There is an opportunity for an alto trombone double in the first part (not transposed). The first part does explore the very high register (triple D) but ossia notes are always included as an option. All parts are called upon for melodic playing as the lead line does move around. Thus, the 2nd and 3rd parts are called upon for a little high register playing too (not as high as the first though). Be advised- this is a challenging and very rewarding arrangement for advanced players. With the proper investment of time, Dvorak Front and Center will return rewards and accolades for your studious trombone quartet.
$12.99 11.7 € #Brass Quartet: 4 trombones #Antonin Dvorak #Dvorak Front and Center #MusicPAD Music Publications #SheetMusicPlus

#Dvorak Front and Center

Trombone Quartet Trombone - Level 2 - Digital Download SKU: A0.1266548 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859221. Published by jmsgu3 (A0.1266548). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.Â The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherchÃ© one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â