Download Digital Sheet Music of Liar for Harpsichord

Liar

Can She Excuse My Wrongs #Harpsichord #INTERMEDIATE #John Dowland #Mike Raymond #Can She Excuse My Wrongs #Mike Raymond #SheetMusicPlus

Harpsichord,Instrumental Solo - Level 3 - Digital Download SKU: A0.1214286 Composed by John Dowland. Arranged by Mike Raymond. Historic,Renaissance,Stand...(+)

Harpsichord,Instrumental Solo - Level 3 - Digital Download SKU: A0.1214286 Composed by John Dowland. Arranged by Mike Raymond. Historic,Renaissance,Standards. Individual part. 2 pages. Mike Raymond #811369. Published by Mike Raymond (A0.1214286). A solo Harpsichord arrangement of John Dowland's 16th century song, originally words set to a galliard. The independence of the left hand has been created by the arranger to embellish an otherwise true to original right hand melody (less one or two accidentals). It makes for an intermediate level study piece due to the complexity of the counterpoint, or an advanced sight reading piece.

Ding, Dong, Merrily on High from 24 Traditional Carols in Minimalist Style for Piano Solo #Harpsichord #INTERMEDIATE #Trad #Michael Bomier #Ding, Dong, Merrily on High fr #Michael Butkus-Bomier #SheetMusicPlus

Harpsichord - Level 3 - Digital Download SKU: A0.862562 Composed by Trad. French carol. Arranged by Michael Bomier. 20th Century,Christmas,Contemporary,I...(+)

Harpsichord - Level 3 - Digital Download SKU: A0.862562 Composed by Trad. French carol. Arranged by Michael Bomier. 20th Century,Christmas,Contemporary,Instructional. Score. 2 pages. Michael Butkus-Bomier #4427. Published by Michael Butkus-Bomier (A0.862562). A familiar song or tune is one of the best way to introduce a modern or at least unfamiliar way of playing the piano. Here is a spritely carol with a very specific set of musical parameters that belies its flowing sound. The right hand melody, so familiar to many of us, with its melismatic phrases, is set in fifths and fourths ONLY. the accompaniment, in the left hand bass, is octaves and fifths, filled in at the top of the bottom with a whole step. A very restricted set of materials, yet they complement the song in its simplicity and verve. This arrangement is NOT as suitable for vocal accompaniment as the others in the series. Melismas in 5ths, not easy to sing along with. But, fun to play! MBB.

Invention in B Locrian from 9 Modal Inventions #Harpsichord #INTERMEDIATE #Michael Bomier #Invention in B Locrian from 9 #Michael Butkus-Bomier #SheetMusicPlus

Harpsichord - Level 3 - Digital Download SKU: A0.862503 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 2 pages. Michael Butkus-...(+)

Harpsichord - Level 3 - Digital Download SKU: A0.862503 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 2 pages. Michael Butkus-Bomier #2032023. Published by Michael Butkus-Bomier (A0.862503). Thirds, seven-note scalar runs, and syncopation characterize this final entry in the series of Modal Inventions. The Locrian mode was not a true church mode. It was given that name by jazz musicians, who wanted a modal designation for each of the seven modes for every major scale. This piece uses cut-time, and a half-note figure as its subject. The countersubject is a scale. Each exposition and its reverse end with a syncopated series of thirds, like the E Major Invention of Bach. These elements mix and match themselves through the piece, which ends on a B7 chord without a 3rd or 5th degree, giving the finale its ambiguous, Locrian sound. All nine inventions make a nice program for the opening of a three-element recital. They also make an excellent introduction into the world of modern music, since the two-part invention format is familiar, and the scalar aspect is also a musical staple throughout the eras, even though the modal derivatives rather than the parent major scales are used. MBB.