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When I Was Your Man
C Instruments
C Instrument - Level 2 - Digital Download SKU: A0.1137543 By Bruno Mars. By Andrew …
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C Instrument - Level 2 - Digital Download SKU: A0.1137543 By Bruno Mars. By Andrew Wyatt, Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Sabrina Khuzaimi. Hip-Hop,Pop,R & B,Singer/Songwriter,Wedding. Lead Sheet / Fake Book. 2 pages. Sabrina Khuzaimi #737730. Published by Sabrina Khuzaimi (A0.1137543). This arrangement is actually a lead sheet for the vocals. It could also be use for any other instruments that wanted to use the melody part only for your show. I didn't follow the exact melody as it could be hard for the beginners to play it. I hope this piece could help you play the song that you always wanted to play! Copyright © 2012 BMG Gold Songs, Mars Force Music, Northside Independent Music Publishing, Thou Art The Hunger, Warner Geo Met Ric Music, Hipgnosis Side G, Universal Music Corp., Music Famamanem LP, Roc Nation Music and Concord Road c/o Concord Music Publishing All Rights for BMG Gold Songs and Mars Force Music Administered by BMG Rights Management (US) LLC All Rights for Thou Art The Hunger Administered by Northside Independent Music Publishing All Rights for Hipgnosis Side G Administered by Hipgnosis Songs Group All Rights for Music Famamanem LP and Roc Nation Music Administered by Universal Music Corp. All Rights Reserved Used by Permission.
$5.00
4.5 €
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C Instruments
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Bruno Mars
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When I Was Your Man
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Sabrina Khuzaimi
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SheetMusicPlus
Almost May Lead Sheet
C Instruments
C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi…
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C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99
2.69 €
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
Ode to Joy (LEAD SHEET) Theme from 9th Symphony [Ludwig van Beethoven]
C Instruments
C Instrument - Digital Download SKU: A0.1259055 Composed by Ludwig van Beethoven. A…
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C Instrument - Digital Download SKU: A0.1259055 Composed by Ludwig van Beethoven. Arranged by Darek. 19th Century,Classical,Romantic Period,Wedding. Lead Sheet / Fake Book. 1 pages. Darek #852320. Published by Darek (A0.1259055). Ode to Joy (LEAD SHEET) Theme from 9th Symphony [Ludwig van Beethoven]Lead Sheet arrangements of Ode to Joy Theme from 9th Symphony by Ludwig van Beethoven on various instruments. I am thrilled to offer you the remarkable opportunity to bring the iconic Ode to Joy Theme from Beethoven's 9th Symphony to life with our exceptional lead sheet for various instruments. As an avid musician and enthusiast, I am delighted to present you with this invaluable resource. My meticulously crafted lead sheet allows musicians of all levels to explore the beauty and grandeur of Beethoven's masterpiece. Whether you're a pianist, guitarist, or play any other instrument, this versatile sheet music will provide you with the essential notes and melody to express the timeless Ode to Joy. Dive into the rich era of classical music as you embrace the profound legacy of Beethoven. The Ode to Joy Theme, a symbol of triumph and unity, stands as a testament to the genius of this renowned composer and the enduring power of his music. With our lead sheet, you'll navigate the composition's intricacies effortlessly, regardless of your skill level. Whether you're a beginner, intermediate, or advanced musician, this arrangement offers a customizable experience that suits your musical journey. Positioning our product with a focus on accessibility and adaptability, my lead sheet caters to musicians across various instruments and skill levels. Embrace the joy of playing alongside fellow musicians, as you join together in harmonious celebration. Unleash your creativity and interpretive freedom with our lead sheet. As you explore the chords and harmonies, you'll discover new ways to express the essence of Beethoven's timeless masterpiece. This sheet music provides a solid foundation for improvisation and personalization, allowing you to make the Ode to Joy Theme truly your own. I understand that finding the right sheet music is crucial to your artistic journey. That's why I have meticulously curated this lead sheet, ensuring accuracy and clarity, so you can focus on the joy of playing. Choose excellence, choose expression, and choose our lead sheet for the Ode to Joy Theme from Beethoven's 9th Symphony. Unleash your musical potential, ignite your passion, and experience the triumph of playing this monumental masterpiece. Begin your musical adventure today and let Beethoven's timeless composition inspire awe and admiration in your performance.
$2.00
1.8 €
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C Instruments
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Ludwig van Beethoven
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Ode to Joy
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Darek
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SheetMusicPlus
Lord of All Our Days (Funeral Hymn) - Lead Sheet G Major
C Instruments
C Instrument - Level 3 - Digital Download SKU: A0.1477116 By Stacey Plays Hymns. By…
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C Instrument - Level 3 - Digital Download SKU: A0.1477116 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 3 pages. Anastace #1053816. Published by Anastace (A0.1477116). As of this publishing, over 137,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. This is the exact guitar version I used to record the Outdoor Acoustic Version of Lord of All Our Days, as heard on all streaming platforms. It is intended for use as a burial song, sung softly and reverently accompanied by a quiet guitar at the internment portion of a funeral service if music is desired at the graveside. I recommend playing it on capo 3 to match the original or a few higher to match your voice. You may also prefer to get the other version in C major and save using a capo. This version is just easier for a slightly more beginner guitarist. One other recommendation is to play it even lower so people can sing very quietly, i.e. capo 1 or even no capo at all, depending on the voice of the person leading the song.Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Piano Vocal in C Major for easier playing and a better congregational vocal rangeLead Sheet for piano or guitar in C Major - best key for singing without a capoA backup music mp3 track for soloists to perform with in a service, including the full backup choral arrangement.For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$4.00
3.6 €
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C Instruments
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Stacey Plays Hymns
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Lord of All Our Days
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Anastace
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SheetMusicPlus
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