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C Instruments
Sheetmusic to print
4 sheet music found
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They Can't Take That Away From Me from THE BARKLEYS OF BROADWAY from SHALL WE DANCE
C Instruments
C Instrument - Digital Download SKU: A0.808217 By Frank Sinatra. By George Gershwin…
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C Instrument - Digital Download SKU: A0.808217 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Mark W. Huxhold. 20th Century. Lead Sheet / Fake Book. 5 pages. Mark Wayne Music, LLC #3520281. Published by Mark Wayne Music, LLC (A0.808217). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com
$4.99
4.61 €
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C Instruments
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Frank Sinatra
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They Can't Take That Away From Me from THE BARKLEYS OF BROADWAY from SHALL WE DANCE
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Mark Wayne Music, LLC
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SheetMusicPlus
Take The "a" Train
C Instruments
C Instrument - Digital Download SKU: A0.1079820 Composed by Billy Strayhorn. Arrang…
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C Instrument - Digital Download SKU: A0.1079820 Composed by Billy Strayhorn. Arranged by Mark W. Huxhold. Jazz,Standards. Lead Sheet / Fake Book. 3 pages. Mark Wayne Music, LLC #684017. Published by Mark Wayne Music, LLC (A0.1079820). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC is ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys are included with each title, each key having its own page.
$4.99
4.61 €
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C Instruments
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Billy Strayhorn
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Take The "a" Train
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Mark Wayne Music, LLC
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SheetMusicPlus
For All We Know
C Instruments
C Instrument - Level 4 - Digital Download SKU: A0.500221 By The Carpenters. By Fred…
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C Instrument - Level 4 - Digital Download SKU: A0.500221 By The Carpenters. By Fred Karlin, James Griffin, and Robb Wilson. Arranged by John Fries. 20th Century,Film/TV,Jazz,Pop,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113406. Published by John Fries (A0.500221). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. In late 1970, while the Carpenters had a concert tour in Toronto and Chicago, Richard was worried about what song should follow their previous hits (They Long to Be) Close to You and We've Only Just Begun (which was still holding the #1 spot on the Adult Contemporary charts). Their manager advised them to take a short break from their work and go to a movie theater to see the film. Richard and Karen were immediately taken with this song and agreed that it should be the follow-up to their previous hits. After returning home, they recorded it, released it in December, and it went gold in only two months. The Carpenters' success with this song helped it win the 1970 Oscar for Best Song.
$3.99
3.69 €
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C Instruments
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The Carpenters
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For All We Know
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John Fries
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SheetMusicPlus
Almost May Lead Sheet
C Instruments
C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi…
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C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99
2.76 €
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C Instruments
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
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