Download Digital Sheet Music of After for Piccolo, Piano

After

Instrumental Solo,Piano,Piccolo - Level 3 - Digital Download SKU: A0.549520 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 17 pages. Jmsgu3 #3504453. Published by jmsgu3 (A0.549520). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Works particularly well on the Piccolo! Grieg Background In the first place, Edvard Grieg (1843 â€“1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Â Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Griegâ€™s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.

ARIOSO, by J. S. Bach (sinfonia) - for Piccolo and accompaniment #Piccolo, Piano #BEGINNER #Classical #Johann Sebastian Bach #Leyandder Trustworthy #ARIOSO, by J. S. Bach #Leyandder Trustworthy #SheetMusicPlus

Instrumental Solo,Piano,Piccolo - Level 1 - Digital Download SKU: A0.964366 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque...(+)

Instrumental Solo,Piano,Piccolo - Level 1 - Digital Download SKU: A0.964366 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and individual part. 2 pages. Leyandder Trustworthy #6320311. Published by Leyandder Trustworthy (A0.964366). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner GÃ¼t (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Piccolo along with a piano accompaniment that comes with the product.