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Famous One
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1,793
Piano & keyboards
Piano solo
553
Piano, Voice
412
Easy Piano
145
Piano, Vocal and Guitar
82
C Instruments
51
Organ
43
1 Piano, 4 hands
18
Piano Accompaniment
14
Piano Trio: piano, violin, cello
14
Organ, Trumpet (duet)
10
Piano Quartet: piano, violin, viola, cello
10
Piano Quartet: piano, 2 violins, cello
6
Piano Quintet: piano, 2 violins, viola, cello
4
Piano (band part)
4
Accordion
2
2 Pianos, 4 hands
2
2 Accordions
1
1 Piano, 6 hands
1
+ 13 instrumentations
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Guitars
Guitar notes and tablatures
63
Guitar
46
2 Guitars (duet)
28
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18
Ukulele
18
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10
4 Guitars (Quartet)
9
Bass guitar
8
Guitar (band part)
8
3 Guitars (trio)
2
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2
Mandolin, Guitar (duet)
1
Mandolin
1
Guitar, Violin, Cello (trio)
1
2 Ukuleles
1
Banjo
1
+ 11 instrumentations
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Retract
Voice
Choral SATB
180
Choral 3-part
84
Choral 2-part
60
Choral TTBB
58
Soprano voice, Piano
37
Choral SSAA
31
Baritone voice, Piano
30
Vocal duet, Piano
26
Tenor voice, Piano
25
Choral Unison
21
Alto voice, Piano
20
Vocal duet
10
High voice
8
Medium voice, Piano
2
Tenor voice
2
Choral SSAATTBB
2
Low voice, Piano
1
Low voice
1
Choral SSAB, Piano
1
Voice solo
1
Soprano voice
1
Soli, Mixted choir and accompaniment
1
Mezzo-Soprano voice, Piano
1
+ 18 instrumentations
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Retract
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524
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464
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459
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250
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201
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137
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132
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113
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105
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103
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95
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94
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90
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88
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70
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65
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65
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52
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48
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40
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36
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31
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29
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28
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27
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27
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23
Bass Clarinet, Piano
23
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20
2 Oboes (duet)
19
Soprano Saxophone
18
Flute, Violin
16
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15
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14
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14
Clarinet and Viola
13
3 Clarinets (trio)
12
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12
Recorder Quartet
11
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10
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10
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10
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9
Oboe
9
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9
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8
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7
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7
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7
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6
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6
Recorder
5
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5
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4
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4
Clarinet, Bassoon (duet)
4
3 Recorders (trio)
4
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4
Oboe, Guitar (duet)
3
Flute, Clarinet and Bassoon.
3
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2
English Horn, Guitar (duet)
2
2 Clarinets, Bassoon
2
Harmonica
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Tenor Recorder
2
Flute, Oboe, Clarinet (trio)
2
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2
Recorder Ensemble
2
Recorder, Guitar (duet)
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Saxophone and Guitar
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1
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1
Flute, Trombone (duet)
1
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1
Flute, Oboe, Bassoon
1
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1
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1
Oboe, Violin (duet)
1
Clarinet, Cello (duet)
1
Flute, Oboe (duet)
1
Descent (Soprano) Recorder, Piano
1
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506
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380
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274
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124
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109
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81
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78
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73
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70
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67
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66
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52
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50
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47
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46
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29
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28
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28
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28
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26
Tuba
25
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23
French horn
20
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15
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12
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10
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9
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9
Horn Ensemble
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Brass Trio
7
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6
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4
Brass Quartet: 4 trumpets
4
4 Tubas
4
3 French horns (trio)
3
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3
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3
2 Euphoniums (duet)
3
French horn (band part)
3
Tuba (band part)
2
3 Tubas (trio)
2
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2
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1
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1
Euphonium
1
Trumpet, Bassoon (duet)
1
Bass Clef Instruments
1
2 Euphoniums and 2 Tubas
1
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248
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135
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104
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97
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95
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81
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57
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43
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39
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34
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29
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24
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19
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17
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17
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16
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12
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11
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10
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10
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10
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9
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8
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7
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7
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5
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5
String Trio: 3 cellos
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4
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2
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1
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1
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1
Harp, Flute (duet)
1
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1
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2 Marimbas
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Famous One
Bass Clarinet
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1 sheet music found
Saint-Saëns: The Swan for Bass Clarinet & Piano
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Bass Clarinet
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INTERMEDIATE
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Classical
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Bas
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,...
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Bass Clarinet,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
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