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1,165
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Piano solo
917
Piano, Voice
211
Organ
141
Easy Piano
112
Piano Accompaniment
39
Piano Trio: piano, violin, cello
24
1 Piano, 4 hands
21
Piano, Vocal and Guitar
20
C Instruments
20
2 Pianos, 4 hands
10
Piano Quintet: piano, 2 violins, viola, cello
6
Piano Quartet: piano, violin, viola, cello
5
Piano (band part)
2
Organ, Trumpet (duet)
1
Fake Book
1
Piano Quartet: piano, 2 violins, cello
1
+ 11 instrumentations
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Retract
Guitars
Guitar
82
Guitar notes and tablatures
53
2 Guitars (duet)
24
Piano, Guitar (duet)
15
Melody line, (Lyrics) and Chords
13
Bass guitar
6
Ukulele
5
4 Guitars (Quartet)
4
Mandolin, Guitar (duet)
2
Guitar (band part)
2
Guitar, Violin, Cello (trio)
2
Mandolin
1
3 Guitars (trio)
1
Guitar, String Quartet
1
+ 9 instrumentations
-
Retract
Voice
Choral SATB
102
Choral 3-part
27
Choral 2-part
19
Choral TTBB
11
Soprano voice, Piano
8
Choral SSAA
5
Choral Unison
5
Vocal duet
5
High voice
4
Medium voice, Piano
3
Baritone voice, Piano
2
Voice solo
2
Vocal duet, Piano
2
Choral SSAATTBB
1
Tenor voice, Piano
1
Tenor voice
1
Alto voice, Piano
1
+ 12 instrumentations
-
Retract
Woodwind
Flute and Piano
247
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
172
Clarinet and Piano
156
Saxophone Quartet: 4 saxophones
120
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94
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84
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69
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67
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66
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52
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52
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48
Clarinet
47
English horn, Piano
44
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44
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40
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39
3 Saxophones (trio)
35
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31
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27
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26
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24
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24
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23
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17
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16
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15
3 Clarinets (trio)
15
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11
Clarinet, Guitar (duet)
11
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10
Flute ensemble
10
Saxophone (band part)
10
2 Recorders (duet)
9
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8
Piccolo, Piano
8
Flute, Violin, Piano
7
Oboe, Flute
7
Tenor Saxophone
6
Baritone Saxophone
6
Oboe, Clarinet, Bassoon (trio)
6
Flute Trio: 3 flutes
6
Tenor Recorder
6
Flute, Oboe, Clarinet (trio)
6
Flute, Clarinet (duet)
6
Descant (Soprano) Recorder
6
Recorder Ensemble
5
Clarinet, Bassoon (duet)
5
Soprano Saxophone
5
Recorder, Piano
5
Piccolo
4
Flute (band part)
4
Treble (Alto) Recorder, Piano
4
English Horn
4
5 Recorders
4
Oboe
4
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3
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3
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3
2 Clarinets, Piano
3
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2
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2
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2
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2
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2
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2
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2
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2
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1
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1
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1
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Recorder
1
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1
2 Flutes and Harp
1
Oboe ensemble
1
Flute, Viola and Piano
1
Flute, Organ (duet)
1
Clarinet, Trumpet (duet)
1
Flute, Trumpet (duet)
1
Oboe, Harp
1
2 Flutes, Piano
1
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1
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1
Flute, Clarinet and Bassoon.
1
Flute, Bassoon, and Piano
1
Flute, Viola (duet)
1
Saxophone
1
+ 84 instrumentations
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Retract
Woodbrass
Brass quartet : 2 trumpets, trombone, tuba
105
Brass Quintet: 2 trumpets, horn, trombone, tuba
101
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80
French Horn and Piano
71
Trumpet, Piano
63
English horn, Piano
44
Trumpet
43
Euphonium, Piano (duet)
40
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28
2 French horns (duet)
28
Trombone ensemble
27
Tuba
25
Brass Quartet: 4 trombones
22
Tuba and Piano
20
Brass Quartet
17
2 Trumpets (duet)
12
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11
Trombone
10
French horn
10
Brass Quartet: 4 trumpets
9
2 Trombones (duet)
9
Trumpet ensemble
6
2 Tubas (duet)
6
Trumpet (band part)
5
Bass Trombone
5
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5
Trombone (band part)
4
English Horn
4
Trumpet, Trombone (duet)
4
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4
2 Euphoniums (duet)
3
4 Tubas
3
3 Trombones (trio)
3
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2
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2
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2
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2
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2
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2
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2
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1
Tuba (band part)
1
French horn (band part)
1
2 Euphoniums and 2 Tubas
1
+ 40 instrumentations
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529
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221
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138
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129
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49
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43
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42
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36
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36
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32
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23
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20
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20
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18
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18
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17
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17
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15
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14
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13
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10
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10
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8
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8
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7
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7
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6
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6
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5
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5
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4
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3
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3
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3
2 Double basses (duet)
3
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2
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2
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2
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2
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1
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1
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1
4 Double Basses
1
2 Harps (duet)
1
Cello, Organ
1
Doublebass (band part)
1
Violin, Basso continuo
1
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258
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132
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89
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51
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50
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10
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Vibraphone
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Bass Clarinet
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Saint-Saëns: The Swan for Bass Clarinet & Piano
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Bass Clarinet
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INTERMEDIATE
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Classical
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Bas
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,...
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Bass Clarinet,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
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