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Harpsichord
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Piano Quintet: piano, 2 violins, viola, cello
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2 Pianos, 8 hands
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Organ, Trumpet (duet)
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+ 11 instrumentations
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345
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166
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3 Oboes
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Oboe, Violin (duet)
1
Oboe and viola (duet)
1
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1
Saxophone
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185
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172
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95
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79
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66
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64
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29
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20
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16
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13
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10
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72
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Leg It
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Medium voice, Piano
Sheetmusic to print
5 sheet music found
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1
Jacques Leguerney: Sept Poèmes de François Maynard for medium voice and piano
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Medium voice, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Jacques Leguerney
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Jacques Leguerney: Sept Poème
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Musik Fabrik Music Publishing
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SheetMusicPlus
Medium-Low Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fa...
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Medium-Low Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fabrik Music Publishing #3478897. Published by Musik Fabrik Music Publishing (A0.534413). 1. Plaintes d'Orphée2. Ã?pigramme à un mauvais payeur3. à Chloris4. D'une maigre dame5. Dans le fôret6. Secret Amour 7. Complients à une duègnehttps://www.youtube.com/watch?v=Uo7KQ89pzz4Gérard Souzay, French baritone, said of Jacques Leguerneyâ??s music: â??How does one describe this music which is, at the same time, classic and modern? It is pure, but colorfully nuanced; it speaks to the heart as well as the mind: at times calm; at times witty; wise, yet sensual. The music of Jacques Leguerney is un jardin à la française, both elegant and stylish.â? Jacques Leguerney was born in Le Havre on 19 November 1906. His uncle bought his first piano and encouraged him to study and write music. He wrote chamber works, and took a few semesters of harmony with Nadia Boulanger, who arranged for a performance of his Epitaphe guerrière and Clair de lune in a concert organized by the Société musical indépendante at the Salle Pleyel. However, he decided not to continue his studies. He felt that his gift was natural and spontaneous, and that anyone who understood music should not have to do exercises to learn to compose. In 1928, Jane Bathori took an interest in Leguerney, including two songs during her tour in Argentina, and the following year at the Salle Erard in Paris. In 1932, when his father died, Leguerney took over the family business and stopped composing until the outbreak of World War II. The period extending from the German occupation of France to the end of the 1940s constitutes one of the important periods of Leguerneyâ??s musical life. He began his extended song cycle, Poèmes de la Pléiade, and wrote many songs upon poems of Paul-Jean Toulet. He also continued to compose chamber music, including the Sonatine pour violon et piano, the â??Fantasie pour pianoâ? and the Quatuor à cordes en Ré. An important year for Leguerney was 1943. He met musical colleagues who would become his major interpreters. These included Gérard Souzay as well as his half-sister, soprano Geneviève Touraine; pianist Jacqueline Robin (Bonneau), Pierre Bernac, and Francis Poulenc. Robin (Bonneau) particularly influenced Leguerneyâ??s style. His piano accompaniments were created specifically for her virtuosic and sensitive style of pianism. Bernac observed that Leguerney wrote melodies de pianiste. In 1946, Leguerney created a ballet on the mythological story of Endymion. The premiere was at the Opéra de Paris on 27 July 1949, with choreography by Serge Lifar. The Opéra de Paris immediately commissioned a second work, which was La Vénus noire, based upon a short story by Prosper Mérimée. This ballet was never produced, due to disagreements with the choreographer. Leguerney became discouraged and this situation was to lead to the end of his interest in composing. However, the years 1950-1954 brought Leguerney widespread recognition as he created his beautiful mélodie cycles including La Nuit, La Solitude (for piano as well as an orchestration), Le Paysage, and Le Carnaval, as well as the cantata Psaume LXII de David. Gérard Souzay requested many new works for his recitals and premiered La Nuit, Le Carnaval and
$19.95
LEGRENZI Giovanni: Che fiero costume, cantata, - Voice and Piano (F sharp minor)
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Medium voice, Piano
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INTERMEDIATE
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Giovanni LEGRENZI
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Sergei PICHUGIN
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LEGRENZI Giovanni: Che fiero c
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Really Good Music, LLC.
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868731 Composed by Giovanni LEGRENZI (1626 – 1690). Arranged by Sergei PICHUGIN. Baro...
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Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868731 Composed by Giovanni LEGRENZI (1626 – 1690). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 3 pages. Really Good Music, LLC. #4409111. Published by Really Good Music, LLC. (A0.868731). Che fiero costume is a solo cantata from Echi di riverenza, Op. 14 (1678), composed by Giovanni LEGRENZI (1626 – 1690). It has been arranged by Sergei Pichugin for voice and piano. The cantata may be an invaluable addition to the repertoire of vocal teachers and students. It is available in F sharp minor (C#4 – D#5) for low voice.
$5.95
What Was It Like? (for solo medium voice)
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Medium voice, Piano
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INTERMEDIATE
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Dean H
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What Was It Like?
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D H Hamill
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1012878 Composed by Dean H. Hamill with Lyrics by Bruce C. Kusch. Christian,Christmas,Sacred...
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Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1012878 Composed by Dean H. Hamill with Lyrics by Bruce C. Kusch. Christian,Christmas,Sacred,Spiritual. 4 pages. D H Hamill #6136891. Published by D H Hamill (A0.1012878). For Christmas programs, What Was It Like? is a beautiful and memorable anthem with piano accompaniment. The lyrics reflect the thoughts of so many of us who wonder what it felt like to those who witnessed the birth and early years of Jesus Christ. The vocal parts are all within normal ranges and of no particular difficulty. The piano accompaniment is of medium difficulty. Meter changes set off the verses from the chorus melody, and there is one key change. This is appropriate for both worship services and any public Christmas program venue. Performance time is five minutes. There are two other arrangements on the website, one for S.A.T.B. and one for two-part women's chorus or duet. The lyricist, Bruce C. Kusch, is at this time the president of Ensign College in Salt Lake City, Utah. The composer, Dean H. Hamill, resides in Saratoga Springs, Utah and may be contacted at dean.hamill@hushmail.com.
$2.55
Flow My Tears (Voice & Harpsichord or Lute)
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Medium voice, Piano
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Renaissance
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Classical
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John Dowland
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Duarte Domingues
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Flow My Tears
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S. Caeciliae Publisher
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SheetMusicPlus
Medium-High Voice,Vocal Solo - Digital Download SKU: A0.484341 Composed by John Dowland. Arranged by Duarte Domingues. Baroque,Renaissance. 4 pages. S. C...
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Medium-High Voice,Vocal Solo - Digital Download SKU: A0.484341 Composed by John Dowland. Arranged by Duarte Domingues. Baroque,Renaissance. 4 pages. S. Caeciliae Publisher #103671. Published by S. Caeciliae Publisher (A0.484341). Flow My Tears now edited in complete modern music notation. The score is divided in three parts (each repeat with different lyrics, except for the 3rd part), making it easier for the performers to locate them. Also includes the lyrics in Old English and in Current English in the end, making it easier to interpret and perhaps translate the lyrics. This air can be accompanied with the harpsichord or the lute. The voice can vary from Baritone to Tenor, from Contratenor (an octave above the written) to Soprano (an octave above the written). *Now with improved engraving quality and legebility.*.
$4.90
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