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The Call - TTBB
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+ 12 instrumentations
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+ 16 instrumentations
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Retract
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+ 83 instrumentations
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99
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75
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33
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31
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18
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14
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11
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+ 37 instrumentations
-
Retract
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String Quartet: 2 violins, viola, cello
299
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68
Harp
57
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52
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41
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26
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13
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5
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3 sheet music found
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Meditation (Recorder quartet SATB)
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Recorder Quartet
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INTERMEDIATE
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Drake Mabry
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Meditation
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Drake Mabry
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SheetMusicPlus
Small Ensemble Alto Recorder,Soprano Recorder,Tenor Recorder - Level 3 - Digital Download SKU: A0.799509 Composed by Drake Mabry. 20th Century,Jazz,Stand...
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Small Ensemble Alto Recorder,Soprano Recorder,Tenor Recorder - Level 3 - Digital Download SKU: A0.799509 Composed by Drake Mabry. 20th Century,Jazz,Standards,World. Score and parts. 7 pages. Drake Mabry #3533853. Published by Drake Mabry (A0.799509). Meditation was written in 1978 during a summer vacation in Vermont. The chord progression is based on a Spanish jazz style but the work also recalls some elements of Bach's four-part chorale writing. It can be played separately or as part of a suite featuring: C.S. Chaconne, Meditation, Tango and Caught between a Music Box and a Calliope, a humorous encore piece. The different moods of each of the movements provide the audience with a voyage in various instrumental colors and expressions. The duration is 3'00.
$5.99
Duet from Cantata Number BWW 140.6 transribed for Recorder Quartet
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Recorder Quartet
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INTERMEDIATE
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Sacred music
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Keith Terrett
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Keith Terrett
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Duet from Cantata Number BWW 1
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Keith Terrett
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.903300 By Keith Terrett. By Johann Sebastian Bach. Arranged by Keith Terrett. Bar...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.903300 By Keith Terrett. By Johann Sebastian Bach. Arranged by Keith Terrett. Baroque,Classical,Praise & Worship. 15 pages. Keith Terrett #509473. Published by Keith Terrett (A0.903300). A transcription of J.S. Bach's Duet from Cantata Number BWW 140.6 transribed for Recorder Quartet consisting of two Alto's, Tenor & Bass Recorder. The sixth movement, Mein Freund ist mein! (My Friend is mine!), is another duet for soprano and bass with obbligato oboe. This duet, like the third movement, is a love duet between the soprano Soul and the bass Jesus.Gardiner notes that Bach uses the means of contemporary operatic love-duets in his use of chains of suspensions and parallel thirds and sixths. Dürr describes it as giving expression to the joy of the united pair, showing a relaxed mood in artistic intensity. Wachet auf, ruft uns die Stimme ('Awake, calls the voice to us'),[1] BWV 140, also known as Sleepers Wake, is a church cantata by Johann Sebastian Bach, regarded as one of his most mature and popular sacred cantatas. He composed the chorale cantata in Leipzig for the 27th Sunday after Trinity and first performed it on 25 November 1731. Bach composed this cantata to complete his second annual cycle of chorale cantatas, begun in 1724. The cantata is based on the hymn in three stanzas Wachet auf, ruft uns die Stimme (1599) by Philipp Nicolai, which covers the prescribed reading for the Sunday, the parable of the Ten Virgins. The text and tune of the three stanzas of the hymn appears unchanged in three of seven movements (1, 4 and 7). An unknown author supplied additional poetry for the inner movements as sequences of recitative and duet, based on the love poetry of the Song of Songs. Bach structured the cantata in seven movements, setting the first stanza as a chorale fantasia, the second stanza in the central movement in the style of a chorale prelude, and the third stanza as a four-part chorale. He set the new texts as dramatic recitatives and love-duets, similar to contemporary opera. Bach scored the work for three vocal soloists (soprano, tenor and bass), a four-part choir and a Baroque instrumental ensemble consisting of a horn (to reinforce the soprano), two oboes, taille, violino piccolo, strings and basso continuo including bassoon. Bach used the central movement of the cantata as the basis for the first of his Schübler Chorales, BWV 645. Bach scholar Alfred Dürr notes that the cantata is an expression of Christian mysticism in art, while William G. Whittaker calls it a cantata without weaknesses, without a dull bar, technically, emotionally and spiritually of the highest order, its sheer perfection and its boundless imagination rouse one's wonder time and time again.
$10.00
Blessed Jesus, At Thy Word for Recorder Quartet
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Recorder Quartet
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INTERMEDIATE
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Sacred music
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Johann Rudolph Ahle
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Harmony Corelli
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Blessed Jesus, At Thy Word for
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Anna Sparks
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SheetMusicPlus
Recorder - Level 3 - Digital Download SKU: A0.997195 Composed by Johann Rudolph Ahle. Arranged by Harmony Corelli. Baroque,Praise & Worship,Sacred. Recor...
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Recorder - Level 3 - Digital Download SKU: A0.997195 Composed by Johann Rudolph Ahle. Arranged by Harmony Corelli. Baroque,Praise & Worship,Sacred. Recorder Ensemble. 2 pages. Anna Sparks #5209949. Published by Anna Sparks (A0.997195). A lively, slightly fugal sounding arrangement of this call to worship. The eighth note runs will keep everyone on their toes!
$1.99
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