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Cycle 1
Recorder Quartet
Sheetmusic to print
2 sheet music found
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Duet from Cantata Number BWW 140.6 transribed for Recorder Quartet
Recorder Quartet
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.903300 By K…
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.903300 By Keith Terrett. By Johann Sebastian Bach. Arranged by Keith Terrett. Baroque,Classical,Praise & Worship. 15 pages. Keith Terrett #509473. Published by Keith Terrett (A0.903300). A transcription of J.S. Bach's Duet from Cantata Number BWW 140.6 transribed for Recorder Quartet consisting of two Alto's, Tenor & Bass Recorder. The sixth movement, Mein Freund ist mein! (My Friend is mine!), is another duet for soprano and bass with obbligato oboe. This duet, like the third movement, is a love duet between the soprano Soul and the bass Jesus.Gardiner notes that Bach uses the means of contemporary operatic love-duets in his use of chains of suspensions and parallel thirds and sixths. Dürr describes it as giving expression to the joy of the united pair, showing a relaxed mood in artistic intensity. Wachet auf, ruft uns die Stimme ('Awake, calls the voice to us'),[1] BWV 140, also known as Sleepers Wake, is a church cantata by Johann Sebastian Bach, regarded as one of his most mature and popular sacred cantatas. He composed the chorale cantata in Leipzig for the 27th Sunday after Trinity and first performed it on 25 November 1731. Bach composed this cantata to complete his second annual cycle of chorale cantatas, begun in 1724. The cantata is based on the hymn in three stanzas Wachet auf, ruft uns die Stimme (1599) by Philipp Nicolai, which covers the prescribed reading for the Sunday, the parable of the Ten Virgins. The text and tune of the three stanzas of the hymn appears unchanged in three of seven movements (1, 4 and 7). An unknown author supplied additional poetry for the inner movements as sequences of recitative and duet, based on the love poetry of the Song of Songs. Bach structured the cantata in seven movements, setting the first stanza as a chorale fantasia, the second stanza in the central movement in the style of a chorale prelude, and the third stanza as a four-part chorale. He set the new texts as dramatic recitatives and love-duets, similar to contemporary opera. Bach scored the work for three vocal soloists (soprano, tenor and bass), a four-part choir and a Baroque instrumental ensemble consisting of a horn (to reinforce the soprano), two oboes, taille, violino piccolo, strings and basso continuo including bassoon. Bach used the central movement of the cantata as the basis for the first of his Schübler Chorales, BWV 645. Bach scholar Alfred Dürr notes that the cantata is an expression of Christian mysticism in art, while William G. Whittaker calls it a cantata without weaknesses, without a dull bar, technically, emotionally and spiritually of the highest order, its sheer perfection and its boundless imagination rouse one's wonder time and time again.
$10.00
9.1 €
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Recorder Quartet
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Keith Terrett
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Duet from Cantata Number BWW 140.6 transribed for Recorder Quartet
#
Keith Terrett
#
SheetMusicPlus
Kommt, ihr G'spielen
Recorder Quartet
Recorder quartet (SATB) - easy to intermediate - Digital Download SKU: S9.Q11339
(+)
Recorder quartet (SATB) - easy to intermediate - Digital Download SKU: S9.Q11339 Folk song variations. Composed by Hermann Schroeder. This edition: score and parts. Original Music for Recorder. Downloadable, Score and parts. Duration 5 minutes. Schott Music - Digital #Q11339. Published by Schott Music - Digital (S9.Q11339). Apart from his numerous church music works and organ compositions, the composer Hermann Schroeder (1904-1984) from Cologne also wrote a large number of chamber music works. His recorder quartet 'Kommt, ihr G'spielen' was created for the competition 'Jugend musiziert' and performed for the first time at an award winners' concert in Münster. The classical instrumentation of SATB recorders can be changed by having the bass played by the great bass flute or the violoncello. The well-known dancing tune from the Renaissance period inspired Schroeder to write a series of lively variations full of brio: Var. 1 turns the head motif into a free fantasia, Var. 2 puts the melody as fugato, Var. 3 is an agitated, polyphonic trio (SAT) with lively semiquaver figures, Var. 4 is a cheerful gigue, Var. 5 concludes the entire cycle in a virtuoso manner. A rewarding piece for tuition and concert, with a duration of about 5 minutes.Kommt, ihr G'spielen entstand für den Wettbewerb Jugend musiziert. Die klassische Besetzung mit SATB-Blockflöten kann auch abgewandelt werden, indem der Bass von der Großbassflöte oder dem Cello gespielt wird. Das bekannte Tanzlied aus der Renaissance inspirierte Schroeder zu einer Reihe von musikantisch-beschwingten Variationen. Ein dankbares Stück für Unterricht und Konzert.
$18.99
17.27 €
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Recorder Quartet
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Hermann Schroeder
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Kommt, ihr G'spielen
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Schott Music - Digital
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SheetMusicPlus
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