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Recorder Quartet
Sheetmusic to print
6 sheet music found
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1
GIULIANI, M. La Tersicore del Nord (Northern Dances), Op. 147, for Recorder Quartet
Recorder Quartet
Recorder - Level 4 - Digital Download SKU: A0.898101 Composed by Mauro GIULIANI (17…
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Recorder - Level 4 - Digital Download SKU: A0.898101 Composed by Mauro GIULIANI (1781-1828). Arranged by Douglas Brooks-Davies. Romantic Period,Standards. Recorder Ensemble. 46 pages. Douglas Brooks-Davies #3436331. Published by Douglas Brooks-Davies (A0.898101). Among the many compositions for guitar by the celebrated guitarist Mauro Giuliani (1781-1828) is a collection of 16 charmingly tuneful dances, published under the title La Tersicore del Nord (The Northern Tersicore, this being the name of the ancient Greek muse of the dance), thereby suggesting that Giuliani felt the collection to be inspired in some way by what he understood to be a northern European spirit. Here are six of them, nos 6, 7, 10, 11, 12 and 13, arranged for recorder quartet - soprano (descant), alto (treble), tenor and bass. The melodies are Giuliani's, the rest is mine, each part being given some at least of the fun in these engaging pieces. Tempo indications are also editorial. The guitar original - treble line with occasional accompanying notes or chords - can be found at IMSLP.
$2.50
2.29 €
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Recorder Quartet
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Mauro GIULIANI
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GIULIANI, M. La Tersicore del Nord
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Douglas Brooks-Davies
#
SheetMusicPlus
Duet from Cantata Number BWW 140.6 transribed for Recorder Quartet
Recorder Quartet
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.903300 By K…
(+)
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.903300 By Keith Terrett. By Johann Sebastian Bach. Arranged by Keith Terrett. Baroque,Classical,Praise & Worship. 15 pages. Keith Terrett #509473. Published by Keith Terrett (A0.903300). A transcription of J.S. Bach's Duet from Cantata Number BWW 140.6 transribed for Recorder Quartet consisting of two Alto's, Tenor & Bass Recorder. The sixth movement, Mein Freund ist mein! (My Friend is mine!), is another duet for soprano and bass with obbligato oboe. This duet, like the third movement, is a love duet between the soprano Soul and the bass Jesus.Gardiner notes that Bach uses the means of contemporary operatic love-duets in his use of chains of suspensions and parallel thirds and sixths. Dürr describes it as giving expression to the joy of the united pair, showing a relaxed mood in artistic intensity. Wachet auf, ruft uns die Stimme ('Awake, calls the voice to us'),[1] BWV 140, also known as Sleepers Wake, is a church cantata by Johann Sebastian Bach, regarded as one of his most mature and popular sacred cantatas. He composed the chorale cantata in Leipzig for the 27th Sunday after Trinity and first performed it on 25 November 1731. Bach composed this cantata to complete his second annual cycle of chorale cantatas, begun in 1724. The cantata is based on the hymn in three stanzas Wachet auf, ruft uns die Stimme (1599) by Philipp Nicolai, which covers the prescribed reading for the Sunday, the parable of the Ten Virgins. The text and tune of the three stanzas of the hymn appears unchanged in three of seven movements (1, 4 and 7). An unknown author supplied additional poetry for the inner movements as sequences of recitative and duet, based on the love poetry of the Song of Songs. Bach structured the cantata in seven movements, setting the first stanza as a chorale fantasia, the second stanza in the central movement in the style of a chorale prelude, and the third stanza as a four-part chorale. He set the new texts as dramatic recitatives and love-duets, similar to contemporary opera. Bach scored the work for three vocal soloists (soprano, tenor and bass), a four-part choir and a Baroque instrumental ensemble consisting of a horn (to reinforce the soprano), two oboes, taille, violino piccolo, strings and basso continuo including bassoon. Bach used the central movement of the cantata as the basis for the first of his Schübler Chorales, BWV 645. Bach scholar Alfred Dürr notes that the cantata is an expression of Christian mysticism in art, while William G. Whittaker calls it a cantata without weaknesses, without a dull bar, technically, emotionally and spiritually of the highest order, its sheer perfection and its boundless imagination rouse one's wonder time and time again.
$10.00
9.15 €
#
Recorder Quartet
#
Keith Terrett
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Duet from Cantata Number BWW 140.6 transribed for Recorder Quartet
#
Keith Terrett
#
SheetMusicPlus
In Nomine no.1 a4
Recorder Quartet
Composed by Christopher Tye (1505-1572). Arranged by Gil Garty. Renaissance, Early Music, …
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Composed by Christopher Tye (1505-1572). Arranged by Gil Garty. Renaissance, Early Music, Christian, Sacred. Score, Set of Parts. 6 pages. Published by Gil Garty (S0.17617). - Score,Set of Parts - Renaissance,Early Music,Christian,Sacred - Gil Garty
$5.00
4.57 €
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Recorder Quartet
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Christopher Tye
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In Nomine no.1 a4
#
Gil Garty
#
SheetMusicPlus
Duet: Domine Deus from Mass BWV 236 (arrangement for 4 recorders)
Recorder Quartet
Composed by Johann Sebastian Bach (1685-1750). Arranged by Gil Garty. Baroque Period, Chri…
(+)
Composed by Johann Sebastian Bach (1685-1750). Arranged by Gil Garty. Baroque Period, Christian, Sacred, Praise & Worship. Score, Set of Parts. 14 pages. Published by Gil Garty (S0.107399). - Score,Set of Parts - Baroque Period,Christian,Sacred,Praise & Worship - Gil Garty
$5.00
4.57 €
#
Recorder Quartet
#
Johann Sebastian Bach
#
Duet: Domine Deus from Mass BWV 236
#
Gil Garty
#
SheetMusicPlus
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